From the author of the award-winning novel Let the Great World Spin and TransAtlantic comes an eponymous novella and three stories that range fluidly across time, tenderly exploring the act of writing and the moment of creation when characters come alive on the page; the lifetime consequences that can come from a simple act; and the way our lives play across the world, marking language, image and each other.Thirteen Ways of Looking is framed by two author’s notes, each dealing with the brutal attack the author suffered last year and strikes at the heart of contemporary issues at home and in Ireland, the author’s birth place.Brilliant in its clarity and deftness, this collection reminds us, again, why Colum McCann is considered among the very best contemporary writers.

    Inspired by Alfred Noyes's famous poem, and spanning subjects from the strictly human to the supernatural, this book will take readers on an adventure they'll never forget.v • The Highwayman • (1946) • poem by Alfred Noyes11 • Wreckers, Rooks, and Books: An Introduction • essay by Jennifer Roberson17 • Give a Man a Horse He Can Ride • novelette by Esther M. Friesner [as by Esther Friesner]41 • Kid Binary and the Two-Bit Gang • short story by Michael A. Stackpole61 • The Moonlight Flit • short story by Rosemary Edghill79 • The Bandido of Pozoseco • short story by Kate Daniel97 • We Met Upon the Road • short story by Doris Egan [as by Jane Emerson]117 • Where Angels Fear to Tread • short story by Laura Anne Gilman137 • Diana's Foresters • short story by Susan Shwartz155 • Fool's Gold • novelette by Doranna Durgin177 • Highwayscape with Gods • poem by Lawrence Schimel183 • The Bishop's Coffer • short story by Janny Wurts199 • The Abbot of Croxton • short story by Melanie Rawn215 • The Dowry • short story by Kathy Chwedyk227 • The Rest of the Story • short story by Bruce D. Arthurs247 • Watch for Me by Moonlight • short story by Lois Tilton259 • The Forest's Justice • short story by Josepha Sherman273 • Highway to Heaven • short story by Laura Resnick287 • Rogue's Moon • short story by Teresa Edgerton307 • Ghost Rot • novelette by Jo Clayton331 • For King and Country • short story by Deborah J. Ross [as by Deborah Wheeler]347 • A Slight Detour on the Road to Happyland • short story by Ashley McConnell365 • Though Hell Should Bar the Way • novelette by A. C. Crispin and Christie Golden387 • By the Time I Get to Phoenix • short story by Jennifer Roberson395 • The Lesser of ... • novelette by Dennis L. McKiernan

    These accolades have built up not just for her intricate plots and gripping narratives, but for her insight into the culture, politics, family-life, and history of Venice, one of the world’s most-treasured cities, and Leon’s home for over thirty years. Readers love how Leon opens the doors to a private Venice, beyond the reach of the millions of international tourists who delight in the city's canals, food, and art every year.My Venice and Other Essays will be a treat for Leon's many fans, as well as for lovers of Italy and La Serenissima. For many years, Leon, who is a perennial #1 bestseller in Germany, has written essays for European publications. Collected here are the best of these: over fifty funny, charming, passionate, and insightful essays that range from battles over garbage in the canals to the troubles with rehabbing Venetian real estate. She shares episodes from her life in Venice, explores her love of opera, and recounts tales from in and around her country house in the mountains. With pointed observations and humor, she also explores her family history and former life in New Jersey, and the idea of the Italian man.

    This masterpiece collection represents a high watermark of America’s underbelly. Crime writing gets no better than this.CONTENTSErle Stanley Gardner: Come and Get ItFredric Brown: Cry SilencePeter Collison: Arson PlusFredrick Nebel: Doors in the DarkLester Dent: LuckDashiell Hammett: The Maltese FalconStewart Sterling: Ten Carats of LeadWyatt Blassingame: Murder Is Bad LuckTalmadge Powell: Her Dagger Before MeCharles G. Booth: One ShotRichard Sale: The Dancing RatsKatherine Brocklebank: BraceletsThomas Walsh: Diamonds Mean DeathRoul Whitfield: Murder in the RingWalter C. Brown: The Parrot That Wouldn’t TalkMerle Constiner: Let the Dead AloneCarrol John Daly: Knights of the Open PalmWilliam Cole: Waiting for RustyRamon Decolta: Rainbow DiamondsWilliam Rollins Jr.: The Ring on the Hand of DeathTheodore A. Tinsley: Body SnatcherD wight V. Babcock: Murder on the GaywayCleve F. Adams: The KeyWilliam Campbell Gault: The Bloody BokharaBrett Halliday: A Taste for CognacDay Keene: Sauce for the GanderW.T. Ballard: A Little DifferentCharles M. Green: The Shrieking SkeletonHank Searls: Drop Dead TwiceDale Clark: The Sound of the ShotFrederick C. Davis: Flaming AngelDon M. Mankiewicz: Odds on DeathNorvell Page: Those CatriniHugh B. Cave: Smoke in Your EyesRobert Reeves: Blood, Sweat and BiersWhitman Chambers: The Black BottleMilton K. Ozaki: The Corpse The Didn’t KickRaymond Chandler: Try the GirlNorbert Davis: Don’t You Cry for MeRay Cummings: T. McGuirk Steals A DiamondSteve Fisher: Wait For MeFrank Gruber: Ask Me AnotherHorcase McCoy: Dirty WorkJulius Long: Merely MurderJohn D. MacDonald: Murder in One SyllableH.H. Stinson: Three Apes from the EastD.L. Champion Death Stops PaymentRichard Connell: The Color of HonorBruno Fischer: Middleman for MurderRichard Deming: The Man Who Choose the DevilC.M. Kornbluth: Beer-Bottle PolkaCornell Wollrich: Borrowed Crime

    Show Them a Good Time tells the stories of women slotted away into restrictive roles: the celebrity's girlfriend, the widower's second wife, the lecherous professor's student, the corporate employee. And yet, the genius of Flattery's characters is to blithely demolish the boundaries of these limited and limiting social types with immense complexity and caustic intelligence. Nicole Flattery's women are too ferociously mordant, too painfully funny to remain in their places.In this fiercely original and blazingly brilliant debut, Flattery likewise deconstructs the conventions of genre to serve up strange realities: In Not the End Yet, Flattery probes the hilarious and wrenching ambivalence of Internet dating as the apocalypse nears; in Sweet Talk, the mysterious disappearance of a number of local women sets the scene for a young girl to confront the dangerous uncertainties of her own sexuality; in this collection's center piece, Abortion, A Love Story, two college students in a dystopian campus reconfigure the perilous stories of their bodies in a fraught academic culture to offer a subversive, alarming, and wickedly funny play that takes over their own offstage lives. And yet, however surreal or richly imagined the setting, Flattery always shows us these strange worlds from startlingly unexpected angles, through an unforgettable cast of brutally honest, darkly hilarious women and girls.Like the stories of Mary Gaitskill, Miranda July, Lorrie Moore, Joy Williams, and Ottessa Moshfegh, Show Them a Good Time is the work of a profoundly resonant and revelatory literary voice – at once spiky, humane, achingly hilarious-- that is sure to echo through the literary culture for decades to come.

    But what do single women have to say about their own lives? With sass, humor, and style, Single State of the Union paints a provocative, playful, and complex portrait of today's single woman, taking on such topics as:sex and the single girlsingle motherhoodbuying a house without a spousefaux boyfriendscohabitation hesitationsingle women in the media.Written by an impressive roster of single (and some formerly single) women, this collection portrays single women as individuals whose lives extend well beyond Match.com and Manolo Blahniks. So listen up, Carrie. Attention, Bridget. It's time for the rest of us to be heard.

    Each year, the best of those stories are collected in The Best American Travel Writing, curated by one of the top writers in the field, and each year they “open a window onto the strange, seedy and beautiful world, offering readers glimpses into places that many will never see or experience except through the eyes and words of these writers" (Kirkus Reviews).  This far-ranging collection of top notch travel writing is, quite simply, the genre’s gold standard.

    In the breathtaking long story “The Street,” Tóibín imagines a relationship between Pakistani workers in Barcelona—a taboo affair in a community ruled by obedience and silence. In “Two Women,” an eminent and taciturn Irish set designer takes a job in her homeland, and must confront emotions she has long repressed. “Silence” is a brilliant historical set piece about Lady Gregory, who tells the writer Henry James a confessional story at a dinner party.Silence --The empty family --Two women --One minus one --The pearl fishers --Barcelona, 1975 --The new Spain --The colour of shadows --The street

    Kelner, Michael Lister, Daniel Martine, Mary Saums, David Sheffield, Nathan Singer, and Les Standiford.From the introduction by Morgan Freeman:"This collection of short fiction captures both the art of the tale and the power of the blues, and is a nod at the human condition that often inspires musicians to write and sing the blues. These stories tell about bad men and bad women who sometimes do good--or sometimes follow their true nature. Some of these characters know all about the dangers of making a bargain with the devil. And some know the power of redemption. These are characters who would not be out of place in a Honeyboy Edwards tune, and would be right at home alongside the desolate wail of Clarksdale, Mississippi, native Son House."

    On a night when the veil between worlds is at its thinnest, all that is real and unreal meet in a nowhere place, at a nowhere time.'

    From THE WHORE OF MENSA, to GOD (A Play), to NO KADDISH FOR WEINSTEIN, old and new Woody Allen fans will laugh themselves hysterical over these sparkling gems.

    Said's essays and articles on music. Addressing the work of a variety of composers, musicians, and performers, Said carefully draws out music's social, political, and cultural contexts and, as a classically trained pianist, provides rich and often surprising assessments of classical music and opera."Music at the Limits" offers both a fresh perspective on canonical pieces and a celebration of neglected works by contemporary composers. Said faults the Metropolitan Opera in New York for being too conservative and laments the way in which opera superstars like Pavarotti have "reduced opera performance to a minimum of intelligence and a maximum of overproduced noise." He also reflects on the censorship of Wagner in Israel; the worrisome trend of proliferating music festivals; an opera based on the life of Malcolm X; the relationship between music and feminism; the pianist Glenn Gould; and the works of Mozart, Bach, Richard Strauss, and others.Said wrote his incisive critiques as both an insider and an authority. He saw music as a reflection of his ideas on literature and history and paid close attention to its composition and creative possibilities. Eloquent and surprising, "Music at the Limits" preserves an important dimension of Said's brilliant intellectual work and cements his reputation as one of the most influential and groundbreaking scholars of the twentieth century.

    Sometimes these dramas are found in ordinary, mundane situations; sometimes they are triggered by a fateful encounter or a tragic decision. At the heart of these stories, crucially, is how people are drawn to each other and cling to love when and where it can be found. In a number of the these stories, emotional bonds are forged by traumatic events caused by one of the characters - between an old man and the frightened young burglar left to guard him while his brother is beaten; between another young man and the mother of a girl whose death he caused when he crashed his car; between a lonely middle-aged shopkeeper and her assistant. Disconnection and new discoveries pervade stories involving emigration (an Irish priest in war-torn Syria) or immigration (an African refugee in Ireland). Some of the stories are set in the same small town in rural Ireland as the novels, with names that will be familiar to Ryan's readers.In haunting prose, Donal Ryan has captured the brutal beauty of the human heart in all its failings, hopes and quiet triumphs.

    Spanning more than 35 years of work, the first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an archivist and author.“One of the greatest writers of our time.”—Toni MorrisonOne of the most acclaimed artists of the Harlem Renaissance, Zora Neale Hurston was a gifted novelist, playwright, and essayist. Drawn from three decades of her work, this anthology showcases her development as a writer, from her early pieces expounding on the beauty and precision of African American art to some of her final published works, covering the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing a white doctor. Among the selections are Hurston’s well-known works such as “How It Feels to be Colored Me” and “My Most Humiliating Jim Crow Experience.” The essays in this essential collection are grouped thematically and cover a panoply of topics, including politics, race and gender, and folkloric study from the height of the Harlem Renaissance to the early years of the Civil Rights movement. Demonstrating the breadth of this revered and influential writer’s work, You Don't Know Us Negroes and Other Essays is an invaluable chronicle of a writer’s development and a window into her world and time.

    Originally published in the anthology Songs of Love and Death (edited by George R.R. Martin and Gardner Dozois), these compelling stories are specially packaged in one eBook set at a great price.