The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    Superb, full-color photographs offer a unique and revealing "eyewitness" view of this rich culture. See a necklace made of bear claws, a model of a Blackfeet teepee, a false face made from cornhusks, how fish were trapped in a basket, and a Cheyenne feathered war bonnet. Learn about the kachina ceremony, why love dolls were important, how turtle shells made music, what's stored inside a parfleche, and how pemmican was made. Discover the meanings of carvings on a Haida totem pole, what's inside an Iroquois longhouse, what medicine men carried in their medical kits, how a bow drill works, and much, much more.

    Secret mystery cults flourished within the larger culture of the public religion of Greece and Rome for roughly a thousand years. This book is neither a history nor a survey but a comparative phenomenology. Concentrating on five major cults. In defining the mysteries and describing their rituals, membership, organization, and dissemination, Walter Burkert displays the remarkable erudition we have come to expect of him; he also shows sensitivity and sympathy in interpreting the experiences and motivations of the devotees.

    Xenophon continues the account to 362 B.C. These years saw Athens humbled by Sparta; Sparta humbled by Athens and her former ally, Thebes; Athens ground down again by the military genius of the Theban Epaminondas, taking on both Athens and Sparta; and behind the scenes the might of Persia, intervening now on one side, now on another.Xenophon himself knew many of the protagonists and his writing is personal history as well as a chronicle of events; he vividly portrays individuals, heroic and treacherous, influencing politics and battles and leading Greece inevitably towards impotence.

    In observers from Lord Byron to Sigmund Freud to Virginia Woolf it met with astonishment, rapture, poetry, even tears--and, always, recognition. Twenty-five hundred years after it first rose above Athens, the Parthenon remains one of the wonders of the world, its beginnings and strange turns of fortune over millennia a perpetual source of curiosity, controversy, and intrigue.At once an entrancing cultural history and a congenial guide for tourists, armchair travelers, and amateur archaeologists alike, this book conducts readers through the storied past and towering presence of the most famous building in the world. Who built the Parthenon, and for what purpose? How are we to understand its sculpture? Why is it such a compelling monument? The classicist and historian Mary Beard takes us back to the fifth century B.C. to consider the Parthenon in its original guise--as the flagship temple of imperial Athens, housing an enormous gold and ivory statue of the city's patron goddess attended by an enigmatic assembly of sculptures. Just as fascinating is the monument's far longer life as cathedral church of Our Lady of Athens, as "the finest mosque in the world," and, finally, as an inspirational ruin and icon. Beard also takes a cool look at the bitter arguments that continue to surround the "Elgin Marbles," the sculptures from the Parthenon now in the British Museum. Her book constitutes the ultimate tour of the marvelous history and present state of this glory of the Acropolis, and of the world.

    The city of Ithaka is overrun with uncouth suitors from the surrounding islands who are vying to win Penelope's hand in marriage, thereby gaining control of the land. When a naked, half-drowned man washes up on the beach, everything changes. . . .Told through the eyes of Klymene, a young girl who is like a daughter to Penelope--and who longs for more than friendship from the young prince Telemachus--Ithaka captures the quiet strength and patience of a woman's enduring love for her husband and the ensuing chaos that threatens all as Penelope is pressured to remarry.

    Perfect for children aged 7 to 9, this collection contains more than 30 enthralling new retellings of favourite myths as well as some you might not have heard before.Including Theseus and the Minotaur, The 12 labours of Herakles, and the escapades of Jason and the Argonauts, each myth is told in engaging modern language, which is easy for children to understand yet still retains the humour and intrigue of the original tales. Stunning illustrations by multi-award winning artist Katie Ponder breathe new life into each classic story.Additional feature pages delve deeper into the mythical world, providing profiles of the gods and a map detailing Odysseus' long voyage home from the Trojan War. The reference section provides key background information, such as Ancient Greek storytelling and the incredible beasts of the myths, and a pronunciation guide.Greek Myths is the perfect gift, featuring foil on the cover and beautiful illustrations throughout. Children will love exploring the tales by themselves or as bedtime stories. It will be treasured forever.

    Comprehensive and scholarly, this well-designed and class-tested text presents Greek and Roman myths in a lively and easy-to-read manner. It features fresh translations, numerous illustrations (ancient and modern) of classical myths and legends, and commentary that emphasizes the anthropological, historical, religious, sociological, and economic contexts in which the myths were told. It also provides a cultural context so that students can see how mythology has influenced the world and how it continues to influence society today.

    Volume Two dramatizes the lives of Omar Khayyam, Albert Einstein, Ada Lovelace, and others.

    Sadako's determination to fold one thousand paper cranes and her courageous struggle with her illness inspired her classmates. After her death, they started a national campaign to build the Children's Peace Statue to remember Sadako and the many other children who were victims of the Hiroshima bombing. On top of the statue is a girl holding a large crane in her outstretched arms. Today in Hiroshima Peace Memorial Park, this statue of Sadako is beautifully decorated with thousands of paper cranes given by people throughout the world.

    Detailed facts and figures as well as a focus on the issue of diversity make this a great book for reference and a basis for discussion, both at home and in the classroom.

    Discover what weapons were carried by the first police officers, how sword and pistol duels were fought, when the first firearms were invented and how they worked, and much, much more!

    On this particular day the whole valley seemed to rejoice in the fullness of the season—but suddenly Barbara and Regina’s peaceful frontier life is changed forever. General Braddock and his army had been defeated and soon the Pennsylvania settlers would suffer the bloody effects of the French and Indian War. On October 16, 1755, a band of Indians, led by Allegheny warriors, stormed through Buffalo Valley, burned the Leiningers’ log cabin, and captured the sisters. Few survived the Penn’s Creek Massacre and even fewer lived to tell the story. Regina makes a promise to her older sister just before they are unwillingly separated—each to endure different fates. Barbara is taken deep into the wilderness, but holds on to the hope that she will find her little sister. Though she is adopted into the Indian tribe, there is a longing deep inside that cannot be denied. She must escape—but the penalty if caught is certain death. No one expresses Barbara’s apprehensions better than her own words, written in 1759: “If one could not believe that there is a God, who helps and saves from death, one had better let running away alone...The extreme probability that the Indians would pursue and recapture us, was two to one compared with the dim hope that, perhaps, we would get through...even if we did escape the Indians, how would we ever succeed in passing through the wilderness, unacquainted with a single path or trail…"

    Johnny was a bell-boy, you see, and he carried all of Countess Kandinsky's things to her room.But Johnny didn't expect to end up with Kaspar on his hands forever, and nor did he count on making friends with Lizziebeth, a spirited American heiress. Pretty soon, events are set in motion that will take Johnny - and Kaspar - all around the world, surviving theft, shipwreck and rooftop rescues along the way. Because everything changes with a cat like Kaspar around. After all, he's Prince Kaspar Kandinsky, Prince of Cats, a Muscovite, a Londoner and a New Yorker, and as far as anyone knows, the only cat to survive the sinking of the Titanic…

    late 7th and early 6th centuries B.C.E.), whose work is said to have filled nine papyrus rolls in the great library at Alexandria some 500 years after her death. The surviving texts consist of a lamentably small and fragmented body of lyric poetry--among them, poems of invocation, desire, spite, celebration, resignation, and remembrance--that nevertheless enables us to hear the living voice of the poet Plato called the tenth Muse.Stanley Lombardo's translations give us a virtuoso embodiment of Sappho's voice, whose telltale charm, authority, immediacy, directness, intensity, and sudden changes of tone are among the hallmarks of his masterly translation.Pamela Gordon introduces us to the world of Sappho, discusses questions surrounding the transmission of her manuscripts, offers advice on reading these texts, and concludes with an enlightening discussion of same-sex desire in Sappho.