The first of the plays, The Real Inspector Hound, is the longer of the two; here the author has created a looking glass comedy of great suspense and intrigue about two drama critics. The second play, After Magritte, is 'a surrealist comedy in detective form-or is it a comedy in surrealist form? A husband and wife argue whether the figure they saw in the street was a one-legged football player with the ball under his arm, or a man in pajamas with a tortoise under his arm. The play shows that Stoppard is as amusing and clever as always.'

    Ferdinand, the king of Navarre, insists that his court join him in a pledge to undertake a strict regimen of study and celibacy. The grudging compliance of three noblemen is sorely tested — as is the king's own resolve — with the arrival of a French princess and a trio of comedy attendants.

    It's in the collisions between pious and rogue thoughts that the play's energy lies. We don't know what to feel. Which is why, once seen, Joe Egg won't go away.'Robert Butler, Independent on Sunday (1993)

    It is doubtful that Bennett could have made up the eccentric Miss Shepherd if he tried, but his poignant, funny but unsentimental account of their strange relationship is akin to his best fictional screen writing.Bennett concedes that "One seldom was able to do her a good turn without some thoughts of strangulation", but as the plastic bags build up, the years pass by and Miss Shepherd moves into Bennett's driveway, a relationship is established which defines a certain moment in late 20th-century London life which has probably gone forever. The dissenting, liberal, middle-class world of Bennett and his peers comes into hilarious but also telling collision with the world of Miss Shepherd: "there was a gap between our social position and our social obligations. It was in this gap that Miss Shepherd (in her van) was able to live". Bennett recounts Miss Shepherd's bizarre escapades in his inimitable style, from her letter to the Argentinean Embassy at the height of the Falklands War, to her attempts to stand for Parliament and wangle an electric wheelchair out of the Social Services. Beautifully observed, The Lady in the Van is as notable for Bennett's attempts to uncover the enigmatic history of Miss Shepherd, as it is for its amusing account of her eccentric escapades. --Jerry Brotton

    It is not what we do; it is what we are that is decisive. People with weak, trivial natures will be unhappy, no matter who they are with, or what they are doing. Instead of improving their character, they will always long for that someone or something or some place to make it all better. Those with stronger characters have a greater chance of happiness no matter what their choices have been.

    It premiered in London, in 1980 and won the Society for West End Theatres (SWET) award for Best Comedy of the Year. It was made into a highly successful film with Michael Caine and Julie Walters and won the 1983 BAFTA award for Best Film.Commentary and notes by Steve Lewis.

    Four wishes. One wild adventure.When Sylvie’s husband passed away, she’d barely hung her black dress back in the closet when three widows on Wilder Lane showed up on her doorstep. Who had time to properly mourn when an adventure spanning the globe awaited her?After putting their own needs on the back burner to raise their families, Sylvie, Doris, Alice, and Marge struggle to find purpose now that their children are grown, and their husbands are gone. Loneliness pushes them together while they knit away the rest of their days. Then one night, a whiskey-filled pact catapults these ladies onto the adventure of a lifetime.Each widow gets one wish, one wild adventure, she’s dreamed of doing her whole life. With their wishes tucked away on notes inside their knitting basket, they pull them out, one at a time, vowing to do whatever it takes to help each other fulfill their wildest desires.Hilarity ensues as these four diverse women stretch their boundaries to go where no widows have gone before. They stare death in the face, have cops hot on their tail, and shed away the responsibilities they’ve shouldered their whole lives. The Wilder Widows soon find out their lives aren’t over... in fact, in this second act, their lives are just beginning.

    In an unprecedented (for him) run of promiscuity, Ty has managed to impregnate three women in the span of one week: His ex-girlfriend, his 40-something married next-door neighbor, and his 18 year-old student. In this edgy comedy by playwright Rajiv Joseph, Ty's problems illuminate every triumph and failure of his life, and as the women

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.

    Esme Allen is a well-known West End actress at just the moment when the West End is ceasing to offer actors a regular way of life. The visit of her young daughter, Amy, with a new boyfriend sets in train a series of events which only find their shape sixteen years later.David Hare's new play, which mixes love, death, and the theatre in a heady and original way, was sold out at the National Theatre, and transferred to the West End in January 1998.This is the definitive version of Amy's View.

    Now, after a half-century separation, the filming of a TV documentary forces them to relive the past. Woven into their 50 years of separation are a shoe-horn and the threads of loyalty and love which form their 'uncommon bond'.

    Each playlet focuses on a different individual dramatising their life in the run-up to the tragedy.Published to coincide with the English language premiere at the Traverse Theatre in August as part of the International Edinburgh Festival before transferring to the Birmingham Rep, this is the first stage play to confront the London bombings of 7 July 2005.

    What started as an outreach program to make sure no one spent Christmas alone, turned into a story in my head, and then a journey of soul searching that I hadn't intended to take. This novel is a work of fiction, but I hope it encapsulates the fear so many of us face in living up to our potential, and more importantly, I hope it highlights the brave life so many choose to live after the loss of a loved one. Because it is a choice; a hard choice with so many possible endings. This novel is for the readers who have shared their stories, and for those who have yet to tell. Thank you for your honesty, your bravery and your incredible will to live. I've learned so much from you all. God bless. - C. G. Cooper BOOK DESCRIPTION Elmore Thaddeus Nix, it's retirement time. You're sixty-five and ready. Take that final physical and then it's adios to your old life and hello to the new. Not so fast. Sorry, Elmore. Your plan's about to change. It's Elmore's last day of work. As part of his retirement, he heads to the family doctor for the follow-up to a routine physical. That's when the universe shifts on its axis. Cancer. Then we find out that Elmore's wife lies at home with only days to live. The stroke of injustice falls hard. And so, with a final word from his wife, and the buck passed to the opposition's corner, Elmore must decide whether to take his wife's advice or just wither away. To Elmore, the choice seems easy. Which path will he choose? Only time will tell, but time is not on our friend's side. Along the way, we'll find out what secrets Elmore's been hiding from the world, and maybe even himself...

    From TV's award-winning comedy mum, Lucy Beaumont, comes her hilarious debut on the trials and tribulations of motherhood.

    Fleeing from pirates, Robinson Crusoe is swept ashore in a storm possessing only a knife, a box of tobacco, a pipe-and the will to survive. His is the saga of a man alone: a man who overcomes self-pity and despair to reconstruct his life; who painstakingly teaches himself how to fashion a pot, bake bread, build a canoe; and who, after twenty-four agonizing years of solitude, discovers a human footprint in the sand... Consistently popular since its first publication in 1719, Daniel Defoe's story of human endurance in an exotic, faraway land exerts a timeless appeal.