Years later, raising two kids alone in the beachside community of Santa Cruz, Kelsey’s faith is again tested when her daughter’s life is in jeopardy. Now, she must make a choice to drown under the weight of her past or resurface triumphantly in the faith and hope she left behind.Alex Bechtel traded his successful CPA business for his first love: Pastoring a small church in a quaint seaside village. But when he discovers the church is long on rules and short on compassion, he must question his decisions and his own definition of faith.Can two people with troubled pasts find hope and love in one another? Or is Swimming to the Surface worth the effort?

    Her oldest daughter, Kess, is a university professor in Minneapolis, but she has come home at the request of her sister, Jo who is concerned for Evelyn's mental health. Kess, a professed lesbian, wants to cut her family ties once and for all; Jo, an incurable romantic and longtime virgin, has now become pregnant; while Sherry, salty-tongued and amoral, wants only to finish high school so she can leave home for good. In the end, there is no accommodation possible but, instead, only a kind of arbitrary independence for each of the protagonists, as they come to realize that each must find her own heaven or hell in her own way.

    This book is a collection of the best stories and quotes I have come across in 40-plus years of studying NDEs. It shines a bright light on the universal truths that are championed by NDEs and reveals, in life-changing technicolor, how to apply these truths to our everyday lives. This book was first published under the title Love The Person You’re With. All 60 chapters of that book are included in this one. 31 additional chapters have been added. The book is being published under a new title to reach more people. New content has been added to explore some topics in greater depth. Other tweaks, including enhanced references, have been added to make the book easier to read, remember, and study. The book includes stories and quotes from 52 experiencers and 10 researchers, including Howard Storm, Tom Sawyer, Reinee Pasarow, Dianne Morrissey, Oliver John Calvert, Erica McKenzie, Andy Petro, Amy Call, Mary Jo Rapini, Anne Horn, Ellyn Dye, Mellen-Thomas Benedict, Ryan Rampton, Natalie Sudman, Amphianda Baskett, Mary Neal, Julie Aubier, Julian of Norwich, Barbara Harris Whitfield, Anita Moorjani, Jeff Olsen, Cami Renfrow, Louisa Peck, Ana Cecilia, Peter Panagore, Alon Anava, Tricia Barker, Samuel Bercholz, Arthur Yensen, George Ritchie, Linda Stewart, Cecil Willy, Lorna Byrne, Rene Jorgensen, Mary Deioma, Krystal Winzer, David Sunfellow, Kenneth Ring, Laurin Bellg, Jeffrey Long, Sheila, Dennis, and Matthew Linn, Kevin Williams, Barbara R. Rommer, and John W. Price. Along with fantastic content, this book has a companion website that showcases the experiencers, researchers, and remarkable videos that are featured in the book: http://thepurposeoflife-nde.com/

    That night, Sater came home and began writing the first lyric of Spring Awakening: "Mama Who Bore Me" - a lyric which still stands, verbatim, just as he first wrote it. Ten years later, in the wake of the enormous international success of this groundbreaking, multiaward-winning show, its original director, Michael Mayer, urged Sater to write notes explicating its famously evocative, poetic lyrics. In rich detail, Sater's notes address the literary sources and allusions of each lyric. He also writes feelingly of what prompted the songs over the course of the show's eight years of development. In so doing, Sater expands on his partnership with Sheik and his experiences with original cast members, Lea Michele and Jonathan Groff, now also known from Glee. These notes will prove invaluable for fans of the show, for all those interested in theater, and most especially for all the young performers who will play the roles and sing these songs.

    It is a book profoundly enriched by the author s two loves, love for the theater and love for his partner of fifty-two years, Tom Hatcher, who shared and inspired every aspect of his life and his work. Laurents writes about the musicals he directed, I Can Get It for You Wholesale, its producer David Merrick (the Abominable Showman ), and its (very young) stars Barbra Streisand and Elliott Gould . . . He writes about Stephen Sondheim s Anyone Can Whistle, which starred Angela Lansbury and Lee Remick, marking the debut for each in musical theater. He summons up the challenges and surprises that came with the making of La Cage aux Folles, the first big Broadway musical that was gay and glad to be. He writes in rich detail about his most recent production of Gypsy, how it began as an act of love, a love that spread through the entire company and resulted in a Gypsy unlike any other. And about his new bilingual production of West Side Story. And he talks, as well, about the works of other directors Fiddler on the Roof; Kiss Me, Kate; Spring Awakening; Street Scene; The Phantom of the Opera; LoveMusik; Sweeney Todd. Moving, exhilarating, provocative a portrait of an artist working with other artists; a unique close-up look at today s American musical theater by a man who s been at its red-hot center for more than five decades."

    Showing that you can put in work to change your life while having fun, the practices are full of whimsy and delight. Jacqueline decided to spend every day of 2017 devoted to her own happiness. She wrote every single day about the things she does to honor her joy, and used these writings to create this 365 day step-by-step guide, so she could teach you how to shift to BE and live in a “high for life” frequency of happiness too—no matter where you are at in your life right now. She started writing these for herself, but has a little sneaky intent to touch your heart every day and initiate new learning, understanding, knowledge, and wisdom for you to get closer to your true, authentic happy self. Through light, bubbly, cheerful passages, each day teaches you to find happiness, use those sour lemons, and shift yourself into a “high for life” frequency where you can reach happiness anywhere at any time.

    In his "mini-manual for actors," Fo lays bare the tools of his craft. With the assistance of his wife, playwright Franca Rame, he explains how text, song, humor, mime and political intelligence can be fused into brilliant "popular theatre."

    

    Rape. Murder. Multiple assaults. Three dead teenage girls. A pair of criminals. But which one was the killer? This graphic account of convicted killers, Paul Bernardo and Karla Homolka, shows that in some relationships, neither party is the “better half.” Both halves of this Canadian couple add up to one evil story. A story too shocking to believe, but the truth, especially true crime, is all too often stranger and more gruesomely horrific than any mere work of fiction. Weaving a tale of innocent victims who were terrorized, sexually assaulted and murdered, this true-crime thriller details the crimes and takes an in-depth look at the perpetrators. Criminal profilers have found when killers work in tandem; often they are designated as the “leader” and the “follower.” Readers are invited to draw their own conclusions as to which one of the deadly duo was the manipulator and who was being manipulated. Dubbed the “Ken and Barbie Killers” by the media, Paul and Karla's pink dream house became a place of nightmares. Get a copy today and discover the shocking confession that causes their world to fall apart like a house of cards and reveals that this “perfect couple” is in fact perfectly evil.

    The independent, intelligent, feisty Hepburn comes alive when Mulgrew slips deftly into the voice and being of the famous actress. The two-act play opens in 1938 when the actress is 31 years old and in the middle of a career slump. She is awaiting a call to see if she has won the part of Scarlet in a film called GONE WITH THE WIND. The story moved to 1983 when Parkinson's disease has left her voice shaking, her hand clutching a cane, but her eyes still shining with intelligence and wit. TEA AT FIVE is an unforgettable trip down Broadway, Hollywood Blvd, and memory lane.

    When his true love Tammy Winslow died saving his life, Jonathan Randall had only one reason left for existing: his baby daughter Sarah. But Sarah's great-grandfather, powerful millionaire Alan Spaulding, was obsessed with bringing her up himself. Faking his death, Jonathan fled Springfield, leaving only his mother Reva Shayne aware he and Sarah were still alive. After being on the run for months, Jonathan comes to the sleepy town of Tourmaline, California, with no intention of staying. But ten-month-old Sarah seems strangely happy here, and Jonathan himself feels an inexplicable pull toward the town. It's almost as if Tammy's ghost were whispering to him that he should stay for a while. But life is hard for a bad boy trying to turn good, until a local young woman comes into his life. Aubrey Cross isn't quite sure what attracts her to this stranger in Tourmaline. Perhaps it's his dark good looks; perhaps it's because she too has always felt as if she doesn't belong in Tourmaline, even though her father is the popular town sheriff. Aubrey alone knows that this pillar of the community is in reality a sadistic abuser. And, of course, with a past like Jonathan's, it's no surprise that life doesn't stay peaceful in Tourmaline for long. Sheriff Zeke Cross is sure there are some secrets buried, and he's not going to rest until he uncovers them. Can Reva protect Jonathan and Sarah before they're discovered by the dangerous Alan Spaulding? Featuring some of Guiding Light's favorite characters, Jonathan's Story is the passionate tale of how Jonathan may have finally found a second chance for true love...but who knows better than Jonathan how quickly everything you love can be ripped away from you?

    Three-year-old Kevin was the victim, betrayed by the parents who should have protected him.This isn't a nice story. It's not a novel. It's raw and told in actual diary entries. Day by day and month by month, the author describes what she heard, what she saw, and how she tried to get help for little Kevin. This is a true story of child abuse, and it describes real events in the state of New Hampshire during 2011 and 2012. It's a harsh plea for child abuse awareness.

    Now middle-aged women, they were teenagers when Dean filmed Giant two decades ago in nearby Marfa. One of them, an extra in the film, has a child whom she says was conceived with Dean during the shoot. The ladies' congenial reminiscences mingle with flash backs to their youth; then the arrival of a stunning but familiar stranger se

    But what went unreported in the media was the nuclear fallout that had lasting impact on the inhabitants of Pokhran, especially Chaitanya.It quickly becomes clear that the conspiracy surrounding this radioactive fallout runs pretty deep in the establishment. Those who have had a hand in covering it up are willing to go to great lengths to ensure that the secrets stay buried.Chaitanya sets on a journey to expose the truth. With Zara by his side, he is sure to bring justice to his people. But when fate snatches Zara away from him, he is consumed by revenge. Undeterred by threats, he embarks on a mission that takes him from the deserts of Pokhran to those of Syria, and into the halls of MIT.A heady page turner, at its very core, Pokhran is an exceptional journey of revenge, courage, love and the unbeatable human spirit.

    First published by Yale University Press in 1956, it won the Pulitzer Prize in 1957 and has since sold more than one million copies. This edition includes a new foreword by Harold Bloom.The action covers a fateful, heart-rending day from around 8:30 am to midnight, in August 1912 at the seaside Connecticut home of the Tyrones - the semi-autobiographical representations of O'Neill himself, his older brother, and their parents at their home, Monte Cristo Cottage.One theme of the play is addiction and the resulting dysfunction of the family. All three males are alcoholics and Mary is addicted to morphine. They all constantly conceal, blame, resent, regret, accuse and deny in an escalating cycle of conflict with occasional desperate and half-sincere attempts at affection, encouragement and consolation.