Now, the new Second Edition offers these highlights.This landmark anthology includes the work of 120 writers over two centuries, from the earliest known work by an African American, Lucy Terry's poem "Bars Fight, " to the fiction of the Nobel Laureate Toni Morrison and the poems of the U.S. Poet Laureate, Rita Dove.

    Convinced that there is "a finite number of excuses" for violence and that some excuses "are more valid than others," Vollmann spent two decades consulting hundreds of sources, scrutinizing the thinking of philosophers, theologians, tyrants, warlords, military strategists, activists and pacifists. He also visited more than a dozen countries and war zones to witness violence firsthand -- sometimes barely escaping with his life.Vollmann makes deft use of these tools and experiences to create his Moral Calculus, a structured decision-making system designed to help the reader decide when violence is justifiable and when it is not.

    Exploring issues that range from faith to prayer to evil to immortality, and far beyond, Garnder challenges the discerning reader with fundamental questions of classical philosophy and life's greater meanings.Recalling such philosophers was Wittgenstein and Arendt, The Whys of Philosophical Scrivener embodies Martin Garner's unceasing interest and joy in the impenetrable mysteries of life.

    As an author he created the fictional priest-detective Father Brown, and produced several notable works on apologetics including Oethodoxy (1908) and The Everlasting Man (1925). He routinely referred to himself as an 'orthodox' Christian, and came to identify this position more and more with Catholicisim, eventually converting to Catholicism from High Church Anglicanism. He was born in Kensington, educated at St Paul's School, and later attended the Slade School of Art, a department of University College London, to become an illustrator. He also took classes in literature at UCL but did not complete a degree in either subject. His first positions were within publishing houses, during which time he also became a freelance art and literary critic, and in 1902 the Daily News gave him a weekly opinion column, followed in 1905 by a weekly column in the London Illustrated News for which he continued to write for the next 30 years. In 1901 he married Frances Blogg who played a large role in his career as amanuensis and personal manager. Throughout the course of his career Chesterton wrote around 80 books, several hundred poems, some 200 short stories, 4,000 essays, and several plays. His writings consistently displayed wit and a sense of humour, and he would often employ paradox while making serious comments on the world, politics, economics, philosophy, theology, and many other topics. All Things Considered (1908) is a collection of 34 essays, the first of several books comprised of essays that had previously appeared as columns in the Illustrated London News. The contents of this collection are quintessential Chesterton, covering subjects from poetry to patriotism, anonymity to impartiality, from demagogues to mystagogues, from science to religion, from phonetic spelling to running after one's hat.

    What are miracles, and why do so many people believe in them? What do they tell us about ourselves? And what do we do with experiences that we cannot explain? In  Miracles, Eric Metaxas offers compelling -- sometimes electrifying -- evidence that there’s something real to be reckoned with, whatever one has thought of the topic before. Miracles is also a timely, thoughtful, and civil answer to the books of the "New Atheists" -- Richard Dawkins, Christopher Hitchens, and Sam Harris -- who have passionately asserted not just the impossibility of miracles and the supernatural, but the outright harmfulness of belief in them.  Metaxas -- whom ABC News has called a "witty ambassador for faith" -- provides the measured and wide-ranging treatment the subject deserves, from serious discussion of the compatibility between faith and science to astonishing but well-documented stories of actual miracles from people he knows. A more current, anecdotal, and personal version of C. S. Lewis’s 1947 book on the subject, Miracles is a powerfully winsome challenge that miracles are not only possible but are far more widespread than most of us ever might have imagined.

    Recipes for poetic terror, anarcho -black magic, post-situ psychotropic surgery, denunciations of spiritual addictions to vapid infotainment cults - this is the bastard classic, the watermark impressed upon our minds. Where conscience informs praxis, and action infects consciousness, T.A.Z. is beginning to worm its way into above-ground culture. This book offers inspired blasts of writing, from slogans to historical essays, on the need to insert revolutionary happiness into everyday life through poetic action, and celebrating the radical optimism present in outlaw cultures. It should appeal to alternative thinkers and punks everywhere, as it celebrates liberation, love and poetic living. The new edition contains the full text of Chaos: The Broadsheets of Ontological Anarchism, the complete communiques and flyers of the Association fo Ontological Anarchy, the long essay 'The Temporary Autonomous Zone, ' and a new preface by the author

    Combining close reading with a panoramic breadth of learning, Camille Paglia refreshes our understanding of poems we thought we knew, from Shakespeare’s “Sonnet 73” to Shelley’s “Ozymandias,” from Donne’s “The Flea” to Lowell’s “Man and Wife,” and from Dickinson’s “Because I Could Not Stop for Death” to Plath’s “Daddy.” Paglia also introduces us to less-familiar works by Paul Blackburn, Wanda Coleman, Chuck Wachtel, Rochelle Kraut–and even Joni Mitchell. Daring, riveting, and beautifully written, Break, Blow, Burn will excite even seasoned poetry lovers, and create a generation of new ones. Includes a new epilogue that details the selection process for choosing the 43 poems presented in this book and provides commentary on some of the pieces that didn't make the final cut.

    Essays that applaud democracy's toleration of individual freedom and self-criticism and deplore its encouragement of mediocrity: "We may still contrive to raise three cheers for democracy, although at present she only deserves two."

    In her essays and long-form journalism, she has captured the cultural zeitgeist, distrusted the accepted wisdom, and written stories that would otherwise go untold. As a staff writer at The New Yorker from 1963 to 2001, Adler reported on civil rights from Selma, Alabama; on the war in Biafra, the Six-Day War, and the Vietnam War; on the Nixon impeachment inquiry and Congress; on cultural life in Cuba. She has also written about cultural matters in the United States, films (as chief film critic for The New York Times), books, politics, television, and pop music. Like many journalists, she has put herself in harm’s way in order to give us the news, not the “news” we have become accustomed to—celebrity journalism, conventional wisdom, received ideas—but the actual story, an account unfettered by ideology or consensus. She has been unafraid to speak up when too many other writers have joined the pack. In this sense, Adler is one of the few independent journalists writing in America today.This collection of Adler’s nonfiction draws on Toward a Radical Middle (a selection of her earliest New Yorker pieces), A Year in the Dark (her film reviews), and Canaries in the Mineshaft (a selection of essays on politics and media), and also includes uncollected work from the past two decades. The more recent pieces are concerned with, in her words, “misrepresentation, coercion, and abuse of public process, and, to a degree, the journalist’s role in it.” With a brilliant literary and legal mind, Adler parses power by analyzing language: the language of courts, of journalists, of political figures, of the man on the street. In doing so, she unravels the tangled narratives that pass for the resolution of scandal and finds the threads that others miss, the ones that explain what really is going on here—from the Watergate scandal, to the “preposterous” Kenneth Starr report submitted to the House during the Clinton impeachment inquiry, to the plagiarism and fabrication scandal of the former New York Times reporter Jayson Blair. And she writes extensively about the Supreme Court and the power of its rulings, including its fateful decision in Bush v. Gore.

    Buckley Jr., the quintessential conservative, invented the blog decades before the World Wide Web came into existence? National Review, like nearly all magazines, has always published letters from readers. In 1967 the magazine decided that certain letters merited different treatment, and Buckley, the editor, began a column called “Notes & Asides,” in which he personally answered the most notable and outrageous letters. The selections in this book, culled from four decades of these columns, include exchanges with such figures as Ronald Reagan, Eric Sevareid, Richard Nixon, A. M. Rosenthal, Auberon Waugh, John Kenneth Galbraith, and Arthur Schlesinger Jr. There are also hilarious exchanges with ordinary readers, as well as letters from Buckley to various organizations and government agencies.

    Selected and introduced by Cheryl Strayed, the New York Times best-selling author of Wild and the writer of the celebrated column “Dear Sugar,” this collection is a treasure trove of fine writing and thought-provoking essays.

    The celebrated author explores new ways to view ourselves and the society we live in, and gives us fresh answers to such enduring questions as how to think for ourselves and understand what we know.

    For those of you who are worried about what the neighbors will think, there is what is purported to be an old Martian document which tells us what our nearest neighbor has to say about life on Earth.Later in the book, Clarke goes on to explain the proper etiquette for contacting and dealing with aliens from outer space, or what to do if they get here first...Ranging from the light fantastic to the extremely possible, this collection is divided into five sections: Talking of Space; Outward from Earth; The Technological Future; Frontiers of Science; and Son of Dr. Strangelove, Etc.From Martians to Magi, here is Arthur C. Clarke's unforgettable tour of the Universe - known, unknown and yet to come.

    Scruton explores the conflict between the Christian-inspired Enlightenment and Islam, and attempts to find a remedy for the void at the heart of our civilisation. Why do we capitulate before everyone more ignorant than ourselves? Why do we turn immediately on all those who wish to defend our rooted values against whatever invading force has appeared over the horizon? These hard-hitting essays from a profound intellect threaten the bedrock of conventional opinion.

    Bennett's bestselling The Book of Virtues is an inspiring anthology that helps children understand and develop moral character—and helps parents teach it to them.Responsibility. Courage. Compassion. Honesty. Friendship. Persistence. Faith. Everyone recognizes these traits as essentials of good character. In order for our children to develop such traits, we have to offer them examples of good and bad, right and wrong. And the best places to find them are in great works of literature and exemplary stories from history. William J. Bennett has collected hundreds of stories in The Book of Virtues. From the Bible to American history, from Greek mythology to English poetry, from fairy tales to modern fiction, these stories are a rich mine of moral literacy, a reliable moral reference point that will help anchor our children and ourselves in our culture, our history, and our traditions—the sources of the ideals by which we wish to live our lives. Complete with instructive introductions and notes, The Book of Virtues is a book the whole family can read and enjoy—and learn from—together.