American Supernatural Tales celebrates the richness of this tradition with chilling contributions from some of the nation’s brightest literary lights, including Poe himself, H. P. Lovecraft, Shirley Jackson, Ray Bradbury, Nathaniel Hawthorne, and—of course— Stephen King. By turns phantasmagoric, spectral, and demonic, this is a frighteningly good addition to Penguin Classics.

    Landscape paintings, trompe l’oeil quilts, decorated dolls, mixed-media assemblages, and more, all featuring the same peculiar hue, a shifting pigment somewhere between purple and pink, the color of the saltmarsh orchid, a rare and indigenous flower.Graduate student Xavier Wentworth has been drawn to Shimmer, hoping to study the work of artists like quilter Hazel Whitby and landscape painter Shadrach Grayson in detail, having experienced something akin to an epiphany when viewing a Hazel Whitby tapestry as a child. Xavier will find that others, too, have been drawn to Shimmer, called by something more than art, something in the marsh itself, a mysterious, spectral hue.From Lambda Literary Award-nominated author Craig Laurance Gidney (Sea, Swallow Me & Other Stories, Skin Deep Magic) comes A Spectral Hue, a novel of art, obsession, and the ghosts that haunt us all.

    Think of what you’ve just read.” Lovecraftian stories are the bread and butter of the true horror fan. During his lifetime, Lovecraft himself encouraged other writers to develop stories in the vein we now call Lovecraftian: horror, based around the idea that Earth had been colonized by malign aliens in the remote past, long before mankind arose and became civilized, who eventually became worshipped and feared as evil Gods by their human servitors. Eventually these aliens had been “banished” to another dimensional limbo by a benign Elder Race, but might one day return to reclaim the Earth “when the stars are right.” That deep seated unease threads through this collection of Richard. A Lupoff's short stories that seem to share a common universe. Praise for Richard A. Lupoff: "Lupoff writes with intelligence, humour, wisdom, and a zest for life." - Joe Gorges, author of Hammett. Richard A. Lupoff began his writing career as a print and broadcast journalist while attending university. After earning his degree he served twice in the United States Army, first as an enlisted man, then as an officer. Following military service he worked for twelve years in the computer industry, while also serving as a guest lecturer at universities including the University of California (Berkeley) and Stanford University. As author and editor he has written more than fifty volumes, ranging from science fiction, mystery, fantasy, horror, and mainstream fiction to the evolution of cartooning and comics. He is a past winner of the Hugo Award, and a finalist for the Nebula and Oscar Awards. He has achieved the rare distinction of being represented in “Best of the Year” anthologies in three fields: science fiction, mystery, and horror.

    Dreamlike, poignant, and unabashedly socio-political, She Said Destroy includes three stories nominated for the Shirley Jackson Award, four included in Year’s Best anthologies, and one original tale.

    In his singular universe, televisions talk (and sometimes sing), animals live in small apartments where their nephews visit from the sea, and men and women and boys and girls fall down wells and fly through space and find love on Ferris wheels. In a voice full of fable, myth, and dream, Stories for Nighttime and Some for the Day draws us into a world of delightfully wicked recognitions, and introduces us to a writer of uncommon talent and imagination.Contains 40 stories, including "The Duck," "The Man and the Moose," and "Death and the Fruits of the Tree," as heard on NPR's This American Life, "The Book," as heard on Selected Shorts, and "The TV," as found in The New Yorker.A selection of the Barnes & Noble Discover Great New Writers Program and the Starbucks Coffee Bookish Reading Club.Winner of the 2011 Nobbie Award for Best Book of the Year."This guy can write!" –Ray Bradbury, author of Fahrenheit 451

     While trying to support her grieving Goth office manager, Ellen ponders the mysterious flashes of light she saw in another part of Santa Fe, wondering if they are related to Captain Dusenberry, the tearoom's resident ghost. She asks for help from the local spirit-tour guide, Willow Lane, who takes curiosity about the captain's unsolved murder to a new level, where Ellen finds herself exploring the very meaning of spirit. Will a séance in the tearoom finally provide the answers to her questions? (This is a novella, a short companion story to the Wisteria Tearoom Mysteries series. It is recommended that you read A Masquerade of Muertos before reading this story.)

    Leonora Carrington, an artist of the Surrealist Movement, here joins fiction with autobiography in a collection of work including accounts of her life before and after she met Max Ernst as well as short stories, a novella and original artwork.

    The authors represented range from Hawthorne, Maupassant, and Poe, through Henry James, Conrad, Aldous Huxley, and James Joyce, to Hemingway, Katherine Anne Porter, Faulkner, E.B. White, Saroyan, and O'Connor. The variety in style and subject is enormous, but all these stories have one point in common—the enduring quality of the writing, which places them among the masterpieces of the world's fiction.Garden party / Katherine Mansfield --Three-day blow / Ernest Hemingway --Standard of living / Dorothy Parker --Saint / V.S. Pritchett --Other side of the hedge / E.M. Forster --Brooksmith / Henry James --Jockey / Carson McCullers --Courting of Dinah Shadd / Rudyard Kipling --Shot / Alexander Poushkin, translated by T. Keane --Graven Image / John O'Hara --Putois / Anatole France, translated by Frederic Chapman --Only the dead know Brooklyn / Thomas Wolfe --A.V. Laider / Max Beerbohm --Lottery / Shirley Jackson --Masque of the Red Death / Edgar Allan Poe --Looking back / Guy de Maupassant, translated by H.N.P. Sloman --Man higher up / O. Henry --Summer of the beautiful white horse / William Saroyan --Other two / Edith Wharton --Theft / Katherine Anne Porter --Good man is hard to find / Flannery O'Connor --Man of the house / Frank O'Connor --Man who shot snapping turtles / Edmund Wilson --Gioconda smile / Aldous Huxley --Curfew tolls / Stephen Vincent Benet --Father wakes up the village / Clarence Day --Ivy Day in the committee room / James Joyce --Chrysanthemums / John Steinbeck --Door / E.B. White --Upheaval / Anton Chekhov --How beautiful with shoes / Wilbur Daniel Steele --Haunted house / Virginia Woolf --Catbird seat / James Thurber --Schartz-Metterklume method / H.H. Munro --Death of a Bachelor / Arthur Schnitzler --Apostate / George Milburn --Phoenix / Sylvia Townsend Warner --That evening sun / William Faulkner --Law / Robert M. Coates --Tale / Joseph Conrad --Girl from Red Lion, PA / H.L. Mencken --Main currents of American thought / Irwin Shaw --Ghosts / Lord Dunsany --Minister's black veil / Nathaniel Hawthorne --String of beads / W. Somerset Maugham --Golden honeymoon / Ring Lardner --Man who could work miracles / H.G. Wells --Foreigner / Francis Steegmuller --Thrawn Janet / Robert Louis Stevenson --Chaser / John Collier

    But he's keeping a secret that may unlock a darker destiny. FINAL REPORT “Entry One has been breached. Time to get this show on the road. They have no idea the kind of Hell I've prepared for them. May God have mercy on my soul.” MY FATHER’S SON A Delta Green agent with a mysterious past may learn more than he ever wanted to know when his current case leads where he never dared to go. THE DARK ABOVE In the face of madness and horror, two lonely Delta Green agents reach out to each other. Can they really afford such fragile bonds when the secrets of the night surf roll in? THE RULES OF ENGAGEMENT An agent’s disappearance pulls a Delta Green team into a vortex of horror in this novel of personal apocalypse. The secrets they uncover threaten to ignite a war between the Delta Green conspiracy and its bitterest enemy, Majestic-12 — secrets buried within time itself. Foreword by Kenneth Hite.

    Now he gives birth to a cast of gruesomely sympathetic children – misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and the tragedy of these dark yet simple beings – hopeful, hapless heroes who appeal to the ugly outsider in all of us, and let us laugh at a world we have long left behind (mostly anyway).

    Like Ghelderode's plays, the stories are marked by a powerful imagination and a keen sense of the grotesque, but in these the author speaks to us still more directly. Written at a time of illness and isolation, and conceived as a fresh start, Spells was Ghelderode's last major creative work, and he claimed it as his most personal and deeply felt one: a set of written spells through which his fears, paranoia and nostalgia found concrete form.By turns mystical, macabre and whimsically humorous, and set in the unsettled atmosphere of Brussels, Ostend, Bruges and London, Spells conjures up an uncanny realm of angels, demons, masks, effigies and apparitions, a twilit, oppressed world of diseased gardens, dusty wax mannequins and sinister relics.Combining the full contents of both the 1941 and 1947 editions, this translation of Spells is the most comprehensive edition yet published.Michel de Ghelderode was born in Brussels in 1898. After nearly a decade of penning fiction, drama, literary journalism and puppet plays, in 1926 he began to write almost entirely for the theater and the following ten years saw the creation of most of his major plays. After 1936 he suffered from poor health and his involvement with the theater diminished. In the later 1940s, performances of his plays in Paris sparked a major awakening of interest in his work. Ghelderode died in 1962; the interior of his apartment, packed with books, pictures, puppets and masks, has been reassembled in Brussels as the Musee-Bibliotheque Michel de Ghelderode.

    David Glum decides to quit everything, move back home, and grow a beard before embarking on a surreal cross-country trip that might have something to do with saving the world.

    It is the long, wild easternmost shore of the Yucatan Peninsula, officially but not psychologically part of Mexico. A diary of daily life on its jungly beaches could sometimes be taken for a log of life on an alien planet, " writes James Tiptree, Jr., in the preface to this new collection of three talismanic tales of the supernatural. During the late 1970s, Tiptree -- one of the greatest American authors of short imaginative fiction -- lived for months on the eerie windswept shore of the Yucatan, and the true protagonist of this book is neither the Tiptree narrator nor the manifestations of ancient Maya civilization, but rather the Quintana Roo itself as a living, pulsating entity that envelops the reader within a uniquely alien ambience. Following Tiptree's introduction are these unforgettable nouvelles of weird fantasy: "What Came Ashore at Lirios, " "The Boy Who Waterskied to Forever, " and "Beyond the Dead Reef.

    The resulting journey through dark and desperate futures of aliens, diseases, and humanity's own madness is brain-bending and utterly bizarre.

    As a young man he took away all the honours and prizes and some of his work was ground-breaking. But after he became seriously ill, his genius faded, and he needed the help of an assistant. When Silas Webb was appointed to the job he seemed the perfect choice, but he always preferred to work alone, even in secret. Then, quite suddenly, Webb disappeared. Why ? Later, Craig opens a prestigious scientific journal and finds a paper, containing his own work, in detail, together with the significant results he had worked out. The research is his and his alone. But the author of the paper is Dr Silas Webb. Craig determines that he will hunt Webb down and exact revenge. Were it not for a terrifying twist of circumstance, he might have succeeded. Susan Hill has won the Whitbread, Somerset Maugham and John Llewelyn Rhys prizes, as well as being shortlisted for the Booker Prize. She has written over 55 books in several genres, including the ghost story, THE WOMAN IN BLACK. The stage adaption is still running in London’s West End after 25 years. I’M THE KING OF THE CASTLE has been a GCSE set text. She has also published collections of short stories, fiction for children, several non fiction books and the highly successful crime novel series about the detective Simon Serrailler. SUSAN HILL is a Fellow of the Royal Society of Literature, a Fellow of King’s College, London, and was awarded a CBE in the Queen’s Diamond Jubilee Honours of 2012