The endless creaking of the house at night and the eerie stillness of the woods surrounding them would be enough of a sign, but there are secrets too—questions that Silla can’t ignore: Why does it seem that, ever since they arrived, the trees have been creeping closer? Who is the beautiful boy who’s appeared from the woods? And who is the tall man with no eyes who Nori plays with in the basement at night… a man no one else can see?

    There he finds a manuscript, and from the moment his mother catches him in the act, Gerard Freeman's life is irrevocably changed. What is the invisible, ever-present threat from which his mother strives so obsessively to protect him? And why should stories written a century ago entwine themselves ever more closely around events in his own life? Gerard's quest to unveil the mystery that shrouds his family, and his life, will lead him from Mawson to London, to a long-abandoned house and the terror of a ghost story come alive.

    They’re well aware that the first forty-eight hours are critical and after that, the odds usually point to a worst-case scenario. And despite Stevie Clark’s youth, he knows that, too; he’s seen the cop shows. He knows what each ticking moment may mean for Jude, his cousin and best friend.That, and there was that boy, Max Larsen...the one from years ago, found dead after also disappearing under mysterious circumstances. And then there were the animals: pets gone missing out of yards. For years, the residents of Deer Valley have murmured about these unsolved crimes…and that a killer may still be lurking around their quiet town. Now, fear is reborn—and for Stevie, who is determined to find out what really happened to Jude, the awful truth may be too horrifying to imagine.

    Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.

    But business is lean and times are tight, so he’s thrilled when the aged and esteemed Augusta Withrow appears in his office, bearing an offer he really ought to refuse. She has a massive family estate to unload - lock, stock, and barrel. For a check and a handshake, it’s all his.It’s a big check. It’s a firm handshake. And it’s enough of a gold mine that he assigns his daughter Dahlia to personally oversee the project.Dahlia preps a couple of trucks, takes a small crew, and they caravan down to Chattanooga, Tennessee, where the ancient Withrow house is waiting - and so is a barn, a carriage house, and a small, overgrown cemetery that Augusta Withrow left out of the paperwork.Augusta Withrow left out a lot of things.The property is in unusually great shape for a condemned building. It’s empty, but it isn't abandoned. Something in the Withrow mansion is angry and lost. This is its last chance to raise hell before the house is gone forever, and there's still plenty of room in the strange little family plot.New from Cherie Priest, a modern master of supernatural fiction, The Family Plot is a haunted house story for the ages - atmospheric, scary, and strange, with a modern gothic sensibility that every bit as fresh as it is frightening.

    She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

    In a series of online posts, Parker H., a young psychiatrist, chronicles the harrowing account of his time working at a dreary mental hospital in New England. Through this internet message board, Parker hopes to communicate with the world his effort to cure one bewildering patient. We learn, as Parker did on his first day at the hospital, of the facility’s most difficult, profoundly dangerous case—a forty-year-old man who was originally admitted to the hospital at age six. This patient has no known diagnosis. His symptoms seem to evolve over time. Every person who has attempted to treat him has been driven to madness or suicide. Desperate and fearful, the hospital’s directors keep him strictly confined and allow minimal contact with staff for their own safety, convinced that releasing him would unleash catastrophe on the outside world. Parker, brilliant and overconfident, takes it upon himself to discover what ails this mystery patient and finally cure him. But from his first encounter with the mystery patient, things spiral out of control, and, facing a possibility beyond his wildest imaginings, Parker is forced to question everything he thought he knew. Fans of Sarah Pinborough’s Behind Her Eyes and Paul Tremblay’s The Cabin at the End of the World will be riveted by Jasper DeWitt’s astonishing debut.

    New surroundings and new ideas, a new beginning. Fresh air."These are the opening lines of the journal kept by the narrator of Daniel Kehlmann's spellbinding new novel: the record of the seven days that he, his wife, and his four-year-old daughter spend in a house they have rented in the mountains of Germany—a house that thwarts the expectations of his recollection and seems to defy the very laws of physics. The narrator is eager to finish a screenplay, entitled Marriage, for a sequel to the movie that launched his career, but something he cannot explain is undermining his convictions and confidence, a process he is recording in this account of the uncanny events that unfold as he tries to understand what, exactly, is happening around him—and in himself.

    Lily is gone and her twins, Miranda and Eliot, and her husband, the gentle Luc, mourn her absence with unspoken intensity. All is not well with the house, either, which creaks and grumbles and malignly confuses visitors in its mazy rooms, forcing winter apples in the garden when the branches should be bare. Generations of women inhabit its walls. And Miranda, with her new appetite for chalk and her keen sense for spirits, is more attuned to them than she is to her brother and father. She is leaving them slowly -Slipping away from them -And when one dark night she vanishes entirely, the survivors are left to tell her story."Miri I conjure you "This is a spine-tingling tale that has Gothic roots but an utterly modern sensibility. Told by a quartet of crystalline voices, it is electrifying in its expression of myth and memory, loss and magic, fear and love.

    Now suspended in an eerie, unsettling twilight zone during the four days of the liner's illustrious maiden voyage, a number of the passengers - including millionaires Madeleine Astor and Benjamin Guggenheim, the maid Annie Hebbley and Mark Fletcher - are convinced that something sinister is going on . . . And then, as the world knows, disaster strikes.Years later and the world is at war. And a survivor of that fateful night, Annie, is working as a nurse on the sixth voyage of the Titanic's sister ship, the Britannic, now refitted as a hospital ship. Plagued by the demons of her doomed first and near fatal journey across the Atlantic, Annie comes across an unconscious soldier she recognises while doing her rounds. It is the young man Mark. And she is convinced that he did not - could not - have survived the sinking of the Titanic . . .

    Ever since her father was killed when she was just a child, Miranda Crabtree has kept her head down and her eyes up, ferrying contraband for a mad preacher and his declining band of followers to make ends meet and to protect an old witch and a secret child from harm.But dark forces are at work in the bayou, And when the preacher makes an unthinkable demand, it sets Miranda on a desperate, dangerous path, forcing her to consider what she is willing to sacrifice to keep her loved ones safe.

    Failed father, failed husband, and failed scholar, Charles hopes to put his life back together with a biography of Caedmon Hollow, the long-dead author of a legendary Victorian children's book, In the Night Wood. But soon after settling into Hollow's remote Yorkshire home, Charles learns that the past isn't dead. In the neighboring village, Charles meets a woman he might have loved, a child who could have been his own lost daughter, and the ghost of a self he thought he'd put behind him. And in the primeval forest surrounding Caedmon Hollow's ancestral home, an ancient power is stirring. The horned figure of a long-forgotten king haunts Charles Hayden's dreams. And every morning the fringe of darkling trees presses closer. Soon enough, Charles will venture into the night wood. Soon enough he'll learn that the darkness under the trees is but a shadow of the darkness that waits inside us all.

    . . In a quest for a simpler life, Helen and Nate have abandoned the comforts of suburbia to take up residence on forty-four acres of rural land where they will begin the ultimate, aspirational do-it-yourself project: building the house of their dreams. When they discover that this beautiful property has a dark and violent past, Helen, a former history teacher, becomes consumed by the local legend of Hattie Breckenridge, a woman who lived and died there a century ago. With her passion for artifacts, Helen finds special materials to incorporate into the house--a beam from an old schoolroom, bricks from a mill, a mantel from a farmhouse--objects that draw her deeper into the story of Hattie and her descendants, three generations of Breckenridge women, each of whom died suspiciously. As the building project progresses, the house will become a place of menace and unfinished business: a new home, now haunted, that beckons its owners and their neighbors toward unimaginable danger.

    The "world's most advanced smart speaker!" didn't interest Thiago, but Vera thought it would be a bit of fun for them amidst all the strange occurrences happening in the condo. It made things worse. The cold spots and scratching in the walls were weird enough, but peculiar packages started showing up at the house—who ordered industrial lye? Then there was the eerie music at odd hours, Thiago waking up to Itza projecting light shows in an empty room.It was funny and strange right up until Vera was killed, and Thiago's world became unbearable. Pundits and politicians all looking to turn his wife's death into a symbol for their own agendas. A barrage of texts from her well-meaning friends about letting go and moving on. Waking to the sound of Itza talking softly to someone in the living room...The only thing left to do was get far away from Chicago. Away from everything and everyone. A secluded cabin in Colorado seemed like the perfect place to hole up with his crushing grief. But soon Thiago realizes there is no escape—not from his guilt, not from his simmering rage, and not from the evil hunting him, feeding on his grief, determined to make its way into this world.A bold, original horror novel about grief, loneliness and the oppressive intimacy of technology, This Thing Between Us marks the arrival of a spectacular new talent.

    The body of a teenage boy is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at long last—revenge for the bullying he endures at school, day after day.But the murder is not the most important thing on his mind. A new girl has moved in next door—a girl who has never seen a Rubik's Cube before, but who can solve it at once. There is something wrong with her, though, something odd. And she only comes out at night....