Red Knit Cap Girl lives with her animal friends in an enchanted forest. There is so much to see and do, but more than anything Red Knit Cap Girl wishes she could talk to the Moon. Join Red Knit Cap Girl and her forest friends on a journey of curiosity, imagination, and joy as they search for a way to meet the Moon. Gorgeously illustrated on wood grain, Red Knit Cap Girl's curiosity, imagination, and joy will captivate the hearts of readers young and old as her journey offers a gentle reminder to appreciate the beauty of the natural world around us.

    But Mommy says this bed is for sleeping, not jumping! What happens when he can't resist jump, jump, jumping on his new fluffy, bouncy bed?

    Plumbean's expression of creativity and individuality challenges his neighbor's ideas about the importance of having a “neat street.” By repainting his house to reflect his colorful dreams, Mr. Plumbean breaks away from the conformity of his street.“My house is me and I am it. My house is where I like to be and it looks like all my dreams.”— Daniel Pinkwater

    Rather than focusing on going to bed—and what kid wants to think about going to bed?—this book explores all of the dreamy, wonderful, strange things the next day might bring.

    With so many things to enjoy, and so many ways to ask—and talk—about them, it's a snapshot of an ordinary day in a world that's anything but. This story is a heartwarming and inviting picture book with a tenderly written story by Bernard Waber and glorious illustrations by Suzy Lee.PreS-Gr 2—A vivacious child and her father share an early autumn stroll. "Ask me what I like," she says. Dad's dutiful answer is printed in purple: "What do you like?" Energetically she answers with a list. Sometimes dad presses for details, "Geese in the sky? Or geese in the water?" She answers, "I like geese in the sky. No, in the water. I like both. Ask me what else I like," she demands, seeing something new she wants to tell him about. So they proceed through their day, celebrating the brief but precious time when children are gaining a sense of self and exploring the power that comes with it. The patience required to converse with a small person who wants to dictate every part of the interaction is sure to be familiar to parents, but the poetic text rises above the mundane and captures the beauty, energy, and innocence of these conversations and holds them up for readers to appreciate without becoming saccharine or trite. Lee's lively, colored-pencil drawings are a perfect match to the text. The line drawings are similar in style to those in Wave (2008) and Shadow (2010, both Chronicle), but Lee expands from the single-color palette she employed in those titles to a full spectrum of bright autumn colors. VERDICT A first choice for libraries, especially those looking to expand their selection of father-as-caregiver stories.—Anna Haase Krueger, Ramsey County Library, MN

    While the other animals are busy working, Ellie finds a brush and some paints, and gives the zoo a big splash of color! Will her bright new talent be enough to keep the zoo's gates open for good?

    decides that today will be the day he explores the depths of his pond.Beyond the pond, he discovers a not-so-ordinary world that will change him forever.

    Outside we see the city we know, but not as we’ve seen it before. The once hustling and bustling streets are empty. Well, almost empty. Around the city there are still people, some, out and about. These are the people keeping us safe. Keeping us healthy. Keeping our mail and our food delivered. Keeping our grocery stores stocked. Keeping the whole city going.

    How can she hope to make friends if she doesn't understand anyone? Surely no one else feels the same way...From the award-winning author and illustrator of The Journey, this insightful and delicately told story shows that we can all find friendship and comfort when we share our fears.

     Nicholas was afraid of the dark outside his door, the bushes where the giant bugs live, and the underside of manhole covers. His dad was not afraid of anything. Nicholas wants to be as brave as his dad, but he needs help. That's why he needs a dinosaur. After all, dinosaurs like the dark, bugs are nothing to them, and they eat manhole covers for lunch (and everything under them for dinner). With his toy dinosaur, Nicholas can scale tall walls, swim in deep water, even score a goal against the huge goalie everyone calls Gorilla. But when the dinosaur goes missing, everything is scary again. Luckily, his dad knows that even the bravest people can get scared, and it's okay to ask for help facing your fears. It's just guy stuff. A family classic in the making from the dream team of Newbery Honor-winner Gennifer Choldenko and Caldecott Medal-winner Dan Santat. "[Choldenko's] knowing, understated storytelling and Santat's warm, expressive spreads give full credence to the fears that weigh on kids, as well as the presences both real and imagined that can help alleviate them." Publishers Weekly(starred review)"

    Marilyn doesn’t have hers yet, but she can’t just go out and look for one. Your monster has to find you. That’s just the way it works. Marilyn tries to be patient and the kind of girl no monster can resist, but her monster doesn’t come. Could she go out and search for him herself? Even if that’s not the way it works?

    . . and his voice. The entire village is silenced by grief, and the young child's anger at the ocean grows. Then one day his neighbor, Mr. Hirota, begins a mysterious project—building a phone booth in his garden. At first Makio is puzzled; the phone isn't connected to anything. It just sits there, unable to ring. But as more and more villagers are drawn to the phone booth, its purpose becomes clear to Makio: the disconnected phone is connecting people to their lost loved ones. Makio calls to the sea to return what it has taken from him and ultimately finds his voice and solace in a phone that carries words on the wind.The Phone Booth in Mr. Hirota's Garden is inspired by the true story of the wind phone in Otsuchi, Japan, which was created by artist Itaru Sasaki. He built the phone booth so he could speak to his cousin who had passed, saying, "My thoughts couldn't be relayed over a regular phone line, I wanted them to be carried on the wind." The Tohoku earthquake and tsunami in 2011 destroyed the town of Otsuchi, claiming 10 percent of the population. Residents of Otsuchi and pilgrims from other affected communities have been traveling to the wind phone since the tsunami.

    So the shortest day came, and the year died . . . As the sun set on the shortest day of the year, early people would gather to prepare for the long night ahead. They built fires and lit candles. They played music, bringing their own light to the darkness, while wondering if the sun would ever rise again. Written for a theatrical production that has become a ritual in itself, Susan Cooper's poem "The Shortest Day" captures the magic behind the returning of the light, the yearning for traditions that connect us with generations that have gone before—and the hope for peace that we carry into the future. Richly illustrated by Carson Ellis with a universality that spans the centuries, this beautiful book evokes the joy and community found in the ongoing mystery of life when we celebrate light, thankfulness, and festivity at a time of rebirth. Welcome Yule!

    Worrying about new friends. Passing through a big city. Seeing a dark road ahead. In these moments, a young girl feels small and quiet and alone. But when she breathes deeply and looks inside herself, a hidden spark of courage appears, one she can nurture and grow until she glows inside and out.New York Times bestselling author Pat Zietlow Miller's uplifting words join New York Times bestselling illustrator Eliza Wheeler's luminous art to inspire young readers to embrace their inner light--no matter what they're facing--and to be brave.

    Grabbing an old paper bag and some rusty scissors, the whole family wades into the muck to collect as much of the muddy, snail covered watercress as they can.At first, she's embarrassed. Why can't her family get food from the grocery store? But when her mother shares a story of her family's time in China, the girl learns to appreciate the fresh food they foraged. Together, they make a new memory of watercress.Andrea Wang tells a moving autobiographical story of a child of immigrants discovering and connecting with her heritage, illustrated by award winning author and artist Jason Chin, working in an entirely new style, inspired by Chinese painting techniques. An author's note in the back shares Andrea's childhood experience with her parents.