Five men meet at the racetrack every Sunday to bet on horses. They have little in common except a deep disaffection with their lives, but together they represent the social struggles and griefs of post-War Japan: a poorly socialized genius stuck working as a welder; a demoted detective with a chip on his shoulder; a Zainichi Korean banker sick of being ostracized for his race; a struggling single dad of a teenage girl with Down syndrome. The fifth man bringing them all together is an elderly drugstore owner grieving his grandson, who has died suspiciously after the revelation of a family connection with the segregated buraku community, historically subjected to severe discrimination.Intent on revenge against a society that values corporate behemoths more than human life, the five conspirators decide to carry out a heist: kidnap the CEO of Japan’s largest beer conglomerate and extract blood money from the company’s corrupt financiers.Inspired by the unsolved true-crime kidnapping case perpetrated by "the Monster with 21 Faces", Lady Joker has become a cultural touchstone since its 1997 publication, acknowledged as the magnum opus by one of Japan’s literary masters, twice adapted for film and TV and often taught in high school and college classrooms.

    As he starts digging deeper and deeper into the mystery of her sudden reappearance, he discovers a secret that is somehow linked to the past...and the future. Is it possible to experience first love for a second time? Without question, the answer is yes!

    It is here that Kazu’s life in Tokyo began, as a labourer in the run up to the 1964 Olympics, and later where he ended his days, living in the park’s vast homeless ‘villages’, traumatised by the destruction of the 2011 tsunami and enraged by the announcement of the 2020 Olympics.Akutagawa-award-winning author Yū Miri uses her outsider’s perspective as a Zainichi (Korean-Japanese) writer to craft a novel of utmost importance to this moment, a powerful rebuke to the Imperial system and a sensitive, deeply felt depiction of the lives of Japan’s most vulnerable people.

    Then, a talking cat named Tiger appears with an unusual request. The feline asks for—or rather, demands—the teenager’s help in saving books with him. The world is full of lonely books left unread and unloved, and Tiger and Rintaro must liberate them from their neglectful owners. Their mission sends this odd couple on an amazing journey, where they enter different mazes to set books free. Through their travels, Tiger and Rintaro meet a man who leaves his books to perish on a bookshelf, an unwitting book torturer who cuts the pages of books into snippets to help people speed read, and a publishing drone who only wants to create bestsellers. Their adventures culminate in one final, unforgettable challenge—the last maze that awaits leads Rintaro down a realm only the bravest dare enter...

    Four disillusioned Tokyo teenagers who have never met are suddenly drawn together by a mysterious chain mail message sent to their cell phones.

    She exploded onto the cultural scene first as a musician, then as a poet and popular blogger, and is now an award-winning novelist.Breasts and Eggs paints a portrait of contemporary womanhood in Japan and recounts the intimate journeys of three women as they confront oppressive mores and their own uncertainties on the road to finding peace and futures they can truly call their own.It tells the story of three women: the thirty-year-old Natsu, her older sister, Makiko, and Makiko’s daughter, Midoriko. Makiko has traveled to Tokyo in search of an affordable breast enhancement procedure. She is accompanied by Midoriko, who has recently grown silent, finding herself unable to voice the vague yet overwhelming pressures associated with growing up. Her silence proves a catalyst for each woman to confront her fears and frustrations.On another hot summer’s day ten years later, Natsu, on a journey back to her native city, struggles with her own indeterminate identity as she confronts anxieties about growing old alone and childless.

    . . . So reminisces old Hanshichi in a story from one of Japan's most beloved works of popular literature, Hanshichi torimonocho. Told through the eyes of a street-smart detective, Okamoto Kido's best-known work inaugurated the historical detective genre in Japan, spawning stage, radio, movie, and television adaptations as well as countless imitations. This selection of fourteen stories, translated into English for the first time, provides a fascinating glimpse of life in feudal Edo (later Tokyo) and rare insight into the development of the fledgling Japanese crime novel.Once viewed as an exclusively modern genre derivative of Western fiction, crime fiction and its place in the Japanese popular imagination were forever changed by Kido's unsung Sherlock Holmes. These stories--still widely read today--are crucial to our understanding of modern Japan and its aspirations toward a literature that steps outside the shadow of the West to stand on its own.

    Seventeen-year-old Naoko Nakamura’s prearranged marriage to the son of her father’s business associate would secure her family’s status in their traditional Japanese community, but Naoko has fallen for another man—an American sailor, a gaijin—and to marry him would bring great shame upon her entire family. When it’s learned Naoko carries the sailor’s child, she’s cast out in disgrace and forced to make unimaginable choices with consequences that will ripple across generations.America, present day. Tori Kovač, caring for her dying father, finds a letter containing a shocking revelation—one that calls into question everything she understood about him, her family and herself. Setting out to learn the truth behind the letter, Tori’s journey leads her halfway around the world to a remote seaside village in Japan, where she must confront the demons of the past to pave a way for redemption.In breathtaking prose and inspired by true stories from a devastating and little-known era in Japanese and American history, The Woman in the White Kimono illuminates a searing portrait of one woman torn between her culture and her heart, and another woman on a journey to discover the true meaning of home.

    Ren Ishida is nearly finished with graduate school when he receives news of his sister Keiko's sudden death. She was viciously stabbed one rainy night on her way home, and there are no leads. Ren heads to Akakawa to conclude his sister's affairs, still failing to understand why she chose to abandon the family and Tokyo for this desolate town years ago. But Ren soon finds himself picking up where Keiko left off, accepting both her teaching position at a local cram school and the bizarre arrangement of free lodging at a wealthy politician’s mansion in exchange for reading to the man’s catatonic wife. As he comes to know the figures in Akakawa, from the enigmatic politician to his fellow teachers and a rebellious, alluring student named Rio, Ren delves into his shared childhood with Keiko and what followed, trying to piece together what happened the night of her death. Haunted in his dreams by a young girl who is desperately trying to tell him something, Ren struggles to find solace in the void his sister has left behind.

    The result: his reputation as a writer, his marriage, and his sense of identity all are placed at risk. A psychological thriller and a literary work of art which, as it subtly peels off layers of the dark side of human nature, grips and propels the reader.

    On its journey seaward, it passes through countryside that has long been at the heart of the Japanese tradition. And it flows too past the mountains and the villages, past the dams, ditches and rice fields that provide such a richly textured backdrop to this novel.Powerful enough to sweep away people on its banks and placid enough to carry along with its flow a sumptuous wedding procession, The River Ki dominates the lives of the people who live in its fertile valley and imparts a vital strength to the three women, mother, daughter and granddaughter, around whom this novel is built. It provides them with the courage to cope, in their different ways, with the unprecedented changes that occurred in Japan between the last years of the last century and the middle of this century.Sawako Ariyoshi, one of Japan's most successful modern novelists, describes this social and cultural revolution largely through the eyes of Hana, a woman with the vision and integrity to understand the inevitability of the death of the traditional order in Japan. Ariyoshi writes with a love for detail bound to a broader understanding of the importance of the geographical and biological forces that mold her characters-and the result is a story that flows with all the vitality of The River Ki itself.

    But this coffee shop offers its customers a unique experience: the chance to travel back in time.In Before the Coffee Gets Cold, we meet four visitors, each of whom is hoping to make use of the café’s time-travelling offer, in order to: confront the man who left them, receive a letter from their husband whose memory has been taken by early onset Alzheimer's, to see their sister one last time, and to meet the daughter they never got the chance to know.But the journey into the past does not come without risks: customers must sit in a particular seat, they cannot leave the café, and finally, they must return to the present before the coffee gets cold . . .Toshikazu Kawaguchi’s beautiful, moving story explores the age-old question: what would you change if you could travel back in time? More importantly, who would you want to meet, maybe for one last time?

    It’s coming back to do it again and again… When the alien Gitai invade, Keiji Kiriya is just one of many raw recruits shoved into a suit of battle armor and sent out to kill. Keiji dies on the battlefield, only to find himself reborn each morning to fight and die again and again. On the 158th iteration though, he sees something different, something out of place: the female soldier known as the Bitch of War. Is the Bitch the key to Keiji’s escape, or to his final death?

    Musashi is a novel in the best tradition of Japanese story telling. It is a living story, subtle and imaginative, teeming with memorable characters, many of them historical. Interweaving themes of unrequited love, misguided revenge, filial piety and absolute dedication to the Way of the Samurai, it depicts vividly a world Westerners know only vaguely.

    Flashbacks and multilayered stories reveal his life: an impoverished upbringing as an orphan, his eventual rise to wealth and success—despite racial and class prejudice—and an obsession with a girl from an affluent family that has haunted him all his life. A True Novel then widens into an examination of Japan’s westernization and the emergence of a middle class.   The winner of Japan’s prestigious Yomiuri Literature Prize, Mizumura has written a beautiful novel, with love at its core, that reveals, above all, the power of storytelling.