Choral music and the prospect of divinity thrill him. Desperate to keep his voice from changing, he tries unsuccessfully to castrate himself, and then convinces a clinic to treat him as a transsexual. Berry begins a series of hormone pills, which keep his voice from deepening but also cause him to grow breasts. When his parents and friends discover the truth about him, Berry faces a world of unexpected gender issues that push him into a universe far more complex than anything he has experienced.Abounding with bewitching religious symbolism, self-mutilation, bizarre suburban torture, drugs, class-based violence, and hidden meanings, Choir Boy is a wildly inventive and charming story about an outcast who refuses to grow up gracefully.

    For Hala Alyan, this is a year in which the past—memories of family members, old friends and past lovers, the heat of another land, another language, a different faith—winds itself around the present. Hala's ever-shifting, subversive verse sifts together and through different forms of forced displacement and the tolls they take on mind and body. Poems leap from war-torn cities in the Middle East, to an Oklahoma Olive Garden, a Brooklyn brownstone; from alcoholism to recovery; from a single woman to a wife. This collection summons breathtaking chaos, one that seeps into the bones of these odes, the shape of these elegies. A vivid catalog of trauma, heartache, loneliness, and joy, The Twenty-Ninth Year is an education in looking for home and self in the space between disparate identities.

    citizenship, Talusan found childhood comfort from her devoted grandmother, a grounding force as she was treated by others with special preference or public curiosity.As an immigrant to the United States, Talusan came to be perceived as white. An academic scholarship to Harvard provided access to elite circles of privilege but required Talusan to navigate through the complex spheres of race, class, sexuality, and her place within the gay community. She emerged as an artist and an activist questioning the boundaries of gender. Talusan realized she did not want to be confined to a prescribed role as a man, and transitioned to become a woman, despite the risk of losing a man she deeply loved.Throughout her journey, Talusan shares poignant and powerful episodes of desirability and love that will remind readers of works such as Call Me By Your Name and Giovanni's Room. Her evocative reflections will shift our own perceptions of love, identity, gender, and the fairness of life.

    So far, she's been in love once (total catastrophe) and on fire twice (also pretty bad). Both love and fire have left their scars.Looking a little more burnt chicken and a little less radiant phoenix, Allison takes up residence in Dylan Hall (a.k.a. Dyke Hall) at St. Joseph's College, where she discovers the true gift of freshman year: the opportunity to reinvent yourself. Miles away from the high school she's happy to leave behind, her all-female dorm is a strange new world, home to new social circles and challenges. Allison still feels like the odd girl out ... until Shar appears. Beautiful and blinding, Shar quickly becomes the sun at the centre of Allison's universe, drawing her in with dangerous allure.Will Allison get burned again? And, if she does, what kind of scars will she earn this time?

    The first anthology of its kind, We’re Still Here: An All-Trans Comics Anthology offers dozens of new stories that render trans experiences in comics form: some fiction, some nonfiction, some sad, some thoughtful, some funny, some bizarre, all authentic.

    A girl with a strong will, a full heart, and much to learn. Born into a family reeling from the ruptures of Partition in India, we follow her as she crosses the precarious lines between childhood, teenage discovery, and realizing her adult self. In the process, Paro must confront fear, desire and the darkest parts of herself in the search for meaning and, ultimately, empowerment.Nikita Gill's vivid poetry and beautiful illustrations have captured hearts and imaginations--but in The Girl and the Goddess, she offers us her most personal and deeply felt writing to date: an intimate coming-of-age story told in linked poems that offers a look into the Hindu mythology and rich cultural influences that helped her become the woman she is today.

    These stories range from a transgender woman trying an experimental transition medication to young lovers separated through decades and meeting far in their own future. These are stories of machines and magic, love, and self-love.This collection features prose stories by:Cherie Dimaline "The Girl Who Grew a Galaxy," "Red Rooms"Gwen Benaway "Ceremonies for the Dead"David Robertson "Betty: The Helen Betty Osborne Story," Tales From Big Spirit seriesRichard Van Camp "The Lesser Blessed," "Three Feathers"Mari Kurisato "Celia’s Song," "Bent Box"Nathan Adler "Wrist"Daniel Heath Justice "The Way of Thorn and Thunder: The Kynship Chronicles"Darcie Little Badger "Nkásht íí, The Sea Under Texas"Cleo KeahnaAnd an introduction by Niigaanwewidam James Sinclair "Manitowapow," with a foreword by Grace Dillon "Walking the Clouds".Edited by Hope Nicholson "Moonshot," "The Secret Loves of Geek Girls"

    Systems of oppression thrive off our inability to make peace with difference and injure the relationship we have with our own bodies.The Body Is Not an Apology offers radical self-love as the balm to heal the wounds inflicted by these violent systems. World-renowned activist and poet Sonya Renee Taylor invites us to reconnect with the radical origins of our minds and bodies and celebrate our collective, enduring strength. As we awaken to our own indoctrinated body shame, we feel inspired to awaken others and to interrupt the systems that perpetuate body shame and oppression against all bodies. When we act from this truth on a global scale, we usher in the transformative opportunity of radical self-love, which is the opportunity for a more just, equitable, and compassionate world--for us all.

    Take Me There is an erotica collection unlike any other that celebrates the pleasure, heat, and diversity of transgender and genderqueer sexualities. The power of seeing and being seen is a central theme in the anthology; it’s not simply about passing or not passing (an idea often explored with transgender characters), but about being acknowledged and desired in a sexual context.The book takes you from San Francisco to Israel, from heartache to lust, from stranger sex to a 10 year anniversary, from ballet shoes to butt plug bondage tables, from fumbling teenagers to leatherclad bears, from MTF and FTM—and in between and beyond.Featuring renowned authors Kate Bornstein (Gender Outlaws: The Next Generation), Patrick Califia (Speaking Sex to Power), S. Bear Bergman (Butch is a Noun), Ivan Coyote (Missed Her), Julia Serrano (Whipping Girl), Laura Antoniou (The Marketplace), Helen Boyd (My Husband Betty), Rachel Kramer Bussel (Gotta Have It), Toni Amato (Pinned Down by Pronouns), Alicia E. Goranson (Supervillianz), filmmaker Tobi Hill-Meyer, musician Rahne Alexander, songwriter Shawna Virago, bloggers Andrea Zanin and Sinclair Sexsmith, and more.

    This is a young adult novel unlike any other—an authentic portrayal of the issues faced by a child growing up with a sexually ambiguous body.Jameson can be like other boys after minor surgery and a few years on testosterone Well, at least that’s what his parents always say. But Jamie sees an elfin princess in the mirror, and male hormones would only ruin her pretty face. For him to become the man his parents expect, Jameson must leave behind the hopes and dreams of a little girl. But what is so wrong with Jamie’s dreams that they can’t be her life?

    . . is among the bravest of us, the most outraged. She feels for all. She is the universal poet.”—Alice Walker“Always urgent, inspiring, and demanding, Jordan’s work has left its indelible mark everywhere from Essence to The Norton Anthology of Poetry, and from theater stages to the floors of the United Nations and the United States Congress.”—BOMBDirected by Desire is the definitive overview of the poetry of June Jordan, considered one of the most lyrically gifted poets of the late twentieth century. Directed by Desire gathers the finest work from Jordan’s 10 volumes, as well as 70 new, never-before-published poems that she wrote while dying of breast cancer. Throughout over 600 pages readers will find intimate lyricism, elegance, fury, meditative solos, and dazzling vernacular riffs.As Adrienne Rich writes in her introduction, June Jordan “wanted her readers, listeners, students, to feel their own latent power—of the word, the deed, of their own beauty and intrinsic value. . . . She believed, and nourished the belief, that genuine, up-from-the-bottom revolution must include art, laughter, sensual pleasure, and the widest possible human referentiality.”From These PoemsThese poems they are things that I do in the dark reaching for you whoever you are and are you ready?June Jordan taught at the University of California Berkeley for many years and founded Poetry for the People. Her 28 books include poetry, essays, fiction, and children’s books. She was a regular columnist for The Progressive and a prolific writer whose articles appeared in The Village Voice, The New York Times, Ms. Magazine, and The Nation. Her numerous awards include a PEN West Freedom to Write Award and a lifetime achievement award from the National Black Writers Conference. After her death from breast cancer in 2002, a school in the San Francisco School District was renamed in her honor.

    If real power begins where secrecy begins, then, as we frantically search for dick pics of Justin Bieber or our next door neighbor who we’re convinced posted the faceless Craigslist ad seeking an Asian bottom, we’re seduced into a beautiful distraction in which we are convinced, by virtue of our victorious toppling of the lives of others, that we indeed have nothing to hide.

    Once loved and respected in their community and in their church, they are ostracized by their neighbors, led by their church leader, and a seventeen-year feud between the Delaneys and the church ensues. Ava and her family are displaced from the community even as they continue to live within it, trapped inside their creaky, shadowy old house.When a mysterious woman arrives unexpectedly for a visit, her presence stirs up the past and ghosts and other restless things begin to emerge. And something is reignited in Ava: the indifferent woman she has become begins to give way to the wild girl, and the passionate artist, she used to be. But not without a struggle that threatens her well-being and, ultimately, her life.Mia McKenzie is a winner of the Astraea Foundation's Writers Fund Award and the Leeway Foundation's Transformation Award. She describes herself as "a black feminist and a freaking queer." Her work has been recommended by The Root, Colorlines, Feministing, Angry Asian Man, and Crunk Feminist Collective, among others. She is the creator of the blog BlackGirlDangerous.org.

    As Rumi said, "Love will find its way through all languages on its own". In 'teaching my mother how to give birth', Warsan's debut pamphlet, we witness the unearthing of a poet who finds her way through all preconceptions to strike the heart directly. Warsan Shire is a Kenyan-born Somali poet and writer who is based in London. Born in 1988, she is an artist and activist who uses her work to document narratives of journey and trauma. Warsan has read her work internationally, including recent readings in South Africa, Italy and Germany, and her poetry has been translated into Italian, Spanish and Portuguese.

    New thought and new dialogue: a book that will teach in the most multiple sense of that word: a book that will be of lasting value to many diverse communities of women as well as to students from those communities. The authors explore a full spectrum of present concerns in over seventy pieces that vary from writing by new talents to published pieces by Audre Lorde, Joy Harjo, Norma Alarcón and Trinh T. Minh-ha."At one level or another, all the work in the collection seeks to find ways to understand and articulate our multiple identities and senses of place….Making Face/Making Soul is an exciting collection of dynamic, important writings that all women of color and white feminists will learn from, enjoy, and return to again and again and again."—Sojourner"...the pieces are stunning in what they risk and reveal..."—The San Francisco Chronicle