This exceptional volume brings together the most comprehensive selection of poems by Breton available in the English language. Here, in a bilingual French-English format are 73 poems representing all styles and stages of the writer's career.

    It would be about being present and being committed to the artistic process every single day, regardless of the ‘weather.’ It became a daily meditation, a daily prayer celebrating the rich and strange process of a writing life.”—Suzan-Lori Parks On November 13, 2002, the incomparable Suzan-Lori Parks got an idea to write a play every day for a year. She began that very day, finishing one year later. The result is an extraordinary testament to artistic commitment. This collection of 365 impeccably crafted pieces, each with its own distinctive characters and dramatic power, is a complete work by an artist responding to her world, each and every day. Parks is one of the American theater’s most wily and innovative writers, and her “stark but poetic language and fiercely idiosyncratic images transform her work into something haunting and marvelous” (TIME).

    In this sly critique of contemporary relationships, Reza skillfully picks apart the friendship of three men via a bowl of olives and a white-on-white painting. Now translated into more than 30 languages, Art continues to be performed worldwide, even as Reza's other plays have garnered similar acclaim. Life x 3, Reza's most recent offering, again highlights her satirical wit as two couples face off in three different versions of the dinner from hell. Praised as "compact, cool and clever" by Christopher Isherwood of Variety, Reza uses the acidic exchanges of her characters to illuminate their inner desire for love and acceptance. Also included in this edition are two earlier plays, The Unexpected Man and Conversations After a Burial. Each elucidates the startling difference between public and private life, be it in the confines of a train compartment or a country estate in the aftermath of a loved one's passing.

    Sprinklers swivelled to a hypnotic beat, cicadas pulsed to the shimmering heat, the concrete was caramel under your feet and the ice-cream van turned slow motion into our dead-end street'. Matt Cameron's arresting new play begins like a fairytale - but ends somewhere else entirely.

    Ever been racially slurred in the sack? Ever been subjected to strangers yelling at you at 3am about the most intimate details of your life? Ever been to New York? Six characters from wildly different backgrounds make love, war and hysteria late one night in the cultural, sexual and generational smorgasbord that is Manhattan.

    . . . Ruhl writes with the imaginative sweep that allows Woolf's poetry to soar."—Variety"Sarah Ruhl's smart new translation [of Three Sisters] feels just right to contemporary American ears—lean, colloquial, and conversational for us and true to Chekhov's original work."—The Cincinnati EnquirerIn her stage adaptation of Virginia Woolf's gender-bending, period-hopping novel, award-winning playwright Sarah Ruhl "is her usual unfailingly elegant, unbeatably witty self, cleverly braiding her own brand-name wit with Woolf's" (New York )magazine. Preserving Woolf's vital ideas and lyrical tone, Ruhl brings to the stage the life of an Elizabethan nobleman who's magically transformed into an immortal woman. In her fresh translation of Three Sisters, the Anton Chekhov classic of ennui and frustration, Ruhl employs her signature lyricism and elegant understanding of intimacy to reveal the discontent felt by fretful Olga, unhappy Masha, and idealistic Irina as they long to leave rural Russia for the ever-alluring Moscow.Sarah Ruhl's other plays include the Pulitzer Prize finalists In the Next Room (or the vibrator play) and The Clean House, as well as Passion Play, Dean Man's Cell Phone, Demeter in the City, Eurydice, Melancholy Play, and Late: a cowboy song. She is the recipient of a Whiting Writers' Award, a PEN/Laura Pels Award, and a MacArthur Fellowship. Her plays have premiered on Broadway, Off-Broadway, and in many theaters around the world.

    One God of grace. John Douglas thought he knew the future God had for him--raise a family and grow old with his bride, Hannah. But then a deadly house fire incinerates his faith, destroying the man he’d been. Worship leader Jenni Dupont conquered her demons years ago and has the scars to prove it. But temptation strikes when her world is shattered, and this time she's not sure if God can carry her through. Bar waitress April Johanson lives with the secret trauma of an abusive past. Desperate to stay off the streets of Vegas, she’ll do whatever is necessary to pay the rent. When their lives intersect, God will ask them to do the impossible. To love Him even if… About Grace in the Flames If you love a deep, weighty, beautiful story, check out Grace in the Flames. *This inspirational Christian novel explores tough themes like grief, alcoholism, self-harm, and unwanted pregnancy.* It wrestles with faith-breaking circumstances that redefine the meaning of family and true friendship, and still delivers a heady, toe-curling love story. What readers are saying: "A story you won’t soon forget!" "I couldn't put it down, consider yourself warned" "This books deserves five stars...or even six!" "I was hooked from the first chapter" "My favorite book of 2016!" "With delicacy and nuance, Massaro loads the story with heavy issues...the message of God’s grace and the hope available to those who love him will connect with readers of faith." -- Publisher's Weekly "...emotionally evocative and profoundly moving...Highly recommended." --Cheryl Wyatt, USA TODAY bestselling author of award-winning Wings of Refuge series. Scroll up and grab your copy of GRACE IN THE FLAMES today!

    Zany, thought-provoking, and always original, this anthology brings together all the one-acts from the Off-Broadway hit Mere Mortals and from the all-new Lives of the Saints, as well as several new and uncollected plays, including Bolero, Arabian Nights (which premiered at the celebrated Humana Festival in Louisville), The Green Hill, and Captive Audience.

    It is both an exciting war story and a gallery of intellectual portraits: a ruthless Bolshevik revolutionary, a disillusioned master of propaganda, a powerful Chinese pacifist, and a young anarchist. Each of these "conquerors" will be crushed by the revolution they try to control. In a new Foreword, Herbert R. Lottman discusses the political background of the book, and the extent to which Malraux invented the history he wrote about. "[The Conquerors] is a valuable introduction to Malraux himself, who would, like his fictional counterpart, become an analgam of talents as novelist, essayist, Leftist and Gaullist, Resistance hero and art critic. He was among the most 'universal' of French men of letters."—Choice "The novel can be enjoyed as a remarkable work of modernism. With images derived from the silent cinema and prose from the telegraph, it moves at a tremendous pace. Canton all comes to violent life, seen as though from a speeding car."—Kirkus "No other writer of the 20th century had the same capacity to translate his personal adventure into a meeting with history and a dialogue of civilization."—Carlos Fuentes, New York Times Book Review

    Bilingual Edition. Translated from the French by William Stone. A precursor of the symbolists and the surreallists, Gerard de Nerval has fascinated many major literary figures, including Proust and Breton, Eliot and Apollinaire, Michaux and Leiris. The great sonnet cycle, in its marvellous combination of spell, quest and dream, continues to fascinate writers, readers and that special category of writerly readers, translators. Menard's translator is the gifted young poet William Stone, who explains his work in a strongly worded essay: "like a partly submerged crocodile, with one amber eye half open, the foreign line sits, waiting for the anxious translator to make a move."

    This volume contains every play written by Joe Orton, who emerged in the 1960s as the most talented comic playwright in recent English history and was considered the direct successor to Wilde, Shaw, and Coward.

    

    Narrated in turn by each family member—husband and wife, sons and daughter, young grandson—the drama builds to a crescendo at the traditional family gathering on Passover eve.

    He suddenly marries his longtime companion, and divorces her just as quickly; he moves in with his girlfriend, Kathie, who bears him a son; and he learns, against all odds, to ski. But not even his mastery of the much-feared right turn can prepare him for the exhilarating experience of fatherhood. A brilliant improvisation with as many twists and turns as a double-diamond course, It's a Slippery Slope explores how one man survives a mid-life crisis by finding his balance on skis.

    His works span the fields of poetry, drama, literature, theology, humanism, and science. His Magnum Opus, lauded as one of the peaks of world literature, is the two-part dramatic poem Faust: A Tragedy. He was one of the key figures of German literature and the movement of Weimar Classicism in the late 18th and early 19th centuries; this movement coincides with Enlightenment, Sentimentality (Empfindsamkeit), Sturm und Drang, and Romanticism. His scientific text Theory of Colours influenced Darwin with its focus on plant morphology. His influence on German philosophy is virtually immeasurable, having major impact especially on the generation of Hegel and Schelling, although Goethe himself expressly and decidedly refrained from practicing philosophy in the rarefied sense. His other well-known literary works include his numerous poems, the Bildungsroman Wilhelm Meister's Apprenticeship and the epistolary novel The Sorrows of Young Werther.