Journeying between his native Ulster and his adopted London, he balances ideas of home and flight, the need for belonging and the need to remain outside. Formally deft, rhetorically fresh, these poems never shy from difficult choices, exploring cruelty and vengeance wherever they may be found: in love, in work and against political backdrops. But these are brave, resolute writings that resist despair at all times, affirming instead the need to rebuild and to right oneself, to dust down and carry on.

    I was born part precious metal, part pirate."), an orphaned girl who is taken in by blind Mr. Pew, the mysterious and miraculously old keeper of a lighthouse on the Scottish coast. Pew tells Silver stories of Babel Dark, a nineteenth-century clergyman. Dark lived two lives: a public one mired in darkness and deceit and a private one bathed in the light of passionate love. For Silver, Dark's life becomes a map through her own darkness, into her own story, and, finally, into love.One of the most original and extraordinary writers of her generation, Jeanette Winterson has created a modern fable about the transformative power of storytelling.

    Key Features: *Study methods *Introduction to the text *Summaries with critical notes *Themes and techniques *Textual analysis of key passages *Author biography *Historical and literary background *Modern and historical critical approaches *Chronology *Glossary of literary terms

    

    Using the techniques of omission and indirection perfected in such masterpieces as Badenheim 1939 and To the Land of the Cattails, Appelfeld tells the story of Bartfuss, enigmatically "the immortal" because of his experience in the camps. Now locked in a hopeless marriage, Bartfuss struggles to suppress the emotions and recollections he fears and despises, while trying to keep alive the poise, dignity, and compassion essential to a human being. The Immortal Bartfuss is an overwhelming and unforgettable study of a man reduced to his tragic limits.

    On entering the Society of Jesus at the age of 24, he burnt all his poetry and 'resolved to write no more, as not belonging to my profession, unless by the wish of my superiors.' The poems, letters, and journal entries selected for this edition were written in the following twenty years of his life and published posthumously in 1918.His verse is wrought from the creative tensions and paradoxes of a poet-priest who wanted to evoke the spiritual essence of nature sensuously, and to communicate this revelation in natural language and speech-rhythms while using condensed, innovative diction and all the skills of poetic artifice. Intense, vital, and individual, his writing is the 'terrible crystal' through which the soul--the inscape, the nature of things--may be illuminated.

    This book comprises Sexton's ten volumes of verse, including the Pulitzer Prize-winner Live or Die, as well as seven poems from her last years.

    . .--from "The Window"Lynda Hull's Collected Poems brings together her three collections--long unavailable--with a new introduction by Yusef Komunyakaa, and allows, for the first time, the full scale of her achievement to be seen. Edited with Hull's husband, David Wojahn, this book contains all the poems Hull published in her lifetime, before her untimely death in 1994.Collected Poems is the first book in the Graywolf Poetry Re/View Series, which brings essential books of contemporary American poetry back into print. Each volume--chosen by series editor Mark Doty--is introduced by a poet who brings to the work a passionate admiration. The Graywolf Poetry Re/View Series brings all-but-lost masterworks of recent American poetry into the hands of a new generation of readers.

    Instead, he lets loose misery and confusion and—for the spectators at any rate—a morality play, rich in reflections upon the paradoxes of human life and the nature of the battle between sacred and profane love.

    As two pals wander the streets of Belfast in search of something better--a better pint, a better job, a better woman, a better now--readers are treated to their hilarious misadventures, political intrigues, and outlandish schemes.

    Stella Rodney is one of those who chose to stay. But for her, the sense of impending catastrophe becomes acutely personal when she discovers that her lover, Robert, is suspected of selling secrets to the enemy, and that the man who is following him wants Stella herself as the price of his silence. Caught between these two men, not sure whom to believe, Stella finds her world crumbling as she learns how little we can truly know of those around us.

    The anthology offers more poetry by women (40 new poets), with special attention to early women poets. The book also includes a greater diversity of American poetry, with double the number of poems by African American, Hispanic, native American and Asian American poets. There are 26 new poets representing the Commonwealth literature tradition: now included are more than 37 poets from Australia, New Zealand, Ireland, Scotland, Wales, the Caribbean, South Africa and India.

    This book gives insight to the poet Alfred Tennyson from a biographical sketch to the many examples of his great poetry.

    Thirty years later, this thorough and sensitive revision freshly renders the remarkable range of styles, subjects, and voices in English-language poetry, from Walt Whitman and Thomas Hardy in the late nineteenth century to Carol Ann Duffy and Sherman Alexie in the twenty-first century.With 195 poets and 1,596 poems, The Norton Anthology of Modern and Contemporary Poetry richly represents the major figures—Yeats, Frost, Stevens, Williams, Hughes, Olson, Bishop, Larkin, Plath, Rich, Heaney, and Walcott, among others. It also gives full voice to postcolonial and transnational poets, ethnic American poetries, experimental traditions, and the long poem. Each volume concludes with a Poetics section that provides essential contexts for reading the poems.With substantially new introductions, headnotes, annotations, and bibliographies by the award-winning scholar and teacher Jahan Ramazani, this anthology is indispensable for all who love poetry. Two volumes, slipcased.

    “In its stern and quiet way Sandra Lim’s The Wilderness is one of the most thrilling books of poetry I have read in many years” (Louise Glück).From “Aubade”From the last stars to sunrise the world is dark and enduringand emptiness has its place.Then, to wake each day to the world’s unwaveringlimits, you have to think about passion differently, again.