P. Lovecraft's Cthulhu Mythos. AROUND THE CORNER - A man whose parents raised him in a cult suspects the new tenants in his apartment complex belong to a similar cult, and are summoning up powers that will change the world...and not for the betterment of humankind. AFTER THE FALL - Around the world, after a great storm the sky becomes filled with the fossilized remains of vast monsters locked in an ancient conflict, leaving humans to interpret this vision and to consider their own humble existence. SCRIMSHAW - In this alternate history story set in 1851, men in seafaring ships do not harvest whale blubber, but seek strange treasures in the bodies of immense alien creatures. From Jeffrey Thomas -- the author of Punktown.

    Included are: Introduction (The Second Cthulhu Mythos Megapack) • essay by Shawn Garrett Dreams of Yith • (1934) • poem by Duane W. Rimel and H. P. Lovecraft Out of the Aeons • short fiction by Hazel Heald and H. P. Lovecraft (variant of Out of the Eons 1935) Fishhead • (1913) • short story by Irvin S. Cobb When Chaugnar Wakes • (1932) • poem by Frank Belknap Long The Mound • (1940) • novella by H. P. Lovecraft and Zealia Bishop The Thing on the Roof • (1932) • short story by Robert E. Howard The Isle of Dark Magic • (1934) • novelette by Hugh B. Cave The Secret in the Tomb • (1935) • short story by Robert Bloch The Horror from the Hills • (1931) • novella by Frank Belknap Long The Terrible Parchment • (1937) • short story by Manly Wade Wellman The Shambler from the Stars • (1935) • short story by Robert Bloch The Diary of Alonzo Typer • (1938) • short story by H. P. Lovecraft and William Lumley Hydra• (1939) • short story by Henry Kuttner The Suicide in the Study • (1935) • short story by Robert Bloch Marmok • (1940) • poem by Emil Petaja The Intruder • (1940) • short story by Emil Petaja Out of the Jar • (1941) • short story by Charles R. Tanner [as by Charles A. Tanner] Skydrift • (1949) • short story by Emil Petaja Anonymous • (1951) • short story by George T. Wetzel Why Abdul Alhazred Went Mad • (1950) • short story by D. R. Smith (variant of Why Abdul Al Hazred Went Mad) Caer Sidhi • (1954) • short story by George T. Wetzel Dead of Night • (1988) • short story by Lin Carter Death of a Damned Good Man • (1991) • short story by Avram Davidson Medusa's Coil • short fiction by Zealia Bishop and H. P. Lovecraft [as by Howard Phillips Lovecraft and Zealia Bishop] Perchance to Dream • (1988) • short story by Lin Carter The Winfield Heritence • short fiction by Lin Carter (variant of The Winfield Heritance 1981) The Challenge from Beyond • (1935) • short story by C. L. Moore and A. Merritt and H. P. Lovecraft and Robert E. Howard and Frank Belknap Long The Last Horror Out of Arkham • (1977) • short story by Darrell Schweitzer If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 300+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!

     "PAPERCLIP" by Kenneth Hite. "A Spider With Barbed-Wire Legs" by Davide Mana. "Le Pain Maudit" by Jeff C. Carter. "Cracks in the Door" by Jason Mical. "Ganzfeld Gate" by Cody Goodfellow. "Utopia" by David Farnell. "The Perplexing Demise of Stooge Wilson" by David J. Fielding. "Dark" by Daniel Harms."Morning in America" by James Lowder. "Boxes Inside Boxes" and "The Mirror Maze" by Dennis Detwiller. "A Question of Memory" by Greg Stolze. "Pluperfect" by Ray Winninger. "Friendly Advice" by Gareth Ryder-Hanrahan. "Passing the Torch" by Adam Scott Glancy. "The Lucky Ones" by John Scott Tynes. "Syndemic" and an introduction by Shane Ivey. These stories are recommended for mature readers. Excerpted from the introduction: We know a program called Delta Green really existed. You can find a couple of references to it in documents uncovered by Freedom of Information Act requests. Delta Green was a psychological operations unit in World War II, created to take advantage of the bizarre occult beliefs of Axis leaders. The public documents, which may have been released with the name unredacted by mistake, don’t say whether it had any success. The OSS was shut down after the war. Many of its people helped launch the CIA in 1947. We can only speculate whether the OSS’s lessons from Delta Green informed the CIA’s notorious psychological operations in the coming decades.  Conspiracy theorists have done more than speculate. Delta Green came back as a secret project to track down Nazis after the war, they say. Delta Green brought federal agents, spies, and special forces together for missions too secret even for the CIA. Delta Green was the precursor and rival to Majestic-12, the U.S. government conspiracy that allied itself with aliens after Roswell. Delta Green fights otherworldly monsters and evil sorcerers under the cover of the Global War on Terror. Once you climb into the rabbit hole, the fall never ends. In this book we turn up tales from the rabbit hole: Delta Green case histories rendered as short stories. They begin in the Dust Bowl, with a Naval intelligence unit supposedly called “P4” and memories of the abandoned New England town of Innsmouth (another bottomless well of conspiracy theories). They look at the days after World War II when secret agents pursued Nazis all over Europe, the early CIA attempted its first infamous schemes, and anticommunist witch-hunts seized on American terrors back home. They bring us through the Cold War desperation of the Seventies and Eighties, when America was shocked by its own crimes and Delta Green allegedly went underground again. And they come to the present day, and a Delta Green divided after it rebuilt itself in the secret government—but many old outlaws refused to trust the new order.

    The tasks assigned a bookish boy lead him to fateful encounters with lizards, owls, trolls and a feisty, sarcastic cat. A bear wedding is cause for celebration, the spinning wheel and the tower in the briar hedge get to tell their own stories, and a kitchenmaid finds out that a lost princess is more than she seems. The sea witch reveals what she hoped to gain when she took the mermaid’s voice. A wiser Snow White sets out to craft herself a new tale. In these eight stories and twenty-three poems, World Fantasy Award winner Theodora Goss retells and recasts fairy tales by Charles Perrault, the Brothers Grimm, Hans Christian Andersen, and Oscar Wilde. Sometimes harrowing, sometimes hilarious, always lyrical, the works gathered in SNOW WHITE LEARNS WITCHCRAFT re-center and empower the women at the heart of these timeless narratives.

    Desperate to win back his father’s approval, the boy hatches a plan involving his father’s love of slasher films. If the boy can become a real-life slasher right out of the movies, it just might be an opportunity to make his father proud again, no matter what the cost.In Iain Rob Wright’s “The Reckoning,” the year is 2035 and people live inside their individual worlds. Amelie’s ‘pod’ is a marvel of tech-centric existence, taking care of her every need. But when a serial killer that the press have named ’The Reckoning’ comes calling for Amelie, her futuristic living space turns deadly.In William Malmborg's "Billy's Blade," a budding serial killer bites off more than he can chew when he tries to stab Stacy Collins to death on the Prairie Path. A ruthless investigative journalist, Stacy goes on the offensive, goading the killer with unflattering articles, all in hopes of sparking a second encounter. Will Billy and Stacy meet again?Jeff Strand’s “Twentieth Anniversary Screening” recounts the grisly events surrounding the terrible slasher flick THE ROOFER, remembered only because an obsessed fan tried to reenact the murders as they played out on the screen. When the same theater shows the film twenty years later, will the warnings that this is a really, really bad idea be justified?

    A treasured source used by almost all the significant writers in the American pulp tradition — H. P. Lovecraft, A. Merritt, Robert E. Howard, and many others — it endures as a work of remarkable power and one of the most chillingly original books in the genre.This collection reprints all the supernatural stories from The King in Yellow, including the grisly "Yellow Sign," the disquieting "Repairer of Reputations," the tender "Demoiselle d'Ys," and others. Robert W. Chambers' finest stories from other sources have also been added, such as the thrilling "Maker of Moons" and "The Messenger." In addition, an unusual pleasure awaits those who know Chambers only by his horror stories: three of his finest early biological science-fiction fantasies from In Search of the Unknown appear here as well.

    John wanders the mountains on foot as an itinerant folk singer of the old songs (his nickname comes from his guitar strings made of silver --- a substance that also repels some supernatural nasties --- but he's also known as a "witch-master," that is, a kind of paranormal troubleshooter whose lore and skills render him "master over" and able to defeat the sinister sorcery of witches and "ha'nts." His variety of supernatural adventures bring him to face with time travel, revenants, various monsters of regional folklore such as the "Behinder," and other macabre phenomena.Contents:1 · Foreword: Manly in the Mountains · David Drake · fw * [Manly Wade Wellman] 4 · Introduction: Just Call Me John · Karl Edward Wagner · in * [Manly Wade Wellman] 9 · O Ugly Bird! · ss F&SF Dec ’51 25 · The Desrick on Yandro · ss F&SF Jun ’52 41 · Vandy, Vandy · ss F&SF Mar ’53 59 · One Other · ss F&SF Aug ’53 77 · Call Me from the Valley · ss F&SF Mar ’54 92 · The Little Black Train · ss F&SF Aug ’54 112 · Shiver in the Pines · ss F&SF Feb ’55 134 · Walk Like a Mountain · ss F&SF Jun ’55 154 · On the Hills and Everywhere · ss F&SF Jan ’56 165 · Old Devlins Was A-Waiting · ss F&SF Feb ’57 189 · Nine Yards of Other Cloth · ss F&SF Nov ’58 212 · Wonder as I Wander · gp F&SF Mar ’62; Then I Wasn’t Alone, vi; You Know the Tale of Hoph, vi; Blue Monkey, vi; The Stars Down There, vi; Find the Place Yourself, vi; I Can’t Claim That, vi; Who Else Could I Count On, vi 219 · Farther Down the Trail · gp Who Fears the Devil, Arkham House, 1963; John’s My Name, vi; Why They’re Named That, vi; None Wiser for the Trip, vi; Nary Spell, vi 223 · Trill Coster’s Burden · ss Whispers II, ed. Stuart David Schiff, Garden City, NY: Doubleday, 1979 237 · The Spring · ss Shadows #2, ed. Charles L. Grant, Doubleday, 1979 252 · Owls Hoot in the Daytime · ss Dark Forces, ed. Kirby McCauley, Viking, 1980 268 · Can These Bones Live? · ss Sorcerer’s Apprentice #11 ’81 280 · Nobody Ever Goes There · ss Weird Tales #3, ed. Lin Carter, DAW, 1981 294 · Where Did She Wander? · ss Whispers Oct ’87

    Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron’s stories have garnered critical acclaim and have been reprinted in numerous year’s best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.Barron returns with his third collection, The Beautiful Thing That Awaits Us All. Collecting interlinking tales of sublime cosmic horror, including “Blackwood’s Baby”, “The Carrion Gods in Their Heaven”, and “The Men from Porlock”, The Beautiful Thing That Awaits Us All delivers enough spine-chilling horror to satisfy even the most jaded reader.

    An FBI agent falls in love with a robot built for a suicide mission. A young woman unintentionally cheats on her husband when she is transformed, nightly, into a deer. Two strangers become lovers and find themselves somehow responsible for the resurrection of a dog. A woman tries to start her life anew after the loss of a child but cannot help riddling that new life with lies. Thirteen pregnant teenagers develop a strange relationship with the Founding Fathers of American history. A lonely woman’s fertility treatments become the stuff of science fiction.Magic intrudes. Technology betrays and disappoints. Infidelities lead us beyond the usual conflict. Our bodies change, reproduce, decay, and surprise. With her characteristic unguarded gaze and offbeat humor, Hunt has conjured stories that urge an understanding of youth and mortality, magnification and loss, and hold out the hope that we can know one another more deeply or at least stand side by side to observe the mystery of the world.

    Collection of short fiction by the author of Résumé with Monsters• The Wedding Photographer in Crisis• Haunted by the Horror King• The Entomologists at Obala• The Return of Count Electric• Graven Images• Pep Talk• Looking Out for Eleanor• Snow• A Child's Christmas in Florida• Best Man• Daughter Doom

    

    In this new short story collection, Brian Evenson envisions a chilling future beyond the Anthropocene that forces excruciating decisions about survival and self-sacrifice in the face of toxic air and a natural world torn between revenge and regeneration. Combining psychological and ecological horror, each tale thrums with Evenson's award-winning literary craftsmanship, dark humor, and thrilling suspense.

    A world where obsession is stronger than death. Where body, soul, time and space itself, are all fluid and treacherous. Where living houses dream longingly of oblivion, and vampires ache for more than simply blood. A world where the only escape from the darkness within is to embrace it.... A world not so very different from our own.

    Sherman’s death sparks one of the wildest, weirdest adventures he’s ever had… Upon Mr. Sherman’s death, Charles learns the rich old gentleman gave away all his money, leaving only his Victorian mansion and the huge library in the house. His will clearly stipulates the new owner must keep the library intact. Of course, with Mr. Sherman being dead, how would he know or even care about the library? It isn’t until Charles buys the house and discovers someone has stolen items from the library that he understands the significance of keeping the library intact. Mr. Sherman’s letter to the new owner shares the secret of the library—every item in the library is haunted! But how can Charles ever imagine just how deadly the library keeper’s job is…or the blood bath that will follow if he fails to “protect and serve” according to Mr. Sherman’s will?

    P. Lovecraft was the eerily prescient genius who first electrified readers in Weird Tales magazine. His tales changed the face of horror forever and inspired the bloodcurdling offerings of a new generation. These brilliant dark visionaries forge grisly trails through previously uncharted realms of mortal terror.  THE PLAIN OF SOUND by Ramsey Campbell: In the beginning they could find no source for the throbbing vibrations; in the end they could find no escape. THE HORROR ON THE BEACH by Alan Dean Foster: Along the coast of Santa Barbara, the mighty Pacific Ocean can no longer contain—or conceal—an ancient, insatiable evil stirring in its depths.THE KISS OF BUGG-SHASH by Brian Lumley: It mattered not how innocent the students’ motives seemed; the demon had been summoned, and the price had to be paid—every last red drop of it.THE FISHERS FROM OUTSIDE by Lin Carter: A man obsessed with unlocking the secrets of a race older than time would not be disappointed—doomed perhaps, devoured possibly, but definitely not disappointed.  AND TWENTY-ONE MORE TALES OF FEAR . . .  THE STONE ON THE ISLAND by Ramsey Campbell THE STATEMENT OF ONE JOHN GIBSON by Brian Lumley DEMONIACAL by David Sutton THE SLITHERER FROM THE SLIME by H. P. Lowcraft THE DOOM OF YAKTHOOB by Lin Carter THE KEEPER OF THE FLAME by Gary Myers DEAD GIVEAWAY by J. Vernon Shea THOSE WHO WAIT by James Wade THE KEEPER OF DARK POINT by John Glasby THE BLACK MIRROR by John Glasby I’VE COME TO TALK WITH YOU AGAIN by Karl Edward Wagner THE HOWLER IN THE DARK by Richard L. Tierney THE WHISPERERS by Richard A. Lupoff LIGHTS! CAMERA! SHUB-NIGGURATH! by Richard A. Lupoff SAUCERS FROM YADDITH by Robert M. Price VASTARIEN by Thomas Ligotti THE MADNESS OUT OF SPACE by Peter H. Cannon ALIAH WARDEN by Roger Johnson THE LAST SUPPER by Donald R. Burleson THE CHURCH AT GARLOCK’S BEND by David Kaufman THE SPHERES BEYOND SOUND (THRENODY) by Mark Rainey