The subjects for the book include Art, Education, History and Literature.

    This book offers a beginners guide to his thought, including his views on: * technology* primitivism* reworking Marxism* simulation and hyperreality* America and postmodernism.Richard Lane places Baudrillard's key ideas in the context of French and postmodern thought and examines the ongoing impact of his work. Concluding with an extensively annotated bibliography of the original texts, this is the perfect companion for any student approaching the work of Jean Baudrillard.

      In this new study Chaim Perelman continues to develop his ideas on the theory of rhetoric, now even more cogently and persuasively presented. Pruned of much detail present in the earlier book, this new work captures the essence of his thought in a style and presentation suitable to the program and needs of an English-speaking audience. It is an ideal instruction medium for students approaching theories of informal argumentation for the first time.   Perelman raises the questions, "How do claims to reasonableness arise in prose that is not formally logical?" and "What does 'reasonableness' mean for some who speaks of 'reasonable men' or 'beyond reasonable doubt'?" He then shows how claims to rationality are embedded in a number of verbal structures heretofore considered exclusively ornamental or dispositional. He identifies and discusses many argumentative techniques in addition to the quasi-logical methods conventionally treated in textbooks and notes numerous subforms of argumentation within each of the general types he identifies.

    Carefully chosen selections from Frye, Benjamin, Lévi-Strauss, Lukács, Bakhtin, and other prominent theorists explore the historical significance of the novel as a genre, from its early beginnings to its modern variations in the postmodern novel and postcolonial novel.Offering a generous selection of key theoretical texts for students and scholars alike, Theory of the Novel also presents a provocative argument for studying the genre. In his introduction to the volume and in headnotes to each section, McKeon argues that genre theory and history provide the best approach to understanding the novel. All the selections in this anthology date from the twentieth century—most from the last forty years—and represent the attempts of different theorists, and different theoretical schools, to describe the historical stages of the genre's formal development.

    It is derived from Alfred North Whitehead's philosophy, known as process theology, which lays a groundwork for integrating evolutionary biology, physics, philosophy of mind, theology, environmental ethics, religious pluralism, education, economics, and more.In Process-Relational Philosophy, C. Robert Mesle breaks down Whitehead's complex writings, providing a simple but accurate introduction to the vision that underlies much of contemporary process philosophy and theology. In doing so, he points to a "way beyond both reductive materialism and the traps of Cartesian dualism by showing reality as a relational process in which minds arise from bodies, in which freedom and creativity are foundational to process, in which the relational power of persuasion is more basic than the unilateral power of coercion."Because process-relational philosophy addresses the deep intuitions of a relational world basic to environmental and global thinking, it is being incorporated into undergraduate and graduate courses in philosophy, educational theory and practice, environmental ethics, and science and values, among others. Process-Relational Philosophy: A Basic Introduction makes Whitehead's creative vision accessible to all students and general readers.

    The Oxford Book of Irish Short Stories triumphantly demonstrates the development of the short story in Ireland--from the early folk tales of the oral tradition (here translated from the Irish) to the writing of Oliver Goldsmith, Oscar Wilde, and James Joyce. William Trevor, himself a distinguished short story writer, brings a special sensibility and awareness to his role as editor as he presents stories by Maria Edgeworth, Elizabeth Bowen, Liam O'Flaherty and such modern rising stars as Edna O'Brian, Desmond Hogan, and Joyce Cary. This wide-ranging collection of forty-five stories will certainly serve to entertain and enrich our understanding of this unique literary genre.

    An Honorable Defeat is the story of the four months that saw the surrender of the South and the assassination of Lincoln by Southern partisans. It is also the story of two men, antagonists yet political partners, who struggled to achieve their own differing visions for the South: Jefferson Davis, the autocratic president of the Confederate States, who vowed never to surrender whatever the cost; and the practical and warm General John C. Breckinridge, Secretary of War, who hoped pragmatism would save the shattered remnants of the land he loved so dearly. Noted historian William C. Davis traces the astounding flight of these men, and the entire Confederate cabinet, from Richmond. Using original research, he narrates the futile quarrels of Davis and Breckinridge as they try to evade Northern pursuers and describes their eventual--and separate--captures. The result is a rich canvas of a time of despair and defeat, a charged tale full of physical adventure and political battle that sweeps from the marble halls of Richmond to a dingy room in a Havana hotel.

    For this new paperback edition, Mr. Burke continues his "curve of development" in an Addendum which surveys the course of his though in subsequent books (up to the publication of his Collected Poems, 1915 - 1967) and work-in-progress.

    Thelma is loved by a gentleman who takes her away from Norway. She is also loved by her father's man who sacrifices his life for her. Her husband's friend is also secretly in love with her. When Thelma dies her daughter ends up marrying one of these men. You will have to read the book to find out which one she marries.

    With his usual argumentative rigor, he elucidates the distinction between science fiction, a genre in which science remains possible in spite of all the upheavals that may attend the world in which the tale takes place, and fiction outside-science, the literary concept he fashions in this book, a fiction in which science becomes impossible. With its investigations of the philosophies of Hume, Kant, and Popper, Science Fiction and Fiction of Worlds Outside-Science broadens the inquiry that Meillassoux began in After Finitude, thinking through the concrete possibilities and consequences of a chaotic world in which human beings can no longer resort to science to ground their existence. It is a significant milestone in the work of an emerging philosopher, which will appeal to readers of both philosophy and literature. The text is followed by Isaac Asimov’s essay “The Billiard Ball.”

    It's even bemoaned by poets: "I, too, dislike it," wrote Marianne Moore. "Many more people agree they hate poetry," Ben Lerner writes, "than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore."In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defense of the art. He examines poetry's greatest haters (beginning with Plato's famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.

    M. Forster's Aspects of the Novel and Milan Kundera's The Art of the Novel, How Fiction Works is a scintillating study of the magic of fiction--an analysis of its main elements and a celebration of its lasting power. Here one of the most prominent and stylish critics of our time looks into the machinery of storytelling to ask some fundamental questions: What do we mean when we say we "know" a fictional character? What constitutes a telling detail? When is a metaphor successful? Is Realism realistic? Why do some literary conventions become dated while others stay fresh?James Wood ranges widely, from Homer to Make Way for Ducklings, from the Bible to John le Carré, and his book is both a study of the techniques of fiction-making and an alternative history of the novel. Playful and profound, How Fiction Works will be enlightening to writers, readers, and anyone else interested in what happens on the page.

    Lewis's classic analysis springs from the conviction that literature exists for the joy of the reader and that books should be judged by the kind of reading they invite. Crucial to his notion of judging literature is a commitment to laying aside expectations and values extraneous to the work, in order to approach it with an open mind.

    From Hollywood animal behavioristand author of Modoc: The True Story of the Greatest Elephant That Ever Lived, Ralph Helfer, comes a surprising behind-the-scenes account of his years working as a trainer to the (four-legged) stars.In The Beauty of the Beasts, Helfer chronicles the many television programs and films in which his animals appeared, including Charlie's Angels and The Ten Commandments, and the stars he and his animals worked with such as Elvis Presley, Clint Eastwood, Marilyn Monroe, Sonny and Cher, and more.Complete with a 16-page insert of photos from Helfer, The Beauty of the Beasts is a book about the important role animals play in our lives, and how much less human we would be without them.

    It's an essential ingredient in pop music and high art. Why do we choose accusations of elitism over open-mindedness? What do our anxieties about "pretending" say about us?Co-editor of frieze, Europe's foremost magazine of contemporary art and culture, Dan Fox has authored over two hundred essays, interviews, and reviews and contributed to numerous catalogues and publications produced by major international art galleries and institutions.