But the Alexander House is different. Built by a 1700s land baron to contain the madness and depravity of his eldest son, the house is plagued by shadows of the past and the lingering taint of bloodshed. David is haunted, as well. For twenty-two years ago, he turned away the woman he loved, and she took her life in sorrow. And David suspects she’s followed him to the Alexander House.

    It’s difficult for him to remember much about his mortal days. So, he focuses on fulfilling his sentence as a Lantern—one of the watchmen who guard the portals to the Otherworld, a realm crawling with every nightmarish creature imaginable. Jack has spent centuries jumping from town to town, ensuring that nary a mortal—or not-so-mortal—soul slips past him. That is, until he meets beautiful Ember O’Dare. Seventeen, stubborn, and a natural-born witch, Ember feels a strong pull to the Otherworld. Undeterred by Jack’s warnings, she crosses into the forbidden plane with the help of a mysterious and debonair vampire—and the chase through a dazzling, dangerous world is on. Jack must do everything in his power to get Ember back where she belongs before both the earthly and unearthly worlds descend into chaos.

    Now they are about to learn what happens to those who believe they can bury the past -- and get away with murder.

    A rookie FBI agent in dangerous, uncharted territory. An extraordinary hero for the ages.Odessa Hardwicke's life is derailed when she's forced to turn her gun on her partner, Walt Leppo, a decorated FBI agent who turns suddenly, inexplicably violent while apprehending a rampaging murderer. The shooting, justified by self-defense, shakes the young FBI agent to her core. Devastated, Odessa is placed on desk leave pending a full investigation. But what most troubles Odessa isn't the tragedy itself-it's the shadowy presence she thought she saw fleeing the deceased agent's body after his death. Questioning her future with the FBI and her sanity, Hardwicke accepts a low-level assignment to clear out the belongings of a retired agent in the New York office. What she finds there will put her on the trail of a mysterious figure named John Silence, a man of enormous means who claims to have been alive for centuries, and who is either an unhinged lunatic, or humanity's best and only defense against unspeakable evil.

    But with a horrible credit score, a mountain of school debt, and less than three figures in her bank account, Rosalind takes the job and hides out there at night until she can find an affordable apartment.When cold spots precede unsettling, seemingly impossible events, Rosalind begins to wonder if the stories are true. These strange occurrences soon take on a more sinister edge, but circumstances outside her control force her to stay in the one place she'd like to escape at all costs.As she discovers clues about what might be lurking inside the library, Rosalind realizes that those who work in the library...may be just as evil as what lives inside it.Please note: This is not a typical "haunted house" story. It's a supernatural thriller with elements of mystery, romance, and suspense.

    Two days later, she’s impossibly cured. Fierce, funny, dauntless, she becomes obsessed with the idea that she was spared because she is meant to save someone else. Someone named Ashley Bell. This proves to be a dangerous idea. Searching for Ashley Bell, ricocheting through a southern California landscape that proves strange and malevolent in the extreme, Bibi is plunged into a world of crime and conspiracy, following a trail of mysteries that become more sinister and tangled with every twisting turn.Unprecedented in scope, infinite in heart, Ashley Bell is a magnificent achievement that will capture lovers of dark psychological suspense, literary thrillers, and modern classics of mystery and adventure. Beautifully written, at once lyrical and as fast as a bullet, here is the most irresistible novel of the decade.

    The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

    A father hears strange voices on his daughter's baby monitor. A trio of gravediggers faces a swarm of supernatural creatures. A group of teenagers puts a mausoleum legend to the test. A husband and wife take a stroll through a corn maze that they'll never forget. Tales From Valleyview Cemetery contains seventeen interconnected tales of terror -- legends of a town and cemetery entrenched in occult practice, macabre history, and a demon elemental waiting for his people's return. A collection of short horror stories written in the vein of the "Scary Stories To Tell in the Dark" books.

    Her first major event is a program presented by a retired homicide detective, Al Buckley, who claims he knows who murdered Laura Foster, a much-loved part-time library aide who was bludgeoned to death fifteen years earlier. As he invites members of the audience to share stories about Laura, he suddenly keels over and dies. The medical examiner reveals that poison is what did him in and Carrie feels responsible for having surged forward with the program despite pushback from her director. Driven by guilt, Carrie's determined to discover who murdered the detective, convinced it's the same man who killed Laura all those years ago. Luckily for Carrie, she has a friendly, knowledgeable ghost by her side. But as she questions the shadows surrounding Laura's case, disturbing secrets come to light and with each step Carrie takes, she gets closer to ending up like Al. Now it's due or die for Carrie in Death Overdue, the delightful first in a new cozy series by Allison Brook.

    Parker, Tessa Gratton, Heidi Heilig, Julie Murphy, Mark Oshiro, Rebecca Roanhorse, Laura Ruby, Victoria “V. E.” Schwab, and Kayla Whaley.

    When she flees boarding school after a horrifying incident, she goes to the only place she thinks is safe: the home she left behind. But when she gets there, she struggles to fit in with her monstrous relatives, who prowl the woods around the family estate and read fortunes in the guts of birds.Eleanor finds herself desperately trying to hold the family together — in order to save them all, Eleanor must learn to embrace her family of monsters and tame the darkness inside her.

    Yet he is no ordinary murderer: his targets are the multifarious monsters and vile fiends that ravage the land and attack the innocent. But not everything monstrous-looking is evil and not everything fair is good... and in every fairy tale there is a grain of truth.Librarian's Note: Alternate cover edition of ASIN B0010SIPT4

    Among its pages are a couple who becomes obsessed with their friend hearing them have sex, then seeing them have sex…until they can’t have sex without him; a ten-year-old whose birthday party takes a sinister turn when she wishes for “something mean”; a woman who finds a book of spells half hidden at the library and summons her heart’s desire: a nameless, naked man; and a self-proclaimed “biter” who dreams of sneaking up behind and sinking her teeth into a green-eyed, long-haired, pink-cheeked coworker.Spanning a range of genres and topics—from the mundane to the murderous and supernatural—these are stories about sex and punishment, guilt and anger, the pleasure and terror of inflicting and experiencing pain. These stories fascinate and repel, revolt and arouse, scare and delight in equal measure. And, as a collection, they point a finger at you, daring you to feel uncomfortable—or worse, understood—as if to say, “You want this, right? You know you want this.”Bad boy --Look at your game, girl --Sardines --The night runner --The mirror, the bucket, and the old thigh bone --Cat person --The good guy --The boy in the pool --Scarred --The matchbox sign --Death wish --Biter --Acknowledgments

    Butler.We are a people who do not forget.Survivors from a flooded kingdom struggle alone on an ark. Resources are scant, and ravenous beasts circle. Their fangs are sharp.Among the refugees is Iraxi: ostracized, despised, and a commoner who refused a prince, she’s pregnant with a child that might be more than human. Her fate may be darker and more powerful than she can imagine.Zin E. Rocklyn’s extraordinary debut is a lush, gothic fantasy about the prices we pay and the vengeance we seek.

    Bess Southerns, an impoverished widow living in Pendle Forest, is haunted by visions and gains a reputation as a cunning woman. Drawing on the Catholic folk magic of her youth, Bess heals the sick and foretells the future. As she ages, she instructs her granddaughter, Alizon, in her craft, as well as her best friend, who ultimately turns to dark magic. When a peddler suffers a stroke after exchanging harsh words with Alizon, a local magistrate, eager to make his name as a witch finder, plays neighbors and family members against one another until suspicion and paranoia reach frenzied heights. Sharratt interweaves well-researched historical details of the 1612 Pendle witch-hunt with a beautifully imagined story of strong women, family, and betrayal. Daughters of the Witching Hill is a powerful novel of intrigue and revelation.