In The Pious Ones, New York Times journalist Joseph Berger traces their origins in eighteenth-century Eastern Europe, illuminating their dynamics and core beliefs that remain so enigmatic to outsiders. He analyzes the Hasidim’s codified lifestyle, revealing its fascinating secrets, complexities, and paradoxes, and provides a nuanced and insightful portrayal of how their all-encompassing faith dictates nearly every aspect of life—including work, education, food, sex, clothing and social relations—sustaining a sense of connection and purpose in a changing world. From the intense sectarian politics to the conflicts that arise over housing, transportation, schooling, and gender roles, The Pious Ones also chronicles the ways in which the fabric of Hasidic daily life is threatened by exposure to the wider world and also by internal fissures within its growing population. What lies ahead for the Hasidim, and what lies ahead for American culture and politics as these Ultra-Orthodox Jews occupy a greater place in our society?

    We hear words like nosh, schlep, and schmutz all the time, but how did these words come to pepper American English? In Yiddishkeit: Jewish Vernacular and the New Land, Harvey Pekar and Paul Buhle trace the influence of Yiddish from medieval Europe to the tenements of New York’s Lower East Side. This comics anthology contains original stories by notable writers and artists such as Barry Deutsch, Peter Kuper, Spain Rodriguez, and Sharon Rudahl. Through illustrations, comics art, and a full-length play, four major themes are explored: culture, performance, assimilation, and the revival of the language. The last fully realized work by Harvey Pekar, this book is a thoughtful compilation that reveals the far-reaching influences of Yiddish.Praise for Yiddishkeit: “The book is about what Neal Gabler in his introduction labels ‘Jewish sensibility.’ It pervades this volume, which he acknowledges is messy; he writes: ‘You really can't define Yiddishkeit neatly in words or pictures. You sort of have to feel it by wading into it.’ The book does this with gusto.” —New York Times “Yiddishkeit is as colorful, bawdy, and charming as the culture it seeks to represent.” —Print magazine “every bit of it brimming with the charm and flavor of its subject and seamlessly meshing with the text to create a genuinely compelling, scholarly comics experience” —Publishers Weekly“Yiddishkeit is a book that truly informs about Jewish culture and, in the process, challenges readers to pick apart their own vocabulary.” —Chicago Tribune “a postvernacular tour de force” —The Forward “A fascinating and enlightening effort that takes full use of the graphic storytelling medium in an insightful and revelatory way.” —The Miami Herald “With a loving eye Pekar and Buhle extract moments and personalities from Yiddish history.” —Hadassah “gorgeous comix-style portraits of Yiddish writers” ––Tablet “Yiddishkeit has managed to survive, if just barely, not because there are individuals dedicated to its survival, though there are, but because Yiddishkeit is an essential part of both the Jewish and the human experience.” —Neal Gabler, author of An Empire of Their Own: How the Jews Invented Hollywood, from his introduction

    Commenting on this startling discovery at the time, noted Talmud scholar Daniel Boyarin argued that “some Christians will find it shocking—a challenge to the uniqueness of their theology.”Guiding us through a rich tapestry of new discoveries and ancient scriptures, The Jewish Gospels makes the powerful case that our conventional understandings of Jesus and of the origins of Christianity are wrong. In Boyarin’s scrupulously illustrated account, the coming of the Messiah was fully imagined in the ancient Jewish texts. Jesus, moreover, was embraced by many Jews as this person, and his core teachings were not at all a break from Jewish beliefs and teachings. Jesus and his followers, Boyarin shows, were simply Jewish. What came to be known as Christianity came much later, as religious and political leaders sought to impose a new religious orthodoxy that was not present at the time of Jesus’s life.In the vein of Elaine Pagels’s The Gnostic Gospels, here is a brilliant new work that will break open some of our culture’s most cherished assumptions.

    To others, his teachings shed light on some of the deepest mysteries. Here, is timeless wisdom, adapted by disciplines living in Jerusalem today, reaches out to us all: Never lose hope. Find joy and cause for happiness in everything that happens to you.

    In Ruchama King's skillful hands, Seven Blessings maps out the complicated lives of five expatriate women and men whose search for a soul mate, in many ways, mirrors their search for God.At the center of this fascinating novel is Beth, who at age thirty-nine longs to be married but despairs she ever will be. When she finally meets the man of her dreams, he has what she believes to be an insurmountable flaw. Can she overcome her repugnance in order to forge a new life? Binyamin, a talented painter and student, lacks the humility to identify a worthy wife. He strains the matchmakers' patience until his search for perfect love finally becomes ridiculous, even to himself. Tsippi and Judith, the matchmakers, are stumbling themselves, with marriages that need propping up. In this land of miracles, seeking the right match, whether between singles, husband and wife, student and teacher, or man and God, becomes a quest that opens the Bible to us in a new way.Rich characters, an intriguing setting, writing that offers unique nuances, and ultimately a story that keeps you turning the pages all combine to introduce a remarkable newcomer. Seven Blessings redefines the Jewish experience, with a story that will ring with truth for anyone who's ever considered getting married.

    But we’d be surprised to learn how much these beloved characters were shaped by the cultural and religious traditions of their makers. Superman Is Jewish? follows the “people of the book” as they become the people of the comic book. Harry Brod reveals the links between Jews and superheroes in a penetrating investigation of iconic comic book figures. With great wit and compelling arguments, Brod situates superheroes within the course of Jewish- American history: they are aliens in a foreign land, like Superman; figures plagued by guilt for not having saved their families, like Spider-Man; outsiders persecuted for being different, like the X-Men; nice, smart people afraid that nobody will like them when they’re angry, like the Hulk. Brod blends humor with sharp observation as he considers the overt and discreet Jewish characteristics of these well-known figures and explores how their creators—including Jerry Siegel, Joe Shuster, Stan Lee, and Jack Kirby— integrated their Jewish identities and their creativity. Brod makes a strong case that these pioneering Jews created New World superheroes using models from Old World traditions. He demonstrates how contemporary characters were inspired by the golem, the mystically created artificial superhuman of Jewish lore. And before Superman was first drawn by Joe Shuster, there were those Jews flying through the air drawn by Marc Chagall. As poignant as it is fascinating, this lively guided tour travels from the Passover Haggadah’s exciting action scenes of Moses’s superpowers through the Yiddish humor of Mad to two Pulitzer Prizes awarded in one decade to Jewish comic book guys Art Spiegelman and Michael Chabon. Superman Is Jewish? explores the deeper story of how an immigrant group can use popular entertainment media to influence the larger culture and in the process see itself in new, more empowering ways. Not just for Jewish readers or comic book fans, Superman Is Jewish? is a story of America, and is as poignant as it is fascinating. *** A surprising question, one that takes a certain amount of chutzpah to even raise. To add even a bit more chutzpah, this book considers questions about the Jewishness of more superheroes than just Superman, and offers answers that will surprise many. You mean Spider-Man is Jewish too? Well, actually, yes, but in a very different way than Superman is. And, as we’ll see, the shift between them reflects the evolution of Jewish life in America itself in the generation between the two, the generation that gets us from World War II and the “Golden Age” of comics to the 1960s and the “Silver Age” of comics. The historical turning points of those tumultuous years and others, like the powerful 1950s crusade against comics for supposedly causing juvenile delinquency, turn out to be central to our story because these events, and their great impact on American Jews, appear on comic book pages themselves, and behind the scenes in their production. For it turns out that the history of Jews and comic book superheroes, that very American invention, is the history of Jews and America, particularly the history of Jewish assimilation into the mainstream of American culture.

    Explains the reasons for Jewish customs concerning marriage, mourning, diet, prayer, worship, and the celebration of religious holidays.

    Along the way he encounters Ram Dass and Richard Gere, and dialogues with leading rabbis and Jewish thinkers, including Zalman Schacter, Yitz and Blue Greenberg, and a host of religious and disaffected Jews and Jewish Buddhists. This amazing journey through Tibetan Buddhism and Judaism leads Kamenetz to a renewed appreciation of his living Jewish roots.

    Representing twenty years of research and reflection, Leni Yahil's book won the Shazar Prize, one of Israel's highest awards for historical work. Now available in English, The Holocaust offers a sweeping look at the Final Solution, covering not only Nazi policies, but also how Jews and foreign governments perceived and responded to the unfolding nightmare. The Holocaust is astonishingly comprehensive. Yahil weaves a gripping chronological narrative that stretches from the Norwegian fjords to the Greek islands, from Amsterdam to Tehran--and even Shanghai. Her writing is balanced, objective, and compelling, as she systematically explores the evolution of the Holocaust in German-occupied Europe, probing its politics, planning, goals, and key figures. Yahil uses her command of the many relevant languages to marshal an impressive array of documentary and statistical evidence, driving her narrative forward with telling details and personal accounts--such as a survivor's description of her perseverance during a death march, or the story of the Struma, a boat that sank with over 700 Jewish refugees when the British refused to receive it in Palestine. Along the way, she destroys persistent myths about the Holocaust: that Hitler had no plan for exterminating the Jews, that the Jews themselves went peacefully to the slaughter. Though Yahil finds that Nazi policies were often inconsistent, particularly during the years before the war, she conclusively demonstrates that Hitler was always working toward a final reckoning with world Jewry, envisioning his war as a war against the Jews. The book also recounts numerous uprisings and acts of resistance in ghettos and concentration camps, as well as the activities of Jewish partisan units. Yahil describes the work of Jews in America, Palestine, and world organizations on behalf of Hitler's victims--often in the face of resistance by the Allied governments and neutral states--and explores the factors that affected the success of rescue efforts. The Holocaust is a monumental work of history, unsurpassed in scope and insightful detail. Objective yet compassionate, Leni Yahil brings together the countless diverse strands of this epic event in a single gripping account.

    Nearly forty scholars worldwide contributed to the translation and interpretation of the Jewish Study Bible, representing the best of Jewish biblical scholarship available today. A committee of highly-respected biblical scholars and rabbis from the Orthodox, Conservative, and Reform Judaism movements produced this modern translation.No knowledge of Hebrew is required for one to make use of this unique volume. The Jewish Study Bible uses The Jewish Publication Society TANAKH Translation.Since its publication, the Jewish Study Bible has become one of the most popular volumes in Oxford's celebrated line of bibles. The quality of scholarship, easy-to-navigate format, and vibrant supplementary features bring the ancient text to life.* Informative essays that address a wide variety of topics relating to Judaism's use and interpretation of the Bible through the ages. * In-text tables, maps, and charts. * Tables of weights and measures. * Verse and chapter differences. * Table of Scriptural Readings. * Glossary of technical terms. * An index to all the study materials. * Full color New Oxford Bible Maps, with index.

    This Paul Dry Books rediscovered classic includes many photos courtesy of Leon Sciaky's son Peter, who has also written a short biographical sketch of his father's life in America."Farewell to Salonica is a fresh and charming book that throws a kindly light on a sector of human life unknown to most Americans."—New York Times"A gallery of beautiful and quaint sketches, revealing fascinating aspects of civilization in a strange city where East met West and the ancient past met the future…It creates an atmosphere of expectation and wonder and enjoyment. Most of all, an atmosphere of living."—Christian Science Monitor"An altogether charming book, so simply and truthfully written…The Salonica one reads about is not only a fascinating and complex city in which many national and cultural strains run side by side, but it is a critical city of Aegean politics…The breakdown of the Turkish Empire and its consequences for Balkan affairs are better understood when one has read this book. But it is not the political value of the book that should be emphasized so much as its quiet charm, its unpretentious and easy portrayal of a cultural pattern through an account of an engaging family…A warm and softly luminous book."—The Nation"This is a story of one man's intensely happy boyhood, set against the politically seething years at the turn of the century in the ever-coveted prize city of the Balkans, Salonica…written in a charming and effortless manner."—Philadelphia Inquirer"For the gift of a happy youth, Mr. Sciaky has repaid his city handsomely…it recalls Rebecca West's Black Lamb and Grey Falcon…It is an intensely personal story, yet so completely was [the young Sciaky] of his time and place that it is also the story of Salonica in the final phase of its existence; for the city that Sciaky knew, largely dominated by its 70,000 Spanish Jews, has gone…The author has made Salonica a living town, peopled by men and women of flesh and blood, people with all the human faults and weaknesses, but also with the lovable qualities that may be found in humanity everywhere by the man with skill to pick them out"—New York Herald Tribune"A charming portrait of an era."—Honolulu Advertiser"This picture of a Jewish childhood among rich merchants in Salonica has a glow, the radiant sunshine of a protected childhood."—Chicago SunLeon Sciaky was born in 1894, when the Turkish flag still waved over Salonica. His family left their beloved but turbulent homeland in 1915, settling in New York City. Sciaky lived in America—mainly upstate New York—with his wife, Frances, and son until his death in 1958. He taught at a number of progressive schools and camps and, in his last years, owned and operated a school and camp with Frances.

    S. Byatt’s Possession and Geraldine Brooks’s People of the Book.Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history.   As the novel opens, Helen has been summoned by a former student to view a cache of seventeenth-century Jewish documents newly discovered in his home during a renovation. Enlisting the help of Aaron Levy, an American graduate student as impatient as he is charming, and in a race with another fast-moving team of historians, Helen embarks on one last project: to determine the identity of the documents’ scribe, the elusive “Aleph.”   Electrifying and ambitious, sweeping in scope and intimate in tone, The Weight of Ink is a sophisticated work of historical fiction about women separated by centuries, and the choices and sacrifices they must make in order reconcile the life of the heart and mind.

    With Solomon's appetites and explorations in mind, in these pages Joan Nathan gathers together more than 170 recipes, from Israel to Italy to India and beyond.Here are classics like Yemenite Chicken Soup with Dill, Cilantro, and Parsley; Slow-Cooked Brisket with Red Wine, Vinegar, and Mustard; and Apple Kuchen as well as contemporary riffs on traditional dishes such as Smoky Shakshuka with Tomatoes, Peppers, and Eggplant; Double-Lemon Roast Chicken; and Roman Ricotta Cheese Crostata. Here, too, are an array of dishes from the world over, from Socca (Chickpea Pancakes with Fennel, Onion, and Rosemary) and Sri Lankan Breakfast Buns with Onion Confit to Spanakit (Georgian Spinach Salad with Walnuts and Cilantro) and Keftes Garaz (Syrian Meatballs with Cherries and Tamarind).Gorgeously illustrated and filled with fascinating historical details, personal histories, and delectable recipes, King Solomon's Table showcases the dazzling diversity of a culinary tradition more than three thousand years old.

    Seductive. Stimulating. We're talking about the Talmud? That's right. Take fifty actual Talmudic discussions, mix in pithy sayings (appropriate and inappropriate) by luminaries from Mae West and Amy Schumer to George Washington and Gandhi, add a few cartoons, and voila delighted and enlightened readers will come away with a new perspective on what the ancient Jewish sages say about our most intimate relationships. In this lighthearted, in-depth tour of sexuality within the Talmud, come eavesdrop at the first rabbis' locker-room door as they discuss every aspect of sexual relationshow, when, where, with whomoften in startlingly explicit fashion. Author Maggie Anton reveals how Jewish tradition is more progressive in many respects, and more bawdy, than one might think. The award-winning historical novelist's first foray into nonfiction is likely to leave her fans going OMG, WTF, and even LOL.

    It is a profound excursion into religious psychology and phenomenology, a pioneering attempt at a philosophy of halakhah, and a stringent critique of mysticism and romantic religion.