At the heart of her story and abiding beliefs--her Jewish background. Tikkun olam, the Hebrew injunction to "repair the world," with its profound meaning for a young girl who grew up during the Holocaust and World War II. We see the influence of her mother, Celia Amster Bader, whose intellect inspired her daughter's feminism, insisting that Ruth become independent, as she witnessed her mother coping with terminal cervical cancer (Celia died the day before Ruth, at seventeen, graduated from high school). From Ruth's days as a baton twirler at Brooklyn's James Madison High School, to Cornell University, Harvard and Columbia Law Schools (first in her class), to being a law professor at Rutgers University (one of the few women in the field and fighting pay discrimination), hiding her second pregnancy so as not to risk losing her job; founding the Women's Rights Law Reporter, writing the brief for the first case that persuaded the Supreme Court to strike down a sex-discriminatory state law, then at Columbia (the law school's first tenured female professor); becoming the director of the women's rights project of the ACLU, persuading the Supreme Court in a series of decisions to ban laws that denied women full citizenship status with men. Her years on the U.S. Court of Appeals for the District of Columbia Circuit, deciding cases the way she played golf, as she, left-handed, played with right-handed clubs--aiming left, swinging right, hitting down the middle. Her years on the Supreme Court . . . A pioneering life and legal career whose profound mark on American jurisprudence, on American society, on our American character and spirit, will reverberate deep into the twenty-first century and beyond.

    But it's not, perhaps, the story you expect.Gavin Francis is a GP who works in both urban and rural communities, splitting his time between Edinburgh and the islands of Orkney. When the pandemic ripped through our society he saw how it affected every walk of life: the anxious teenager, the isolated care home resident, the struggling furloughed worker and homeless ex-prisoner, all united by their vulnerability in the face of a global disaster. And he saw how the true cost of the virus was measured not just in infections, or deaths, or ITU beds, but in the consequences of the measures taken against it.In this deeply personal account of nine months spent caring for a society in crisis, Francis will take you from rural village streets to local clinics and communal city stairways. And in telling this story, he reveals others: of loneliness and hope, illness and recovery, and of what we can achieve when we care for each other.

    In Shrub, Ivins focuses her Texas-size smarts on the biggest politician in her home state: George Walker Bush, or "Shrub," as Ivins has nicknamed Bush the Younger.         A candidate of vague speeches and an ambiguous platform, Bush leads the pack of GOP 2000 presidential hopefuls; "Dubya" could very well be our next president. What voters need now is an original, smart, and accessible analysis of Bush--one that leaves the "youthful indiscretions" to the tabloids and gets to the heart of his policies and motivations. Ivins is the perfect woman for the job.         With her trademark wit and down-home wisdom, Molly Ivins shares three pieces of advice on judging a politician: "The first is to look at the record. The second is to look at the record. And third, look at the record." In this book, Ivins takes a good, hard look at the record of the man who could be the leader of the free world. Beginning with his post-college military career, Ivins tracks Dubya's winding, sometimes unlikely path from a failed congressional bid to a two-term governorship. Bush has made plenty of friends and supporters along the way, including Texas oil barons, evangelist Billy Graham, and co-investors in the Texas Rangers baseball team. "You would have to work at it to dislike the man," she writes. But for all of Bush's likeability, Ivins points to a disconcerting lack of political passion from this ascending presidential candidate. In her words, "If you think his daddy had trouble with 'the vision thing,' wait till you meet this one."         Witty, trenchant, and on target, Ivins gives a singularly perceptive and entertaining analysis of George W. Bush. To head to the voting booth without it would be downright un-American.From Shrub: The Short but Happy Political Life of George W. Bush"        The past is prologue in politics. If a politician is left, right, weak, strong, given to the waffle or the flip-flop, or, as sometimes happens, an able soul who performs well under pressure, all that will be in the record." ¸         Bush's welfare record: "Texas pols like to 'git tuff' on crime, welfare, commies, and other bad stuff. Bush proposed to git tuff on welfare recipients by ending the allowance for each additional child--which in Texas is $38 a month." ¸         Bush and the Christian right: "Bush has learned to dance with the Christian right. It has been interesting and amusing to watch the process. Interesting because it's sometimes hard to tell who's leading and who's following; amusing because when a scion of Old Yankee money gets together with a televangelist with too much Elvis, the result is swell entertainment." ¸         Bush's environmental record: Since Governor Bush's election, Texas air quality has been rated the worst in the nation, leading all fifty states in overall toxic releases, recognized carcinogens in the air, cancer risk, and ten other categories of pollutants. ¸         Bush's military career: "Bush was promoted as the Texas Air National Guard's anti-drug poster boy, one of life's little ironies given the difficulty he has had answering cocaine questions all these years later. 'George Walker Bush is one member of the younger generation who doesn't get his kicks from pot or hashish or speed,' reads a Guard press release of 1970. 'Oh, he gets high, all right, but not from narcotics.'"From the Hardcover edition.

    To cover is to downplay a disfavored trait so as to blend into the mainstream. Because all of us possess stigmatized attributes, we all encounter pressure to cover in our daily lives. Given its pervasiveness, we may experience this pressure to be a simple fact of social life.Against conventional understanding, Kenji Yoshino argues that the demand to cover can pose a hidden threat to our civil rights. Though we have come to some consensus against penalizing people for differences based on race, sex, sexual orientation, religion, and disability, we still routinely deny equal treatment to people who refuse to downplay differences along these lines. Racial minorities are pressed to “act white” by changing their names, languages, or cultural practices. Women are told to “play like men” at work. Gays are asked not to engage in public displays of same-sex affection. The devout are instructed to minimize expressions of faith, and individuals with disabilities are urged to conceal the paraphernalia that permit them to function. In a wide-ranging analysis, Yoshino demonstrates that American civil rights law has generally ignored the threat posed by these covering demands. With passion and rigor, he shows that the work of civil rights will not be complete until it attends to the harms of coerced conformity. At the same time, Yoshino is responsive to the American exasperation with identity politics, which often seems like an endless parade of groups asking for state and social solicitude. He observes that the ubiquity of the covering demand provides an opportunity to lift civil rights into a higher, more universal register. Since we all experience the covering demand, we can all make common cause around a new civil rights paradigm based on our desire for authenticity–a desire that brings us together rather than driving us apart. Yoshino’s argument draws deeply on his personal experiences as a gay Asian American. He follows the Romantics in his belief that if a human life is described with enough particularity, the universal will speak through it. The result is a work that combines one of the most moving memoirs written in years with a landmark manifesto on the civil rights of the future. “This brilliantly argued and engaging book does two things at once, and it does them both astonishingly well. First, it's a finely grained memoir of young man’s struggles to come to terms with his sexuality, and second, it's a powerful argument for a whole new way of thinking about civil rights and how our society deals with difference. This book challenges us all to confront our own unacknowledged biases, and it demands that we take seriously the idea that there are many different ways to be human. Kenji Yoshino is the face and the voice of the new civil rights.” -Barbara Ehrenreich, author of Nickel and Dimed“Kenji Yoshino has not only given us an important, compelling new way to understand civil rights law, a major accomplishment in itself, but with great bravery and honesty, he has forged his argument from the cauldron of his own experience. In clear, lyrical prose, Covering quite literally brings the law to life. The result is a book about our public and private selves as convincing to the spirit as it is to the mind.” -Adam Haslett, author of You Are Not A Stranger Here“Kenji Yoshino's work is often moving and always clarifying. Covering elaborates an original, arresting account of identity and authenticity in American culture.”-Anthony Appiah, author of The Ethics of Identity and Laurance S. Rockefeller University Professor Of Philosophy at Princeton University“This stunning book introduces three faces of the remarkable Kenji Yoshino: a writer of poetic beauty; a soul of rare reflectivity and decency; and a brilliant lawyer and scholar, passionately committed to uncovering human rights. Like W.E.B. DuBois's The Souls of Black Folk and Betty Friedan's The Feminine Mystique, this book fearlessly blends gripping narrative with insightful analysis to further the cause of human emancipation. And like those classics, it should explode into America's consciousness.”-Harold Hongju Koh Dean, Yale Law School and former Assistant Secretary of State for Human Rights“Covering is a magnificent work - so eloquently and powerfully written I literally could not put it down. Sweeping in breadth, brilliantly argued, and filled with insight, humor, and erudition, it offers a fundamentally new perspective on civil rights and discrimination law. This extraordinary book is many things at once: an intensely moving personal memoir; a breathtaking historical and cultural synthesis of assimilation and American equality law; an explosive new paradigm for transcending the morass of identity politics; and in parts, pure poetry. No one interested in civil rights, sexuality, discrimination - or simply human flourishing - can afford to miss it.” -Amy Chua, author of World on Fire“In this stunning, original book, Kenji Yoshino demonstrates that the struggle for gay rights is not only a struggle to liberate gays---it is a struggle to free all of us, straight and gay, male and female, white and black, from the pressures and temptations to cover vital aspects of ourselves and deprive ourselves and others of our full humanity. Yoshino is both poet and lawyer, and by joining an exquisitely observed personal memoir with a historical analysis of civil rights, he shows why gay rights is so controversial at present, why “covering” is the issue of contention, and why the “covering demand,” universal in application, is the civil rights issue of our time. This is a beautifully written, brilliant and hopeful book, offering a new understanding of what is at stake in our fight for human rights.” -Carol Gilligan, author of In a Different Voice

    Years of listening to other people's stories of going through tough times, hoping to overcome difficult odds, or trying to find a way to make a difference in the world brought Edward Grinnan to the undersanding that personal change is vital to achieving success. In each chaper of this book, he weaves the tales of other people with his own story to reveal how each of us can learn about the keys to powerful personal change. He shows these principles at work in his own personal struggle with alcoholism, and how he has learned through his own missteps to accept change and become the person he was meant to be.

    Doctors called it "THE MOST HORRIFIC INJURY A HUMAN BEING COULD SUFFER." Tarleton spent the next three and a half months in a medically induced coma, and when she awoke, it was to an unimaginable reality: she was blind and permanently disfigured, with burns covering more than eighty percent of her body. Her recovery would include months of painful rehab, dozens of surgeries, and total dependence on family, friends, and strangers for physical and financial care. With so much taken away, no one could have anticipated what Tarleton would gain from her experience: an awakening. A purpose. Joy. By sharing her struggles and ultimate victory over catastrophic loss, Tarleton proves that life is a choice-and, in the process, offers a rare glimpse into the best and worst corners of the human heart. "CARMEN IS SO UNFLINCHINGLY HONEST, SO TRANSPARENT . . . Overcome: Burned, Blinded, and Blessed is an opportunity to bask, for just for a little while, in the rays of her exceptional spirit." -JONI BUSBY, SUPERVISING PRODUCER, THE DOCTORS "Carmen's story is one of tragedy and triumph. She is truly an example of the strength and beauty of the human spirit. Carmen went from victim to survivor and teaches us all that we can overcome the unimaginable and create the lives we would like to live." JENNIFER RADICS, MBA EXECUTIVE DIRECTOR, ALISA ANN RUCH BURN FOUNDATION "Carmen Tarleton's story is a riveting account of a courageous woman who teaches us all the power of fighting suffering with relentless hope and tenacity." SAMIR MELKI, MD, PHD FOUNDER, BOST ON EYE GROUP "Carmen tells her inspiring story with remarkable clarity and honesty. She has endured a journey many might be unable to endure and arrived to provide the reader with wisdom, compassion, and inspiration. As heavy as the price was for Carmen, Overcome is a wonderful gift to those of us who take the time to read it. Her story is, at heart, one of a profound and courageous journey, and she has arrived with great treasures to offer us all." DAVID VOGEL PRESIDENT, BURN SURVIVORS OF NEW ENGLAND "Told with sincerity and grace, Overcome powerfully illustrates the unlimited resilience of the human spirit. Carmen's heart-thumping journey is at times harrowing, yet always keenly illuminating. Overcome is a bracing triumph of the soul." MICHAEL PAUL MASON AUTHOR OF HEAD CASES: STORIES OF BRAIN INJURY AND ITS AFTERMATH

    The author of Escape, which detailed her escape along with her eight children from the cult she had been raised in, the extremist Mormon sect the Fundamentalist Church of Jesus Christ of Latter-Day Saints, follows up on the 2008 raid on the Yearning for Zion Ranch, which her ex-husband ran for Warren Jeffs on a sprawling 1,700-acre ranch near Eldorado, Texas.

    Thomas Chatterton Williams, the son of a “black” father from the segregated South and a “white” mother from the West, spent his whole life believing the dictum that a single drop of “black blood” makes a person black. This was so fundamental to his self-conception that he’d never rigorously reflected on its foundations—but the shock of his experience as the black father of two extremely white-looking children led him to question these long-held convictions.“It is not that I have come to believe that I am no longer black or that my daughter is white,” Williams writes. “It is that these categories cannot adequately capture either of us.” Beautifully written and bound to upset received opinions on race, Self-Portrait in Black and White is an urgent work for our time.

    The former White House chief-of-staff recalls his youth in the civil rights-era South, his years in Washington during the Carter administration, and his battle with three different types of cancer.

    Have you ever lit a Marlboro from the ignited gas of a bloated dead man's belly? Joseph Scott Morgan has. Have you ever wept over a dead dog while not giving a shit about the dead owner laying next him? Morgan did. Were you named after a murder victim? Joseph Scott Morgan was.This isn't Hollywood fantasy—it's the true story of a boy born into the deprivations of a white trash trailer park who as an adult gets further involved in the desperate backdoor sagas of the "new South." No hot blondes here, just maggots, grief, and the truth about forensics and death investigation.Joseph Scott Morgan became a death investigator with the Jefferson Parish Coroner's Office in suburban New Orleans in 1987, the youngest medicolegal death investigator in the country. During the day, Morgan worked in the morgue, and at night investigated for the coroner. In 1992 Morgan became senior investigator with the Fulton County Medical Examiner's Office in Atlanta. Morgan is now a college professor at North Georgia College and State University, where he teaches a death investigation course based on the national standards which he helped develop. He and his family reside in the Blue Ridge Mountains of north Georgia.

    In 1887, 23-year-old reporter Nellie Bly had herself committed to a New York City asylum for 10 days to expose the horrific conditions for 19th-century century mental patients.

    Revised and updated throughout for this fifth edition, THE LAW MACHINE surveys recent developments in the workings of justice and the outlook for the future. 'Refreshingly free of the patronizing attitude and the humbug with which other books about the legal system are riddled' - THES

    Following on from Our Story, Ron Kray fills in the gaps and gives his version of the murders of Jack The Hat McVitie and George Cornell, describing his bisexuality and his marriage in Broadmoor and clarifying many of the misconceptions about the years when he and Reg ruled the London underworld, shot enemies at will and simultaneously socialized with some of the most glittering politicians, celebrities and hostesses of the time.

    Steve Osborne is the real deal, people: the tough, streetwise New York cop of your dreams, one with a big, big heart. Kojak? NYPD Blue? Law & Order? Fuggedaboudem! The Job blows them out of the water.     Steve Osborne has seen a thing or two in his years in the NYPD—some harmless, some definitely not. In “Stakeout,” Steve and his partner mistake a Manhattan dentist for an armed robbery suspect, and reduce the man to a puddle of snot and tears when questioning him. In “Mug Shot,” the mother of a suspected criminal makes a strange request and provides a sobering reminder of the humanity at stake in his profession. And in “Home,” the image of Steve’s family provides the adrenaline he needs to fight for his life when assaulted by two armed and violent crackheads.      From stories about his days as a rookie cop to the time spent patrolling in the Anti-Crime Unit—and his visceral, harrowing recollections of working during the weeks after 9/11—The Job: True Tales from the Life of a New York City Cop captures the humanity, the absurdity, and the dark humor of police work, as well as the bravery of those who do it. These stories will speak to those nostalgic for the New York City of the 1980s and ’90s, a bygone era when the city was a crazier, more dangerous (and possibly more interesting) place.

    More than a third of all adults report experiencing it, with the figure climbing steeply among those over sixty-five. Marina Benjamin takes on her personal experience of the condition--her struggles with it, her insomniac highs, and her dawning awareness that states of sleeplessness grant us valuable insights into the workings of our unconscious minds. Although insomnia is rarely entirely welcome, Benjamin treats it less as an affliction than as an encounter that she engages with and plumbs. She adds new dimensions to both our understanding of sleep (and going without it) and of night, of how we perceive darkness.Along the way, Insomnia trips through illuminating material from literature, art, philosophy, psychology, pop culture, and more. Benjamin pays particular attention to the relationship between women and sleep--Penelope up all night, unraveling her day's weaving for Odysseus; the Pre-Raphaelite artists' depictions of deeply sleeping women; and the worries that keep contemporary females awake.Insomnia is an intense, lyrical, witty, and humane exploration of a state we too often consider only superficially. "This is the song of insomnia, and I shall sing it," Marina Benjamin declares.