In the richly imagined town of Renata, Oregon, a man watches his neighbor’s big-screen TV through binoculars. An errant son paints himself silver. Mysterious electrical humming emanates from an enormous barn. A secret abortion from three decades ago gets a public airing. In A Simplified Map of the Real World, intimate boundaries are loosened by divorce and death in a rural community where even an old pickle crock has an unsettling history—and high above the strife and the hope and the often hilarious, geese seek the perfect tailwind. Stevan Allred’s stunning debut deftly navigates the stubborn geography of the human heart.

    But this time, she swears, will be different. She'll clean up her act, go to meetings, find a sponsor, and make a clean break with her past—starting with a new phone number.But old ties aren't so easy to sever. When Shannon's new phone starts getting messages she was never meant to see, Shannon has to decide whether to risk getting involved, or stay safely disconnected.Gripping, suspenseful and smart, Disconnected is a riveting tale of addiction and obligation, secrets and redemption.

    Beth Greer was the perfect suspect--a rich, eccentric twenty-three-year-old woman, seen fleeing one of the crimes. But she was acquitted, and she retreated to the isolation of her mansion.Oregon, 2017. Shea Collins is a receptionist, but by night, she runs a true crime website, the Book of Cold Cases--a passion fueled by the attempted abduction she escaped as a child. When she meets Beth by chance, Shea asks her for an interview. To Shea's surprise, Beth says yes.They meet regularly at Beth's mansion, though Shea is never comfortable there. Items move when she's not looking, and she could swear she's seen a girl outside the window. The allure of learning the truth about the case from the smart, charming Beth is too much to resist, but even as they grow closer, Shea senses something isn't right. Is she making friends with a manipulative murderer, or are there other dangers lurking in the darkness of the Greer house?A true crime blogger gets more than she bargained for while interviewing the woman acquitted of two cold case slayings in this chilling new novel from the New York Times bestselling author of The Sun Down Motel.

    Alone in his apartment, he reads stories aloud to the point he has them memorized. Sometimes he fantasizes that he wrote them. Sometimes, when they’re his very favorite stories, he’ll fantasize about reading them in front of an audience and taking credit for them. The audience in these fantasies always loves him and gives him the respect he deserves.David Sedaris didn’t write the stories in Children Playing Before a Statue of Hercules . But he did read them. And he liked them enough to hand pick them for this collection of short fiction. Featuring such notable writers as Lorrie Moore, Alice Munro, Joyce Carol Oates, Jean Thompson, and Tobias Wolff, Children Playing Before a Statue of Hercules includes some of the most influential and talented short story writers, contemporary and classic.Perfect for fans who suffer from Sedaris fever, Children Playing Before a Statue of Hercules will tide them over and provide relief.2 hrs 56 mins

    For the past few months, Army Captain Gus MacBride, stationed in Afghanistan, has transformed her lonely life at a North Carolina refuge for abused women and their children. The texts, emails, and phone calls between him and Lucy bubble with restrained heat; his sisters (Pickle Queen Gabby and Biscuit Witch Tal) have let on that Lucy has a painful history, and he romances her gently. When several of her sheep show up on a freezing January morning with full-body mohawks, Lucy's psychic "wooly clairvoyance" says the wool thieves are hiding in nearby woods owned by the MacBrides, and that Tal knows all about them. She confesses: they're veterans--men, women, and one service dog--suffering from PTSD, suspicious and jumpy. She's taken them to heart and won their trust with apple pies. Lucy struggles with her fear of strangers while her heart is drawn to people so much like herself. When word of other minor thefts start to cause talk around the Crossroads Cove, Lucy has to get involved. When Gus tells her he's coming home on leave soon, she realizes her challenges are just beginning.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    The genes that once created vampires. Now, all over the world, people are beginning to transform. To develop unnatural and unstoppable hungers. Are they still human? Or is there now a brand new link in the food chain?The world is filled with vampire legend. Each culture with its own unique brand of blood-thirsty killer, but the stories aren't mere myth. Strange, savage, immensely powerful, and driven by a need to feed on human blood - vampires are returning.V-Wars is the chronicle of the first vampire war. From the savage murders committed by the patient zero of the plague to full-out battles with vampire terrorist cells, these are the stories of the most terrifying war mankind has ever faced.The vampire wars have begun.The world will scream. . .

    Some money from each copy of Speaking with the Angel sold will benefit autism education charities around the world, including The Treehouse School in London, where Nick’s son Danny is a student, and the New York Child Learning Institute here in the States. This project is truly a labor of love for Hornby and the other writers involved, many of whom are Nick’s friends.These original first-person narratives come from the most exciting voices in fiction. Melissa Bank gives readers a glimpse into the mind of a modern New Yorker whose still-new relationship is a constant source of surprise in “The Wonder Spot.” In Zadie Smith’s “I’m the Only One,” a young man recalls his strained relationship with his diva-esque sister. Dave Egger’s “After I Was Thrown in the River and Before I Drowned,” is told from the viewpoint of an unfortunate pit bull. Helen Fielding offers up a new twist on I’ve fallen and I can’t get up in “Luckybitch.” And in Nick Hornby’s “NippleJesus,” a bruiser finds out that guarding modern art is far more hazardous than controlling the velvet ropes at a nightclub. Speaking with the Angel also includes stories from Roddy Doyle, Irvine Welsh, Colin Firth, John O’Farrell, Robert Harris, Patrick Marber, and Giles Smith.Twelve completely new stories, written by twelve undeniably imaginative voices. Speaking with the Angel is at turns clever, outrageous, witty, edgy, tender, and wicked. This is what they meant by original.

    A town still held in the grip of an unsolved mystery. A breathtaking novel of psychological suspense by the bestselling author of We Were Mothers.A decade ago in upstate New York, art student Emma McCullough walked into the woods and was never seen again. It’s a mystery that still haunts her bucolic university town and her broken family, especially her sister Haley, whose need for closure has become an obsession. But now, finally, the first piece of evidence in the vanishing has been found: Emma’s bracelet, lodged in a frozen piece of earth at the bottom of a gorge. For Emma’s three best college friends, for a beloved former teacher, and for Haley, the chilling trinket is more than a clue in a resurrected cold case. It’s a trigger.Then a woman is attacked during an open house, and the connections between the two crimes, ten winters apart, begin to surface. So do the secrets that run as deep and dark as the currents in this quiet river town.

    Next to him a piece of paper unfolds like the wings of a butterfly, and on it is an image that Jia Jia can't forget.Profoundly troubled by what she has seen, even while she is abruptly released from a marriage that had constrained her, Jia Jia embarks on a journey to discover the truth of the sketch. Starting at her neighbourhood bar, with its brandy and vinyl, and fuelled by anger, bewilderment, curiosity and love, Jia Jia travels deep into her past in order to arrive at her future.Braised Pork is a cinematic, often dreamlike evocation of nocturnal Beijing and the high plains of Tibet, and an exploration of myth-making, loss, and a world beyond words, which ultimately sees a young woman find a new and deeper sense of herself.

    Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This self-described sentimental bird is attracted to the grieving family and threatens to stay until they no longer need him. As weeks turn to months and physical pain of loss gives way to memories, this little unit of three begin to heal.In this extraordinary debut - part novella, part polyphonic fable, part essay on grief, Max Porter's compassion and bravura style combine to dazzling effect. Full of unexpected humour and profound emotional truth, Grief is the Thing with Feathers marks the arrival of a thrilling new talent.

    When Celia Sands arrives at a remote Italian villa to star in the first performance of a deceased playwright's masterpiece, she is instantly drawn to the mysteries surrounding the play -- and to her compelling, compassionate employer.

    But not everything has gone to plan, and while some are here to celebrate, others have sorrows to drown. When someone falls from the balcony of the house, the secrets and conflicts within the group begin to spill out.DS Alison Hegarty, herself struggling with infertility, is called in to investigate. She’s convinced the fall was not an accident, and finds the new parents have a lot to hide. Wealthy Ed and Monica show off their newborn while their teenage daughter is kept under virtual house arrest. Hazel and Cathy conceived their longed-for baby via an anonymous sperm donor—or so Hazel thinks. Anita and Jeremy planned to adopt from America, but there’s no sign of the child. Kelly, whose violent boyfriend disrupted previous group sessions, came to the party even though she lost her baby. And then there’s Jax, who’s been experiencing strange incidents for months—almost like someone’s out to get her. Is it just a difficult pregnancy? Or could it be payback for something she did in the past? It’s a nightmare of a case, and as events get even darker it begins to look impossible. Only one thing is clear: they all have something to hide. And for one of them, it’s murder.

    Ahern takes the familiar aspects of women's lives—the routines, the embarrassments, the desires—and elevates these moments to the outlandish and hilarious with her astute blend of magical realism and social insight.One woman is tortured by sinister bite marks that appear on her skin; another is swallowed up by the floor during a mortifying presentation; yet another resolves to return and exchange her boring husband at the store where she originally acquired him. The women at the center of this curious universe learn that their reality is shaped not only by how others perceive them, but also how they perceive the power within themselves.By turns sly, whimsical, and affecting, these thirty short stories are a dynamic examination of what it means to be a woman in this very moment. Like women themselves, each story can stand alone; yet together, they have a combined power to shift consciousness, inspire others, and create a multi-voiced Roar that will not be ignored.

    Lovecraft's classic stories, among them some of the greatest works of horror fiction ever written, including: