His father died when he was seven, and at seventeen he left his mother and sister behind and headed for New York City, place of limitless possibilities. He arrived penniless with the idea of becoming a poet; ten years later he was a pivotal voice of the age of punk, starting such seminal bands as Television, the Heartbreakers, and Richard Hell and the Voidoids—whose song "Blank Generation" remains the defining anthem of the era. Hell was significantly responsible for creating CBGB as punk ground zero; his Voidoids toured notoriously with the Clash, and Malcolm McLaren would credit Hell as inspiration for the Sex Pistols. There were kinetic nights in New York's club demi-monde, descent into drug addiction, and an ever-present yearning for redemption through poetry, music, and art."We lived in the suburbs in America in the fifties," Hell writes. "My roots are shallow. I'm a little jealous of people with strong ethnic and cultural roots. Lucky Martin Scorsese or Art Spiegelman or Dave Chappelle. I came from Hopalong Cassidy and Bugs Bunny and first grade at ordinary Maxwell Elementary." How this legendary downtown artist went from a prosaic childhood in the idyllic Kentucky foothills to igniting a movement that would take over New York's and London's restless youth cultures—and spawn the careers of not only Hell himself, but a cohort of friends such as Tom Verlaine, Patti Smith, the Ramones, and Debbie Harry—is just part of the fascinating story Hell tells. With stunning powers of observation, he delves into the details of both the world that shaped him and the world he shaped.An acutely rendered, unforgettable coming-of-age story, I Dreamed I Was a Very Clean Tramp evokes with feeling, clarity, and piercing intelligence that classic journey: the life of one who comes from the hinterlands into the city in search of art and passion.

    The fabled blues guitarist chronicles his youth on a Mississippi cotton farm, years as a disc jockey, experiences with racism and the civil rights movement, romantic relationships, and forty-five years on the road.

    The story of Iron Maiden frontman Bruce Dickinson, told through exclusive interviews with those who know him best: from his formative days to all his time in Maiden, through his solo years, right up to the present day, where Iron Maiden are considered legends of music worldwide.

    But I have to give credit where it is due, it’s a quality piece. The man has done his research and it shows. It provided me with more than a few revelations … and I’m in the band.’ — Bill Gould, Faith No MoreSmall Victories: The True Story of Faith No More is the definitive biography of one of the most intriguing bands of the late twentieth century. Written with the participation of the group’s key members, it tells how such a heterogeneous group formed, flourished, and fractured, and how Faith No More helped redefine rock, metal and alternative music. The book chronicles the creative and personal tensions that defined and fueled the band, forensically examines the band’s beginnings in San Francisco’s post-punk wasteland, and charts the factors behind the group’s ascent to MTV-era stardom.Small Victories strips away the mythology and misinformation behind their misanthropic masterpiece Angel Dust, explores the rationale behind the frequent hiring and firing of band members, and traces the unraveling of the band in the mid-1990s. It also examines the band’s breakup and hiatus, explores their unwelcome legacy as nu-metal godfathers, and gives a behind-the-scenes view of their rebirth. Based on meticulous research and hundreds of interviews with current and former band members and other key figures, Small Victories combines a fan’s passion with a reporter’s perspicacity.

    The film eventually appeared in more than forty cities throughout the country.In this compelling work, the reader will encounter a bizarre and fascinating cast of characters: the respected Beverly Hills private investigator hired by Courtney Love to find her husband, missing from a Los Angeles drug rehab center, who later declared Cobain's death a murder, not a suidcide; the father who accused his own daughter of murdering Cobain; the Los Angeles musician who was allegedly offered $50,000 to kill Cobain and was mysteriously found dead shortly after passing a lie detector test given by the world's top polygraphist.These and many other revelations offer compelling reasons to officially reopen the case of Cobain's death to find out how he really died.

     On Friday, April 8, 1994, a body was discovered in a room above a garage in Seattle. For the attending authorities, it was an open-and-shut case of suicide. What no one knew then, however, is that the deceased -- Kurt Cobain, the superstar frontman of Nirvana -- had been murdered. Drawing on case tapes made by a P.I. hired by Courtney Love when her husband escaped from drug rehab and went missing -- and on new forensic evidence and police reports obtained under the Freedom of Information Act -- Love & Death explodes the long-standing theory that Kurt Cobain took his own life. Award-winning investigative journalists Max Wallace and Ian Halperin have conducted a ten-year crusade for the truth, and in Love & Death they present a stunning, convincing argument that the whole truth has yet to be revealed.

    It started one day when Cooper was watching a Star Trek rerun between concerts, bored and drunk on a quart-of-whiskey-a-day habit; a friend dragged the rocker out of his room and suggested a round of golf. Cooper has been a self-confessed golf addict ever since. Today he and his band still tour the world, playing some one hundred gigs a year . . . and three hundred days out of that year, Cooper is on the course. Alice Cooper, Golf Monster is Cooper's tell-all memoir; in it he talks candidly about his entire life and career, as well as his struggles with alcohol, how he fell in love with the game of golf, how he dried out at a sanitarium back in the late '70s, and how he put the last nails in his addiction's coffin by getting up daily at 7 a.m. to play 36 holes. Alice has hilarious, touching, and sometimes surprising stories about so many of his friends: Led Zeppelin and the Doors, George Burns and Groucho Marx, golf legends like John Daly and Tiger Woods . . . everyone is here from Dali to Elvis to Arnold Palmer. This is the story of Cooper's life, and also a story about golf. He rose from hacker to scratch golfer to serious Pro Am competitor and on to his status today as one of the best celebrity golfers around--all while rising through the rock 'n' roll ranks releasing platinum albums and selling out arenas with his legendary act."

    Got the Life is simultaneously an insider’s look at rock n’ roll superstardom—the good, the bad, and everything in between—and a survivor’s story of a life brought back from the precipice by a new found belief in religious salvation.

    Neither an apology nor a condemnation, Kurt Cobain presents a vivid insider's view of the life and death of a man who galvanized a generation and gave birth to the "grunge" revolution with his band Nirvana. Sandford portrays the provocative, small-town rebel with the talent of John Lennon, and then shows him at work on concert stages in Seattle, New York, and London. Readers follow the struggles of Cobain's emotional life—his tumultuous relationships with family and his fellow band members, his drug addiction and sexual appetite, his stormy marriage to Courtney Love, and the birth of his daughter, who, as Cobain wrote in his suicide note, "reminds me too much of who I used to be." During his research, Sandford has had access to Cobain's family, his colleagues, his former friends and lovers, and even author William S. Burroughs, whom Cobain considered to be his "greatest influence." The result is a graphic account of the life that led to the day in April 1994 when Cobain turned a shotgun on himself and became a martyr to disaffected youth around the world.

    Blood on the Tracks was composed as Dylan's twelve-year marriage began to unravel, and songs like "Tangled Up in Blue" and "Shelter from the Storm" have become templates for multidimensional, adult songs of love and loss. Yet the story behind the creation of this album has never been fully told; even the credits on the present-day album sleeve are inaccurate. Dylan recorded the album twice-once in New York City and again in Minneapolis, with a rag-tag gang of local musicians, quickly rewriting many of the songs in the process. For A Simple Twist of Fate, the authors have interviewed the musicians and producers, industry insiders, and others, creating an engaging chronicle of how one musician channeled his pain and confusion into great art.

    In 1985, Kristin Hersh was just starting to find her place in the world. After leaving home at the age of fifteen, the precocious child of unconventional hippies had enrolled in college while her band, Throwing Muses, was getting off the ground amid rumors of a major label deal. Then everything changed: she was diagnosed with bipolar disorder and found herself in an emotional tailspin; she started medication, but then discovered she was pregnant. An intensely personal and moving account of that pivotal year, Rat Girl is sure to be greeted eagerly by Hersh's many fans.

    Taking readers on a wild rollercoaster ride from his crazy childhood in Berlin and Munich to his lonely methadone-soaked stay at a cheap hotel in Earl's Court and newfound peace on the straight and narrow, Dee Dee Ramone catapults readers into the raw world of sex, addiction, and two-minute songs. It isn't pretty. With the velocity of a Ramones song, Lobotomy rockets from nights at CBGB's to the breakup of the Ramones' happy family with an unrelenting backbeat of hate and squalor: his girlfriend ODs; drug buddy Johnny Thunders steals his ode to heroin, "Chinese Rock"; Sid Vicious shoots up using toilet water; and a pistol-wielding Phil Spector holds the band hostage in Beverly Hills. Hey! Ho! Let's go!

    Illustrated with previously unseen photographs and drawing on over 300 hours of interviews with band members, producers, friends, former lovers and associates, this biography traces the artist's life from his Minneapolis roots through controversial stardom to his rejection of the Prince persona.

    Left to run wild with his sister, his father off in some parallel universe of his own invention, Everett's upbringing was 'ridiculous, sometimes tragic and always unsteady'. But somehow he manages to not only survive his crazy upbringing and ensuing tragedies; he makes something of his life, striking out on a journey to find himself by channelling his experiences into his, eventually, critically acclaimed music with the Eels. But it's not an easy path. Told with surprising candour, Things The Grandchildren Should Know is an inspiring and remarkable story, full of hope, humour and wry wisdom.

    His music had been a spark firing 60s political idealism. His death signaled the end of an era. There But for Fortune: The Life of Phil Ochs is both an in-depth biography & a significant musical history, focusing on the importance of Ochs' topical songs addressing the civil rights, anti-war & labor movements. With the full cooperation of his family, & with unprecedented access to his diaries & notebooks, biographer Michael Schumacher tells the story of this gifted artist--from his early years as a musical prodigy & aspiring journalist in Ohio, where he earned his 1st guitar after betting on a Presidential election, to his initial performances in Greenwich Village's cafes & folk clubs; from his headline-making appearances at Carnegie Hall to his ambitious consciousness-raising political rallies. Rich in anecdotal detail, this biography recounts his travels round the globe, including his involuntary prison tour of S. America, as well as his associations with some of the most notable figures of his generation, including Bob Dylan, Robert F. Kennedy, Eugene McCarthy, Joan Baez & John Lennon. The story of Phil Ochs is ultimately the chronicle not only of a man but of the singular times in which he lived.