Is this what’s in store?June 12, 2030 started out like any other day in memory—and by then, memories were long.  Since cancer had been cured fifteen years before, America’s population was aging rapidly.  That sounds like good news, but consider this: millions of baby boomers, with a big natural predator picked off, were sucking dry benefits and resources that were never meant to hold them into their eighties and beyond.  Young people around the country simmered with resentment toward “the olds” and anger at the treadmill they could never get off of just to maintain their parents’ entitlement programs.But on that June 12th, everything changed: a massive earthquake devastated Los Angeles, and the government, always teetering on the edge of bankruptcy, was unable to respond. The fallout from the earthquake sets in motion a sweeping novel of ideas that pits national hope for the future against assurances from the past and is peopled by a memorable cast of refugees and billionaires, presidents and revolutionaries, all struggling to find their way.  In 2030, the author’s all-too-believable imagining of where today’s challenges could lead us tomorrow makes gripping and thought-provoking reading.

    ​     He was also a kid who did the same kind of harebrained things most teenagers do.​  Only steps away from the Oval Office, he fought with a foreign head of state for space in a restroom. ​​ He devised a shortcut that tripped countless alarms and summoned an agitated band of Secret Service agents. He spilled ice ​water on Frank Sinatra's sock.    And that was just the small stuff. ​A funny, fast-paced memoir, Downstairs at the White House is richly decorated with presidents, first ladies, celebrities . . . and events that shook America.   ​

    Wet Hot American Summer. Valley of the Dolls. There are some movies that defy traditional critical assessment -- films that are panned by reviewers, but that go on to become beloved classics and cult phenoms anyway.Ever been crushed to learn your favorite movie -- or a new one you're dying to see -- has been given the big green splat from Rotten Tomatoes' infamous Tomatometer? The site's editors stand by their critics and scores, but they also feel your pain: Fresh films shouldn't get all the glory! In Rotten Movies We Love, the RT team celebrates 101 Rotten movies that can't be missed, including:Box office behemoths that bombed with critics: Space Jam, Maleficent, Bad BoysSci-fi treasures so bad they're awesome: Cherry 2000, Zardoz, Masters of the UniverseRare Rottens from Fresh directors: The Life Aquatic with Steve Zissou, Marie Antoinette, Legend, WillowDeeply beloved cult classics: The Last Dragon, Empire Records, The Craft, MacGruber Underrated gems ahead of their time: The Strangers, Event Horizon, Practical Magic, The Cable GuySequels worth a second look: Home Alone 2, Rocky IV, Jurassic Park III, Return to OzFeaturing 16 essays from some of the world's most well-known film critics -- Leonard Maltin, Terri White, Amy Nicholson, David Fear, K. Austin Collins, and more -- and punctuated with black-and-white film stills and punchy graphics, it's a fun romp through the quirkier corners of film history, sure to delight any cinephile or pop-culture fanatic.

    Contains the official biograpy of the Crypt Keeper, a history of EC Horror Comics, 105 covers, and other stories, facts, and features relating to Tale from the Crypt.

    this book is a magical journey through life from the beginnings of time to the birth of a child and the adventure that we take on our way to the grave and beyond to the starsit is a celebration of being human and all of the beautiful things that is in between.if you like books that are about:why we are herehow we are madebabies shedding their baby legs and growing their child legsthe innocence of childhoodthe warmth of papas backteen lifebody harethe first kissfalling in lovebeing alonethe gift of a feathertales of witchessaturday nightsmonday morningsthe mystery of old peoples earlobesdeathghostsand the meaning of lifethen this book is for youbecause inside of this book there is all of those things and after reading about 5 pages of it you will be the main expert of human life and there will be nothing in this world that you will not know love from your friend chris (simpsons artist) xox

    The first of its kind to carry doctors and surgeons who can take the hospital to the patient. Drug addicts, lorry crashes, open-heart surgery, stab wounds, headless chickens, mating llamas, and strip routines - it's all in a day's work for emergency doctor Tony Bleetman and his team.Whether they are landing in the middle of the M1 or at a maximum security jail, Tony and his crew Helimed 999 are the first on the scene in the most critical of emergencies.This gripping read will make you laugh, cry and marvel at the wonders of life (and death) in equal measure.

    This collection gathers some of the best of the confessions that have been posted.

    . .Turns out he's a starter and a closer."—Tim Kurkjian, ESPNAs a major and not-so-major league pitcher, Dirk Hayhurst has learned to master more than striking out batters. While waiting for his name to be called in the bullpen, he honed his gifts as a storyteller, one the New York Times calls the "best writer in a baseball uniform." In this often hilarious collection of adventures on and off the diamond, Dirk details the intricacies of pulling off an epic team prank, even if it's at his own expense; the art of creating the perfect professional baseball nickname; his comically ineffective attempts at writing romance novels; and the bizarre tale in which a bear gets punched in the face (yes, really). No matter how wild his story, Dirk proves once again he knows that it's all in the delivery."I find his writing both entertaining and thought provoking. . .unlike his fastball."—Ben Zobrist, Tampa Bay Rays All-Star "Dirk Hayhurst writes about baseball in a unique way. Observant, insightful, human, and hilarious." —Bob Costas"Hayhurst delivers an entertaining story for more than just sports fans."—Jordan Bastian, MLB.com"Hayhurst explains life in the minors and the major leagues like you've never read it before."—J. J. Cooper, Baseball America"Insight and humor from the pitcher's mound."—Businessweek51,300 Words.

    His work is deeply perceptive, often outrageously funny and always compulsively readable.'Thus the judges of the British Press Awards, in naming Clive James Critic of the Year for 1981. The Crystal Bucket offers a further selection of his inimitable 'visions before midnight ...''C.J. didn't get where he is today just by being funny. He is humane, liberal and compassionate ... What he writes is always pertinent and always witty ... We own him a deep debt of gratitude.' —Gavin Ewart, Listener'Few critics have a more unerring ear for woolliness and doubletalk or a more scathing and entertaining way of dealing with it.' —Lesley Garner, Good Housekeeping'He is one of the most remarkable figures in British cultural life at the moment: a poet and gifted literary critic who is also genuinely liked by the mass audience.' —Michael Mason, London Review of Books'One of the few columnists who make you laugh aloud ... if there were angels he would be on their side: and that would certainly include Charlie’s Angels.' —Melvyn Bragg, Sunday Times

    And even if I could somehow stop, I’d still be screwed, because there’s no way I’d ever be able to figure out how to open those insane, cocaine-designed doors.” The two-time Emmy Award-winning actress has written her first book, a surprisingly raw and triumphant memoir that is outrageous, moving, sweet, tragic, and heartbreakingly honest. GUTS is a true triumph—a memoir that manages to be as frank and revealing as Augusten Burroughs, yet as hilarious and witty as David Sedaris. With GUTS, Johnston takes us on a journey so truthful and relatable, so remarkably fresh, it promises to stay with the reader for a long, long time.

    Harry Sword traces the line from neolithic Indo-European traditions to the modern underground by way of mid-20th Century New York, navigating a beguiling topography of archeoacoustics, ringing feedback, chest plate sub bass, avant-garde eccentricity, and fervent spiritualism. From ancient beginnings to bawdy medieval troubadours, Sufi mystics to Indian raga masters, North Mississippi bluesmen to cone-shattering South London dub reggae sound systems, Hawkwind's Ladbroke Grove to the outer reaches of Faust, Ash Ra Temple and sonic architects like La Monte Young, Brian Eno, and John Cale, the opium-fueled fug of The Theatre of Eternal Music to the caveman doom of Saint Vitus, the cough syrup reverse hardcore of Swans to the seedy VHS hinterland of Electric Wizard, ritual amp worship of Earth and Sunn O))) and the many touch points in between, Monolithic Undertow probes the power of the drone: something capable of affording womb-like warmth or evoking cavernous dread alike.This story does not start in the twentieth century underground: the monolithic undertow has bewitched us for millennia. The book takes the drone not as codified genre but as an audio carrier vessel deployed for purposes of ritual, personal catharsis, or sensory obliteration, revealing also a naturally occurring auditory phenomenon spanning continents and manifesting in fascinatingly unexpected places.Monolithic Undertow will be a book about music and the very human need for transcendence and intoxication through sound. It seeks to reveal the drone as a tool of personal liberation that exists far outside the brittle confines of commodity culture.

    Follow the flailing escapades of maverick music manager Campbell Ouiniette at the Calgary Folk Festival, as he leaves a trail of empty liquor bottles, cigarette butts, bruised egos, and obliterated relationships behind him. His top headlining act has abandoned him for the Big Time. In a fit of self-delusion or pure genius (or perhaps a bit of both), Ouiniette devises an intricate scam, a last hurrah in an attempt to redeem himself in the eyes of his girlfriend, the music industry, and the rest of the world. He reveals his path of destruction in his own transparently self-justifying, explosive, profane words, with digressions into the Edmonton hardcore punk rock scene, the Yugoslavian Civil War, and other epicentres of chaos.

    But today's woman needs more than a book of soppy affirmations to get her back on her feet and feeling great. I Used to Miss Him... is full of smart tips, sarcastic stories and hilarious ways to heal after a breakup. This book provides the sort of genuine advice you'd get from your best friend, but with a "rip his head off" attitude. By supporting a girl's right to be angry with her ex, this fun guide helps her rebuild her strength and confidence after he's gone.Features edgy advice on how to:Cash in on his lifelong guiltLook sexy and feel fabulous (then run into him at a party)Make an ex-boyfriend voodoo dollLose the guy, keep the jewelryAdvertise being singleStalk responsibly to keep him on his toesMaximize post-breakup pamperingI Used to Miss Him... is the ultimate breakup survival guide for today's woman!

    Most dads say a lot of sh*t. But unfortunately, what they say is usually not even worth writing down. Thats because they have about as much wit as a sack of flour. Justin Halpern's dad is the rare exception. His dads sh*t is funny because it is just so stupid and ridiculous. This book is both a parody and a tribute to the book Sh*t My Dad Says. This book is a carefully selected collection of things that dads most definitely would never say, just because these sayings are actually clever, witty and smart.

    So how did Clerow “Flip” Wilson go from Jersey City grade-school dropout to national celebrity, heralded on the cover of Time as “TV’s First Black Superstar”?Flip is a candid, entertaining biography of a consummate comedian who changed the face of American popular culture. Kevin Cook chronicles Flip’s meteoric rise through the Chitlin’ Circuit of segregated nightclubs to his breakthrough on Johnny Carson’s Tonight Show to his hit variety show, on which he created such outrageous and hilarious characters as the sassy Geraldine and flock-fleecing Reverend Leroy. As one of the biggest stars of his time, he performed and partied with Richard Pryor, George Carlin, Michael Jackson, Elvis Presley, and other stars of the 1970s.   Drawing on interviews with family, friends, and celebrities, Cook delivers the inspiring story of a complex man who broke the prime-time color barrier,  blazing a trail for generations of African American performers who followed him.