Among her characters are some of the most remarkable portraits in English literature: Dorothea Brooke, the heroine, idealistic but naive; Rosamond Vincy, beautiful and egoistic: Edward Casaubon, the dry-as-dust scholar: Tertius Lydgate, the brilliant but morally-flawed physician: the passionate artist Will Ladislaw: and Fred Vincey and Mary Garth, childhood sweethearts whose charming courtship is one of the many humorous elements in the novel's rich comic vein.

    There, as if it had that moment sprung out of the earth, stood the figure of a solitary Woman, dressed from head to foot in white'The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter becomes embroiled in the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons, and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.Matthew Sweet's introduction explores the phenomenon of Victorian 'sensation' fiction, and discusses Wilkie Collins's biographical and societal influences. Included in this edition are appendices on theatrical adaptations of the novel and its serialisation history.

    The story follows thirty-something Emily who lives alone, humbly and happily, in a tiny apartment and on a meager income. She is the one that everyone counts on but no one goes out of their way to accommodate. Her fortune changes, however, and the second half chronicles her adaptation to her new life and the dangers that arise from those who stand to lose most from her new circumstances.

    In Can You Forgive Her? Trollope inextricably binds together the issues of parliamentary election and marriage, of politics and privacy. The values and aspirations of the governing stratum of Victorian society are ruthlessly examined and none remain unscathed. Above all Trollope focuses on the predicament of women. 'What should a woman do with her life?' asks Alice Vavasor of herself, and this theme is echoed by every other woman in the novel, from the uncomfortably married Lady Glencora to the coquettish Mrs Greenow and Alice's clear-headed cousin, Kate.

    Obsessed with an irresistible fascination for the enigmatic Sarah, Charles is hurtled by a moment of consummated lust to the brink of the existential void. Duty dictates that his engagement to Tina must be broken as he goes forth once again to seek the woman who has captured his Victorian soul & gentleman's heart.

    Wodehouse (1881-1975) was perhaps the most widely acclaimed British humorist of the twentieth century. Throughout his career, he brilliantly examined the complex and idiosyncratic nature of English upper-crust society with hilarious insight and wit. The works in this volume provide a wonderful introduction to Wodehouse’s work and his unique talent for joining fantastic plots with authentic emotion. In The Code of the Woosters, Wodehouse’s most famous duo, Bertie Wooster and his unflappable valet Jeeves, risks all to steal a cream jug. Uncle Fred in the Springtime, part of the famous Blandings Castle series, follows Uncle Fred as he attempts to ruin the Duke of Blandings while he is preoccupied with his favorite pig. Fourteen stories feature some of Wodehouse’s most memorable characters, and three autobiographical pieces provide a revealing look into Wodehouse’s life. With his gift for hilarity and his ever-human tone, Wodehouse and his work have never felt more lively. With a New Introduction by John Mortimer (Book Jacket Status: Jacketed)

    Byatt returns to the territory she explored in Possession: the landscape of Victorian England, where science and spiritualism are both popular manias, and domestic decorum coexists with brutality and perversion. Angels and Insects is "delicate and confidently ironic.... Byatt perfectly blends laughter and sympathy [with] extraordinary sensuality" (San Francisco Examiner).

    The sort of atmosphere where mistakes could be made? For Maurice Castle it is the end of the line anyway and time for him to retire with his African wife, Sarah.The Human Factor is Greene’s most extensive attempt to incorporate into fiction what he had learned of espionage when recruited by MI6 during World War II . . . What it offers is a veteran excursion into Greene’s imaginative world . . . Sometimes seen as a brooding prober into the dark recesses of the soul where sins and scruples alike fester, he is equally at home in sending a narrative careering along at break-neck pace . . . Raising the demarcation line between ‘serious’ fiction and fast-plotted entertainment, Greene ensures that components of both jostle energizingly together in his pages.” –from the Introduction by Peter Kemp --

    In a story like Bartleby, the Scrivener -- one of the very few perfect representatives of the form in the English language -- he displayed an unflinching precision and insight and empathy in his depiction of the drastically alienated inner life of the title character. In Benito Cereno, he addressed the great racial dilemmas of the nineteenth century with a profound, almost surreal imaginative clarity. And in Billy, Budd, Sailor, the masterpiece of his last years, he fused the knowledge and craft gained from a lifetime's magnificent work into a pure, stark, flawlessly composed tale of innocence betrayed and destroyed. Melville is justly honored for the epic sweep of his mind, but his lyricism, his skill in rendering the minute, the particular, the local, was equally sublime.

    John Galsworthy, a Nobel Prize-winning author, chronicles the ebbing social power of the commercial upper-middle-class Forsyte family through three generations, beginning in Victorian London during the 1880s and ending in the early 1920s.

    She and her artist brother, Felix, travel to Boston to meet distant cousins relatives, partially in hopes of making a wealthy marriage. Its wit, gaiety, and what Rebecca West calls its "clear sunlit charm" have made this masterly short novel one of the most popular of James's novels.

    For the first time, all five books in the Patrick Melrose series are collected in a single edition: NEVER MIND BAD NEWS SOME HOPE MOTHER'S MILK AT LAST Acclaimed for their searing wit and their deep humanity, this magnificent cycle of novels - in which Patrick Melrose battles to survive the savageries of his childhood and lead a self-determined life - is one of the major achievements in English fiction.

    It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny. The struggle rages across three worlds - heaven, hell, and earth - as Satan and his band of rebel angels plot their revenge against God. At the center of the conflict are Adam and Eve, motivated by all too human temptations, but whose ultimate downfall is unyielding love.Marked by Milton's characteristic erudition is a work epic both in scale and, notoriously, in ambition. For nearly 350 years it has held generation upon generation of scholars, students and readers in rapt attention and its profound influence can be seen in almost every corner of Western culture.

    and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather-forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and proved so popular that Jerome reunited his now older - but not necessarily wiser - heroes in Three Men on the Bummel, for a picaresque bicycle tour of Germany. With their benign escapism, authorial discursions and wonderful evocation of the late-Victorian 'clerking classes', both novels hilariously capture the spirit of their age.

    But when his former sweetheart, Ethel Henderson, re-enters his life his strictly regimented existence is thrown into chaos by the resurgence of old passion. Driven by overwhelming desire, he pursues Ethel passionately, only to find that while she returns his love she also hides a dark secret. For she is involved in a plot of trickery that goes against his firmest beliefs, working as an assistant to her stepfather - a cynical charlatan 'mystic' who earns his living by deluding the weak-willed with sly trickery.