When Scott and Linda Gardner hire Julian Sawyer to tutor their troubled teenage son Brandon, he seems like the answer to a prayer. Capable and brilliant, Julian connects with Brandon in a way neither of his parents can. He also effortlessly helps Linda to salvage a troubled business deal and gives Scott expert advice on his tennis game. Only eleven-year old Ruby--funny, curious, devoted to Sherlock Holmes--has doubts about the stranger in their midst who has so quickly become like a member of the family. But even the observant Ruby is far from understanding Julian's true designs on the Gardners.For Julian, the Gardners are like specimens in jars, creatures to be studied-- and manipulated. Scott is a gambler with no notion of odds, festering in the shadow of his more successful brother. Linda is ambitious, hungry for the cultured stimulation Julian easily provides. Brandon is risking his future late at night in the town woods. And Ruby--well, she's just a silly little girl. And in that miscalculation lies the Gardner family's only possible salvation.In The Tutor, Peter Abrahams creates a living, breathing portrait of an American family, their town, their secrets, their dreams--and a portrait just as compelling of the menace they welcome into their home. It is his most chilling, suspenseful novel to date.

    But when a headless body--which turns out to belong to Lynn's oldest friend--floats to the surface of the river, they realize Riverside may not be the sanctuary they were seeking. Instead, it's a town fraught with tension and simmering with sexual intrigue. Amid the McMansions bought with boom-economy bonuses and SUVs driven by soccer moms lurks a creepier sense of paranoia and a more sinister web of violent crimes than city dwellers could ever dream of. Stalked by Lynn's old boyfriend and terrorized by a menace that seethes beneath the seemingly placid routine of commuting, play dates, and white-wine evenings, Lynn and Barry engage in a primal fight for their lives and their future together. In this vivid and powerfully imagined thriller. Peter Blauner taps into the darkest fears of contemporary America. This bone-chilling story is further proof of what James Patterson has said of Peter Blauner: "Nobody writing suspense novels does it as well."- Page-turning suspense: Blauner's most intense and compelling novel yet!- Gritty realism: a surprisingly realistic portrait of the dark side of contemporary suburban life.- The Intruder was a major bestseller; Slow Motion Riot garnered Blauner the prestigious Edgar Award. The Intruder will be redistributed in Warner mass market in May 2003, and will include a teaser chapter from THE LAST GOOD DAY. Extraordinary praise for Man of the Hour:

    Although his girlfriend is pregnant, he's got no major personal problems--until the day he rolls into a small town called Furnace, where a middle-aged woman pushes a baby carriage straight into his wheels and then vanishes. The dead baby's teenage mother and other passers-by swear the wind caused the carriage to roll, and the police take Josh for a troublemaker when he insists on writing a statement to the contrary. Shaken, Josh hits the road again, only to find that it's not so easy to get away from Furnace; something inhuman is hot on his heels. A pretty hitchhiker recognizes a mysterious scrap of writing in his truck as ancient runes spelling out--on human skin--a horrific curse. From then on, all roads lead back to Furnace as Josh races to unscramble a weird puzzle involving a wealthy town councilor, the Philosopher's Stone, and a demon who will destroy Josh in three days unless he returns the runes to their rightful place.

    Each one hoped to be the last to leave. Now they're just hoping to stay alive. It seems the island isn't deserted after all. Contestants and crew members are disappearing, but they aren't being eliminated by the game. They're being taken by the monstrous half-human creatures that live in the jungle. The men will be slaughtered. The women will be kept alive as captives. Night is falling, the creatures are coming, and rescue is so far away. . .

    And she takes flight – with his credit card.Alone in a strange city, Rosie begins to build a new life: she meets Bill Steiner and she finds an old junk shop painting, ‘Rose Madder’, which strangely seems to want her as much as she wants it.But it’s hard for Rosie not to keep looking over her shoulder. Rose-maddened and on the rampage, Norman is a corrupt cop with a dog’s instinct for tracking people. And he’s getting close. Rosie can feel just how close he is getting…A brilliant dark-hued fable of gender wars, a haunting love story, and a hold-your-breath triumph of suspense, Rose Madder is Stephen King at his electrifying best.

    Some say he is a folktale, created to frighten children on cold winter nights. Some swear he is a terrifying spirit returned to avenge the past. But soon... very soon... some will learn that Nathaniel lives still--that he is darkly, horrifyingly real. Nathaniel--he is the voice that calls to young Michael Hall across the prairie night... the voice that draws the boy into the shadowy depths of the old, crumbling, forbidden barn... that chanting, compelling voice he will follow faithfully beyond the edge of terror.

    -- so when his assistant tells him about a ghost for sale on an online auction site, he immediately puts in a bid and purchases it. The black, heart-shaped box that Coyne receives in the mail not only contains the suit of a dead man but also his vengeance-obsessed spirit. The ghost, it turns out, is the stepfather of a young groupie who committed suicide after the 54-year-old Coyne callously used her up and threw her away. Now, determined to kill Coyne and anyone who aids him, the merciless ghost of Craddock McDermott begins his assault on the rocker's sanity.

    His sermons declared the existence of God s Second Son- whose mission is to undo all of Jesus work on Earth. McFall had the church painted red to summon the First Son to defeat the Second. But when he sacrificed a child to support his rantings, his congregation hung him from the rafters of his own sanctuary...For twenty years, the red church has stood empty. Crumbling to ruin, it has become a site for Halloween pranks and the setting for ghost stories- including one about the thing that lives in the bell tower, a creature being blamed for a brutal murder that occurred in the church s graveyard...Now, Archer McFall has purchased the church to house his Temple of the Two Sons, whose zealous worshippers will stop at nothing to see the Second Son return to his rightful glory...

    His name was Alton Turner Blackwood, and in the space of a few months he brutally murdered four families. His savage spree ended only when he himself was killed by the last survivor of the last family, a fourteen-year-old boy. Half a continent away and two decades later, someone is murdering families again, recreating in detail Blackwood’s crimes. Homicide detective John Calvino is certain that his own family—his wife and three children—will be targets in the fourth crime, just as his parents and sisters were victims on that distant night when he was fourteen and killed their slayer. As a detective, John is a man of reason who deals in cold facts. But an extraordinary experience convinces him that sometimes death is not a one-way journey, that sometimes the dead return. Here is ghost story like no other you have read. In the Calvinos, Dean Koontz brings to life a family that might be your own, in a war for their survival against an adversary more malevolent than any he has yet created, with their own home the battleground. Of all his acclaimed novels, none exceeds What the Night Knows in power, in chilling suspense, and in sheer mesmerizing storytelling.

    Billy Halleck, good husband and loving father, is both beneficiary and victim of the American good life: He has an expensive home, a nice family, and a rewarding career as a lawyer...but he is also fifty pounds overweight and edging into heart attack country.

    Then one day Jane finds an envelope containing a fifty-dollar bill and a note instructing her to "Look homeward, angel." Jane pulls a copy of the Thomas Wolfe novel of that title off the shelf and finds a second envelope. This one contains a hundred-dollar bill and another clue. Both are signed, "MOG (Master of Games)." But this is no ordinary game. As it goes on, it requires more and more of Jane's ingenuity, and pushes her into actions that she knows are crazy, immoral or criminal--and it becomes continually more dangerous. More than once, Jane must fight for her life, and she soon learns that MOG won't let her quit this game. She'll have to play to the bitter end.

    Her parents are still uptight and disinterested, her bedroom is exactly the way she left it, and the outcast Gavin Timothy still looks like he’s crawled out of one of her dark, twisted drawings.Delilah is instantly smitten.Gavin has always lived in the strange house: an odd building isolated in a stand of trees where the town gives in to mild wilderness. The house is an irresistible lure for Delilah, but the tall fence surrounding it exists for good reason, and Gavin urges Delilah to be careful. Whatever lives with him there isn’t human, and isn’t afraid of hurting her to keep her away.

    The quiet, peaceful place was straight out of a bygone era, with well-cared-for Colonial houses, a white-steepled church fronting a broad Common. Ned and Beth Constantine chanced upon the hamlet and immediately fell in love with it. This was exactly the haven they dream of. Or so they thought.For Ned and his family, Cornwall Coombe was to become a place of ultimate horror.

    Not your ordinary affair. For Frank it began with his own insatiable sexual appetite, a mysterious lacquered box- and then an unhinged voyage through a netherworld of imaginable pleasures and unimaginable horror… Now Frank - or what is left of Frank - waits in an empty room. All he wants is to live as he was before. All Julia can do is bring him her unfulfilled passions… and a little flesh and blood…

    A week later, her son -- fifteen-year-old Mark -- vanishes. The boy's uncle, novelist Timothy Underhill, searches his hometown of Millhaven for clues that might help unravel this horrible dual mystery. He soon learns that a pedophilic murderer is on the loose in the vicinity, and that shortly before Nancy's suicide, Mark had become obsessed with an abandoned house where he imagined the killer might have taken refuge. No mere empty building, the house whispers from basement to attic with the echoes of a long hidden true-life horror story, and Tim comes to fear that in investigating its unspeakable history, Mark stumbled across its last and greatest secret: a ghostly lost girl who may have coaxed the needy, suggestible boy into her mysterious domain.