In each of these "weird and wonderful stories" (Boston Globe), Brad Watson writes about people and dogs: dogs as companions, as accomplices, and as unwitting victims of human passions; and people responding to dogs as missing parts of themselves. "Elegant and elegiac, beautifully pitched to the human ear, yet resoundingly felt in our animal hearts" (New York Newsday), Watson's vibrant prose captures the animal crannies of the human personality—yearning for freedom, mourning the loss of something wild, drawn to human connection but also to thoughtless abandon and savagery without judgment. Pinckney Benedict praises Watson's writing as "crisp as a morning in deer season, rife with spirited good humor and high intelligence," and Fred Chappell calls his stories "strong and true to the place they come from." This powerful debut collection marks Brad Watson's introduction into "a distinguished [Southern] literary heritage, from Faulkner to Larry Brown to Barry Hannah to Richard Ford" (The State, Columbia, South Carolina).

    A collection of short stories by the author of Transactions in a Foreign Currency features a tale of a two childhood friends who renew old ties and recall old wounds, and a suburban dinner party that uncovers dark truths.

    Her charming hosts offer Ava a chance to relax at their idyllic ancestral estate, Woodburn Hall, while working on her first novel. But Woodburn is anything but quiet: Ancient feuds lurk just beneath its placid surface, and modern-day rivalries emerge as Ava finds herself caught between the competing attentions of Will and his black-sheep cousin Jake. Fascinated by the family’s impressive history—their imposing house filled with treasures, and their mingling with literary lions Fitzgerald, Hemingway, and Faulkner—Ava stumbles onto rumors about the darker side of the Woodburns’ legacy. Putting aside her planned novel, she turns her creative attentions to the eccentric and tragic clan, a family with more skeletons (and ghosts) in their closets than anyone could possibly imagine. As Ava struggles to write the true story of the Woodburns, she finds herself tangled in the tragic history of a mysterious Southern family whose secrets mirror her own.

    "Hysterically funny, beautifully written...an almost hypnotic portrait of unforgettable people in a strange and magnificent city".--Anne tyler, The New Republic.

    Maybe months. He had forgotten the last day that it hadn’t rained, when the storms gave way to the pale blue of the Gulf sky, when the birds flew and the clouds were white and sunshine glistened across the drenched land.The Gulf Coast has been brought to its knees. Years of catastrophic hurricanes have so punished and depleted the region that the government has drawn a new boundary ninety miles north of the coastline. Life below the Line offers no services, no electricity, and no resources, and those who stay behind live by their own rules—including Cohen, whose wife and unborn child were killed during an evacuation attempt. He buried them on family land and never left.But after he is ambushed and his home is ransacked, Cohen is forced to flee. On the road north, he is captured by Aggie, a fanatical, snake-handling preacher who has a colony of captives and dangerous visions of repopulating the barren region. Now Cohen is faced with a decision: continue to the Line alone, or try to shepherd the madman’s prisoners across the unforgiving land with the biggest hurricane yet bearing down—and Cohen harboring a secret that poses the greatest threat of all.Eerily prophetic in its depiction of a Southern landscape ravaged by extreme weather, Rivers is a masterful tale of survival and redemption in a world where the next devastating storm is never far behind.“This is the kind of book that lifts you up with its mesmerizing language then pulls you under like a riptide” (The Atlanta Journal-Constitution).

    Swirling voices and skeins of story, laughter and rage, ferocious attention to detail and sweeping nuttiness, tears and chortling—these stories will remind readers of the late giant David Foster Wallace, in their straightforward accounts of anything-but-straightforward events; of modern short story pioneer Raymond Carver, a bit, in their blunt, unadorned dialogue; and of Julia Whitty, a bit, in their willingness to believe what is happening, even if it absolutely shouldn’t be. Funny, piercing, unique, memorable, this is a collection of stories readers will find nearly impossible to forget:... The barber who shaves the heads of the thugs in Bin Laden’s cave tells cheerful stories of life with the preening video-obsessed leader, who has a bald spot shaped just like Iceland.... A husband gathers all of his wife’s previous boyfriends for a long day on a winery-touring bus.... A teenage boy drives off into the sunset with his troubled sister’s small daughters…and the loser husband locked in the trunk of the car.... The late Joseph Kennedy pours out his heart to a golf-course bartender moments before the stroke that silenced him forever.… A man digging in his garden finds a brand-new baby boy, still alive, and has a chat with the teenage neighbor girl whose son it is.... A man born on a Greyhound bus eventually buys the entire Greyhound Bus Company and revolutionizes Western civilization.... A mountainous bishop dies and the counting of the various keys to his house turns… tense.... A man discovers his wife having an affair, takes up running to grapple with his emotions, and discovers everyone else on the road is a cuckold too.And many others.

    She’s spent the last thirteen years living in the shadow of the pain her mother caused and trying to prove herself worthy of her aunt’s stingy love. Unintentionally she becomes pregnant. When the father refuses her and her aunt kicks her out, Jolene tries to outrun her shame by heading to the mountains. Homeless, penniless, alone, and chased by demons from her past, she makes friends who help and hinder. She is forced to confront exactly who she is, what she wants, and what she is willing to do to get it. Geography and a sense of place are central to Songbirds and Stray Dogs. It is a Southern story, born of sweet tea and the Bible Belt, chow-chow and cornbread, shot guns and porch rocking. But it is also a universal story of escaping the burden of your past and finding yourself at home in a strange land.

    His father runs a methodically organized meth ring, with local authorities on the dime to turn a blind eye to his dealings. Having dropped out of high school and cut himself off from his peers, Jacob has been working for this father for years, all on the promise that his payday will come eventually. The only joy he finds comes from reuniting with Maggie, his first love, and a girl clearly bound for bigger and better things than their hardscrabble town.Jacob has always been resigned to play the cards that were dealt him, but when a fatal mistake changes everything, he’s faced with a choice: stay and appease his father, or leave the mountains with the girl he loves. In a place where blood is thicker than water and hope takes a back seat to fate, Jacob wonders if he can muster the strength to rise above the only life he’s ever known.A Finalist for the Edgar Award for Best First Novel In the country-noir tradition of Winter's Bone meets 'Breaking Bad,' a savage and beautiful story of a young man seeking redemption.

    For generations, the Burroughs clan has made its home on Bull Mountain in North Georgia, running shine, pot, and meth over six state lines, virtually untouched by the rule of law. To distance himself from his family’s criminal empire, Clayton took the job of sheriff in a neighboring community to keep what peace he can. But when a federal agent with the Bureau of Alcohol, Tobacco, and Firearms shows up at Clayton’s office with a plan to shut down the mountain, his hidden agenda will pit brother against brother, test loyalties, and could lead Clayton down a path to self-destruction.

    A couple suspects their friends think them boring; a woman resolves to see herself as nothing but then concludes she's set too high a goal; and a funeral home receives a letter rebuking it for linguistic errors. Lydia Davis once again proves in the words of the Los Angeles Times "one of the quiet giants in the world of American fiction."

    11 stories: The AwakeningBeyond the BayouMa'ame PelagieDesiree's BabyA Respectable WomanThe KissA Pair of Silk StockingsThe LocketA ReflectionAt the 'Cadian BallThe Storm

    The stories include tales of strippers, of their husbands and lovers and the helpless, ill-placed desire that is shot out of their customers, of a rape by a man of another man at a peep show in Times Square, the victim wordlessly accepting what happens to him while watching a woman dance behind glass, of fucking a woman wearing a fur coat and feeling unexplainable rage at her disregard of animal life. The story ends with the character running away into the night with the coat, "as if an animal rescued." In "Invisible Fish," a night clerk in a mall pet store tortures the animals at night until the whole place stinks of fear and rage. Dumbfounded, the store owners blugeon to death a chimpanzee, the only animal in the store that can imagine capable of such atrocities.

    Following the death of his domineering father, a middle-aged man tries to uncover a truth about their sometimes difficult relationship. When a grade-six teacher tyrannizes a student without apparent reason, the boy learns an unexpected lesson and his young life is changed irrevocably. An elderly widow falls prey to a con artist, revealing what we are capable of sacrificing to appease what we dread the most. A twelve-year-old boy is shunted off to his grandmother's farm and becomes part of an adult world he scarcely understands. A group of high-school students play on a classmate's self-delusions and set up what promises to be the most loaded boxing match ever staged. Whether writing from the point of view of a child, an adolescent, or a man in his seventies, Guy Vanderhaeghe takes us into the lives of his characters with razor-sharp insights laced with gentle humour.

    Leopold Bloom King, our narrator, is the son of an amiable, loving father who teaches science at the local high school. His mother, an ex-nun, is the high school principal and a well-known Joyce scholar. After Leo's older brother commits suicide at the age of thirteen, the family struggles with the shattering effects of his death, and Leo, lonely and isolated, searches for something to sustain him. Eventually, he finds his answer when he becomes part of a tightly knit group of high school seniors that includes friends Sheba and Trevor Poe, glamorous twins with an alcoholic mother and a prison-escapee father; hardscrabble mountain runaways Niles and Starla Whitehead; socialite Molly Huger and her boyfriend, Chadworth Rutledge X; and an ever-widening circle whose liaisons will ripple across two decades-from 1960s counterculture through the dawn of the AIDS crisis in the 1980s. The ties among them endure for years, surviving marriages happy and troubled, unrequited loves and unspoken longings, hard-won successes and devastating breakdowns, and Charleston's dark legacy of racism and class divisions. But the final test of friendship that brings them to San Francisco is something no one is prepared for. South of Broad is Pat Conroy at his finest; a long-awaited work from a great American writer whose passion for life and language knows no bounds.

    A retired public school teacher, Miss Budge embarks on a series of slice-of-life adventures that take readers into the intriguing and authentic lives of Southern church women. "What our readers love about Miss Budge is that they all know her personally. In fact, they all are her in one way or another. Daphne's stories are instantly recognizable to those in a church community, and that's where the real humour and real pathos comes from. Daphne is a keen observer of the strange and wonderful subculture of 'the church lady.'" Brett Alan Dewing The Christian Courier (Canada) "Mildred Budge is a forthright, almost larger than life, woman who challenges every reader's faith walk by being transparent about her own. She reminds us that Jesus loves us the way we are but He loves us too much to leave us as we are." Julie Innes Evangel