Through the lens of esteemed writers and critics such as Carlo McCormick, Steven Heller and Roger Gastman, Fairey's work is seen for all its depth and placed in context as art, design, social experiment and "getting over". This massive book pulls no punches and all areas of the enigmatic artist's work, travels and travails are illuminated; from exhibitions, posters, flyers, silkscreens and stickers to high altitude pursuits, citations and police beatings, it's all documented in a museum quality layout and binding. The evidence is in, and it's clear that Shepard Fairey is not one to rest on his laurels, the work must go on. For both long time fans wanting the complete collection and those just curious to know what this OBEY business is all about Supply and Demand is the answer.

    Tired of being the quiet baby sister, and in no hurry to settle into a boring existence in surburbia, she escapes from home at the first opportunity. When she settles in London for a year of post-graduate studies, Lizzie is sure she’ll be able to start a whole new life. Immerse herself in the books she loves. Explore a new country. Work on her dream of writing a novel. She might even be able to find a little bit of excitement for once. But falling unexpectedly in love with up-and-coming actor Thomas Harper causes Lizzie to re-think… everything. Just as she’s convinced herself this small-town girl from the Midwest can handle this great adventure, Thomas’s career suddenly explodes to superstar levels, and Lizzie finds herself forced to navigate the fame game of red carpets, catty co-stars, gossip magazines, and paparazzi. When she wished for a new life, she had no idea it would be anything like this! Lizzie must now determine if her love—and her confidence—are strong enough to get her through the complications of dating a movie star. Even if she and Thomas are able to pull through before she has to leave London, how will she deal with the inevitability of returning to a life at home that no longer feels like her own? Will she follow her family’s wishes or follow her heart? Will the Lizzie she discovered in London be strong enough to help her pursue her dreams?

    The last year has been a roller coaster: her widowed mother just married a long-time family friend. Her younger brother unexpectedly became a father and a husband. Everyone's life is changing. . .except for hers. As she begins her final summer of college, Meghan's looking for excitement and maybe a little romance. Nothing serious; this girl just wants to have fun. But the only man for Meghan turns out to be the last one she expects. Sam Reynolds doesn't need excitement, and he doesn't want romance. Fun is out of the question. He's been the steady, responsible one since his parents were killed, and serious is his way of life. When Sam rescues Meghan alongside a dark Georgia backroad, she falls hard for his deep brown eyes and slow drawl. But making him see her as more than just a party girl won't be easy. Sam's tempted by the fiery young artist, even as he realizes that giving into his feelings will mean radical change. . .maybe more than he can handle. Nobody ever said love was simple.

    Noah, embracing his true-self, wants to pursue a career in costume design, something his loving, public service parents would never approve of. Azarie, the perfect, model daughter of a very stern, traditional family, dreams of embracing the hobbies she secretly loves, hobbies her social circle would never abide by.The two live different lives and their social statuses keep them from ever crossing paths until they have a chance encounter that exposes some common ground: the desire to be who they truly are. Together, the two set out to put it all on the line and show everyone what they're made of and what they want to achieve in the form of cosplay. Their growing friendship will be tested and their faith in themselves, as well as each other, will be tried.Up-and-coming writer David Pinckney (Fight Like a Girl) and first-time graphic novel artist Ennun Ana Iurov introduce a coming-of-age yarn about self-discovery, resilience, and the enduring power of having a person believe in you.

    She has barely had time to acquaint herself to the dorm food before finding herself threatened by a jealous She-Devil, fending off the advances of a thirty-something redneck, and stumbling upon an art fraud scheme. To top things off, her parents go their separate ways: her mom to follow a psychic calling; her dad adrift in his midlife crisis.Bad decision-making, law-bending behavior, and surprise romances make freshman year memorable in Paisley Ray's DEEP FRIED AND PICKLED.

    Natalie Rogers has developed a process called the Creative Connection RM that interweaves all the expressive arts -- movement, sound, drawing, painting, writing, and guided imagery -- to tap into the deep wellspring of creativity within each of us. The aim is to reclaim ourselves and then help others reclaim themselves as actively playful, spirited, and conscious individuals. Rogers emphasizes the importance of psychological safety and freedom while using the creative arts. This reflects her extensive work with her father, Carl Rogers, and a deep belief in his person-centered approach to counseling.Photos and art help demystify this process, and various exercises range from the simple to the complex. Natalie's practical suggestions aid counselors who want to add expressive arts to their regular sessions.

    I guess it depends on what I do next."American Rebecca Porter was never one for fairy tales. Her twin sister, Lacey, has always been the romantic who fantasized about glamour and royalty, fame and fortune. Yet it's Bex who seeks adventure at Oxford and finds herself living down the hall from Prince Nicholas, Great Britain's future king. And when Bex can't resist falling for Nick, the person behind the prince, it propels her into a world she did not expect to inhabit, under a spotlight she is not prepared to face.Dating Nick immerses Bex in ritzy society, dazzling ski trips, and dinners at Kensington Palace with him and his charming, troublesome brother, Freddie. But the relationship also comes with unimaginable baggage: hysterical tabloids, Nick's sparkling and far more suitable ex-girlfriends, and a royal family whose private life is much thornier and more tragic than anyone on the outside knows. The pressures are almost too much to bear, as Bex struggles to reconcile the man she loves with the monarch he's fated to become.Which is how she gets into trouble.Now, on the eve of the wedding of the century, Bex is faced with whether everything she's sacrificed for love-her career, her home, her family, maybe even herself-will have been for nothing.

    One glimpse of the tiny painted house that folk art legend Maud Lewis shared with her husband, Everett, in Marshalltown, Nova Scotia, during the mid-twentieth century and the startling contrast between her joyful artwork and her life's deprivations is evident. One glimpse at her photo and you realize, for all her smile's shyness, she must've been one tough cookie. But, beneath her iconic resilience, who was Maud, really? How did she manage, holed up in that one-room house with no running water, married to a miserly man known for his drinking? Was she happy, or was she miserable? Did painting save or make her Everett's meal ticket? And then there are the darker secrets that haunt her story: the loss of her parents, her child, her first love. Against all odds, Maud Lewis rose above these constraints—and this is where you'll find the Maud of Brighten the Corner Where You Are: speaking her mind from beyond the grave, freed of the stigmas of gender, poverty, and disability that marked her life and shaped her art. Unfettered and feisty as can be, she tells her story her way, illuminating the darkest corners of her life. In possession of a voice all her own, Maud demonstrates the agency that hovers within us all.

    Rackham's illustrations for such works as Alice in Wonderland, A Midsummer Night's Dream, Peter Pan in Kensington Gardens, and Rip Van Winkle have attained the classic status of the writings themselves—and indeed, in some cases, they have become synonymous with them. His works were also included in numerous exhibitions in his lifetime, including one at the Louvre in Paris in 1914. Rackham himself, however, has previously remained a shadowy figure. As well as featuring exquisite illustrations and sketches, extracts from Rackham's correspondence and insightful commentary shed new light on this much-collected illustrator.

    A leading figure in the early twentieth century's Golden Age of Illustration, Rackham interpreted scenes from such diverse material as fairy tales, Wagnerian opera, and Shakespearean comedy. His memorable images, which combine whimsy, romance, and sophistication, continue to enchant children and adults alike.Magnificently reprinted from more than 25 rare early editions, these 86 illustrations were selected from hundreds of possibilities and include many plates that have not been reproduced in decades. They span Rackham's career — from his landmark 1905 edition of Rip Van Winkle to masterworks such as Undine and A Midsummer Night's Dream and his final publication, Wind in the Willows, in 1939. Art lovers, book collectors, and anyone with an appreciation for imaginative visual storytelling will prize this marvelous treasury.

    Rejected by his family, hounded by society for his interest in young girls, he expressed through his art a deep and bewildering loneliness and an obsession with sexuality, death and decay. He was only twenty-eight when he died, yet he left behind him a body of work that sustains a huge public reputation--and a myth. This book sets out to examine both. 151 illus., 20 in color.

    The demand for vintage trailers-the smaller the better-has risen dramatically in recent years, with the most in-demand trailers being "teardrops," first manufactured in the 1930s and containing just indoor sleeping space and an outdoor exterior kitchen. Also profiled in the book are "canned ham" trailers, whose shape resembles the profile of a can of ham; small-size examples of America's most beloved vintage trailer, the Airstream; miniscule gypsy caravans in Europe; and fiberglass trailers made in Canada. Two hundred color photographs showcase these trailers' sleek exteriors, retro-styled interiors, and, in many cases, the restored classic cars that tow them. Teardrops and Tiny Trailers includes a resource section chock-full of places to locate vintage trailers, clubs to join, and rallies to attend.

    In native cultures around the world, shamans are healers who traverse the boundaries between the everyday world and the spirit realm. Boulet's paintings delicately interweave images of woman, man, and beast with elements of myth and mysticism, evoking a visceral understanding of shamanism. This collection of over seventy-five images is accompanied by quotes from shamans from various cultures.

    Beautifully illustrated with over 300 contemporary and historical photographs as well as dozens of paintings, The End of the Game is a legendary workvividly telling the story of explorers, missionaries, and big-game hunters whose quests have changed the face of Africa forever.

    It begins with a love story and weaves a true-life tale of life in a small house with lots of children in 1956.Best of all the treats in this book is the reminder that the most precious gifts, the ones that last longest and mean the most, aren't brought by Santa and aren't under the tree. They're the memories of people and places that live in our hearts forever.Because we need a little EXTRA Christmas this year . . .