Not just "Mother Goose."

    But I like to remember him as a boy who wanted so very much to paint that he dug his colors out of the earth and made his brushes from his cat's tail." Marguerite Henry

    Escape seemed impossible--certainly dangerous. Yet Harriet did escape North, by the secret route called the Underground Railroad. Harriet didn't forget her people. Again and again she risked her life to lead them on the same secret, dangerous journey.

    Presents six tales about Spider, including:How Spider Got a Thin Waist; Why Spider Lives in Ceilings; How Spider Got a Bald Head; How Spider Helped a Fisherman; Why Spiders Live in Dark Corners; How the World God Wisdom

    The tales illuminate the mystical significance of knighthood and its ethos of self-purification and honour, decoding many allusions found in medieval art, literature and song.

    "These entertaining, deftly organized books will make terrific light-hearted additions to cirriculum units on ancient civilizations." — Publishers WeeklyStop the presses! What if ancient civilizations had daily newspapers? And they were amusing and compellingly informative? They might just look like this innovative series of historical nonfiction, presented in a unique, kid-friendly format.

    Some live under bridges, others deep inside caves. They can carry their heads under their arms or hide their hearts inside wells. They can walk across oceans and fly over mountains. Trees and shrubs may grow from their heads, and their noses can be long enough to stir soup. There are troll hags, troll daughters, and elderly, shrunken trolls. Old or young, they are quarrelsome, ugly, and boastful, and they love to trick princesses and children. To defeat them, children must rely on the strengths of their humanity-persistence, kindness, pluck, and willingness to heed good advice

    From a red prayer rug to a blue hijab, everyday colors are given special meaning as young readers learn about clothing, food, and other important elements of Islamic culture, with a young Muslim girl as a guide. Sure to inspire questions and observations about world religions and cultures, Golden Domes and Silver Lanterns is equally at home in a classroom reading circle as it is being read to a child on a parent's lap.

    They includes stories set down in travelers' reports and plantation journals from the early nineteenth century, tales gathered by collectors such as Joel Chandler Harris and Zora Neale Hurston, and narratives tape-recorded by Roger Abrahams himself during extensive expeditions throughout the American South and the Caribbean.

    The poem engages in flights of fancy - what about a husk being a house for an ear of corn, or a throat being a house for a hum? "And once you get started in thinking this way,/ It seems that whatever you see/ Is either a house or it lives in a house,/ And a house is a house for me!" whimsical drawings color the imaginative text.

    But one tricky fox becomes greedy—he uses his magic to turn three river stones into gold coins, and then tricks Basho into giving up all of the cherries. When the fox returns to gloat over his victory, he discovers that Basho is content. Wiser than the fox, Basho knows that a poem inspired by the beauty of the river stones is more valuable than gold. Oki S. Han’s watercolors evoke ancient Japan in this sequel to the New York Times bestseller Basho and the Fox.

    "Another virtuoso performance. . . . Such an astute blend of aesthetics and information is admirable, the child's eye will be rewarded many times over."--Booklist. ALA Notable Book; Caldecott Medal.

    Edited by the two leading experts on Hughes’s work, and illustrated by the brilliant Benny Andrews, this very special volume is one to treasure forever. A much-requested book that was years in the making…and well worth the wait. One of the central figures in the Harlem Renaissance—the flowering of black culture that took place in the 1920s and 30s—Langston Hughes captured the soul of his people, and gave voice to their concerns about race and social justice. His magnificent and powerful words still resonate today: that’s why it’s so important for young people to have access to his poems. Now they do, in a splendid volume edited and illustrated by a top-caliber team who are simply the best in their fields. The introduction, biography, and annotations come from Arnold Rampersad, a Professor and Dean at Stanford University, who has written The Life of Langston Hughes, and David Roessel, co-editor with Professor Rampersad of The Collected Poems of Langston Hughes and editor of the Langston Hughes collection in Knopf’s Everyman series. Benny Andrews—a painter, printmaker, and arts advocate whose work is in the permanent collection of the Metropolitan Museum, the Museum of Modern Art, and the Smithsonian, among others—has created gallery-quality illustrations that pulse with energy and add rich dimension to the poems. Among the anthologized poems are Hughes’s best-known and most loved works: “The Negro Speaks of Rivers”; “Aunt Sue’s Stories”; “Danse Africaine”; “Mother to Son”; “My People”; “Words Like Freedom”; “Harlem”; and “I, Too”—his sharp, pointed response to Walt Whitman’s earlier “I Hear America Singing.” Poetry for Young People: Langston Hughes is a publishing event for all to celebrate.A Selection of the Scholastic Book Club.

    Although she is surrounded with gifts and has rooms, gardens, and a courtyard to explore, Pandora is drawn to one room--the one that holds that jar. Is Pandora’s curiosity a curse? In a seamless blend of prose and verse--and drawing from traditional mythological sources--Robert Burleigh dramatically tells Pandora's story for young readers. Complemented by Raul Colón's bold illustrations, Pandora is an unforgettable introduction to the classic myth.

    This is a story about a mouse, and how he got swallowed up by a wolf, and who he met down in its belly, and what happened after that.