He has two manuscripts but lacks the funds to publish both. His difficult decision--whether to publish his lover's memoir or the novel written by his best friend--is further complicated by the arrival of a mysterious machine that produces pages predicting the future of the play's protagonists, affecting their lives and relationships in haunting and unexpected ways. "The Violet Hour" opened on Broadway on November 6, 2003, starring Robert Sean Leonard.

    His job bores him and his love is unrequited. Very few people pay attention to Michael, and that suits him fine. Then one day, he finds himself the winner of the largest lottery in the history of Europe – €190,000,000! Under the weight of his new found wealth and fame, Michael’s life spirals out of control until he is forced to make a decision. A decision that will capture the imagination of the entire world…

    Ayckbourn's series of plays for 4-5 actors typify his black comedies of human behaviour. The plays are alternately naturalistic, stylised and farcical, but underlying each is the problem of loneliness. The Mother Figure shows a mother unable to escape from baby talk; in The Drinking Companion, an absentee husband attempts seduction without success; in Between Mouthfuls, a waiter oversees a fraught dinner encounter. A garden party gets out of hand in Gosforth's Fete, whilst A Talk in the Park is a revue style curtain call piece for the five actors. Whether the comedies concern marital conflict, infidelity or motherhood and take place on a park bench or at a village fete, the characters are familiar and their cries for help instantly recognisable. Principally he is respected as a radical re-inventor of form - Dominic Dromgoole.

    Deputy Marshal in Kansas for a great deal of his life. As soon as his brother Tommy stops answering his letters, he gets extremely alarmed and decides to take matters into his own hands. When he puts a plan in place to travel to Texas, little does he know that a shattering surprise awaits him there; his brother has been found dead, next to the body of one of the most powerful ranchers in town. Will Lee manage to unravel the truth behind these enigmatic and shocking deaths?While Lee is still aghast, the local sheriff declares Tommy's death a suicide, and also accuses him of attempting robbery and murder. On the spur of the moment, the case is considered closed, which makes Lee highly suspicious. Feeling that they drag Tommy's name through the mud, he decides to defy the law and seek vindication. Will he succeed in this lonesome yet risky mission? How will he solve this demanding riddle and clear his brother's name?Lee's hazardous quest begins, having Susan Marsh and Ki'Somma, a young Cherokee medicine man, on his side. Doubts, lies, deceits, serious injuries as well as many other roadblocks will derange their endless undertaking. Will they manage to join forces triumphantly and complete this challenging mission? Or will Tommy always be remembered as a ruthless criminal?

    Someone - or something - is leaving bite marks in the avocados, Clay and Kelly's little daughter has an itch, and Carol can't remember who played Gandhi. This work takes a look at phoney liberal values.

    In an unprecedented (for him) run of promiscuity, Ty has managed to impregnate three women in the span of one week: His ex-girlfriend, his 40-something married next-door neighbor, and his 18 year-old student. In this edgy comedy by playwright Rajiv Joseph, Ty's problems illuminate every triumph and failure of his life, and as the women

    The play had its world premiere at the Cherry Lane Theatre in New York in spring 2013, starring Jesse Eisenberg and Vanessa Redgrave and directed by Kip Fagan.In The Revisionist, young writer David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their relationship develops, she reveals details about her postwar past that test their ideas of what it means to be a family.

    Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

    Mike and his cousin, Salvatore “Sally-Boy” Boccanera are born one minute apart, in the same hospital, and it seems like they’ll never be more than a minute apart the rest of their lives. Their experiences knocking around the city are challenging, funny, touching, and at times disturbing—all of the ingredients that define growing up. Life lessons happen in the Italian bakery Sally-Boy’s father owns, where the boys loll and play, with ears and eyes wide open. But maybe the biggest lesson of all looms over Mike’s father, who’s determined to make drastic changes in pursuit of a better life. Hanging in the balance, at the center of the boys’ tumultuous lives, is the fire escape. It’s a place that is uniquely theirs, and Mike best describes its spell, recalling how it reeks in the rain, blisters in the sun, and ices over in the snow. It’s where he and Sally-Boy talk and think and philosophize and plot and try to understand all they can about themselves and the world.

    The first scene of the play is a conversation between two lovers, Tommy and Donna, who broke up some time earlier but who are obviously still attracted to each other. Donna is enraged because Tommy, a would-be artist, is now having an affair with her younger sister, but Tommy, stretched out on his recliner (which, apart from a refrigerator full of beer, comprises the entire furnishings of his spartan apartment), is seemingly unmoved by her harangue. In the second scene Donna visits her father, a once successful artist who stopped painting at the death of his wife, whom he had bullied and betrayed despite his professed love for her. Combative and complex (but also very funny) the father sits and drinks and eventually gives in to his daughter's demand that he force Tommy to marry her or beat him up. Then, in the third and final scene, the father and Tommy confront each other, with results that are sometimes menacing, sometimes antic, with a lively discussion about art and women eventually leading to a sort of tenuous truce—and a grudging recognition of the responsibility that love, in its various guises, imposes.

    The story of two white-collar managers, Chad and Howard, who maliciously plot to jointly romance the lonely, deaf, beautiful office temp Christine before simultaneously dumping her, is cool and compelling in its depiction of the worst sorts of emotional abuse. What begins as a cat-and-mouse game of one-upmanship quickly escalates into full-scale psychological warfare. Only too late does this 'frat boy' prank reveal itself as deadly serious, with a struggle between the two men at the heart of the battle. The woman is only a means to an end, a pawn easily captured and tossed aside in a dark, wicked duel for corporate ascension.

    As he struggles to make a dent in the icy exterior of the townspeople he wonders if his efforts will be wasted--then he meets Matilda, and everything changes.From the moment they meet Danny finds himself entranced by her ambition, and Matilda is captured by his passion and determination. But life in Bear Creek is difficult for outsiders and despite the attraction, their blossoming romance could end in tragedy.How can Danny choose between the chance at love and his life's dream? Will Matilda lose her independence if she admits how she feels?Grace Cranfield dreams of freedom from high-society and the suitors her parents push onto her. When all seems lost, she finds a chance at hope when she spots an ad in the church from a Montana rancher looking for a wife.Left alone after the sudden deaths of his brothers, Malcolm Wilson longs for someone to help build a new life from the rubble of his old one. Grace is charming and kind, and as sparks fly she finds herself on a train speeding towards a new home, but also a world like nothing she's ever known.Will Grace be able to find a place in this new world and discover who she truly is? More importantly, will she survive long enough to get the chance?All Mayme Ruble wants is to feel like she belongs. When she comes across an ad from a farmer looking for a wife, she feels a glimmer of hope--a chance to start over and maybe even find love.Thomas Harris has spent most of his life running his farm, and now it's time for him to marry. Mayme's kind, honest response strikes a chord with him and there is instant chemistry. She leaves her hometown with tentative optimism that a new chapter in her life is about to begin.Despite Thomas' warmth and the welcoming townspeople, Mayme struggles to shed her self-consciousness. All seems well, until disaster strikes in Bear Creek and Mayme is forced to make a decision: will she step up and be the woman she hopes to become? Or will she lose this chance at happiness once and for all?When Rachel Maxwell discovers that her home - and her hand in marriage - have been sold to notorious poker player, Salis Dangerfield, her world is thrown into turmoil. Despite the stories swirling around town, Rachel has no plans to give in easily.Salis is a ruthless businessman and highroller. But right now, he's just a man in search of a safe haven. Faced with distrust from both his wife and the locals, it seems as though he and his young sister will never find their footing in Bear Creek.Rachel soon discovers the kind man behind the facade and Salis thinks he may have finally found the peace he's been looking for.Will Salis be able to overcome his demons? Can he and Rachel find a way to be together even when the whole world is against them?In Bear Creek Brides: Books 9-12, you will discover four captivating stories of vulnerability, danger, and determination as these four brides navigate peril and heartache to hold onto the chance for true love.

    EARLY WORKS: ACTOS, BERNABE AND PENSAMIENTO SERPENTINE is three books in one: 1) a collection of one act plays by Valdez and the famous farmworker theater, El Teatro Campesino, 2) one of the first fully realized, full-length plays by Valdez alone, and 3) an original narrative poem by Luis Valdez. In the first part are collected the original, improvised works of El Teatro Campesino that deal with the exploitation of Mexican farm labor in the California fields, the discrimination found by Mexicans in the schools, and Mexicans being turned into cannon fodder by the U.S. Army in Vietnam. Bernabe is a touching, Lorcaesque poetic drama about a town fool's enchantment and ultimate unity with the earth. Pensamiento serpentino is a long, philosophical poem, based on Mayan thought and cosmology, which analyzes the cultural, religious and political circumstances of Mexican Americans and prepares a metaphysical framework for their future.

     A suspicious husband sets out to discover what his wife really does late at night in her shop. A man starts a new job guarding the entrance to a pier at night. An abandoned house hides a sinister – and disgusting – secret in its basement. A young girl waits for a message from her dead mother, and then she finds something stranger in the freezer. The Butcher's Husband and Other Stories features the new short stories The Butcher's Husband, Tongue, The Pier and The Butcher's Husband II, as well as revised versions of The Seagull and A Perfect Death, and a new novella titled Larry.

    With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion—and the lack thereof. Broadway premiere, under the direction of the playwright, in fall 2012 starring Patti LuPone and Debra Winger.David Mamet is a playwright, director, author, essayist, screenwriter, and film director. His plays include Glengarry Glen Ross, Speed-the-Plow, American Buffalo, A Life in the Theatre, Oleanna, The Cryptogram, and Race.