This is the translation into Russian of the famous books by Anton LaVey: The Satanic Bible The Devil's Notebook The Satanic Rituals

    Within the history of the scorecard are some of baseball's greatest moments. From the first scorecard introduced in 1845, to the scoring system devised by direct-marketing genius L. L. Bean; from presidential scoring habits to batting titles decided by official scorers, to Phil Rizzuto's inspired scoring symbol "WW," ("Wasn't Watching"), Dickson delights in his subject, offering unique insights and memorable anecdotes. Among the book's many illustrations is a gallery of historic scorecards, including Don Larsen's perfect game in the 1956 World Series, Babe Ruth's famous "called" home run, and Cal Ripken's record-breaking 2,131st consecutive game.In addition, Dickson provides basic and advanced scoring techniques for beginners and experts alike, a year-by-year timeline of rule changes, a guide to baseball's quirkiest statutes, stories of famous scoring blunders, and many more unexpected rewards. For those who keep or have kept score, this book will be an elixir. For those who haven't, it will be a revelation. For baseball fans everywhere, it is a treasure.

    NOTES ABOUT To Kill a MockingbirdNOT the book To Kill a Mockingbird by Harper Lee

    K. Chesterton's Father Brown is not senile, nor easily rattled. In fact, this village priest wanders into challenges that pale in comparison to the things he has heard through the screen of the confessional. For to hear Father Brown tell it, crime is a manifestation of sin: the criminal must be caught, but he or she must also be saved; the culprit has to be locked up, but the spirit must be freed.G. K. Chesterton (1874-1936) was a larger-than-life writer who fascinates and perplexes us to this day. An art student who became a poet, and then by turns a journalist, playwright, biographer, novelist, storyteller, philosopher, and "Christian apologist," his fame rested on an uncanny ability to produce vast quantities of crystalline prose quickly and without apparent effort. His fiction--particularly the Father Brown stories and the delirious suspense novel The Man Who Was Thursday--remains his most widely read and entertaining works.

    Stokes Company, February 24, 1938.

    Delaney, Barbara Gowdy, and others. 15,000 first printing.

    Mostly from the USA and UK, they bring into sharp focus the extent of the abuse of our critical life-saving services.With cartoons to depict calls and hyperlinks to take the reader to the original audio (some of them released in the public domain by the police and ambulance services in order to show the world how badly a minority of individuals will misuse valuable resources), this book promises to amuse and shock every right-minded person who understands what these services are here for.The author and illustrator are professional front line paramedics, so they know a thing or two about the subject; and from calls to the police for directions to 999 rants about the lack of buses, they have experienced their fair share of such stupidity.You won't believe some of the calls that have been made in the name of personal crisis. You simply won't believe what some people think is an emergency!

    Volume 1 (this book) is a reprint of the original 1910 edition (published by Luzac & Co., London) of Sun Tzu on the Art of War: The Oldest Military Treatise in the World by Lionel Giles. The Chinese text, Giles' English translation, as well as his extensive notes are all faithfully reproduced. A Wade-Giles to Pinyin conversion table has been added to make the original classic more useful for the modern student. Volume 2, available separately, includes each chapter in Chinese traditional characters, the pinyin transcription, as well as the English translation.

    Jon's new film is being shown at a festival in Lansing, Michigan, and Vince has come from Oakland to see it. Over the course of the evening, Vince finally gets Jon to admit that ten years ago he date-raped Amy Randall, a girl whom they both dated in high school only then to reveal that he's taped their entire conversation. And not only that, he's invited Amy to have dinner with them that night. Beneath its suspenseful, high-stakes surface, TAPE examines questions of motive, memory, truth and perception.

    

    Because a predator lies in wait. This compelling new collection from the editors of the bestselling Stalkers tells of worlds where evil waits and watches...and kills. Each story will send chills up your spine, keep you burning the lights all night, and have you looking over your shoulder—just in case the Predator is there. So lock your doors, check your windows, and get ready to savor fiction that touches the primeval places…where all your screams are born.

    In eleven collections over thirty years, Edson has created his own poetic genre, a surreal philosophical fable, easy to enter, but difficult to leave behind. In The Tormented Mirror, Edson continues and refines his form in seventy-three new poems.

    Norman Shapiro's superb translations display Verlaine's ability to transform into timeless verse the essence of everyday life and make evident the reasons for his renown in France and throughout the Western world.

    K.Williams's work: more than four hundred poems that, though remarkable in their variety, have in common Williams's distinctive outlook—restless, passionate, dogged, and uncompromising in the drive to find words for the truth about life as we know it today.Williams's rangy, elastic lines are measures of thought, and in these pages we watch them unfold from his confrontational early poems through the open, expansive Tar and With Ignorance. His voice is both cerebral and muscular, capable of both the eightline poems of Flesh and Blood and the inward soundings of A Dream of Mind—and of both together in the award-winning recent books Repair and The Singing. These poems feel spontaneous, individual, and directly representative of the experience of which they sing; open to life, they chafe against summary and conclusion.Few poets leave behind them a body of work that is global in its ambition and achievement. C. K. Williams is one of them.

    When art teacher Sheba Hart (Cate Blanchett) arrives at a London comprehensive she catches the keen eye of her older colleague Barbara Covett (Judi Dench). Barbara is not the only one drawn to Sheba, who then begins an illicit affair. Barbara is the keeper of Sheba's secret, but can she be trusted?