The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    Each volume’s series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected — and most popular — of its kind.The Best American Short Stories 2012 includesThe last speaker of the language / Carol Anshaw --Pilgrim life / Taylor Antrim --What we talk about when we talk about Anne Frank / Nathan Englander --The other place / Mary Gaitskill --North Country / Roxane Gay --Paramour / Jennifer Haigh --Navigators / Mike Meginnis --Miracle polish / Steven Millhauser --Axis / Alice Munro --Volcano / Lawrence Osborne --Diem Perdidi / Julie Otsuka --Honeydew / Edith Pearlman --Occupational hazard / Angela Pneuman --Beautiful monsters / Eric Puchner --Tenth of December / George Saunders --The sex lives of African girls / Taiye Selasi --Alive / Sharon Solwitz --M&M world / Kate Walbert --Anything helps / Jess Walter --What's important is feeling / Adam Wilson

    In this startling new edition of his work, Whitman biographer Gary Schmidgall presents over two hundred poems in their original pristine form, in the chronological order in which they were written, with Whitman's original line breaks and punctuation. Included in this volume are facsimilies of Whitman's original manuscripts, contemporary-- and generally blistering-- reviews of Whitman's poetry (not surprisingly Henry James hated it), and early pre-Leaves of Grass poems that return us to the physical Whitman, rejoicing-- sometimes graphically-- in homoerotic love.Unlike the many other available editions, all drawn from the final authorized or "deathbed" Leaves of Grass, this collection focuses on the exuberant poems Whitman wrote during the creative and sexual prime of his life, roughly between 1853 and 1860. These poems are faithfully presented as Whitman first gave them to the world-- fearless, explicit, and uncompromised-- before he transformed himself into America's respectable, mainstream Good Gray Poet through thirty years of revision, self-censorship, and suppression.Whitman admitted that his later poetry lacked the "ecstasy of statement" of his early verse. Revealing that ecstasy for the first time, this edition makes possible a major reappraisal of our nation's first great poet.

    Inspired by the Prometheus Bound of Aeschylus, Shelley's play serves as a sort of sequel, matching its Greek predecessor in stature and pure poetic power. It depicts its philanthropist hero's ultimate triumph over the superstition and bigotry of the gods. As Shelley himself stated in his Defence of Poetry, Prometheus Unbound awakens and enlarges the mind.

    Our planet is lost. We are the last humans, and we must go home. Children of Earthrise is a story of exodus. Of humanity lost among the stars. Of one man rising to lead our people home. In 2016, the Earthrise series became a surprise bestseller, captivating hundreds of thousands of readers around the world. Set two thousand years later, Children of Earthrise begins a new story, one for both new readers and old fans. This bundle includes the first three Children of Earthrise novels: The Heirs of Earth, A Memory of Earth, and An Echo of Earth.

    They were written chiefly with a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purposes of poetic pleasure - William Wordsworth, from the Advertisment prefacing the original 1798 edition. When it was first published, Lyrical Ballads enraged the critics of the day: Wordsworth and Coleridge had given poetry a voice, one decidedly different to what had been voiced before. For Wordsworth, as he so clearly stated in his celebrated preface to the 1800 edition (also reproduced here), the important thing was the emotion aroused by the poem, and not the poem itself. This acclaimed Routledge Classics edition offers the reader the opportunity to study the poems in their original contexts as they appeared to Coleridge's and Wordsworth's contemporaries, and includes some of their most famous poems, including Coleridge's Rime of the Ancyent Marinere.

    and Mrs. Macphail must share lodging with the insufferable Davidsons—self-righteous and over-zealous missionaries who also happen to be the only polite company on the god-forsaken island near Pago-Pago. But, things take a dreadful and unexpected turn when Mr. Davidson takes it upon himself to rescue the soul of their neighbor downstairs from second cabin—the insolent, carousing, and inimitable Miss Sadie Thompson. Harrowing and triumphant, “Rain” is indispensable reading, a foundational work for the tradition of short story writing, and one of W. Somerset Maugham’s greatest tales.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Young Dick Shelton, caught in the midst of England's War of the Roses, finds his loyalties torn between the guardian who will ultimately betray him and the leader of a secret fellowship, The Black Arrow. As Shelton is drawn deeper into this conspiracy, he must distinguish friend from foe and confront war, shipwreck, revenge, murder, and forbidden love, as England's crown threatens to topple around him.

    But Isabel, resolved to determine her own fate, does not hesitate to turn down two eligible suitors. She then finds herself irresistibly drawn to Gilbert Osmond, who, beneath his veneer of charm and cultivation, is cruelty itself. A story of intense poignancy, Isabel's tale of love and betrayal still resonates with modern audiences.

    This collection gathers together the works by Thomas Hardy in a single, convenient, high quality, and extremely low priced Kindle volume! This book contains now several HTML tables of contents that will make reading a real pleasure! Novels Desperate Remedies [1871] Under the Greenwood Tree [1872] A Pair of Blue Eyes [1873] Far from the Madding Crowd [1874] The Hand of Ethelberta [1876] The Return of the Native [1878] The Trumpet-Major John Loveday [1880] A Laodicean [1881] Two on a Tower [1882] The Mayor of Casterbridge [1886] The Woodlanders [1887] Tess of the d'Urbervilles [1891] Jude the Obscure [1895] The Well–Beloved [1897] Stories Wessex Tales [1888]: The Three Strangers; A Tradition of Eighteen Hundred and Four; The Melancholy Hussar of the German Legion; The Withered Arm; Fellow-Townsmen; Interlopers at the Knap; The Distracted Preacher A Group of Noble Dames [1891]: The first Countess of Wessex; Barbara of the House of Grebe; The Marchioness of Stonehenge; Lady Mottisfont; The Lady Icenway; Squire Petrick's Lady, Anna, Lady Baxby; The Lady Penelope; The Duchess of Hamptonshire; The Honourable Laura Life's Little Ironies [1894]: An Imaginative Woman; The Son's Veto; For Conscience' Sake; A Tragedy of Two Ambitions; On the Western Circuit; To Please His Wife; The Fiddler of the Reels; A Few Crusted Characters A Changed Man and Other Tales [1913]: A Changed Man; The Waiting Supper; Alicia's Diary; The Grave by the Handpost; Enter A Dragoon; A Tryst at an Ancient Earth Work; What the Shepherd Saw; A Committee-Man of 'The Terror'; The Duke's Reappearance; A Mere Interlude; The Romantic Adventures of a Milkmaid Uncollected Stories: Blue Jimmy: The Horse Stealer; Destiny and a Blue Cloak; How I Built Myself a House; Old Mrs Chundle; Our Exploits at West Poley; The Doctor's Legend; The Spectre of the Real; The Thieves Who Couldn't Help Sneezing; The Unconquerable; An Indiscretion in the Life of an Heiress And Poems

    It is a typical example of a Romantic closet drama. Manfred was adapted musically by Robert Schumann in 1852, in a composition entitled Manfred: Dramatic Poem with music in Three Parts, and later by Pyotr Ilyich Tchaikovsky in his Manfred Symphony, Op. 58, as well as by Carl Reinecke. Friedrich Nietzsche was impressed by the poem's depiction of a super-human being, and wrote some music for it. Byron wrote this "metaphysical drama", as he called it, after his marriage failed in scandal amidst charges of sexual improprieties and an incestuous affair between Byron and his half-sister, Augusta Leigh. Attacked by the press and ostracized by London society, Byron fled England for Switzerland in 1816 and never returned. Because Manfred was written immediately after this and because Manfred regards a main character tortured by his own sense of guilt for an unmentionable offense, some critics consider Manfred to be autobiographical, or even confessional.The unnamed but forbidden nature of Manfred's relationship to Astarte is believed to represent Byron's relationship with his half-sister Augusta. Byron commenced this work in late 1816, only a few months after the famed ghost-story sessions which provided the initial impetus for Mary Shelley's Frankenstein. The supernatural references are made clear throughout the poem. In one scene, for example, (Act III, Scene IV, Interior of the Tower), Manfred recalls traveling through time (or astral projection traveling) to Caesar's palace, "and fill'd up, As 't were anew, the gaps of centuries...".

    Matthew Arnold called Emerson’s essays “the most important work done in prose.”   INCLUDES A MODERN LIBRARY READING GROUP GUIDE

    Advised by her doctor to have a change of scenery, the elderly Sophonisba takes up lodgings in London. Immediately intrigued by a nearby “house to let,” she charges her two warring attendants, Trottle and Jarber, to unearth the secret behind its seeming desertedness. Rivals to the end, they each seek to outdo the other to satisfy their mistress’ curiosity; however, it is only after repeated false starts—and by way of elaborate tales of men lost at sea, circus performers, and forged death certificates—that they happen upon the truth. Charles Dickens is one of England’s most important literary figures. His works enjoyed enormous success in his day and are still among the most popular and widely read classics of all time.

    Here are some of the remarkable features of Barnes & Noble Classics:All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Hailed as “a Tolstoy with jokes” by one critic, George Bernard Shaw was the most significant British playwright since the seventeenth century. Pygmalion persists as his best-loved play, one made into both a classic film—which won Shaw an Academy Award for best screenplay—and the perennially popular musical My Fair Lady.Pygmalion follows the adventures of phonetics professor Henry Higgins as he attempts to transform cockney flower girl Eliza Doolittle into a refined lady. The scene in which Eliza appears in high society with the correct accent but no notion of polite conversation is considered one of the funniest in English drama. Like most of Shaw’s work, Pygmalion wins over audiences with wit, a taut morality, and an innate understanding of human relationships.This volume also includes Major Barbara, which attacks both capitalism and charitable organizations, The Doctor’s Dilemma, a keen-eyed examination of medical morals and malpractice, and Heartbreak House, which exposes the spiritual bankruptcy of the generation responsible for the bloodshed of World War I.John A. Bertolini is Ellis Professor of the Liberal Arts at Middlebury College, where he teaches dramatic literature, Shakespeare, and film. He has written The Playwrighting Self of Bernard Shaw and articles on Hitchcock, and British and American dramatists. Bertolini also wrote the introduction and notes to the Barnes & Noble Classics edition of Shaw’s Man and Superman and Three Other Plays.