It was a crucial friendship, and a unique one--a president and a prime minister spending enormous amounts of time together (113 days during the war) and exchanging nearly two thousand messages. Amid cocktails, cigarettes, and cigars, they met, often secretly, in places as far-flung as Washington, Hyde Park, Casablanca, and Teheran, talking to each other of war, politics, the burden of command, their health, their wives, and their children.Born in the nineteenth century and molders of the twentieth and twenty-first, Roosevelt and Churchill had much in common. Sons of the elite, students of history, politicians of the first rank, they savored power. In their own time both men were underestimated, dismissed as arrogant, and faced skeptics and haters in their own nations--yet both magnificently rose to the central challenges of the twentieth century. Theirs was a kind of love story, with an emotional Churchill courting an elusive Roosevelt. The British prime minister, who rallied his nation in its darkest hour, standing alone against Adolf Hitler, was always somewhat insecure about his place in FDR's affections--which was the way Roosevelt wanted it. A man of secrets, FDR liked to keep people off balance, including his wife, Eleanor, his White House aides--and Winston Churchill.Confronting tyranny and terror, Roosevelt and Churchill built a victorious alliance amid cataclysmic events and occasionally conflicting interests. Franklin and Winston is also the story of their marriages and their families, two clans caught up in the most sweeping global conflict in history.Meacham's new sources--including unpublished letters of FDR's great secret love, Lucy Mercer Rutherfurd, the papers of Pamela Churchill Harriman, and interviews with the few surviving people who were in FDR and Churchill's joint company--shed fresh light on the characters of both men as he engagingly chronicles the hours in which they decided the course of the struggle.Hitler brought them together; later in the war, they drifted apart, but even in the autumn of their alliance, the pull of affection was always there. Charting the personal drama behind the discussions of strategy and statecraft, Meacham has written the definitive account of the most remarkable friendship of the modern age.

    That was the year the war broke out in Sarajevo, Bosnia, the year that genocide revisited the planet. It was the year that Ervin Rustemagic - an international businessman whose clients included author Joe Kubert - found himself and his family trapped in a city under siege. Ervin's only means of communication to the outside world was via his fax machine. As Joe began to receive these messages from Ervin, he did what he had done for years - he put the story to paper. Renowned comics creator Joe Kubert has been writing and illustrating comic books since the 1940s, including Batman, Superman, Tarzan, Enemy Ace, and Sgt. Rock. Fax from Sarajevo is by far one of the highest achievements of one of comics' greatest living masters.

    Simple yet addictive, Tetris delivers an irresistible, unending puzzle that has players hooked. Play it long enough and you’ll see those brightly colored geometric shapes everywhere. You’ll see them in your dreams.Alexey Pajitnov had big ideas about games. In 1984, he created Tetris in his spare time while developing software for the Soviet government. Once Tetris emerged from behind the Iron Curtain, it was an instant hit. Nintendo, Atari, Sega―game developers big and small all wanted Tetris. A bidding war was sparked, followed by clandestine trips to Moscow, backroom deals, innumerable miscommunications, and outright theft.In this graphic novel, New York Times–bestselling author Box Brown untangles this complex history and delves deep into the role games play in art, culture, and commerce. For the first time and in unparalleled detail, Tetris: The Games People Play tells the true story of the world’s most popular video game.

    

    They fought their enslavers throughout the Americas. And then they were erased from history.Wake tells the story of Dr. Rebecca Hall, a historian, granddaughter of slaves, and a woman haunted by the legacy of slavery. The accepted history of slave revolts has always told her that enslaved women took a back seat. But Rebecca decides to look deeper, and her journey takes her through old court records, slave ship captain’s logs, crumbling correspondence, and even the forensic evidence from the bones of enslaved women from the “negro burying ground” uncovered in Manhattan. She finds women warriors everywhere.Using in-depth archival research and a measured use of historical imagination, Rebecca constructs the likely pasts of Adono and Alele, women rebels who fought for freedom during the Middle Passage, as well as the stories of women who led slave revolts in Colonial New York. We also follow Rebecca’s own story as the legacy of slavery shapes life, both during her time as a successful attorney and later as a historian seeking the past that haunts her.Illustrated beautifully in black and white, Wake will take its place alongside classics of the graphic novel genre, like Marjane Satrapi’s Persepolis and Art Spiegelman’s Maus. The story of both a personal and national legacy, it is a powerful reminder that while the past is gone, we still live in its wake.

    I am a survivor of the Cambodian holocaust. That's who I am.He became famous through his academy award-winning performance as Dith Pran in the film The Killing Fields, but the key to Haing Ngor's screen success was the terrible truth of his own experiences in the rice paddies and labour camps of revolutionary Cambodia.Here, in a gripping memoir of life under the communist Khmer Rouge regime, he reveals the country's descent into a hell beyond our imaginings: a world of war slaves and senseless brutality, where family life simply ceases to be. But with the pain he also gives us hope and an illuminating example of how the best sort of love can actually be strengthened through the shared experience of a life-threatening ordeal. An eyewitness account of the real killing fields by an extraordinary survivor, this book is both a reminder of the horrors of war and a testament to the resilience of the human spirit.

    All of these conflicts, including the hostilities between Arabs and Israelis that have flared yet again, come down, in a sense, to the extent to which the Middle East will continue to live with its political inheritance: the arrangements, unities, and divisions imposed upon the region by the Allies after the First World War.In A Peace to End All Peace, David Fromkin reveals how and why the Allies came to remake the geography and politics of the Middle East, drawing lines on an empty map that eventually became the new countries of Iraq, Israel, Jordan, and Lebanon. Focusing on the formative years of 1914 to 1922, when all-even an alliance between Arab nationalism and Zionism-seemed possible he raises questions about what might have been done differently, and answers questions about why things were done as they were. The current battle for a Palestinian homeland has its roots in these events of 85 years ago.

    In 1975, the Khmer Rouge seized power in the capital city of Phnom Penh. Immediately after declaring victory in the war, they set about evacuating the country’s major cities with the brutal ruthlessness and disregard for humanity that characterized the regime ultimately responsible for the deaths of one million citizens.Cartoonist Tian Veasna was born just three days after the Khmer Rouge takeover, as his family set forth on the chaotic mass exodus from Phnom Penh. Year of the Rabbit is based on firsthand accounts, all told from the perspective of his parents and other close relatives. Stripped of any money or material possessions, Veasna’s family found themselves exiled to the barren countryside along with thousands of others, where food was scarce and brutal violence a constant threat.Year of the Rabbit shows the reality of life in the work camps, where Veasna’s family bartered for goods, where children were instructed to spy on their parents, and where reading was proof positive of being a class traitor. Constantly on the edge of annihilation, they realized there was only one choice—they had to escape Cambodia and become refugees. Veasna has created a harrowing, deeply personal account of one of the twentieth century’s greatest tragedies.

    Fought over a period of three decades, the conflict drew in all the world’s powers and saw two of them—first France, then the United States—attempt to subdue the revolutionary Vietnamese forces. For France, the defeat marked the effective end of her colonial empire, while for America the war left a gaping wound in the body politic that remains open to this day.   How did it happen? Tapping into newly accessible diplomatic archives in several nations and making full use of the published literature, distinguished scholar Fredrik Logevall traces the path that led two Western nations to lose their way in Vietnam. Embers of War opens in 1919 at the Versailles Peace Conference, where a young Ho Chi Minh delivers a petition for Vietnamese independence to President Woodrow Wilson. It concludes in 1959, with a Viet Cong ambush on a U.S. outpost outside Saigon and the deaths of two American officers whose names would be the first to be carved into the black granite of the Vietnam Veterans Memorial. In between come years of political, military, and diplomatic maneuvering and miscalculation, as leaders on all sides embark on a series of stumbles that makes an eminently avoidable struggle a bloody and interminable reality.   Logevall takes us inside the councils of war—and gives us a seat at the conference tables where peace talks founder. He brings to life the bloodiest battles of France’s final years in Indochina—and shows how from an early point, a succession of American leaders made disastrous policy choices that put America on its own collision course with history: Harry Truman’s fateful decision to reverse Franklin Delano Roosevelt’s policy and acknowledge France’s right to return to Indochina after World War II; Dwight Eisenhower’s strenuous efforts to keep Paris in the fight and his escalation of U.S. involvement in the aftermath of the humiliating French defeat at Dien Bien Phu; and the curious turnaround in Senator John F. Kennedy’s thinking that would lead him as president to expand that commitment, despite his publicly stated misgivings about Western intervention in Southeast Asia.   An epic story of wasted opportunities and tragic miscalculations, featuring an extraordinary cast of larger-than-life characters, Embers of War delves deep into the historical record to provide hard answers to the unanswered questions surrounding the demise of one Western power in Vietnam and the arrival of another. This book will become the definitive chronicle of the struggle’s origins for years to come.Advance praise for Embers of War   “Fredrik Logevall has gleaned from American, French, and Vietnamese sources a splendid account of France’s nine-year war in Indochina and the story of how the American statesmen of the period allowed this country to be drawn into the quagmire.”—Neil Sheehan, author of A Bright Shining Lie, winner of the Pulitzer Prize and the National Book Award   “Fredrik Logevall is a wonderful writer and historian. In his new book on the origins of the American war in Vietnam, he gives a fascinating and dramatic account of the French war and its aftermath, from the perspectives of the French, the Vietnamese, and the Americans. Using previously untapped sources and a deep knowledge of diplomatic history, Logevall shows to devastating effect how America found itself on the road to Vietnam.”—Frances FitzGerald, author of Fire in the Lake, winner of the Pulitzer Prize and the National Book Award

    They reached Arlington’s highest point, where they encircled an old cream-colored mansion with thick columns and a commanding view of the cemetery, the river, and the city beyond. The mansion’s flag, just lowered to half-staff, signaled that it was time to start another day of funerals, which would add more than twenty new conscripts to Arlington’s army of the dead.” So does Robert Poole describe a day like so many others in the long and storied history of Arlington National Cemetery. Created towards the end of our greatest national crucible, the Civil War, its story—as revealed in On Hallowed Ground—reflects much of America’s own over the past century and a half. The mansion at its heart, and the rolling land on which it sits, had been the family plantation of Robert E. Lee before he joined the Confederacy; strategic to the defense of Washington, it became a Union headquarters, a haven for freedmen, and a burial ground for indigent soldiers before Secretary of War Edwin Stanton made it the latest in the newly established national cemetery system. It would become our nation’s most honored resting place. No other country makes the effort the United States does to recover and pay tribute to its war dead—an effort Poole reveals in poignant details from the aftermaths of the Civil War, Spanish-American War, World Wars I and II, Korea, Vietnam, and the conflicts in the Gulf and Afghanistan today. Every tombstone at Arlington tells a story: from Private William Christman, the first soldier buried at Arlington on May 13, 1864, to Union General Montgomery Meigs, whose idea Arlington was; from Lieutenant Thomas Selfridge, the first casualty of powered flight, to Audie Murphy, America’s most decorated soldier; from the Tomb of the Unknown Soldier, so lovingly tended today, to John F. Kennedy’s eternal flame; from scientists and slaves to jurists and generals and tens of thousands of ordinary citizen-warriors, among the more than 300,000 interred on Arlington’s 624 acres. Their sagas, and the rites and rituals that have evolved at Arlington—the horse-drawn caissons, marble headstones, playing of taps, and rifle salutes—speak to us all.

    Bacevich provides a searing reassessment of U.S. military policy in the Middle East over the past four decades. From the end of World War II until 1980, virtually no American soldiers were killed in action while serving in the Greater Middle East. Since 1990, virtually no American soldiers have been killed in action anywhere else. What caused this shift? Andrew J. Bacevich, one of the country’s most respected voices on foreign affairs, offers an incisive critical history of this ongoing military enterprise—now more than thirty years old and with no end in sight. During the 1980s, Bacevich argues, a great transition occurred. As the Cold War wound down, the United States initiated a new conflict—a War for the Greater Middle East—that continues to the present day. The long twilight struggle with the Soviet Union had involved only occasional and sporadic fighting. But as this new war unfolded, hostilities became persistent. From the Balkans and East Africa to the Persian Gulf and Central Asia, U.S. forces embarked upon a seemingly endless series of campaigns across the Islamic world. Few achieved anything remotely like conclusive success. Instead, actions undertaken with expectations of promoting peace and stability produced just the opposite. As a consequence, phrases like “permanent war” and “open-ended war” have become part of everyday discourse. Connecting the dots in a way no other historian has done before, Bacevich weaves a compelling narrative out of episodes as varied as the Beirut bombing of 1983, the Mogadishu firefight of 1993, the invasion of Iraq in 2003, and the rise of ISIS in the present decade. Understanding what America’s costly military exertions have wrought requires seeing these seemingly discrete events as parts of a single war. It also requires identifying the errors of judgment made by political leaders in both parties and by senior military officers who share responsibility for what has become a monumental march to folly. This Bacevich unflinchingly does. A twenty-year army veteran who served in Vietnam, Andrew J. Bacevich brings the full weight of his expertise to this vitally important subject. America’s War for the Greater Middle East is a bracing after-action report from the front lines of history. It will fundamentally change the way we view America’s engagement in the world’s most volatile region.Advance praise for America’s War for the Greater Middle East“In one arresting book after another, Bacevich has relentlessly laid bare the failings of American foreign policy since the Cold War. This one is his sad crowning achievement: the story of our long and growing military entanglement in the region of the most tragic, bitter, and intractable of conflicts.”—Richard K. Betts, director, Saltzman Institute of War and Peace Studies, Columbia University “An unparalleled historical tour de force certain to affect the formation of future U.S. foreign policy . . . Every citizen aspiring to high office needs not only to read but to study and learn from this important book. This is one of the most serious and essential books I have read in more than half a century of public service.”—Lieutenant General Paul K. Van Riper, U.S. Marine Corps (Ret.) “Bacevich asks and answers a provocative, inconvenient question: In a multigenerational war in the Middle East, ‘Why has the world’s mightiest military achieved so little?’ ”—Graham Allison, director, Belfer Center for Science and International Affairs, and Douglas Dillon Professor of Government at Harvard’s John F. Kennedy School of GovernmentFrom the Hardcover edition.

    Writer Alex Irvine and illustrators Tomm Coker (Black Monday Murders) and C.P. Smith team up to present a complete look at the beginnings (both real and legendary), developments, triumphs, and tragedies of baseball. The Comic Book Story of Baseball spotlights the players, teams, games, and moments that have kept the game so popular for so long. Not only does the book define key terms and explain how the game is played, it also breaks down the cultural impact and significance of the sport in America and overseas (including Japan, Cuba, and the Dominican Republic). From the early days of America to the flying W outside Wrigley Field in 2016, the book features members of Baseball's Hall of Fame and modern day stand-outs, including Cy Young, Honus Wagner, Babe Ruth, Jackie Robinson, Hank Aaron, the 1930s New York Yankees, the 2004 Boston Red Sox, the 2016 Chicago Cubs, and more.

    Butler was a military hero of the first rank, the winner of two Medals of Honour, a true 'fighting marine' whose courage and patriotism could not be doubted. Yet he came to believe that the wars in which he and his men had fought and bled and died were all pre-planned conflicts, designed not so much to defend America as to bloat the balance sheets of US banks and corporations.War Is a Racket is the title of two works, a speech and a booklet, by retired United States Marine Corps Major General and two time Medal of Honor recipient Smedley D. Butler. In them, Butler frankly discusses from his experience as a career military officer how business interests commercially benefit from warfare.After his retirement from the Marine Corps, Gen. Butler made a nationwide tour in the early 1930s giving his speech "War is a Racket". The speech was so well received that he wrote a longer version as a small book with the same title that was published in 1935 by Round Table Press, Inc., of New York. The booklet was also condensed in Reader's Digest as a book supplement which helped popularize his message. In an introduction to the Reader's Digest version, Lowell Thomas, the "as told to" author of Butler's oral autobiographical adventures, praised Butler's "moral as well as physical courage".

    With the War for Independence playing out across the colonies, young Seth and Mercy Abbott find their new marriage tested at every turn as the demands of the frontlines and the home front collide. Not merely rehashing the tales of the most famous men of the time, Rebels details the epic story of the colonists, explorers and traders, wives and daughters, farmers and volunteer soldiers who, in a few short, turbulent years, created the brand-new nation of America. With the American Revolution in the national zeitgeist, creators Brian Wood ("The Massive, DMZ, Northlanders") and Andrea Mutti ("The Girl with the Dragon Tattoo, Avengers") deliver a gripping piece of historical fiction with Rebels. Praise for the series: Thrilling . A comic with heart. --"COMIC BEAT" Rebels is a great & beautiful book! Read issue 1 & can't wait for the next one! "Matt Kindt, MIND MGMT" A fresh take on a familiar historical era. -- "LOS ANGELES TIMES/ HERO COMPLEX" The New World comes to life in a way you ve never see in it before. A comic. --"MAN CAVE DAILY" Like nothing you read in your school textbooks. --"NEWSARAMA" Rebels is a rare treat in the world of comic books today . The book offers a great start to a more intimate story of our country s founding, and is something that speaks a lot of truths about the state of our nation then and now. --"THE NERDIST" In Rebels, Wood focuses on the politics behind the war and the roiling discontent of the British colonists that eventually boiled over into eight years of bloody conflict . [Wood and c-creator Mutti] have produced a historical drama that s straightforward and easy to follow, but that doesn t shy away from exploring stickier issues like class divides, the role of women in the colonies, and the complex distinction between friend and foe. -"-VULTURE" Poignant and so incredibly powerful. --"POPMATTERS" One of Wood's biggest strengths is creating rich, believable characters with clear voices and "Rebels" is no different . Andrea Mutti delivers fast-paced action and panels full of emoting, active characters with spot-on design work Though it's set against the backdrop of the American Revolution, Wood and Mutti's "Rebels" is about basic human rights and the freedom to grow into a person or a country on one's own time. --"COMIC BOOK RESOURCES" An epic historical fiction that embodies the spirit of the American revolution like no other comic, has before. Wood has a proven track record for telling pulse pounding emotional stories. --"BLOODY DISGUSTING" You'll definitely want to check out [Wood s] latest creator-owned series. Rebels focuses on the many sides of the Revolutionary War conflict. [and] given Wood's track record with historical and politically-charged comics, we're expecting another winner. --"IGN" The art really steals the show in Rebels. Andrea Mutti s attention to detail and character design perfectly captured the 1770 s and the colonies. He was able to display his diverse talent by drawing serene forests of New Hampshire to the intense scenes of violence in the courthouse. Jordie Bellaire s colors are, naturally, beautiful and push the art to a different level. -"COMICOSITY" Fascinating. -"COMICVINE" Rebels #1 is a historical comic telling a story much different than what most publishers are producing. It is an exciting look back at a different time and an overlooked chapter in the American Revolution. History buffs will enjoy the story with its references to the overall big picture of the revolution. But the humanity of Seth Abbott and his family and friends give the story significance in how it affects everyday life. --"EXAMINER" The detailed and historically accurate artwork of Andrea Mutti (with the reliably rich coloring work from Jordie Bellaire) that really brings this to life. --"MENTAL FLOSS" Captivating. --"UNLEASH THE FANBOY" Excellent. -"FLICKERING MYTH" Andrea Mutti does a fantastic job of showcasing how bristly, dirty and violent fighting for freedom can be. -"BLOODY DISGUSTING " Very highly recommended. -"Si Spurrier" Brian Wood may be the best history teacher you never had. --"PASTE MAGAZINE" Absolutely entertaining, and thought-provoking. In today s world where we're still debating liberty and tyranny, Rebels is yet another timely relevant comic, much like . Demo, Channel Zero, Mara, The New York Four, DMZ, and more. --"GRAPHIC POLICY " "A welcome breath of fresh air. Rebels #1 is that rare comic book that makes historical fiction come alive. --"FREAK SUGAR" Engrossing, enlightening and entertaining. --TECH TIMES I m looking forward to it. --FANBOY COMICS A masterful recreation of America in the 18th century. Mutti has beautifully constructed historical Vermont with verdant forests, large farms, and serene towns that capture the ruralness of American culture at the time. His careful attention to clothing and weaponry shows an understanding of the era while Jordie Bellaire s (Everything) coloring brings the rustic feel of the century to life. . Even without Wood s dialogue the art is able to take readers back in time and give them a sense of the political tensions of the period. --GEEK CHIC LITE An action packed and dynamic first issue that sucks you in and doesn t let go. If this issue is any indicator then Rebels is going to be a very special and memorable series. --GEEKED OUT NATION"

    In addition, 6,200 homes and 8,900 structures and were destroyed. Author Brian Fies’s firsthand account of this tragic event is an honest, unflinching depiction of his personal experiences, including losing his house and every possession he and his wife had that didn’t fit into the back of their car. In the days that followed, as the fires continued to burn through the area, Fies hastily pulled together A Fire Story and posted it online. It immediately went viral. He is now expanding his original web-comic to include environmental insight and the fire stories of his neighbors and others in his community. A Fire Story is an honest account of the wildfires that left homes destroyed, families broken, and a community determined to rebuild.