Collins’ emotional complexity and uncommon range make this debut both thrillingly imaginative and ethical in its uncompromising attention to detail. In her Foreword, contest judge Louise Glück observes, “I know no poet whose sense of fraud, the inflated emptiness that substitutes for feeling, is more acute.” Glück calls Collins’ volume “savage, desolate, brutally ironic . . . a book of astonishing originality and intensity, unprecedented, unrepeatable.”

    A Celebration of Poets and Their CraftColeman BarksLorna Dee CervantesMark DotyDeborah GarrisonJane HirshfieldStanley Kunitz Kurtis LamkinShirley Geok-Lin LimPaul MuldoonMarge PiercyRobert Pinsky

    With stories of the Four Directions and the Universal Circle, these once-secret teachings offer us wisdom on circle gatherings, natural herbs and healing, and ways to reduce stress in our daily lives.

    It was an unusual choice—even an unpopular one—for a poet in a midcentury American literary scene that was less interested in forms. But it was the right choice, for Berryman found himself in a situation that called for the sonnet: after several years of a happy marriage, he had fallen helplessly, hopelessly in love with the young wife of a colleague.     “Passion sought; passion requited; passion delayed; and, finally, passion utterly thwarted”: this is how the poet April Bernard, in her vivid, intimate introduction, characterizes the sonnet cycle, and it is the cycle that Berryman found himself caught up in. Of course the affair was doomed to end, and end badly. But in the meantime, on the page Berryman performs a spectacular dance of tender, obsessive, impossible love in his “characteristic tonal mixture of bravado and lacerating shame-facedness.” Here is the poet as lover, genius, and also, in Bernard’s words, as nutcase.     In Berryman’s Sonnets, the poet draws on the models of Petrarch and Sidney to reanimate and reimagine the love-sonnet sequence. Complex, passionate, filled with verbal fireworks and the emotional strains of joy, terror, guilt, and longing, these poems are ripe for rediscovery by contemporary readers.

    The Primeval Forest is Schweitzer's own fascinating story of these eventful years—a thrilling tale of his amazingly successful attempt to practice modern medicine and surgery in the face of wild elephant raids, marauding leopards, famine, an flood—a story rich in human interest and high drama.Schweitzer describes how he and his wife, a qualified nurse, worked to establish a hospital in the steaming jungle at Lambaréné. At first they treated patients in the open air, amid unbelievably primitive conditions—with few drugs, medicines, or adequate instruments. But they worked tirelessly, caring for as many as forty cases a day, battling the misery caused by sleeping sickness, leprosy, pestilence, and plague. And, as the years went on, they gradually built a more permanent hospital to alleviate the terrible suffering of the Congo people.

    An Introduction and brief biographical notes on the poets are included.

    I’m now tempted to believe that Blake himself has sent us Derrick Austin and his remarkable collection, Trouble the Water. At once gospel and troubadour song, these deeply spiritual and expansively erotic poems are lucid, unflinching, urgent. This is an extraordinary debut." —Mary Szybist, winner of the National Book AwardRich in religious and artistic imagery, Trouble the Water is an intriguing exploration of race, sexuality, and identity, particularly where self-hood is in constant flux. These intimate, sensual poems interweave pop culture and history—moving from the Bible through several artistic eras—to interrogate what it means to be, as Austin says, fully human as a “queer, black body” in 21st century America.

    It's also too smart for bullshit and too graceful to be mean about the bullshit: a marvelous debut. I love it."Juliet Escoria, author of Black Cloud, says: "Imagine bodies within bodies eating a feast, spilling over with their own secrets and hopes and dreams and fears and brutality and witchery. That is the party you will find in this book — a modern-day, literary equivalent of a Bosch painting.Mike Young, author of Sprezzatura, says: "These poems list the real shit. These poems melt the hard fat of life into tallow candles, then reach up and light themselves.Salt Is For Curing is the lush and haunting full-length debut by Sonya Vatomsky. These poems, structured as an elaborate meal, conjure up a vapor of earthly pains and magical desires; like the most enduring rituals, Vatomsky’s poems both intoxicate and ward. A new blood moon in American poetry, Salt Is For Curing is surprising, disturbing, and spookily illuminating.

    Once there, they've stayed to hear about the young brave with the magic moccasins, who talks with animals and uses his supernatural gifts to bring peace and enlightenment to his people. This 1855 masterpiece combines romance and idealism in an idyllic natural setting.

    Hailed as a masterpiece of American travel writing, Blue Highways is an unforgettable journey along our nation's backroads.William Least Heat-Moon set out with little more than the need to put home behind him and a sense of curiosity about "those little towns that get on the map-if they get on at all-only because some cartographer has a blank space to fill: Remote, Oregon; Simplicity, Virginia; New Freedom, Pennsylvania; New Hope, Tennessee; Why, Arizona; Whynot, Mississippi."His adventures, his discoveries, and his recollections of the extraordinary people he encountered along the way amount to a revelation of the true American experience.

    A collection of quintessentially American poems, the seminal work of one of the most influential writers of the nineteenth century.

    Heid E. Erdrich has selected twenty-one poets whose first books were published after the year 2000 to highlight the exciting works coming up after Joy Harjo and Sherman Alexie. Collected here are poems of great breadth―long narratives, political outcries, experimental works, and traditional lyrics―and the result is an essential anthology of some of the best poets writing now.Poets included are Tacey M. Atsitty, Trevino L. Brings Plenty, Julian Talamantez Brolaski, Laura Da’, Natalie Diaz, Jennifer Elise Foerster, Eric Gansworth, Gordon Henry, Jr., Sy Hoahwah, LeAnne Howe, Layli Long Soldier, Janet McAdams, Brandy Nalani McDougall, Margaret Noodin, dg okpik, Craig Santos Perez, Tommy Pico, Cedar Sigo, M. L. Smoker, Gwen Westerman, and Karenne Wood.

    The word as talisman is another of her concerns, and finally, in the section that most typifies the lilt of grace notes, Dove considers the embellishments below the melody of daily life.

    Orwell gives an anecdotal account of his experiences in a french public hospital which triggers a contemplation of hospital literature in the context of 19th-century medicine.

    A disciplined, gentle man who upheld the old ways, he was aggrieved by the social ills he saw besetting his own people and forthright in denouncing them. When he died in 1989 at the Pine Ridge Reservation in South Dakota, he was widely loved and respected. Fools Crow is based on interviews conducted in the 1970s. The holy man tells Thomas E. Mails about his eventful life, from early reservation days when the Sioux were learning to farm, to later times when alcoholism, the cash economy, and World War II were fast eroding the old customs. He describes his vision quests and his becoming a medicine man. His spiritual life—the Yuwipi and sweatlodge ceremonies, the Sun Dance, and instances of physical healing—is related in memorable detail. And because Fools Crow lived joyfully in this world, he also recounts his travels abroad and with Buffalo Bill's Wild West show, his happy marriages, his movie work, and his tribal leadership. He lived long enough to mediate between the U.S. government and Indian activists at Wounded Knee in 1973 and to plead before a congressional subcommittee for the return of the Black Hills to his people.