And how about visiting that “city” in eastern Oregon with a year-round population of zero to two, depending on whether anyone gets trapped in the snow? Can it get any weirder than this!

         From the beloved and best-selling author of The Snowman comes his first book in ten years: a charming and beautifully illustrated work for adults. In Notes from the Sofa, Raymond Briggs traces the course of his life in a series of wonderfully observed vignettes that take him from the awkwardness and embarrassment of growing up to the vicissitudes and frustrations of growing old.      This collection features the best pieces from Briggs' regular column -- 'Notes from the Sofa' -- in The Oldie, Richard Ingrams' humorous monthly magazine. Amusing and touching by turn, these include his unwavering dedication to the arts and why he takes pleasure in being labelled a 'creative sociopath'; amusing anecdotes, such as how he became an accidental Winnie the Pooh tour guide to Japanese tourists; and general musings on life, including his confusion as a young child as to exactly where babies come from.      This is Briggs like you've never read him before, with a newfound freedom to write and draw about whatever he wants, without the restrictions of children's books and sometimes without the happy endings.

    The stadium is finished, the new Olympic Park is being landscaped, and shopping centers and apartment buildings stand at the ready, eager to be occupied by transient tourists and permanent residents alike.But the story of London’s Olympic renaissance is far from triumphant. Indeed, though the shiny façades are seductive, whole blocks are being ripped apart. The razing of East London is not a simple story of demolition and displacement—it’s a story of loss, of a neighborhood’s history being stolen from it.Ghost Milk is a chronicle of a city turned upside down: corner diners have given way to grandiose shopping centers; gated pleasure domes have replaced public parks; and the casual diversity of a neighborhood with centuries of history is being eradicated.In this majestic book, Iain Sinclair explores the roots of this new London and a worldwide obsession with “grand projects” that stretches from Athens to Beijing. Elegiac, intimate, and audacious, Ghost Milk is a tribute to a great city by its greatest chronicler.

    In The Swordfish and the Star Gavin Knight takes us into this huddle of grey roofs at the edge of the sea at the beginning of the twenty-first century.He catches the stories of a whole community, but especially those still working this last frontier: the Cornish fishermen. These are the dreamers and fighters who every day prepare for battle with the vast grey Atlantic. Cornwall and its seas are brought to life, mixing drinking and drugs and sea spray, moonlit beaches and shattering storms, myth and urban myth. The result is an arresting tapestry of a place we thought we knew; the precarious reality of life in Cornwall today emerges from behind our idyllic holiday snaps and picture postcards. Even the quaint fishermen’s pubs on the quay at Newlyn, including the Swordfish and its neighbour the Star, turn out to be places where squalls can blow up, and down again, in an instant.Based on immersive research and rich with the voices of a cast of remarkable characters, this is an eye-opening, dramatic, poignant account of life on Britain’s most dangerous stretch of coast.Praise for Hood Rat 'A gripping novelistic immersion' Louis Theroux'A must-read' Owen Jones'Britain's Gomorrah' Independent

    This is to keep you on the edge with each turn in the alleys of the Labyrinth.Labyrinth: Short Stories is an array of fifteen tales that cover genres like adventure, romance, paranormal, fantasy, history, and many more.Summary Of The BookLabyrinth: Short Stories, published in 2012, is a collection of fifteen short stories written by various Indian authors. Each tale belongs to a different genre and era, thereby giving this book a unique and refreshing feel. Labyrinth: Short Stories starts off with The Martyr, which has been written by Mainak Dhar. It revolves around young Kemal who finds himself in the middle of a war in Afghanistan. Puppet Show, by Aditi Chincholi, explains how a doctor cannot find a way to break a spell that has been cast over the natives of a valley.Bagheera Log Huts takes readers into the heart of an Indian jungle, where the search for a wild cat turns into an unexpected adventure. Shawn Pereira’s I'll Be Back describes an out-of-body experience, which shows how things can take a downward spiral when one is caught in the wrong place, at the wrong time. Aditi Chincholi’s second story, Sym World, is set in a fantasy land which the protagonist Kyoto has willingly entered, but cannot find a way out. In Mortified, written by Jeevan Varma, readers will find themselves in a small Indian township where a mortified Sharmaji is going to be attacked. This is followed by Crashing Impacts, a tale of love and sacrifice that spans almost ten years.Rishabh Chaturvedi’s The Night Of The Wokambee describes how Revant is in a quandary when a strange creature visits his house every night. Both Mists of Time by Niharika Puri, and Russkaya Rulyetka by Shawn Pereira, illustrate how a person makes impulsive decisions when he is overcome with rage and jealousy. Candies shows readers that the pursuit of love is filled with ups and downs. Travel Through The Night, authored by Rishabh Chaturvedi, follows the protagonist into dense sugarcane plantations, where he encounters strange spirits who block his path. A Day of Battle is set during the great epic battle of the Mahabharata, and the author Abhishek Dwivedi shares stories of the bravery of some of the best warriors that this world has ever seen. The next story, Farming On Facebook by Sushant Dharwadkar, takes a huge time leap, and shows how the present generation is unaware of the real world, as their focus lies only on the screens in front of them. About The AuthorsLabyrinth: Short Stories has been written by Mainak Dhar, Richard Fernandes, Jeevan Verma, Rishabh Chaturvedi, Niharika Puri, Aditi Chincholi, Abhishek Dwivedi, Sushant Dharwadkar, Rohit Das, and Shawn Pereira. They are a part of the initiative by Litizen.com. Professionally they are accountants, chefs, media professionals, doctors, and students.

    Warned off investigating a friend’s missing report, Jake rebels and returns home to the Pacific Northwest to find his friend has died in a fiery demolition derby. Jake alone believes it is murder and now he is the next target of someone anticipating his every move. Estranged from his family, Jake turns to a native shaman to unlock cryptic rock art clues to the murder and follow their trail across the high-desert landscape. The stakes rise when Jake uncovers more than a murder. Jake races the clock to expose a band of mercenaries tangled in a conspiracy sixty years in the making, as the land he loves teeters on the brink of an ecological Armageddon.

    This rare opportunity took the famous travellers not only to Moscow and Stalingrad - now Volgograd - but through the countryside of the Ukraine and the Caucasus. A RUSSIAN JOURNAL is the distillation of their journey and remains a remarkable memoir and unique historical document. Steinbeck and Capa recorded the grim realities of factory workers, government clerks, and peasants, as they emerged from the rubble of World War II. This is an intimate glimpse of two artists at the height of their powers, answering their need to document human struggle

    There have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head. McSweeney’s has won multiple literary awards, including two National Magazine Awards for fiction, and has had numerous stories appear in The Best American Magazine Writing, the O. Henry Awards anthologies, and The Best American Short Stories. Design awards given to the quarterly include the AIGA 50 Books Award, the AIGA 365 Illustration Award, and the Print Design Regional Award.

    Policeman-turned-detective-turned-writer A Yi describes life as a provincial gumshoe in China. Physician Siddhartha Mukherjee visits a government hospital in New Delhi, where he meets Madha Sengupta, at the end of his life and on the frontiers of medicine. Robert Macfarlane explores the limestone world beneath the Peak District. And Haruki Murakami revisits his walk to Kobe in the aftermath of the 1995 earthquake.In this issue--which includes poems by Charles Simic and Ellen Bryant Voigt, a story by Miroslav Penkov, and non-fiction by David Searcy, Teju Cole, and Hector Abad--GRANTA presents a panoramic view of our shared landscape and investigates our motivations for exploring it. One’s destination is never a place,” Henry Miller wrote, but a new way of seeing things.”

    In these sharp, hilariously entertaining, and vividly observed pieces, Ephron illuminates an era with wicked honesty and insight. From the famous “A Few Words About Breasts” to important pieces on her time working for the New York Post and Gourmet Magazine, these essays show Ephron at her very best.

    The eight-hour work day, the Ponzi scheme and the rhythm and blues have risen from its streets. But Chicago is not just a city of the past. In this dynamic issue, GRANTA brings the one-time industrial hub to life through the eyes of exciting new writers, from home grown stars like George Saunders and Dave Eggers, to immigrants who have come to the city from Bosnia, China and Ethiopia.In this issue, Aleksandar Hemon plays football with Italians and Tibetans along Lake Shore Drive. Chicago born MacArthur 'genius' grant-winning photographer Camilo José Vegara captures the demolition of the city's massive public housing estates. Richard Powers recollects the flood of 1992. Don DeLillo remembers Nelson Algren. Alex Kotlowitz explores the cost of urban violence and Dinaw Mengestu describes moving back home to run his dying father’s messenger business. Plus a sneak preview of Peter Carey's new novel.Finally, Nobel Laureate Wole Soyinka meditates on the meaning of the city's most visible son, Barack Obama. Out of these stories, which will be wrapped in a beautiful cover by Chris Ware, will arise a vivid portrait of a city remaking itself: a city shredded by violence but poised for a new future; a city that once again has a legitimate claim to being the home of the world's best writers.

    These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style.These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of an unsuspected New York and its odder citizens—as depicted by one of the great writers of this or any other time.

    From the early days of independence in Ghana to the ongoing ethnic genocide in Rwanda, Kapuscinski has crisscrossed vast distances pursuing the swift, and often violent, events that followed liberation. Kapuscinski hitchhikes with caravans, wanders the Sahara with nomads, and lives in the poverty-stricken slums of Nigeria. He wrestles a king cobra to the death and suffers through a bout of malaria. What emerges is an extraordinary depiction of Africa--not as a group of nations or geographic locations--but as a vibrant and frequently joyous montage of peoples, cultures, and encounters. Kapuscinski's trenchant observations, wry analysis and overwhelming humanity paint a remarkable portrait of the continent and its people. His unorthodox approach and profound respect for the people he meets challenge conventional understandings of the modern problems faced by Africa at the dawn of the twenty-first century.

    He was arrested, interrogated and imprisoned by the communists, and watched illiterate Taliban soldiers burn piles of his books in the street. He even resorted to hiding most of his stock—almost ten thousand books—in attics all over Kabul.But while Khan is passionate in his love of books and his hatred of censorship, he also has strict views on family life and the role of women. As an outsider, Åsne Seierstad found herself in a unique position, able to move freely between the private, restricted sphere of the women—including Khan’s two wives—and the freer, more public lives of the men.It is an experience that Seierstad finds both fascinating and frustrating. As she steps back from the page and allows the Khans to speak for themselves, we learn of proposals and marriages, hope and fear, crime and punishment. The result is a genuinely gripping and moving portrait of a family, and a clear-eyed assessment of a country struggling to free itself from history.' to 'This mesmerizing portrait of a proud man who, through three decades and successive repressive regimes, heroically braved persecution to bring books to the people of Kabul has elicited extraordinary praise throughout the world and become a phenomenal international bestseller. The Bookseller of Kabul is startling in its intimacy and its details—a revelation of the plight of Afghan women and a window into the surprising realities of daily life in today’s Afghanistan.'

    This is the dance of history in our age: slow, slow, quick, quick, slow, back and forth and from side to side, we step across these fixed and shifting lines. —from Part IVWith astonishing range and depth, the essays, speeches, and opinion pieces assembled in this book chronicle a ten-year intellectual odyssey by one of the most important, creative, and respected minds of our time. Step Across This Line concentrates in one volume Salman Rushdie’s fierce intelligence, uncanny social commentary, and irrepressible wit—about soccer, The Wizard of Oz, and writing, about fighting the Iranian fatwa and turning with the millennium, and about September 11, 2001. Ending with the eponymous, never-before-published speeches, this collection is, in Rushdie’s words, a “wake-up call” about the way we live, and think, now.