In 1733, the lovely, intelligent, and married Marquise du Châtelet commenced her romance with one François-Marie Arouet, a philosophe who had made a name for himself as "Voltaire." Mitford deftly and engagingly recounts their exemplary affair, whether in studious exile in the country, on the run from the censor, or in the "thoughtless circles of high society." Her portrayals of the "scamp" philosopher, his mistress who was "excessive in everything," and their "irregular century" are delightful portraits in themselves and as a group, a fascinating fresco of the French Enlightenment.

    After destruction wrought by the Great Fire, he is also one of the architects working to restore London to its previous splendor. This novel is a historical drama centered on the turmoil of restoration England.

    When the lovely and high-spirited Joan of Kent is sent to this politically charged court, she is woefully unprepared for the underhanded maneuverings of her peers.Determined to increase the breadth of his rule, the king will use any means necessary to gain control of France—including manipulating his own son, Edward, Prince of Wales. Joan plots to become involved with the prince to scandalize the royal family, for she has learned they engineered her father’s downfall and death. But what begins as a calculated strategy soon—to Joan’s surprise—grows into love. When Joan learns that Edward returns her feelings, she is soon fighting her own, for how can she love the man that ruined her family? And, if she does, what will be the cost?Filled with scandal, court intrigue, and prominent figures of the Medieval Age, The First Princess of Wales has at its center a wonderful love story, which is all the more remarkable because it is true. Karen Harper’s compelling, fast-paced novel tells the riveting tale of an innocent girl who marries a prince and gives birth to a king.

    Two different versions of the play were published in the Jacobean era, several years later. The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them—that actual devils once appeared on the stage during a performance, "to the great amazement of both the actors and spectators", a sight that was said to have driven some spectators mad.

    As Season 3 of the award-winning TV series opens, it is 1920 and Downton Abbey is waking up to a world changed forever by World War I. New characters arrive and new intrigues thrive as the old social order is challenged by new expectations.In this new era, different family members abound (including Cora's American mother, played by Shirley MacLaine) and changed dynamics need to be resolved: Which branch of the family tree will Lord Grantham's first grandchild belong to? What will become of the servants, both old and new?The Chronicles of Downton Abbey, carefully pieced together at the heart and hearth of the ancestral home of the Crawleys, takes us deeper into the story of every important member of the Downton estate.This lavish, entirely new book from Jessica Fellowes focuses on each character individually, examining their motivations, their actions, and the inspirations behind them. An evocative combination of story, history, and behind-the-scenes drama, it will bring fans even closer to the secret, beating heart of the house.

    Eighteenth century Admiralty Regulations forbade women living on board ship, but many found ways around this. George served on a number of ships, both as a man and unmasked. As Nan narrates her mother’s history she becomes obsessed by the idea that Nelson could have been her father. She meets a young man, Baltic Nelson, who clings to the same belief. Could her mother’s wild stories really be true?

    Now, with The Winter Queen, Stevenson confirms her place as a major new talent. This superb novel, the first in a historical trilogy, is a work of extraordinary ambition and range. Set in Holland in the seventeenth century, The Winter Queen is a sweeping portrait of the tumultuous history and politics of the era as well as an immensely moving account of a strange and magical love affair. At its center are two royal exiles: Elizabeth of Bohemia, the Winter Queen, and her clandestine lover, an African prince with shamanic gifts, sold into slavery and freed after years of bondage. Their world is delineated by the illuminating portraiture and exquisite detail of the Dutch paintings of the period. But beneath the light-filled surfaces, crowned heads lie uneasy, scheming princes vie for power, chaos and war threaten in a time of painful uncertainties. As always with Jane Stevenson's work, The Winter Queen appeals powerfully to both the heart and the mind. This elegant novel is that rare achievement: a brilliant, beautiful, astonishingly learned work that is also wonderfully entertaining.

    An entirely new introduction sets the tragedy in the context of pre-Civil War England and gives a revealing view of its imagery and dramatic action.From its well-documented early performances to the two productions seen in the West End of London in the 1995-96 season, a stage history gives an account of the play in performance. Students, actors, directors and theatre-goers will all find here a reappraisal of Webster's artistry in the greatest age of English theatre, which highlights why it has lived on stage with renewed force in the last decades of the twentieth century.

    Matthew Harvey's death is much discussed in the city. The scissors are among the tools of his trade - for Harvey is a renowned cutter and painter of shades, or silhouettes, the latest fashion in portraiture. It soon becomes clear that the murderer must be one of the artist's last sitters, and the people depicted in the final six shades made by him become the key suspects. But who are they? And where are they to be found?Later, in November, a clever but impoverished young gentleman called Fletcher Rigge languishes in the debtor's prison, until a letter arrives containing a bizarre proposition from the son of the murdered man. Rigge is to be released for one month, but in that time, he must find the killer. If he fails, he will be incarcerated again, possibly for life.And so, with everything at stake, and equipped only with copies of the distinctive silhouettes, Fletcher Rigge begins his search across the snow-covered city, and enters a world of shadows...

    He has sold Jonah’s ship for what appears to be a mermaid.As gossip spreads through the docks, coffee shops, parlours and brothels, everyone wants to see Mr Hancock’s marvel. Its arrival spins him out of his ordinary existence and through the doors of high society, where he meets Angelica Neal, the most desirable woman he has ever laid eyes on... and a courtesan of great accomplishment. This meeting will steer both their lives onto a dangerous new course.What will be the cost of their ambitions? And will they be able to escape the legendary destructive power a mermaid is said to possess?

    At the beginning of the seventeenth century, however, Run's harvest of nutmeg turned it into the most lucrative of the Spice Islands, precipitating a fierce and bloody battle between the all-powerful Dutch East India Company and a small band of ragtag British adventurers led by the intrepid Nathaniel Courthope. The outcome of the fighting was one of the most spectacular deals in history: Britain ceded Run to Holland, but in return was given another small island, Manhattan. A brilliant adventure story of unthinkable hardship and savagery, the navigation of uncharted waters, and the exploitation of new worlds, Nathaniel's Nutmeg is a remarkable chapter in the history of the colonial powers.

    The Gestapo is closing in. On foot, by train, even on water, Becker is running and gunning for his life ... and for the world. Hitler's Third Reich is rearming and planning for war. Churchill wants to stop him, but only Becker's report can reverse the British mood of appeasement. Cornered by the Gestapo, desperate to save his German collaborator Maria, Becker has mere days to ward off double disaster...

    Her aunt Vera Hillyard, a rigidly respectable woman, was convicted and hanged for the crime, but the reason for her desperate deed died with her. Thirty years later, a probing journalist pushes Faith to look back to the day when her aunt took knife in hand and walked into a child's nursery. Through the eyes of a woman trying to understand an unspeakable, inexplicable family tragedy, Barbara Vine leads us through a shadow land of illicit lust, intimate sins, and unspoken passions—to a shattering and illuminating climax, as inevitable as it is unexpected. In this enthralling masterpiece, a great crime writer has achieved both a flawlessly crafted novel of psychological suspense and a deeply probing work of literary art.

    Anne Rice brings to life the exquisite and otherworldly society of the eighteenth-century castrati, the delicate and alluring male sopranos whose graceful bodies and glorious voices brought them the adulation of the royal courts and grand opera houses of Europe, men who lived as idols, concealing their pain as they were adored as angels, yet shunned as half-men.As we are drawn into their dark and luminous story, as the crowds of Venetians, Neopolitans, and Romans, noblemen and peasants, musicians, prelates, princes, saints, and intriguers swirl around them, Anne Rice brings us into the sweep of eighteenth-century Italian life, into the decadence beneath the shimmering surface of Venice, the wild frivolity of Naples, and the magnetic terror of its shadow, Vesuvius.

    That’s what I say to his dreaming face as I watch the shadows of his dark eyelashes dance by the light of a Tilley lamp.It’s not the first lie I’ve told myself. When I was sixteen, I wanted to fly. I was going to take off like an angel from heaven and leave the muck and madness of Northern Ireland behind as I struck out across the west coast of Donegal heading straight for America. Nothing but the Land of Happy Ever After would do for me.It was him I blamed for clipping my wings. I fashioned a cage out of self-pity then and slipped it over my head like a boned corset to hold myself together and to lock him out.But hate cannot bind two people to each other for twenty-five years, no matter how many dark skies have to be weathered. Only love can do that. It’s the first truth I’ve told myself.