Whether it's Ikaros flying too close to the sun, Prometheus stealing fire from the gods or the tragedy of Oedipus, their characters have inspired art, literature, plays and films, and constellations named after them fill the night sky. But how much do you really know about them?From the clash of the Titans to the fall of Troy, here are the greatest legends of all time, brilliantly retold by classical scholar Jenny March. All the heroes, monsters, villains, gods and goddesses of classical civilization are included; the epic journeys of Odysseus and Aeneas; the founding of Athens and Rome; the quests of Jason seeking the Golden Fleece and Theseus slaying the minotaur. Giving the origins, development and interpretation of each myth, this is the essential guide to the stories that have shaped our world.

    The traditions of Celtic-speaking communities in particular offer a highly effective method, expressed through mythology (as in the symbolic apple branch) and implemented through seasonal rituals.Alexi Kondratiev outlines rules for Celtic-circle membership and shows how to become conversant with Celtic culture and mythology, and at least one of the surviving Celtic languages. He also provides the actual formula of words given for each of the Celtic rituals and visualization sequences. These rituals are closely connected with the passage of time, especially the four seasons, as well as other feast days. In this book the ancient traditions of all six Celtic nations are brought to life. Alexi Kondratiev, who knows sixty-four languages well enough to teach them, conducts classes in a variety of Celtic subjects at the Irish Arts Center in New York City, and has been a contributor to a number of magazines and journals, including Keltoi, Carn, and Keltria.

    Their narratives, themes, and characters address and provide answers to eternal questions: where do we come from, how do we live, what do we believe in? This fascinating book explores the major myths and legends across the world, from Classical mythology to Eastern beliefs, and from American legends to African folk tales. The stories are retold in compelling detail, while key aspects of each myth are considered: their meaning, purpose, and power; the main characters; and their importance to modern culture.Special illustrations and photographs combine with informative text, family trees, and a focus on themes such as creation, death, and the afterlife. From Gilgamesh to Quetzalcoatl, Heracles to Pan Gu, Myths and Legends provides a full and captivating reference guide to the worlds of mythical beings, mortal heroes, and immortal gods.

    From unicorns, salamanders, satyrs, giants, elves and trolls, to dragons, nymphs, mermaids, werewolves and griffins — take an enchanting journey through the history, folklore, and mythology of these beasts from virtually every culture in the world. With stories and amazing facts on even the most obscure mythological creature, this is a cornucopia of magic and folklore.

    Featuring folklore, mythology, and poetry from around the world, this lovely collection reveals these ethereal spirits' extraordinary powers and the history behind their existence. From the case of the Cottingley fairies in the early twentieth century, whose photographs fooled thousands (including Arthur Conan Doyle), to the mischievous fairies found in Shakespeare's A Midsummer Night's Dream, the fascinating stories surrounding these magical sprites are sure to captivate anyone who has ever dreamed of catching one hiding deep within her flowerbed. Whether you're interested in exploring the history and culture or just want to learn more about fairies' powers and trickery, you'll love plunging into the enchanting tales that bring these whimsical creatures to life.Complete with hundreds of lovely illustrations, Fairies reveals the magnificent beauty of these mesmerizing sprites as well as their knack for causing mischief.

    They include stories of princes and princesses who have been transformed into animals, trolls, and maneating giants who possess magical powers, and good-hearted, clever young men and women, often poor and ridiculed, who eventually come away with wealth and love beyond measure.In addition to such well-known favorites as "Dapplegrim," "Katie Woodencloak," "Tatterhood," and "Legend of Tannhäuser," this collection also brings to light many gems difficult to find elsewhere. In "The Werewolf," a cruel stepmother thwarts a beautiful princess's marriage plans by transforming her fiancé into a hunted denizen of the forest. The hilarious "Such Women Are" proves the world is never without a sufficiency of fools, while "The Three Dogs" tells of a youth whose four-legged friends defeat a serpent with the nasty habit of devouring a town's young women. Among many other hard-to-find stories are "King Gram," "The Magician's Pupil," "The Outlaw," "Temptations," "The Widow's Son," "The Three Sisters Trapped in a Mountain," and "The Goatherd" (the inspiration for Washington Irving’s story of Rip van Winkle).These stories preserve the ancient myths of Western Europe that have been passed down from generation to generation, but aside from their importance as seminal folktales, they are simply good reading — full of passion and excitement, magic, mystery, and sheer storytelling power. Popular Tales from Norse Mythology will delight any student or admirer of myths and mythology.Excerpt:The Dasent family is believed to have been originally of French extraction, the name having been traced to an ancient Norman source. It has owned property in the West Indies since the Restoration, and is repre sented in the island of St. Vincent at the present day. Some of its members were amongst the earliest colonists in St. Christopher's at a time when that island and Martinique were held jointly by the French and the English; and the highest judicial and administrative offices in St. Christopher's, in Nevis, in Antigua, and, more recently, in St. Vincent itself were filled by Sir George Dasent's ancestors.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    Its roots lie in the ancient pagan beliefs of our ancestors, who built many thousands of stones circles, long barrows and dolmens throughout ancient Europe. These same symbols and techniques were used by the pagan Celts and Germans. This book is a complete manual of magick based upon arcane symbolism and secret techniques. Contents: Meaning /Urda /Origins /Futhorc /Magical inscriptions / Memorial stones /Fascism / Titles / Cosmology / Nature / Qabala / Vision / Werdandi / Rune stance / Breathing/ Vowel song / Problems / Tune in / Health? / Divination / Alignments / Sigil sorcery / Seior and Seething / Energy /lda / Rune companion / Sources Jan Fries lives in Frankfurt near the Taunus Mountains. He is a musician, artist and magician. '...eminently practical and certainly breaks new ground.' - Ronald Hutton (author Pagan Religions of the Ancient British Isles) Recommended by The Cauldron 'a very meaty read...' PJ in Gippeswic Preface to the new edition When I went to school, my history teacher told us about the old Germani. In her opinion, the Taunus mountains were populated by a bunch of brawny brawlers who wore horned helmets and small pieces of pelt. They lived in hilltop settlements which were fortified by ringwalls. Barely able to manage agriculture, they had to rely on hunting to fill their stomachs. They lived in shabby huts with mud-plastered walls and when the Romans came, they fought the invaders with crude swords, pointy sticks and by hurling rocks at them... Nowadays, the ringwalls of the Taunus are known as the work of La Tene Celts, who lived on the heights in well organised cities. For this new edition much of the text has been rewritten and updated. A large section on the bronze ages, the Celts, Germani and the later Vikings added. The theme of Wodan and Helja has been elaborated with more detail on pagan Scandinavia. The chapter on magical rune inscriptions has been extended, on Seior/seething trances rewritten, the bibliography updated and twelve pages of new illustrations added.

    This short introductory book touches on the basic beliefs and practices of Irish Polytheism as well as other important topics for people interested in practicing the religion using a Reconstructionist methodology or who would just like to know more about it. Explore the cosmology of the ancient Irish and learn how the old mythology and living culture show us the Gods and spirits of Ireland and how to connect to them. Ritual structure is explored, as well as daily practices and holidays, to create a path that brings the old beliefs forward into the modern world.

    Warned by the Fates of an impending disaster, she must embark on a journey to find a magnificent gold necklace, one said to possess the power to alter the course of history. But even as Freya travels deep into the mountains of Iceland, the country is on the brink of war. The new world order of Christianity is threatening the old ways of Iceland-s people, and tangled amidst it all are two star-crossed lovers who destiny draws them together-even as their families are determined to tear them apart Infused with the rich history and mythology of Iceland, Betsy Tobin-s sweeping novel is an epic adventure of forbidden love, lust, jealousy, faith and magical wonder set under the shadow of a smoldering volcano.

    English authors such as J.R.R.Tolkien, C.S. Lewis, Terry Pratchett, and J.K.Rowling, dominate the world of magic in fiction, but from the earliest times, England has also acted as home to generations of eccentrics and scholars who have researched and explored every conceivable kind of occult art. Most people are torn between a fascination with magic and an almost instinctive fear of the occult, of a world redolent with superstition and illusion. And yet more people now practice magic in England than at any time in her history. The Book of English Magic explores this hidden story, from its first stirrings to our present-day fascination with all things magical. Along the way readers are offered a rich menu of magical things to do and places to visit.

    First introduced into the West in 1704, the stories of The Thousand and One Nights are most familiar to American readers in sanitized children's versions. This modern edition, based on Richard F. Burton's unexpurgated translation, restores the lushness of the original Arabic. Here are the famous adventures of Sinbad, "Ali Baba and the Forty Thieves," and "Aladdin and the Magic Lamp." Here too are less familiar stories, such as "Prince Behram and the Princess Al-Datma," a delightful early version of The Taming of the Shrew, and "The Wily Dalilah and her Daughter Zaynab," a hilarious tale about two crafty women who put an entire city of men in their place. Intricate and imaginative, these stories-within-stories told over a thousand and one nights continue to captivate readers as they have for centuries. "Arabian Nights: The Marvels and Wonders of The Thousand and One Nights, Volume 2 of 2, Adapted By Jack Zipes"

    It tells the story of Loki's recruitment from the underworld of Chaos, his many exploits on behalf of his one-eyed master, Odin, through to his eventual betrayal of the gods and the fall of Asgard itself. Using her life-long passion for the Norse myths, Joanne Harris has created a vibrant and powerful fantasy novel.Loki, that’s me. Loki, the Light-Bringer, the misunderstood, the elusive, the handsome and modest hero of this particular tissue of lies. Take it with a pinch of salt, but it’s at least as true as the official version, and, dare I say it, more entertaining. So far, history, such as it is, has cast me in a rather unflattering role. Now it’s my turn to take the stage. With his notorious reputation for trickery and deception, and an ability to cause as many problems as he solves, Loki is a Norse god like no other. Demon-born, he is viewed with deepest suspicion by his fellow gods who will never accept him as one of their own and for this he vows to take his revenge. From his recruitment by Odin from the realm of Chaos, through his years as the go-to man of Asgard, to his fall from grace in the build-up to Ragnarok, this is the unofficial history of the world’s ultimate trickster.

    He first revisits the old stories--Hermes in Greece, Eshu in West Africa, Krishna in India, Coyote in North America, among others--and then holds them up against the life and work of more recent creators: Picasso, Duchamp, Ginsberg, John Cage, and Frederick Douglass. Authoritative in its scholarship, loose-limbed in its style, Trickster Makes This World ranks among the great works of modern cultural criticism.

    Yeats took a particular interest in the tales' mythic and magical roots. The Celtic Twilight ventures into the eerie and puckish world of fairies, ghosts, and spirits. "This handful of dreams," as the author referred to it, first appeared in 1893, and its title refers to the pre-dawn hours, when the Druids performed their rituals. It consists of stories recounted to the poet by his friends, neighbors, and acquaintances. Yeats' faithful transcription of their narratives includes his own visionary experiences, appended to the storytellers' words as a form of commentary.