yet here I am, ready to fall on my knees and do whatever it takes. Wanting her was never an option, but when your heart knows, everything else ceases to exist. Consequences be damned. I returned home broken and lost, refusing to connect to my old life, knowing what lurks in the shadows there. Afraid I’ll hate myself even more for hiding the untold truths, and yet I can’t bring myself to set them free. Set myself free... Until her. In her arms, I find sanctuary. Her love not only encompasses me, but it also drives the darkness away and serves as a beacon of hope— my salvation.When our pasts are brought to light, we’re thrust into the hell of our own creation. Will Scarlet forgive me for the blood on my hands? Only absolution will see us through.

    But as she grows older, she learns that many people in her small, rural town believe her father is Cecil Jesso, the local drug dealer--a man both feared and ridiculed. Weaving through a maze of gossip, community, and the complications of family, Some People's Children is a revealing and liberating novel about the way others look at us and the power of self-discovery.

    The text contains fresh revelation and biblical information as well as stories from others related to the topic.

    The future is another time.In a remote corner of Tanzania, Essie Lawrence lives with her husband in an archaeologist’s camp. One morning a chance encounter with two strangers sees her making a rash promise. When she returns home to the research base, she has a baby in her arms. Essie is to care for the little girl until the coming of the rains. And then hand her back.The organised world of Magadi Research Camp is turned upside down. As her heart opens up to new life, Essie is drawn into the ancient wisdom of the Hadza, the last hunter-gatherer tribe in East Africa. And she is led back to memories of her own mother and her first home on the island of Tasmania, at the far end of the world. But there is a price to pay. Essie's marriage, her career - everything she's worked for - is put at risk.On the shores of the flamingo lake, personal stories are played out alongside the Lawrences’ quest to find the origins of the human species. Nightmares and dreams go hand in hand as past and present merge. What is real and what will turn to dust? And after a season of being a mother, will Essie be able to survive the hardest challenge of all? To love, and then let go …An exquisite and heart-piercing story of one woman’s bond with a baby, The Beautiful Mother will resonate with every parent, crossing time, place and culture. It is an unforgettable exploration of what it really means to be a member of the human family, revealing the deep need we all have to find our own tribe.

    While grappling with the ongoing process of making sense of her grief, anger, and cherished memories, she fights every day for justice.In this moving essay, Sybrina imparts to this generation and the next the lessons and wisdom she’s gained in the past ten years—about life, love, and loss; about bad faith; about what changes have and have not occurred; and about the power of her own voice in the gathering storm of a profoundly divided country. Above all, Sybrina knows what it takes to keep moving forward.With a foreword by attorney Ben Crump.

     Social Welfare Policy; 2008 Election; Proposition 8; Economic issues. Social work and social welfare practitioners and students interested in enhancing their understanding and analysis of social welfare policy.

    The number one bestselling author of Ask Barbara, Are You the One for Me, and other groundbreaking relationship books rewrites the rules in this extraordinary book.

    This is the story about Father Bernard Bissonnette, a priest from Grosvenordale, Connecticut and the fifty-year path of destruction and heartache he left in his wake. There were dozens of victims, first in his home state and then in New Mexico, where the Catholic Church sent him to be “cured,” only to recycle him in parishes throughout the state. It highlights the Deary family of Putnam, Connecticut, whose eldest son, Tommy – the second of their thirteen children – was one of Bissonnette’s earliest victims, and who, after struggling for many years with depression, marital problems, and his own sexual identity, eventually killed himself. And it follows the tireless efforts of his youngest brother to overcome the obstructionism and hostility of the Catholic Church and track down Father Bissonnette, confront him with his misdeeds, then bring him to justice – or at least get him thrown out of the Church.

    An important and dark time in Black—and American—history, the era of American slavery is explored in American Slavery in an Hour, which will explain the key facts and give you a clear overview of this much discussed period of history, as well as its legacy in modern America.

    In 1919, Spanish flu killed over 50 million people, more than died in both world wars combined. In 1950, an estimated 50 million people caught smallpox worldwide, of whom 10 million died. In 1980, before measles vaccine was widely used, an estimated 2.6 million children died of measles every year. Today we are hostage to a new pandemic disease -the seemingly unstoppable COVID-19.Less than 100 years ago, losing a child to an infection like diphtheria or polio was a dreaded but almost inevitable sorrow faced by all parents, from the richest to the poorest. Today, these killer diseases are almost never seen in industrialised countries, thanks to the development of vaccines. Immunisation has given modern parents peace of mind their ancestors could not imagine.The history of vaccination is rich with trial, error, sabotage and success. It encompasses the tragedy of lives lost, the drama of competition and discovery, the culpability of botched testing, and the triumph of effective, lifelong immunity. Yet with the eradication in the first world of some of humanity's deadliest foes, complacency in some quarters has set in. COVID-19 has us again racing for a vaccine. The story of past achievements and failures helps us keep the race - and the hope - in perspective.This is a book for everyone who wants to understand our past - and cares about our future.PRAISE'Anyone who has doubts about the life-saving miracle of vaccination should read this' Steven Carroll, Sydney Morning Herald'An entertaining and engaging work that is sure to delight general readers' Australian Book Review'The ideal handbook for pregnant women, parents, travellers, childcare and aged-care workers, GPs and anyone with an interest in public health' The Australian'Isaacs explores the understanding of immunity as it develops from the fifth century BC to the present day and thrills us with the progressive successes of each of the 14 vaccines which a child routinely receives today ... The work is authoritative, beguiling, amusing, instructive and inspirational. It deserves a wide readership, including infectious disease experts, other health professionals and, most assuredly, a diversity of lay people' Sir Gustav Nossal, immunologist and director of The Walter and Eliza Institute of Medical Research, Melbourne, 1965-1996'A rollicking story of human endeavour, error, misinformation, success and failure ... and more than a glimpse of why we need to continue to research, evaluate, educate and fund vaccines to prevent disease' Fiona Stanley, Distinguished Research Professor, University of Western Australia'Effortlessly accessible, Defeating the Ministers of Death brilliantly reveals the people behind the most important public health intervention in history' Professor Andrew J Pollard, Department of Paediatrics, University of Oxford'This book is an unflinching look at the triumphs and inevitable tragedies in the war against infectious diseases. Nonfiction is at its best when it reads like fiction. And David Isaacs has written a page turner' Paul A. Offit, MD, author of Bad Advice: Or Why Celebrities, Politicians, and Activists Aren't Your Best Source of Health Information

    But are they ready for it?The residents of West Lake are resistant to change and afraid of confrontation. They’re happy to punch in and punch out and complain about the boss man. They’re friendly to your face but spiteful behind your back. They have their farms and their football, but, underneath that small-town veneer, there’s envy and self-hatred and greed.Principal Janet Wilcox is a modern-day Machiavelli of small-town politics, playing the school board and the community like a banjo. Coach Rick Barnett finds himself squarely in her sights when an up-and-coming quarterback challenges her son’s starting position.Gwen Townsend’s the new teacher in town. She’s a beautiful woman with a secret. She picked the wrong place to hide from her past. Caleb Miles is her star pupil, a brilliant young writer, questioning his sexuality in a town lacking tolerance. Gwen needs to hide who she was, and Caleb needs to hide who he is.In a town run on rumors, nobody’s secret is safe.Adult content and language.

    Frankie’s life story is told from the perspective of music, a fictional narrator. This is fitting, given that Frankie was one of the world’s greatest guitarists.The story, however, begins at its end: Frankie has died during a music festival. During a performance, his body levitates and then drops to the stage. The novel opens at Frankie’s funeral, where music-industry figures—including nonfictional musicians such as Lyle Lovett and Ingrid Michaelson—have gathered to pay their respects and share their thoughts about the deceased guitarist. Music, the narrator, uses the opportunity of the funeral to reflect on Frankie’s life…  PLEASE NOTE: This is a summary and analysis of the book and NOT the original book.    Inside this Instaread Summary & Analysis of The Magic Strings of Frankie Presto:  • Summary of book • Introduction to the Important People in the book • Analysis of the Themes and Author’s Style  About the Author With Instaread, you can get the summary and analysis of a book in 15 minutes. We read every chapter, summarize and analyze it for your convenience.

    “Preludes” is based in significant part on the experiences of its author, a child sexual abuse survivor. * * * When a nine-year-old boy in a "respectable," middle class family is raped, then repeatedly molested by his father, how does the boy experience the abuse and how does he manage to survive? “Preludes” examines these questions. The boy wakes in the middle of the night to find his father sitting on the edge of his bed, gently shaking him from his sleep. Though confused by his father's unexpected presence, for a few brief moments he suspects nothing unusual. His father then accuses him of having misbehaved without saying how, and tells him he'll have to be punished. The boy initially protests, but then, sensing the futility of resistance, grudgingly prepares himself for what his father tells him will be a spanking, all the while thinking, "Gee, this is ridiculous—I haven't done anything wrong." His father then proceeds to rape him, and, the rape completed, threatens to murder him if he tells anyone, including his mother. Thus begins the boy's struggle for survival in the face of his father's nightly onslaughts—a struggle that stretches the boy's physical, psychological, and emotional resources to their limits and beyond. Adding to his struggle's immensity is the story’s milieu: a "Pleasantville" middle class neighborhood in a mid-sized American city in the early 1960s—an environment that gives no indication, on its surface, that dysfunction of such proportions could occur within its hermetic confines. The boy's family enjoys a high status—the father is a professor at a prestigious university, and the family belongs to a Presbyterian church that counts among its members some of the city's most prominent citizens. It is an environment in which acknowledgement of even the merest possibility of child sexual abuse within a family as respectable as that of the boy's is as taboo as the abuse itself. Sensing these constrictions, the boy feels his isolation in his suffering increase exponentially. The prime importance placed by the community on maintaining a semblance of normalcy, no matter the cost to the truth, extends to the day-to-day life of the boy's home. The family's nightly meals together, at a table set with engraved silverware and an "everyday" china of the most tasteful design, and the "Smile Club" photos the boy's mother hangs in the downstairs hallway—family photos, taken regularly, for which the fundamental requisite is that everyone in them be wearing a pleasant smile—help form the bulwark of the mother's determined effort to put the best possible face on things. To survive, the boy attempts to hide the truth as much as possible, even from himself, with his mind employing, as its chief means to this end, a total forgetting of the abuse when it's not actually happening—a strategy his mind has utilized on previous occasions of his father's abuse. But survival, though laudable, comes at an enormous price—a price exacted, among other ways, in the warped perception the boy forms of what it means to "be a man." A price, the story suggests, the boy will have to pay going forward, into adulthood, until he reaches a point of substantial healing.

    

    Crystal was only fourteen. She was living with a boyfriend whom she was too young to marry, and her mother was addicted to heroin and cocaine. So under the law, Crystal and Daquan became wards of New York State’s foster-care system—a sprawling, often slipshod web of boarding facilities, halfway houses, and paid surrogates that cares for almost 60,000 children.Life for Me Ain’t Been No Crystal Stair is the story of what happened to Crystal and Daquan, as well as to Crystal’s mother, who herself had grown up in various foster homes. It is a story of three generations of poverty, addiction, and abuse—and also a story of astonishing human resilience. And Susan Sheehan tells it with the same flawless observation, humor, and compassion that she brought to her classic Is There No Place on Earth for Me?