But when he returns to his native city, he finds not glory but shame—and exile. With nothing to his name but his military skills, Kineas agrees to lead a band of veterans to the city of Olbia, where the Tyrant is offering good money to train the city's elite cavalry. But soon Kineas and his men find they have stumbled into a deadly maze of intrigue and conspiracy as the Tyrant plots to use them as pawns in increasingly complex power games between his own citizens and the dread military might of Macedon. Caught between his duty to the Tyrant, his loyalty to his men, and a forbidden love affair with a charismatic Scythian noblewoman, Kineas must call on all his Athenian guile, his flair on the battlefield, and even—he is convinced—the intervention of the gods, to survive. Includes a glossary.

    In the months that followed, ten thousand men--trained and hardened in three decades of war in Greece--would engage in pitched battles, witness untold horrors, and begin a desperate march across he desert, over raging rivers, and into the jaws of hell itself. By the time it was over, some would be alive, others dead, and one among them would emerge and the greatest hero of all...In a novel of high adventure and riveting historical drama, Michael Curtis Ford brings to life an amazing true story from Greek antiquity--Xenophon's march of the ten Thousand. A tale of war and peace, of loyalties and betrayals, and of a soldier's love for a mysterious and dangerous woman, The Ten Thousand captures the eternal spirit of courage--in the face of impossible odds.

    Introducing students to a variety of established theories of art, he presents the traditional sets of criteria of Realism, Expressionism, and Formalism, which are in turn updated by recent sources of Poststructuralism. Barrett applies each of these theories to challenging works of contemporary art, pointing out the strengths and weaknesses of each mode of interpretation. He encourages students to consider many criteria when evaluating an artwork, to critically examine judgments made by others, and to make informed judgments of their own. Ideal for courses in aesthetics, art theory, art criticism, and the philosophy of art, Why Is That Art? is organized chronologically according to the history of aesthetics. It features sixty-seven illustrations (twenty-six in a full-color insert), discusses a wide range of American and European artists, and includes an exceptional overview of postmodern pluralism. This unique book will provide students with a newfound appreciation for contemporary art, scholarship, and reasoned argumentation, giving them the confidence to join the fascinating discourse on contemporary art.

    This is the memoir that she has written—her legendary beauty still undimmed by age.Gossips began whispering about Princess Helen from the moment of her birth. A daughter of the royal house of Sparta, she was not truly the progeny of King Tyndareus, they murmured, but of Zeus, king of the gods. Her mother, Queen Leda, a powerful priestess, was branded an adulteress, with tragic consequences. To complicate matters, as Helen grew to adulthood her beauty was so breathtaking that it overshadowed even that of her jealous sister, Clytemnestra, making her even more of an outcast within her own family. So it came as something of a relief to her when she was kidnapped by Theseus, king of Athens, in a gambit to replenish his kingdom’s coffers. But Helen fell in love with the much older Theseus, and to his surprise, he found himself enamored of her as well. On her forced return to Sparta, Helen was hastily married off to the tepid Menelaus for the sake of an advantageous political alliance. Yet even after years of marriage, the spirited, passionate Helen never became the docile wife King Menelaus desired, and when she fell in love with another man—Paris Alexandros, the prodigal son of King Priam of Troy—Helen unwittingly set the stage for the ultimate conflict: a war that would destroy nearly all she held dear.

    Homer's poems occupy, as Adam Nicolson writes "a third space" in the way we relate to the past: not as memory, which lasts no more than three generations, nor as the objective accounts of history, but as epic, invented after memory but before history, poetry which aims "to bind the wounds that time inflicts."The Homeric poems are among the oldest stories we have, drawing on deep roots in the Eurasian steppes beyond the Black Sea, but emerging at a time around 2000 B.C. when the people who would become the Greeks came south and both clashed and fused with the more sophisticated inhabitants of the Eastern Mediterranean.The poems, which ask the eternal questions about the individual and the community, honor and service, love and war, tell us how we became who we are.

    late 7th and early 6th centuries B.C.E.), whose work is said to have filled nine papyrus rolls in the great library at Alexandria some 500 years after her death. The surviving texts consist of a lamentably small and fragmented body of lyric poetry--among them, poems of invocation, desire, spite, celebration, resignation, and remembrance--that nevertheless enables us to hear the living voice of the poet Plato called the tenth Muse.Stanley Lombardo's translations give us a virtuoso embodiment of Sappho's voice, whose telltale charm, authority, immediacy, directness, intensity, and sudden changes of tone are among the hallmarks of his masterly translation.Pamela Gordon introduces us to the world of Sappho, discusses questions surrounding the transmission of her manuscripts, offers advice on reading these texts, and concludes with an enlightening discussion of same-sex desire in Sappho.

    His idealistic teacher Diagoras is convinced the pupil's death is not as accidental as it appears, and asks the famous Heracles Pontor, the "Decipherer of Enigmas," to investigate. As the death toll rises, the two men find themselves drawn into the dangerous underworld of the Athenian aristocracy, risking their own lives to solve the riddle of these young men's deaths. Simultaneously, a second plot unfolds: that of the modern-day translator of the ancient text, who, as he proceeds with his work, becomes convinced that the original author has hidden a second meaning in the text, one that can be interpreted through certain repeated words and images. As the story advances, however, the translator is alarmed to discover references to himself, which seem to address him personally in an increasingly menacing fashion.

    Sir Mortimer Wheeler describes the architecture and town planning, thesculpture and painting, the silverware, glass, pottery and the otherrich artistic achievements of the era.

    But long years have passed and he never came.Gail has gone on with her life. Then one day, a letter arrives. Clark apologizes for not coming for her but he looked and looked and he couldn’t locate her. He says he still loves her and will she come out west and marry him?They marry and things are going well. Then a band of horse thieves starts attacking in their area. Clark is the Marshal working on the case. He tries to trap the outlaws but the plan fails. He wants to send Gail away to keep her safe but she’s having none of it.When the outlaws come to attack the town itself, Clark and Gail will have to sacrifice everything to protect their love.If you like fast-paced clean romance and action-packed stories, you won't be able to put down this addictive Novel by Ember Pierce."The Hesitant Bride And Her Wounded Marshal" is a stand-alone Western Historical Romance Novel of approximately 500 pages.

    They came for the club's circuses and burlesques but especially for the lectures on the subject at the heart of the club's mission: yoga. Their guru was the notorious Pierre Bernard, who trained with an Indian master and instructed his wealthy followers in the asanas and the modern yogic lifestyle. Robert Love traces this American obsession from moonlit Tantric rituals in San Francisco to its arrival in New York, where Bernard's teachings were adopted by Wall Streeters and Gilded Age heiresses, who then bankrolled a luxurious ashram on the Hudson River-the first in the nation. Though today's practitioners know little of Bernard, they can thank his salesman's persistence for sustaining our interest in yoga despite generations of naysayers. In this surprising, sometimes comic story, Love uncovers the forgotten life and times of the colorful, enigmatic character who brought us hatha yoga. "The Great Oom" delves into the murky intersection of mysticism, money, and celebrity that gave rise to the creation of one of America's most popular practices and a fivebillion-dollar industry.

    It discusses Plato's style of writing: his use of the dialogue form, his use of what we today call fiction, and his philosophical transformation of myths. It also looks at his discussions of love and philosophy, his attitude towards women, and towards homosexual love. It explores Plato's claim that virtue is sufficient for happiness and touches on his arguments for the immorality of the soul and his ideas about the nature of the universe.

    -- and embellishes it with his own ironic humor, brilliant insights, and piercing observations. We meet a vast array of historical figures in a staggering novel of love, war, philosophy, and adventure . . . "There isn't a page of CREATION that doesn't inform and very few pages that do not delight."-- John Leonard, The New York Times

    Into his story comes a cast of fascinating characters—among them Hector, Helen, Penthiselaia the Amazon Queen, and the centaur Chiron; and finally John Keats, whose writings form the basis of a meditation on the nature of identity and shared experience. Achilles is an affirmation of the story's enduring power to reach across centuries and cultures to the core of our imagination.

    In this meditation on Aristotle's Nicomachean Ethics, an award-winning teacher shows you the clarity and ethical wisdom of one of humanity's greatest minds.Often called "the philosopher of common sense," Aristotle offers an exquisitely balanced account of many ethical questions.Professor Koterski's aim is to provide you with a clear and thoughtful introduction to Aristotle as a moral philosopher. And he suggests ways in which this thinker from so long ago still speaks to the deep concerns of our own or any age.After absorbing some important background information designed to introduce you to Aristotle's career and general approach to the various fields of knowledge, you turn to the 10 books (today we would call them chapters) of this brief but towering work.

    Focusing in Part I on the Olmec heads of early Mesoamerica, the colossal statues of the pharaoh Amenhotep III, and the nudes of classical Greece, Beard explores the power, hierarchy, and gender politics of the art of the ancient world, and explains how it came to define the so-called civilized world. In Part II, Beard chronicles some of the most breathtaking religious imagery ever made—whether at Angkor Wat, Ravenna, Venice, or in the art of Jewish and Islamic calligraphers— to show how all religions, ancient and modern, have faced irreconcilable problems in trying to picture the divine. With this classic volume, Beard redefines the Western-and male-centric legacies of Ernst Gombrich and Kenneth Clark.