She doesn't know how or why, but she must flee India and return to Ethiopia, the place of her birth. Having long heard about The Trail -- an energy-harvesting bridge that spans the Arabian Sea -- she embarks on foot on this forbidden bridge, with its own subculture and rules. What awaits her in Ethiopia is unclear; she's hoping the journey will illuminate it for her.Mariama, a girl from a different time, is on a quest of her own. After witnessing her mother's rape, she joins up with a caravan of strangers heading across Saharan Africa. She meets Yemaya, a beautiful and enigmatic woman who becomes her protector and confidante. Yemaya tells Mariama of Ethiopia, where revolution is brewing and life will be better. Mariama hopes against hope that it offers much more than Yemaya ever promised.As one heads east and the other west, Meena and Mariama's fates will entwine in ways that are profoundly moving and shocking to the core. Vividly imagined and artfully told, written with stunning clarity and deep emotion, The Girl in the Road is a true tour de force.

    Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, "By excluding the human factor, aren't we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn't the human factor the only true difference between us and the enemy we now refer to as 'the living dead'?"Note: Some of the numerical and factual material contained in this edition was previously published under the auspices of the United Nations Postwar Commission.

    Born into the lowest class of her society, Flora 717 is a sanitation bee, only fit to clean her orchard hive. Living to accept, obey and serve, she is prepared to sacrifice everything for her beloved holy mother, the Queen. Yet Flora has talents that are not typical of her kin. And while mutant bees are usually instantly destroyed, Flora is reassigned to feed the newborns, before becoming a forager, collecting pollen on the wing. Then she finds her way into the Queen's inner sanctum, where she discovers secrets both sublime and ominous. Enemies roam everywhere, from the fearsome fertility police to the high priestesses who jealously guard the Hive Mind. But Flora cannot help but break the most sacred law of all, and her instinct to serve is overshadowed by a desire, as overwhelming as it is forbidden...Laline Paull's chilling yet ultimately triumphant novel creates a luminous world both alien and uncannily familiar. Thrilling and imaginative, The Bees is the story of a heroine who changes her destiny and her world.

    Told from multiple points of view and crisscrossing narratives, combining everything from superhero comics to Nigerian mythology to tie together a story about a city consuming itself. ‘There was no time to flee. No time to turn. No time to shriek. And there was no pain. It was like being thrown into the stars.’

    Maybe it will kill you when the per diem for your allotted food, water, and air runs out, just before you hit paydirt. Maybe it will kill you when you are trapped between the reigning corporations-the Five Dragons-in a foolish gamble against a futuristic feudal society. On the Moon, you must fight for every inch you want to gain. And that is just what Adriana Corta did. As the leader of the Moon's newest "dragon," Adriana has wrested control of the Moon's Helium-3 industry from the Mackenzie Metal corporation and fought to earn her family's new status. Now, in the twilight of her life, Adriana finds her corporation-Corta Helio-confronted by the many enemies she made during her meteoric rise. If the Corta family is to survive, Adriana's five children must defend their mother's empire from her many enemies... and each other.

    D. James's trademark suspense, insightful characterization, and riveting storytelling, The Children of Men is a story of a world with no children and no future. The human race has become infertile, and the last generation to be born is now adult. Civilization itself is crumbling as suicide and despair become commonplace. Oxford historian Theodore Faron, apathetic toward a future without a future, spends most of his time reminiscing. Then he is approached by Julian, a bright, attractive woman who wants him to help get her an audience with his cousin, the powerful Warden of England. She and her band of unlikely revolutionaries may just awaken his desire to live . . . and they may also hold the key to survival for the human race.

    It’s a place to live. And when you’re here, you’ll never want to leave.Paxton never thought he’d be working for Cloud, the giant tech company that’s eaten much of the American economy. Much less that he’d be moving into one of the company’s sprawling live-work facilities. But compared to what’s left outside, Cloud’s bland chainstore life of gleaming entertainment halls, open-plan offices, and vast warehouses…well, it doesn’t seem so bad. It’s more than anyone else is offering. Zinnia never thought she’d be infiltrating Cloud. But now she’s undercover, inside the walls, risking it all to ferret out the company’s darkest secrets. And Paxton, with his ordinary little hopes and fears? He just might make the perfect pawn. If she can bear to sacrifice him. As the truth about Cloud unfolds, Zinnia must gamble everything on a desperate scheme—one that risks both their lives, even as it forces Paxton to question everything about the world he’s so carefully assembled here. Together, they’ll learn just how far the company will go…to make the world a better place. Set in the confines of a corporate panopticon that’s at once brilliantly imagined and terrifyingly real, The Warehouse is a near-future thriller about what happens when Big Brother meets Big Business--and who will pay the ultimate price.

    Kendra, an art-school dropout, brands herself for a nanotech marketing program; Lerato, an ambitious AIDS baby, plots to defect from her corporate employers; Tendeka, a hot-headed activist, is becoming increasingly rabid; and Toby, a roguish blogger, discovers that the video games he plays for cash are much more than they seem. On a collision course that will rewire their lives, this story crackles with bold and infectious ideas, connecting a ruthless corporate-apartheid government with video games, biotech attack dogs, slippery online identities, a township soccer school, shocking cell phones, addictive branding, and genetically modified art. Taking hedonistic trends in society to their ultimate conclusions, this tale paints anything but a forecasted utopia, satirically undermining the reified idea of progress as society's white knight.

    There are two types of people who think professionally about the future: foresight strategists are civil futurists who think about geo-engineering and smart cities and ways to evade Our Coming Doom; strategic forecasters are spook futurists, who think about geopolitical upheaval and drone warfare and ways to prepare clients for Our Coming Doom. The former are paid by nonprofits and charities, the latter by global security groups and corporate think tanks. For both types, if you're good at it, and you spend your days and nights doing it, then it's something you can't do for long. Depression sets in. Mental illness festers. And if the "abyss gaze" takes hold there's only one place to recover: Normal Head, in the wilds of Oregon, within the secure perimeter of an experimental forest. When Adam Dearden, a foresight strategist, arrives at Normal Head, he is desperate to unplug and be immersed in sylvan silence. But then a patient goes missing from his locked bedroom, leaving nothing but a pile of insects in his wake. A staff investigation ensues; surveillance becomes total. As the mystery of the disappeared man unravels in Warren Ellis's Normal, Dearden uncovers a conspiracy that calls into question the core principles of how and why we think about the future—and the past, and the now.

    The Stars My Destination is a classic of technological prophecy and timeless narrative enchantment by an acknowledged master of science fiction.

    But even she knows that oil is outlawed, that Louisiana is half underwater, and that unmanned drones fill the sky. When her father is killed and her family is forced into Camp Patience for displaced persons, she begins to grow up shaped by her particular time and place. But not everyone at Camp Patience is who they claim to be. Eventually Sarat is befriended by a mysterious functionary, under whose influence she is turned into a deadly instrument of war. The decisions that she makes will have tremendous consequences not just for Sarat but for her family and her country, rippling through generations of strangers and kin alike.

    Forget summer. Forget warmth. Forget anything that doesn’t help you survive.Lynn McBride has learned much since society collapsed in the face of nuclear war and the relentless spread of disease. As memories of her old life haunt her, she has been forced to forge ahead in the snow-covered Canadian Yukon, learning how to hunt and trap to survive.But her fragile existence is about to be shattered. Shadows of the world before have found her tiny community—most prominently in the enigmatic figure of Jax, who sets in motion a chain of events that will force Lynn to fulfill a destiny she never imagined.

    Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down. But pulling off the impossible is just the start of her problems, as she learns that she's stepped square into a conspiracy for control of Artemis itself—and that now, her only chance at survival lies in a gambit even riskier than the first.

    Decades of travel through the stars are condensed into mere months for her, though the years continue to march steadily onward for everyone she has ever known. Her friends and lovers have aged past her; all she has left is work. Alone and adrift, she lives only for the next paycheck, until the day she meets a mysterious boy, fallen from the sky.A boy, broken by his past.The scarred child does not speak, his only form of communication the beautiful and haunting music he plays on an old wooden flute. Captured by his songs and their strange, immediate connection, Nia decides to take the boy in. And over years of starlit travel, these two outsiders discover in each other the things they lack. For him, a home, a place of love and safety. For her, an anchor to the world outside of herself.For both of them, a family.But Nia is not the only one who wants the boy. The past hungers for him, and when it catches up, it threatens to tear this makeshift family apart.

    But Frampton and Carly are highly advanced (if bumbling) extraterrestrials. And boy, do they have news. The entire cosmos, they tell him, has been hopelessly hooked on humanity’s music ever since “Year Zero” (1977 to us), when American pop songs first reached alien ears. This addiction has driven a vast intergalactic society to commit the biggest copyright violation since the Big Bang. The resulting fines and penalties have bankrupted the whole universe. We humans suddenly own everything—and the aliens are not amused. Nick now has forty-eight hours to save humanity, while hopefully wowing the hot girl who lives down the hall from him.