. . So begins this classic story of one summer on a Maine island from the author of One Morning in Maine and Blueberries for Sal. The spell of rain, the gulls and a foggy morning, the excitement of sailing, the quiet of the night, the sudden terror of a hurricane, and, in the end, the peace of the island as the family packs up to leave are shown in poetic language and vibrant, evocative pictures.

    Outside, there is water all around. Inside, the daily life of a lighthouse keeper and his family unfolds as the keeper boils water for tea, lights the lamp's wick, and writes every detail in his logbook.

    This elegant and powerful picture book biography centers around the historic fight in which Black and White America were able to put aside prejudice and come together to celebrate our nation's ideals.

    Joseph's Day. Juan loves las golondrinas, and so does his friend, Julian, the gardener at the mission.This year Juan plants a garden in his own yard. There's nothing he wants more than for the swallows to nest there. And on St. Joseph's Day, his dream comes true.Leo Politi is beloved author and illustrator of Pedro, The Angel of Olvera Street, among many other books for children. Song of the Swallows won the Caldecott Medal in 1950.

    But do you have any idea how the age-old tale of the Spider and the Fly ends? Join celebrated artist Tony DiTerlizzi as he -- drawing inspiration from one of his loves, the classic Hollywood horror movies of the 1920s and 1930s -- shines a cinematic spotlight on Mary Howitt's warning, written to her own children about those who use sweet words to hide their not-so-sweet intentions.

    A picture book biography about Gwendolyn Brooks, the influential poet and the first African American to win a Pulitzer Prize.

    As he sits waiting for a bite, a farmer calls him a fool and says "You'll never catch fish in McElligot's Pool!" Marco, however, refuses to be discouraged and spends the rest of the story describing all the fish that could be coming to McElligot's Pool from the ocean. The story ends with Marco still fishing and the farmer scratching his beard and looking confused. The use of color and illustrations blur the line between fantasy and reality during Marco's story, creating one of the most interesting aspects of the book. The text is made up of catchy rhymes and intriguing fish descriptions. The pictures complement the text and make the fish descriptions seem real. Interestingly, Seuss illustrates every other page in black and white. At the beginning of the story when Marco sits by the pond, the black and white emphasizes the concrete reality of the Marco talking to the farmer. After page one, every other page is in color. The color magnifies Marco's fantasy about all of the fish, making them seem beautiful and real. At the same time, the black and white pages make Marco's fish descriptions seem realistic. Seuss's use of the black-and-white pictures during Marco's whimsical descriptions in the text could be his way of toning down the fantasy and bringing it into the context of every day life. The use of color to blend reality and fantasy also emphasizes optimism in the story. The farmer was probably right in telling Marco that he will "never catch fish in McElligot's Pool." With the clever use of color and illustrations, however, Dr. Seuss undermines the fisherman's certainty and makesMarco's claim that there might be fish in McElligot's Pool believable. McElligot's Pool sends the message that life is not always as it seems, that it is not as simple as b

    As General Tubman she was a Union spy. As Moses she led hundreds to freedom on the Underground Railroad. As Minty she was a slave whose spirit could not be broken.

    But then Nana makes him a special cape to help him be brave, and soon the everyday sights, sounds, and smells of the city are not scary—but wonderful. The succinct text is paired with watercolor illustrations that capture all the vitality, energy, and beauty of the city.

    When Grandma Della said the blues wouldn’t put food on the table, Muddy didn’t listen. And when record producers told him no one wanted to listen to a country boy playing country blues, Muddy ignored them as well. This tenacious streak carried Muddy from the hardscrabble fields of Mississippi to the smoky juke joints of Chicago and finally to a recording studio where a landmark record was made.Soon the world fell in love with the tough spirit of Muddy Waters. In blues-infused prose and soulful illustrations, Michael Mahin and award-winning artist Evan Turk tell Muddy’s fascinating and inspiring story of struggle, determination, and hope.

    There is a little island in the ocean—and this book is about how it is on that little island, how the seasons and the storm and the day and night change it, how the lobsters and seals and gulls and everything else live on it, and what the kitten who comes to visit finds out about it.

    "Yo!" says one. "Yes?" says the other. And so begins a conversation that turns strangers into friends. With vibrant illustrations, Chris Raschka's rhythmic read-aloud is a celebration of differences -- and how it just takes a few words to overcome them. More relevant than ever in our divided world, this 1993 Caldecott Award-winning classic is presented in an accessible paperback format.

    It was the1930s, and many families had lots of kids. But only one had enough to field a baseballteam . . . with three on the bench! The Acerras were the longest-playing all-brotherteam in baseball history. They loved the game, but more important, they cared forand supported each other and stayed together as a team. Nothing life threw their waycould stop them.Full of action, drama, and excitement, this never-before-told true story is vividlybrought to life by Audrey Vernick’s expert storytelling and Steven Salerno’s stunningvintage-style art.

    But sometimes things work out best when they don't go exactly as planned.   This Caldecott Honor-winning book is a moving and hilarious celebration of young boys, childhood friendships, and the power of the imagination, where Marla Frazee captures the very essence of summer vacation and what it means to be a kid.

    With roots in American slave tales, Tops & Bottoms celebrates the trickster tradition of using one’s wits to overcome hardship. “As usual, Stevens’ animal characters, bold and colorful, are delightful. . . . It’s all wonderful fun, and the book opens, fittingly, from top to bottom instead of from side to side, making it perfect for story-time sharing.”--BooklistThis title has been selected as a Common Core Text Exemplar (Grades 2-3, Stories)