. . IN 300 WORDS OR LESSIt’s a daunting task. Even the most seasoned professionals find business school application essays to be among the hardest pieces they ever write. With a diverse pool of talented people applying to the nation’s top schools from the most successful companies and prestigious undergraduate programs in the world, a simple biography detailing accomplishments and goals isn’t enough. Applicants need clear and compelling arguments that grab admissions officers and absolutely refuse to let go.To help them write the essays that get them accepted into Harvard or any of the country’s other top programs, the staff of The Harbus---HBS’s student newspaper---have updated and revised their collection of sixty-five actual application essays as well as their detailed analysis of them so that applicants will be able to:* Avoid common pitfalls* Play to their strengths* Get their message acrossWherever they are applying, the advice and tested strategies in 65 Successful Harvard Business School Application Essays give business professionals and undergraduates the insider’s knowledge to market themselves most effectively and truly own the process.

    With It Gets Me Home, This Curving Track, his first book in twenty years, legendary music critic Ian Penman takes on the black musicians who innovated and the white musicians who followed them - with a cast of characters including James Brown, Charlie Parker, Elvis Presley, Frank Sinatra, Steely Dan and Prince.

    Well, I tell you this: 'Prickly race, who know nothing except how to eat out your hearts with envy, you don't eat cunt'... Edited by Sylvere Lotringer and published in 1991, this handy, pocket-sized collection of some early and not-so-early work by the mistress of gut-level fiction-making, Hannibal Lecter, My Father gathers together Acker's raw, brilliant, emotional and cerebral texts from 1970s, including the self-published 'zines written under the nom-de-plume, The Black Tarantula. This volume features, among others, the full text of Acker's opera, The Birth of the Poet, produced at Brooklyn Academy of Music in 1985, Algeria, 1979 and fragments of Politics, written at the age of 21. Also included is the longest and definitive interview Acker ever gave over two years: a chatty, intriguing and delightfully self-deprecating conversation with Semiotext(e) editor Sylvere Lotringer--which is trippy enough in itself as Lotringer, besides being a real person, has appeared as a character in Acker's fiction. And last, but not least, is the full transcript of the decision reached by West Germany's Federal Inspection Office for Publications Harmful to Minors in which Acker's work was judged to be not only youth-threatening but also dangerous to adults, and subsequently banned. Acker is the sort of the writer that should be read first at 16, so that you can spend the rest of your life trying to figure her out; she confuses, infuriates, perplexes and then all of a sudden the writing seems to be in your bloodstream, like some kind of benign virus. She's definitely not for the easily offended--but then, there are worse things in life than being offended. Such as the things that Acker writes about...

    Is it catchy? Can you dance to it? Do you fancy the singer? What’s fascinating about pop is our relationship with it. This relationship gets more complicated the longer it goes on. It’s been going on now for 50 years.David Hepworth is interested in the human side of pop. He’s interested in how people make the stuff and, more importantly, what it means to us. In this wide-ranging collection of essays, he shows how it is possible to take music seriously and, at the same time, not drain the life out of it. From the legacy of the Beatles to the dramatic decline of the record shop, from top tips for bands starting out to the bewildering nomenclature of musical genres, with characteristic insight and humour, he explores the highways and byways of this vast multiverse where Nothing Is Real and yet it is, emphatically and intrinsically so. Along the way he asks some essential questions about music and about life: is it all about the drummer; are band managers misunderstood; and is it appropriate to play ‘Angels’ at funerals? As Pope John Paul II said ‘of all the unimportant things, football is the most important’. David Hepworth believes the same to be true of music and this selection of his best writing, covering the music of last fifty years, shows you precisely why.

    Half a century later, he continues to be a touchstone, a fascination, and an enigma. From the very beginning, he attracted an intensely fanatical cult following, and in The Dylanologists, Pulitzer Prize-winning journalist David Kinney ventures deep into this eccentric subculture to answer the question: What can Dylan's grip on his most enthusiastic listeners tell us about his towering place in American culture? In exuberant prose, Kinney introduces us to a vibrant underground: diggers searching for unheard tapes and lost manuscripts, researchers obsessing over the facts of Dylan's life and career, writers working to decode the unyieldingly mysterious songs, collectors snapping up prized artefacts for posterity, travellers caravanning from concert to concert. It's an affectionate mania, but as far as Dylan is concerned, a mania nonetheless. Over the years, he has been frightened, annoyed, and perplexed by fans who try to peel back his layers. Intensely private and fiercely combative, Dylan makes one thing plain: He does not wish to be known. Intelligent, entertaining, and insightful, The Dylanologists is a richly detailed work of narrative journalism in the tradition of Confederates in the Attic and an absorbing story about the tension between zealous fans and their beloved idol.

    

    As a child, he rooted for conventionally good characters like wide-eyed Luke Skywalker in Star Wars. But as Klosterman aged, his alliances shifted—first to Han Solo and then to Darth Vader. Vader was a hero who consciously embraced evil; Vader wanted to be bad. But what, exactly, was that supposed to mean? When we classify someone as a bad person, what are we really saying (and why are we so obsessed with saying it)? In I Wear the Black Hat, Klosterman questions the very nature of how modern people understand the culture of villainy. What was so Machiavellian about Machiavelli? Why don’t we see Batman the same way we see Bernhard Goetz? Who’s more worthy of our vitriol—Bill Clinton or Don Henley? What was O.J. Simpson’s second-worst decision? And why is Klosterman still obsessed with some kid he knew for one week in 1985?Masterfully blending cultural analysis with self-interrogation and limitless imagination, I Wear the Black Hat delivers perceptive observations on the complexity of the anti-hero (seemingly the only kind of hero America still creates). I Wear the Black Hat is the rare example of serious criticism that’s instantly accessible and really, really funny. Klosterman is the only writer doing whatever it is he’s doing.

    In this essay, which was the basis for her speech upon accepting the National Book Foundation's Medal for Distinguished Contribution to American Letters, she ranges among themes including poetry's disparagement as "either immoral or unprofitable," the politics of translation, how poetry enters into extreme situations, different poetries as conversations across place and time. In its openness to many voices, Poetry and Commitment offers a perspective on poetry in an ever more divided and violent world."I hope never to idealize poetry—it has suffered enough from that. Poetry is not a healing lotion, an emotional massage, a kind of linguistic aromatherapy. Neither is it a blueprint, nor an instruction manual, nor a billboard."

    Sanghi speculates that Jesus Christ survived the crucifixion and spent his missing years in India, and that the men searching for Jesus were Buddhist Monks who were searching for the reincarnation of the Dalai Lama. He mentions that the lost tribes of Israel may have settled in Kashmir. The author also introduces St. Thomas as one of Jesuss closest friends and Mary Magdalene as a woman from the ancient Mauryan Empire headed by Ashoka. The book further features terrorist attacks that share some parallels with the 2008 Mumbai attacks.Sanghis hypothesis goes on to establish that Jesuss descendants are todays Kashmiri Islamists. The author draws some similar lines between the fate of a group of terrorists and that of Jesus and his 12 apostles. The book traces the roots of various religions and states that all their origins are closely knit.The Rozabal Line was first published in 2007 under Sanghi's pseudonym Shawn Haigins in the United States. The revised edition was later published in India under Sanghis own name in 2008 before Westland published it in 2010. 2.) Chanakya's Chant , Chanakya's Chant is a racy and gripping account on Chanakya, one of the greatest political strategists India has seen. The story changes track as it narrates the tale of Gangasagar Mishra, the reincarnation of Chanakya, in parallel. Will he be the next kingmaker?Gangasagar Mishra, a denizen of a quaint old Indian town, is no ordinary man. Society sees him as a Brahmin teacher who can barely make ends meet, but he's the reincarnation of the man who brought the fragmented subcontinent together under a single empire Chanakya.Chanakya's Chant by Ashwin Sanghi gives its readers a look into two parallel worlds that are tied together by the intelligence of the main protagonists. The first story is set in 340 BC, when a young Brahmin man, fueled by the death of his father, vows revenge against the king and overthrows his rule by bringing in Chandragupta Maurya, the first emperor of the Maurya Dynasty.The scene then shifts to modern day India, where Gangasagar Mishra leads his life as a nonentity until he decides to groom an ambitious girl from Kanpur into India's prime minister. Will Chanakya's manipulative mechanisms change the face of the nation again? 3.) The Krishna Key Five thousand years ago, there came to earth a magical being called Krishna, who brought about innumerable miracles for the good of mankind. Humanity despaired of its fate if the Blue God were to die but was reassured that he would return in a fresh avatar when needed in the eventual Dark Agethe Kaliyug. In modern times, a poor little rich boy grows up believing that he is that final avatar.Only, he is a serial killer.In this heart-stopping tale, the arrival of a murderer who executes his gruesome and brilliantly thought-out schemes in the name of God is the first clue to a sinister conspiracy to expose an ancient secretKrishnas priceless legacy to mankind.Historian Ravi Mohan Saini must breathlessly dash from the submerged remains of Dwarka and the mysterious lingam of Somnath to the icy heights of Mount Kailash, in a quest to discover the cryptic location of Krishnas most prized possession. From the sand-washed ruins of Kalibangan to a Vrindavan temple destroyed by Aurangzeb, Saini must also delve into antiquity to prevent a gross miscarriage of justice. Ashwin Sanghi brings you yet another exhaustively researched whopper of a plot, while providing an incredible alternative interpretation of the Vedic Age that will be relished by conspiracy buffs and thriller-addicts alike.

    This volume provides her readers and fans with additional insights into her life and work. The first section provides a biographical chapter and literary heritage. The second and third sections analyze the Tales of Tortall and the Magic Circle Sagas as a whole, providing details into the characters and settings of each. The final section of the book, Perspectives, includes both a section on literary techniques along with an interview of Tamora Pierce herself. Appendices include a section on Power Female Heroes, and Fantasy Adventures.Novels include: *The Song of the Lioness Quartet *The Immortals Quartet *The Protector of the Small Quartet *The Trickster Duology *The Magic Circle Quartet *The Circle Opens Quartet *The Will of the Empress

    Her father’s tragic death earlier in the year still haunts her. For decades, Juan Velarde Cortez obsessively hunted a legendary treasure, and his passing has left unresolved feelings for Fawn. Now, when a series of grisly killings rock the small island community—each victim’s face has a distinct signature—Fawn suspects a bizarre connection between the murders, her father’s quest, and the death ritual of an infamous Seminole Indian from the 1800s. A cigar box that once belonged to her father appears to hold the key. As Fawn draws closer and closer to solving the 200-year-old puzzle and determining the killer’s identity, she will be forced to unravel historical clues that will lead her on a harrowing journey. Time is quickly running out as a serial killer is watching and waiting in the shadows. Will Fawn discover the truth before she becomes the next victim? With historical links and storyline twists, this follow-up to Gary Williams’ & Vicky Knerly’s debut novel, Death in the Beginning, engages all the necessary elements of and delivers a fast-paced, heart-pounding thriller. This is a new release of a previously published edition.

    Tatiana Ryckman chronicles the struggles of a long-distance relationship from summer to summer, forming a series of unsent musings to the beloved by the unnamed lover— all while keeping names and gender anonymous. At times funny, this sexy, charged, and deeply felt creation captures what loving from a distance can bring upon all of us.Cover art by Kyle William Butler

    In The New York Times Book Review, Sam Tanenhaus proclaimed it "a masterpiece of American fiction" and lauded its illumination, "through the steady radiance of its author's profound moral intelligence, [of] the world we thought we knew."In Farther Away, which gathers together essays and speeches written mostly in the past five years, Franzen returns with renewed vigor to the themes, both human and literary, that have long preoccupied him. Whether recounting his violent encounter with bird poachers in Cyprus, examining his mixed feelings about the suicide of his friend and rival David Foster Wallace, or offering a moving and witty take on the ways that technology has changed how people express their love, these pieces deliver on Franzen's implicit promise to conceal nothing. On a trip to China to see first-hand the environmental devastation there, he doesn't omit mention of his excitement and awe at the pace of China's economic development; the trip becomes a journey out of his own prejudice and moral condemnation. Taken together, these essays trace the progress of unique and mature mind wrestling with itself, with literature, and with some of the most important issues of our day. Farther Away is remarkable, provocative, and necessary.

    These fascinating essays reveal the versatility of his extraordinary mind. They range from subjects such as the greeting-card image of Mother to ancient fertility rites; from the origin of the alphabet to the relation of language to philosophy; from literary censorship to the appalling lack of sexual knowledge in modern society. Exciting, caustic, sometimes shocking, they offer Aldous Huxley's unique view of that continuing paradox - mankind.

    Michael Ryan's comprehensive textbook on the practice of literary theory demonstrates how the full panoply of theoretical approaches can be used to read the same texts.