350 full-color photos, paintings & illustrations.

    With this volume, the holy trinity of fairy tales - the Brothers Grimm, Charles Perrault, and Hans Christian Andersen - becomes a quartet. In the 1850s, Franz Xaver von Schönwerth traversed the forests, lowlands, and mountains of northern Bavaria to record fairy tales, gaining the admiration of even the Brothers Grimm. Most of Schönwerth's work was lost - until a few years ago, when thirty boxes of manu­scripts were uncovered in a German municipal archive.Now, for the first time, Schönwerth's lost fairy tales are available in English. Violent, dark, and full of action, and upending the relationship between damsels in distress and their dragon-slaying heroes, these more than seventy stories bring us closer than ever to the unadorned oral tradition in which fairy tales are rooted, revolutionizing our understanding of a hallowed genre.

    Perhaps no figure better embodies the transition from the Gothic tradition to modern horror than Arthur Machen. In the final decade of the nineteenth century, the Welsh writer produced a seminal body of tales of occult horror, spiritual and physical corruption, and malignant survivals from the primeval past which horrified and scandalized late-Victorian readers. Machen's "weird fiction" has influenced generations of storytellers, from H. P. Lovecraft to Guillermo Del Toro - and it remains no less unsettling today. This new collection, which includes the complete novel The Three Impostors as well as such celebrated tales as The Great God Pan and The White People, constitutes the most comprehensive critical edition of Machen yet to appear. In addition to the core late-Victorian horror classics, a selection of lesser-known prose poems and later tales helps to present a fuller picture of the development of Machen's weird vision. The edition's introduction and notes contextualize the life and work of this foundational figure in the history of horror.

    It includes Li Chi, the serpent slayer, and the old woman sly enough to outsmart the devil.

    The volume includes over forty of the Grimms' most beloved stories, including:Rapunzel * Hansel and Gretel * The Brave Little Tailor * Cinderella * Little Red Riding Hood * The Robber Bridegroom * Briar Rose * Snow White * Rumplestilskin * The Golden Goose * The Singing, Soaring Lark * The Frog King * The Juniper Tree * and Mother HolleWith over 150 paintings and drawings from the most celebrated fairy tale illustrators, including George Cruikshank, Paul Hey, Walter Crane, Warwick Goble, Kay Nielsen, and Arthur Rackham.

    As A.S. Byatt renders this relationship with a powerful combination of erudition and passion, she makes the interaction of the natural and the supernatural seem not only convincing, but inevitable.The companion stories in this collection each display different facets of Byatt's remarkable gift for enchantment. They range from fables of sexual obsession to allegories of political tragedy; they draw us into narratives that are as mesmerizing as dreams and as bracing as philosophical meditations; and they all us to inhabit an imaginative universe astonishing in the precision of its detail, its intellectual consistency, and its splendor.

    They offer the shortest path to the age's dreams, desires, and wishes. Authors central to the nineteenth-century canon such as Thackeray, Oscar Wilde, Ford Madox Ford, and Rudyard Kipling wrote fairy tales, and authors primarily famous for their work in the genre include George MacDonald, Juliana Ewing, Mary De Morgan, and Andrew Lang. This anthology brings together fourteen of the best stories, by these and other outstanding practitioners, to show the vibrancy and variety of the form and its ability to reflect our deepest concerns.The stories in this selection range from pure whimsy and romance to witty satire and darker, uncanny mystery. Paradox proves central to a form offered equally to children and adults. Fairyland is a dynamic and beguiling place, one that permits the most striking explorations of gender, suffering, love, family, and the travails of identity. Michael Newton's introduction and notes explore the literary marketplace in which these tales appeared, as well as the role they played in contemporary debates on scepticism and belief. The book also includes a selection of original illustrations by some of the masters of the field such as Richard Doyle, Arthur Hughes, and Walter Crane.

    Here, collected in one volume, are tales and legends that range from the misty dawn of Gaelic history and the triumph of St Patrick to the Ireland of the present day - tales as beautiful, mystical, and enchanting as the ancient land itself.

    Illustrated and presented by one of the leading artists in modern fantasy, this title gives us some of the great songs and folktales of the English, Irish, and Scottish traditions, re-imagined in sequential-art form, in collaboration with some of the strongest fantasy writers.

    In this intimate history, Valerie Paradiz tells the real story of the greatest literary collaboration of the nineteenth century, and gives the long-lost narrators of these beloved tales their due. Jacob and Wilhelm Grimm were major German intellects of their time, contemporaries of both Goethe and Schiller. But as Paradiz reveals here, the romantic image of the two brothers traveling the countryside, transcribing tales told to them by peasants, is far from the truth. More than half of the tales the Grimm brothers collected were contributed by women friends from the upper classes. Set against the backdrop of the Napoleonic wars and the high years of German romanticism, Clever Maids chronicles this most fascinating enterprise in literary history, and illuminates the ways the Grimm tales-with their mythic portrayals of courage, sacrifice, and betrayal-still resonate so powerfully today.

    Stories of miracles, visions of hell, jokes, fables, and legends, these tales reflect the Japanese worldview during a classic period in Japanese civilization. Masterfully edited and translated by the acclaimed translator of The Tale of Genji, these stories ably balance the lyrical and the dramatic, the ribald and the profound, offering a window into a long-vanished though perennially fascinating culture.

    Lavery comes a collection of darkly mischievous stories based on classic fairy tales. Adapted from his beloved "Children's Stories Made Horrific" series, The Merry Spinster takes up the trademark wit that endeared Lavery to readers of both The Toast and his best-selling debut Texts from Jane Eyre. The feature become among the most popular on the site, with each entry bringing in tens of thousands of views, as the stories proved a perfect vehicle for Lavery’s eye for deconstruction and destabilization. Sinister and inviting, familiar and alien all at the same time, The Merry Spinster updates traditional children's stories and fairy tales with elements of psychological horror, emotional clarity, and a keen sense of feminist mischief.Readers of The Toast will instantly recognize Lavery's boisterous good humor and uber-nerd swagger: those new to Lavery's oeuvre will delight in his unique spin on fiction, where something a bit mischievous and unsettling is always at work just beneath the surface.Unfalteringly faithful to its beloved source material, The Merry Spinster also illuminates the unsuspected, and frequently, alarming emotional complexities at play in the stories we tell ourselves, and each other, as we tuck ourselves in for the night.Bedtime will never be the same.The daughter cells --The thankless child --Fear not: an incident log --The six boy-coffins --The rabbit --The merry spinster --The wedding party --Some of us had been threatening our friend Mr.Toad --Cast your bread upon the waters --The frog's princess --Good fences make good neighbors

    This landmark collection contains twenty-two of Hesse's finest stories in this genre, most translated into English here for the first time. Full of visionaries and seekers, princesses and wandering poets, his fairy tales speak to the place in our psyche that inspires us with deep spiritual longing; that compels us to leave home, and inevitably to return; and that harbors the greatest joys and most devastating wounds of our heart. Containing all the themes common in Hesse's great novels Siddhartha, Steppenwolf, and Demian—and mirroring events in his own life, these exquisite short pieces exhibit the same mystical and romantic impulses that contribute to the haunting brilliance of his major works. Several stories, including "The Poet," "The Fairy Tale About the Wicker Chair," and "The Painter," examine the dilemma of the artist, torn between the drive for perfection and the temptations of pleasure and social success. Other tales reflect changes and struggles within society: in "Faldum," a city is irrevocably transformed when each resident is granted his or her fondest wish; in "Strange News from Another Planet," "If the War Continues," and "The European," nightmarish landscapes convey Hesse's devastating critiques of nationalism, barbarism, and war. Illuminating and inspiring, The Fairy Tales of Hermann Hesse will challenge and enchant readers of all ages. A distinguished and historic publication, this fine translation by Jack Zipes captures their subtlety and elegance for decades nto come.

      Filled with kings and peasants, saints and ogres—as well as some quite extraordinary plants and animals—these two hundred tales bring to life Italy’s folklore, sometimes with earthy humor, sometimes with noble mystery, and sometimes with the playfulness of sheer nonsense.   Selected and retold by one of the country’s greatest literary icons, “this collection stands with the finest folktale collections anywhere” (The New York Times Book Review).   “For readers of any age . . . A masterwork.” —The Wall Street Journal   “A magic book, and a classic to boot.” —Time

    These stories are about coming to terms with our animal natures, exploring the ways in which we might renegotiate our fractured relationship with the natural world, and uncovering the wildness - and wilderness - within. Beautifully illustrated by Helen Nicholson, Foxfire, Wolfskin and Other Stories of Shapeshifting Women is her first collection of short stories. All are either reimaginings of older tales, or contain characters, beings and motifs which appear in older tales.