Get rid of her tonight!” He towered over her as she cringed in fear. But Hansa, a thirteen-year-old child-bride in rural India, refuses to remain a victim of the oppressive society where a female child is an unwanted burden. Instead of drowning her baby, Hansa escapes from her village with three-month-old Tara.Hansa soon discovers that life as a teenage mother is fraught with danger. But a single lie opens the door to a promising opportunity far from home.Just seven years later, Hansa finds herself fighting for Tara’s life once more, this time in an American court, with a woman she calls ‘Mother.’Will the lie upon which Hansa built her life, defeat its own purpose? How can she succeed when no one believes the truth? A story of two mothers, two daughters and a fight to save a child, Fighting for Tara explores the depth of love and motherhood.

    There's West. And then there's Maya…Maya, her mother Nalini, and her brother Satchin have left a carefree life in India to come to England. But when Maya's father disappears, leaving only deceit and debt behind, they are left to fend for themselves in a strange, damp land.Maya, though, doesn't know of her father's betrayal. Nalini, determined to preserve her children's pride, tells them that their father died in an accident and, as their struggle to make a life begins, whole realities are built on this lie. While Nalini cooks exotic pickles which enchant all who eat them, Maya begins to adapt to her new home – the unfamiliar food, the language, the music – and then to explore and make bold plans, plans that her mother does not understand.But even a white lie cannot remain hidden forever – and when the truth resurfaces, it changes everything…

    In modern-day Calcutta.A beautiful model. He cuts her open. His DRAUPADIHe hammers surgical needles into his SAHADEVA. The head of NAKULA he severs.Will Detectives Ruksana Ahmed and Siddhanth Singh be able to keep him from his ARJUN, BHEEMA and YUDHISTHIRA?Or will Duryodhana finally win?

    In some ways typical, in others uncharacteristic, this play was written for a Rangayan performance in 1968. Drafted mere days before its staging, it has since been broadcast by the BBC in English and made into a film by Satyadev Dubey. This edition of the play, titled Silence! The Court is in Session and translated by Priya Adarkar, also features an introduction by Kumud Mehta.

    Sabas brother, Y, is to get married and, since the day her mother and sister began scanning the horizon for prospective brides, theres never been a dull moment at home. Saba, though, just cannot understand what the fuss is all about. A literature student pulled away from her beloved books, she finds the blogosphere a good place to rant in and to share with the world how a wedding can make everything around you go haywire.Join Saba and her family as they quarrel over shopping, expenses and responsibilities, and as they realize gradually that theres nothing like a wedding to bring a family together.

    Caught in extreme states of tension, in a world of shifting borders, of instability, Rao's characters must rely on their own wits. When Partition established Pakistan and India as sovereign states, the new boundary resulted in a colossal transfer of people, the largest peacetime migration in human history. This mass displacement echoes throughout Rao's story couplets, which range across the twentieth century, moving beyond the subcontinent to Europe and America. Told with dark humor and ravaging beauty, An Unrestored Woman unleashes a fearless new voice on the literary scene.

    Jayant Kaikini’s gaze takes in the people in the corners of Mumbai—a bus driver who, denied vacation time, steals the bus to travel home; a slum dweller who catches cats and sells them for pharmaceutical testing; a father at his wit’s end who takes his mischievous son to a reform institution. In this metropolis, those who seek find epiphanies in dark movie theaters, the jostle of local trains, and even in roadside keychains and lost thermos flasks. Here, in the shade of an unfinished overpass, a factory worker and her boyfriend browse wedding invitations bearing wealthy couples’ affectations—“no presents please”—and look once more at what they own. Translated from the Kannada by Tejaswini Niranjana, these resonant stories, recently awarded the DSC Prize for South Asian Literature, take us to photo framers, flower markets, and Irani cafes, revealing a city trading in fantasies while its strivers, eating once a day and sleeping ten to a room, hold secret ambitions close.

    “Sana, you are only a kid…you will soon forget all this. Besides, don’t you also love Shahrukh Khan?”A decade has gone by and Sanjana, now a highflying professional in Mumbai, had thought she was over her childhood crush on Rajan. However, a chance encounter at a family wedding in her hometown Fatehpur re-kindles all her old feelings for him. But what about Krish, her persistent suitor who is also a senior colleague in the office? He just will not take no for an answer! His unexpected arrival in Fatehpur results in heated rivalry between the two men.Will the ensuing tension and misunderstanding put an end to all her hopes of happiness? Her first love Rajan, or Krish, her handsome eligible colleague…who will win Sanjana’s impulsive heart?

    The controversial book concerned the marriages and sex life of Muhammad. Originally written in Urdu, it has been translated into Hindi. It remains banned in India, Pakistan and Bangladesh.

    From being a household name in the Calcutta of 1930s, when he first created, to a popular face on TV in the 1990s, Byomkesh along with his friend-cum-foil Ajit is perhaps the best-loved of India's literary detectives. This collection brings together three of his classic whodunnits. From a murder in a boarding house with too many suspects to a mystery with a supernatural twist, and then busting a black - marketeering ring in rural bengal, these stories take the super sleuth to different locales on his quest for truth, and bring out his ingenuity and astuteness. Translated into English for the first time by award-winning translator Arunava Sinha, the breathless pace and thrilling plots of these action-packed adventures will win Byomkesh a new genertion of admirers.

    "A sort of frost seems to have descended on the souls of the human agents ... Every confrontation - and the play is a series of confrontations - instead of thawing the ice, leaves it a bigger iceberg.' -R.L.Nigam, in 'Enact'

    One night, the young devadasi Kanka disappears and, as if in her place, a statue of a woman in pure gold mysteriously appears in the temple to which she was to be dedicated. Through the story of Kanaka's disappearance, Gitanjali Kolanad gives us a beautifully realized world - of priests, zamindars and devadasis, and of art, desire, and their dark reverse sides. Girl Made of Gold is a mystery, thrillingly told, and also a moving human story of the pursuit of love and freedom.

    The Middle East is a tinderbox waiting to ignite, while Afghanistan and Iraq are already exploding as the guns continue to boom and bombs go off with unfailing regularity. Pakistan is in flames as its besieged military dictator clings to power in the face of increasing opposition. Then the two besieged leaders come together to strike a secret deal. The prize: the most wanted man in the world. It is at this point that Salim, old ISI hand and former Brigadier in the Pakistan army, jumps into the fray. Egged on by the rogue ISI leadership, his terror cohorts fan out to unleash a global strike of unthinkable proportions. Caught in the eye of the impending storm, the Indian Prime Minister turns yet again to Force 22, the secret Indian strike action group and the final barrier between Salim's secret weapons and the death of thousands of innocent civilians...

    Girl loves boy. They get married. In India, there are a few more steps: Boy loves Girl. Girl loves Boy. Girl's family has to love boy. Boy's family has to love girl. Girl's Family has to love Boy's Family. Boy's family has to love girl's family. Girl and Boy still love each other. They get married.Welcome to 2 States, a story about Krish and Ananya. They are from two different states of India, deeply in love and want to get married. Of course, their parents don't agrees. To convert their love story into a love marriage, the couple have a tough battle in front of them. For it is easy to fight and rebel, but it is much harder to convince. Will they make it?From the author of blockbusters Five Point Someone, One Night @ the Call Center and The 3 Mistakes of My Life, comes another witty tale about inter-community marriages in modern india.

    The firstborn, the ‘original’ scion of Ikshvaku, the daughter of Dasharatha and Kaushalya, who came before Rama, Lakshmana, Bharata and Shatrughana. Shanta, as her named suggested, preferred solitude to her royal status of the princess of Ayodhya. She yearned for love—from her parents, who were obsessed with producing a male heir for their kingdom. After the passing of many years, when Dasharatha lies on his death bed pining for his son, Rama who has been banished to the forest for 14 long years, it is Shanta who is besides her father, but watches helplessly as Dasharatha doesn’t even recognize her. In this fascinating and hitherto unknown account, Shanta: The Story of Rama’s Sister, Anand Neelakantan tells the story of a woman who makes sacrifice her life’s mission, propelled by love, affection and a commitment to the land of her birth, Ayodhya.