It's happened to all of us—we find, tucked away in the corner of our shopping cart, someone's discarded grocery list. Who's the person buying "Whole milk, heavy cream, ice cream, cheese, and Gas-Ex?" Why would someone need to write down "Coors and Oreos" on a matchbook cover—couldn't he just remember those two items? And what's the person like who scrawled their list on a PROZAC notepad? Taking her clues from the items listed, the types of paper written on, the handwriting, and even misspellings ("Aunt Spray"), Hillary saw that each list—at once mundane and personal—offered an intimate peek into a complete stranger's life. She chose 26 lists and imagined who the shoppers might be. She then transformed herself into all 26 people, one by one, literally stepping into each character—all ages, genders, and ethnicities—with hair, makeup, outfits, and one Fu Manchu. Photographer Barbara Green then captured unforgettable images of Hillary portraying these shoppers at their neighborhood markets. Hillary came to love these characters, so her accompanying stories for each are as poignant and hilarious as the photographs. She brings to life richly imagined inner worlds, including one for macho Woody, a self-described "Lady's Man with NO BANKRUPTCIES ready to meet just one Special Lady with NO KIDS." After getting to know these grocery shoppers through Miss Carlip's dedicated voyeurism, going to the supermarket will never be the same.

    This exquisite book, now in softcover, is the result of that bold and immensely personal project. Through the accompanying essay, Brandenburg shares his innermost thoughts and passions as he witnesses the cycle of nature near his home in the northwoods of Minnesota.Brandenburg also contributes new photos and an Epilog that illustrates and discusses the devastating summer wind storm that wreaked havoc on the locations photographed for the original project.

    Dear Photograph is digital nostalgia of the highest order—it will make you smile, maybe cry, and go find your old family photos.”—Frank Warren, founder of PostSecret“Dear Photograph is a nostalgia bomb-bursting, brain cell-twisting, heartstring-pulling roller coaster ride into the emotional unknown. Taylor Jones taps into our secret fears, quiet dreams, and loving pasts.”—Neil Pasricha, author of The Book of AwesomeBased on the hugely popular website DearPhotograph.com—the internet phenomenon that was named one of the 50 Best Websites of 2011 by Time.com and selected as the #1 Website of 2011 on CBS TV’s “The Early Show”—Dear Photograph by Taylor Jones is a charming, heartwarming celebration of the memories we all cherish. Including more than 70% of new, never before published photos, Dear Photograph is a gift of love and remembering.

    For what Ingo Walther and his international team have done is to make sense of this most explosive of artistic centuries. Who could possibly have forecast on New Year's Eve 1899 that, one hundred years later, painting and sculpture would be only options, not prerequisite disciplines for modern artists, constantly questioning both the technical and thematic definitions of their work? The infinite laboratory of experiment that the visual arts have become over the last decades highlights not only the inherent potential for human creativity and representation, but also shows the way individuals and groups have responded to the huge social, political and technological changes of this most turbulent of times. Ranging across the full spectrum of disciplines available, including photography and new media, and thematically chaptered to highlight relationships between works and movements, this readable and encyclopaedic masterwork does just what it says on the cover. Whether you want Surrealism or Land Art, Fluxus or Bauhaus, your art book purchases can stop once you buy this. Warning: it will not fit on your coffee table!

    He clearly explains why "pre-visualizing" a photograph before exposing any film is one key to making an arresting image rather than a mere replica of what we see through the viewfinder. Along the way he also offers advice on practical and technical matters such as how to pack camera gear; what to leave behind when you've got to travel light; pushing film to extremes; and when and how to use fill flash, smart flash, and remote smart flash.This is a how-to book by an artist who has made adventure and photography a way of life. It is both an inspired manual to taking better photographs and an inspiring journey of discovery into the creative process.

    Charged with energy, informed by history and culture, and filled with fresh concepts, McQueen’s shows have become legends not only of fashion but also of art. Anne Deniau was the only photographer allowed backstage by McQueen for 13 years, beginning in September 1997 and ending with the final show in March 2010. She captured McQueen working with his close circle of collaborators—including designer Sarah Burton, milliner Philip Treacy, jewelry designer Shaun Leane, and model Kate Moss—to create his meticulously produced spectacles. Her book offers an inspiring homage, through the art of photography, to the work of a great artist. Praise for Love Looks Not With the Eyes: Thirteen Years With Lee Alexander McQueen: The pictures are evocative of the torture, the toughness and, most of all, the tenderness of Mr. McQueen.” —New York Times “Deniau’s close connection to McQueen and her appreciation for his formidable talent is like many of the pieces he created: breathtaking.” —San Francisco Chronicle “Thekinetic color and black-and-white photographs document the fantastical,shocking spectacle of a McQueen show in action: hairdos trussed up with birdsof prey; hubcaps strapped to foreheads; faces enhanced by extraterrestrialcheek prostheses. The images are sensual, spooky, and whimsical, playing up thedrama of McQueen’s vision; like one of the designer’s fabulous garments, thephotographs transform fashion into high art. The book is both an homage and amemorial; this celebration of McQueen’s vast, unique talent is also a eulogyfor his tragic loss.” — “Haute couture has a reputation for spectacle, but Anne Deniau’s photographs remind us that it’s also the last bastion of craftsmanship in fashion—or it was, as practiced by designer Alexander McQueen (1969–2010).” —Wall Street Journal “Lush, previously unpublished backstage photographs from many of the late designer’s provocative fashion shows.”—The Los Angeles Times “The kinetic color and black-and-white photographs document the fantastical, shocking spectacle of a McQueen show in action: hairdos trussed up with birds of prey; hubcaps strapped to foreheads; faces enhanced by extraterrestrial cheek prostheses. The images are sensual, spooky, and whimsical, playing up the drama of McQueen’s vision; like one of the designer’s fabulous garments, the photographs transform fashion into high art. The book is both an homage and a memorial; this celebration of McQueen’s vast, unique talent is also a eulogy for his tragic loss.” —Publishers Weekly “Love Looks Not with the Eyes document[s] the intense work and equally intense emotions that played out behind the scenes of McQueen’s poetic, passionate, and provocative shows. . . . The intimacy is evident in the pictures.” —Vogue “The haunting images offer a rarefied glimpse into the designer’s inner world.” —Harper’s Bazaar “Deniau, in the process of documenting 26 McQueen presentations, captured images which, too, transcend photography—matching the decadent and grand world created by the hands of McQueen.” —Time.com “Haute couture has a reputation for spectacle, but Anne Deniau’s photographs remind us that it’s also the last bastion of craftsmanship in fashion—or it was, as practiced by designer Alexander McQueen (1969–2010).” —Wall Street Journal