They are greeted with a pamphlet instructing immigrants how to act like "the English." Jack acquires Saville Row suits and a Jaguar. He buys his marmalade from Fortnum & Mason and learns to list the entire British monarchy back to 913 A.D. He never speaks German, apart from the occasional curse. But the one key item that would make him feel fully British -membership in a golf club-remains elusive. In post-war England, no golf club will admit a Rosenblum. Jack hatches a wild idea: he'll build his own. It's an obsession Sadie does not share, particularly when Jack relocates them to a thatched roof cottage in Dorset to embark on his project. She doesn't want to forget who they are or where they come from. She wants to bake the cakes she used to serve to friends in the old country and reminisce. Now she's stuck in an inhospitable landscape filled with unwelcoming people, watching their bank account shrink as Jack pursues his quixotic dream. In her tender, sweetly comic debut, Natasha Solomons tells the captivating love story of a couple making a new life-and their wildest dreams-come true.

    Dave travels to India because he wants to get Liz into bed.Liz loves India, hugs the beggars, and is well on her way to finding her tantric center. Dave, however, realizes he hates Liz, and has bad karma toward his fellow travelers: Jeremy, whose spiritual journey is aided by checks from Dad; Jonah, who hasn’t worn shoes for a decade; and Fee and Caz, fresh from leper-washing in Udaipur…With refreshing honesty and a healthy dose of cynicism, William Sutcliffe offers a transatlantic, nineties version of On the Road that all readers will enjoy.

    As dusk deepens to night, he begins the tale that has brought them to this fateful encounter…Changez is living an immigrant's dream of America. At the top of his class at Princeton, he is snapped up by an elite valuation firm. He thrives on the energy of New York, and his budding romance with elegant, beautiful Erica promises entry into Manhattan society at the same exalted level once occupied by his own family back in Lahore.But in the wake of September 11, Changez finds his position in his adopted city suddenly overturned, and his relationship with Erica shifting. And Changez's own identity is in seismic shift as well, unearthing allegiances more fundamental than money, power, and maybe even love.

    Lucas, Lucia to her intimates, resides in the village of Riseholme, a pretty Elizabethan village in Worcestershire, where she vigorously guards her status as "Queen" despite occasional attempts from her subjects to overthrow her. Lucia’s dear friend Georgie Pillson both worships Lucia and occasionally works to subvert her power.

    Gabriel Garcia Marquez, the renowned master of magical realism, vividly portrays the dying tyrant caught in the prison of his own dictatorship. Employing an innovative, dreamlike style, and overflowing with symbolic descriptions, the novel transports the reader to a world that is at once fanciful and vividly real.

    Beneath the once decorous surface of their lives, unsavories like blackmail and adultery are now to be glimpsed. As spooky as it is witty, poignant and wickedly hilarious, Memento Mori may ostensibly concern death, but it is a book which leaves one relishing life all the more.

    But it won't, because Misha's late Beloved Papa whacked an Oklahoma businessman of some prominence. Misha is paying the price of exile from his adopted American homeland. He's stuck in Russia, dreaming of his beloved Rouenna and the Oz of NYC. Salvation may lie in the tiny, oil-rich nation of Absurdistan, where a crooked consular officer will sell Misha a Belgian passport. But after a civil war breaks out between two competing ethnic groups and a local warlord installs hapless Misha as Minister of Multicultural Affairs, our hero soon finds himself covered in oil, fighting for his life, falling in love, and trying to figure out if a normal life is still possible in the twenty-first century. Populated by curvaceous brown-eyed beauties, circumcision-happy Hasidic Jews, a loyal manservant who never stops serving, and scheming oil execs from a certain American company whose name rhymes with Malliburton, Absurdistan is a strange, oddly true-to-life look at how we live now, from a writer who should know.

    Wodehouse documented the lives of the inimitable Jeeves and Wooster for nearly sixty years, from their first appearance in 1915 ("Extricating Young Gussie") to his final completed novel (Aunts Aren't Gentlemen) in 1974. These two were the finest creations of a novelist widely proclaimed to be the finest comic English writer by critics and fans alike.Now, forty years later, Bertie and Jeeves return in a hilarious affair of mix-ups and mishaps. With the approval of the Wodehouse estate, acclaimed novelist Sebastian Faulks brings these two back to life for their legion of fans. Bertie, nursing a bit of heartbreak over the recent engagement of one Georgina Meadowes to someone not named Wooster, agrees to "help" his old friend Peregrine "Woody" Beeching, whose own romance is foundering. That this means an outing to Dorset, away from an impending visit from Aunt Agatha, is merely an extra benefit. Almost immediately, things go awry and the simple plan quickly becomes complicated. Jeeves ends up impersonating one Lord Etringham, while Bertie pretends to be Jeeves' manservant "Wilberforce,"—and this all happens under the same roof as the now affianced Ms. Meadowes. From there the plot becomes even more hilarious and convoluted, in a brilliantly conceived, seamlessly written comic work worthy of the master himself.A Kirkus Reviews Best Fiction Book of 2013

    Freddy and Fredericka—a brilliantly refashioned fairy tale and a magnificently funny farce—only seems like a radical departure of form, for behind the laughter, Helprin speaks of leaps of faith and second chances, courage and the primacy of love. Helprin’s latest work, an extraordinarily funny allegory about a most peculiar British royal family, is immensely mocking of contemporary monarchy and yet deeply sympathetic to the individuals caught in its lonely absurdities.

    Twenty-seven-year-old A&R man Stelfox is slashing and burning his way through the music industry, a world where 'no one knows anything' and where careers are made and broken by chance and the fickle tastes of the general public - 'Yeah, those animals'.Fuelled by greed and inhuman quantities of cocaine Stelfox blithely criss-crosses the globe ('New York, Cologne, Texas, Miami, Cannes: you shout at waiters and sign credit card slips and all that really changes is the quality of the porn') searching for the next hit record amid a relentless orgy of self-gratification.But as the hits dry up and the industry begins to change, Stelfox must take the notion of cutthroat business practices to murderous new levels in a desperate attempt to salvage his career.Kill Your Friends is a dark, satirical and hysterically funny evisceration of the record business, a place populated by frauds, charlatans and bluffers, where ambition is a higher currency than talent, and where it seems anything can be achieved - as long as you want it badly enough.

    Although he would prefer to write short stories, he earns a living composing obituaries for a newspaper. He longs to see his work published, yet the subjects of his obituaries continue to cling to life. But when he opens the newspaper to see his work in print for the first time, his pride swiftly turns to terror. He and Misha have been drawn into a trap from which there appears to be no escape.

    and Mrs. Fang called it art.Their children called it mischief.Performance artists Caleb and Camille Fang dedicated themselves to making great art. But when an artist’s work lies in subverting normality, it can be difficult to raise well-adjusted children. Just ask Buster and Annie Fang. For as long as they can remember, they starred (unwillingly) in their parents’ madcap pieces. But now that they are grown up, the chaos of their childhood has made it difficult to cope with life outside the fishbowl of their parents’ strange world.When the lives they’ve built come crashing down, brother and sister have nowhere to go but home, where they discover that Caleb and Camille are planning one last performance -– their magnum opus -– whether the kids agree to participate or not. Soon, ambition breeds conflict, bringing the Fangs to face the difficult decision about what’s ultimately more important: their family or their art.

    Hanumarathnam, a village healer with some renown as an astrologer, has approached her parents with a marriage proposal. In keeping with custom, he provides his prospective in-laws with his horoscope. The problem is that his includes a prediction, albeit a weak one, that he will die in his tenth year of marriage. Despite the ominous horoscope, Sivakami’s parents hesitate only briefly, won over by the young man and his family’s reputation as good, upstanding Brahmins. Once married, Sivikami and Hanumarathnam grow to love one another and the bride, now in her teens, settles into a happy life. But the predictions of Hanumarathnam’s horoscope are never far from her new husband’s mind. When their first child is born, as a strategy for accurately determining his child’s astrological charts, Hanumarathnam insists the midwife toss a lemon from the window of the birthing room the moment his child appears. All is well with their first child, a daughter, Thangam, whose birth has a positive influence on her father’s astrological future. But this influence is fleeting: when a son, Vairum, is born, his horoscope confirms that his father will die within three years.Resigned to his fate, Hanumarathnam sets himself to the unpleasant task of readying his household for his imminent death. Knowing the hardships and social restrictions Sivakami will face as a Brahmin widow, he hires and trains a servant boy called Muchami to help Sivakami manage the household and properties until Vairum is of age.When Sivakami is eighteen, Hanumarathnam dies as predicted. Relentless in her adherence to the traditions that define her Brahmin caste, she shaves her head and dons the white sari of the widow. With some reluctance, she moves to her family home to raise her children under the protection of her brothers, but then realizes that they are not acting in the best interests of her children. With her daughter already married to an unreliable husband of her brothers’ choosing, and Vairum’s future also at risk, Sivakami leaves her brothers and returns to her marital home to raise her family.With the freedom to make decisions for her son’s future, Sivakami defies tradition and chooses to give him a secular education. While her choice ensures that Vairum fulfills his promise, it also sets Sivakami on a collision course with him. Vairum, fatherless in childhood, childless as an adult, rejects the caste identity that is his mother’s mainstay, twisting their fates in fascinating and unbearable ways.

    In this wonderfully written and masterfully plotted novel, Jane Smiley, the prizewinning author of A Thousand Acres, offers a wickedly funny, darkly poignant comedy.

    (Hilarity and disaster -- of a sort peculiar to the tropics -- ensue.)It's the novel in which the Pulitzer Prize-winning author of such acclaimed and bestselling novels as The Caine Mutiny and War and Remembrance draws on his own experience (Wouk and his family lived for seven years on an island in the sun) to tell a story at once brilliantly comic and deeply moving.