Scores of them are in new and sometimes multiple translations, and many accompanied by the Spanish original. In his introduction, Ilan Stavans situates Neruda in his native milieu as well as in a contemporary English-language one, and a group of new translations by leading poets testifies to Neruda's enduring, vibrant legacy among English-speaking writers and readers today.

    Chilling and witty, prescient and personal, delectable and tart, these highly imaginative, vintage Atwoodian mini-fictions speak on a broad range of subjects, reflecting the times we live in with deadly accuracy and knife-edge precision.In pieces ranging in length from a mere paragraph to several pages, Atwood gives a sly pep talk to the ambitious young; writes about the disconcerting experience of looking at old photos of ourselves; gives us Horatio's real views on Hamlet; and examines the boons and banes of orphanhood. Bring Back Mom: An Invocation; explores what life was really like for the "perfect" homemakers of days gone by, and in The Animals Reject Their Names she runs history backward, with surprising results.Chilling and witty, prescient and personal, delectable and tart, The Tent is vintage Atwood, enhanced by the author's delightful drawings.

    The sexual revolution has led, he argues, not to sexual liberation but to a reign of transvestism, to a confusion of the categories of man and woman—to the “androgenous and Frankenstein appeal of a Michael Jackson.” The revolution in art has led to a “transaesthetic realm of indifference.” The cybernetic revolution has blurred the distinction between man and machine, while the political revolution has led to a ‘transpolitics’ that merely simulates old political forms. Such are the points of Baudrillard’s compass as he steers his way through the mental landscape of this febrile fin de siecle.

    It is a perfect companion to Patrick Suskind's bestseller Perfume.

    This new bilingual selection brings together some two hundred poems--the largest collection of Borges' poetry ever assembled in English, including scores of poems never previously translated. Edited by Alexander Coleman, the selection draws from a lifetime's work--from Borges' first published volume of verse, Fervor de Buenos Aires (1923), to his final work, Los Conjurados, published just a year before his death in 1986. Throughout this unique collection the brilliance of the Spanish originals is matched by luminous English versions by a remarkable cast of translators, including Robert Fitzgerald, Stephen Kessler, W. S. Merwin, Alastair Reid, Mark Strand, Charles Tomlinson, and John Updike.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Her major books--The House of the Spirits, Of Love and Shadows, Eva Luna, The Stories of Eva Luna, The Infinite Plan, and Paula--have been translated into nearly thirty languages and have sold more than 10 million copies worldwide. The first two novels have been made into successful Hollywood films. A marvelous ability for storytelling, particularly the hidden stories of women's lives, is the secret of Allende's success. In this collection of thirty-four interviews spanning the 1980s and 1990s, she tells her own story in her own words, from her early years as a Chilean TV personality and niece of the late Chilean president Salvador Allende through the major transformations of her adult life, first as a political refugee in Venezuela, then as a United States visitor, permanent California resident, newly remarried wife, and renowned world writer. The interviews spotlight issues in Allende's life, art, and working habits that have consistently fascinated her readers and critics. Five of the interviews have not been published before, and several that originally appeared in Spanish, German, and Dutch are here translated into English for the first time. As a collection, the interviews constitute a sharply focused, intimate short autobiography of Isabel Allende--the first to appear in any language. Family photographs selected by Allende (including some never before published) complement the text.

    Writing in a lyrical mixture of Spanish and English that is her unique heritage, she meditates on the condition of Chicanos in Anglo culture, women in Hispanic culture, and lesbians in the straight world. Her essays and poems range over broad territory, moving from the plight of undocumented migrant workers to memories of her grandmother, from Aztec religion to the agony of writing. Anzaldua is a rebellious and willful talent who recognizes that life on the border, "life in the shadows," is vital territory for both literature and civilization. Venting her anger on all oppressors of people who are culturally or sexually different, the author has produced a powerful document that belongs in all collections with emphasis on Hispanic American or feminist issues.

    There are incisive accounts of all the sights, from the world renowned Louvre and Tour Eiffel to the well-kept secrets of Balzac's house and the Jardin du Paris. There are also reviews of cafes, bars, restaurants and hotels, and listings of shops and markets, clubs and cinemas - presenting the reader with the best Paris has to offer, for every budget. A further chapter includes in-depth coverage of day-trips from the city, including Versailles and Disneyland Paris.

    The most dynamic modernist French poet and the champion of the Cubist painters, he is remembered as much for his more traditional lyric poems as for the typographical experiments of his `calligrammes'. Subtle and complex, yet often direct, his poetry is still fresh and memorable. Guillaume Apollinaire was born in Rome in 1880. Educated in Monaco and Nice, he became a French citizen only in 1916, after service in the artillery and infantry. He was badly wounded in the head in 1916, and died during the Paris flu epidemic in 1918. As prose writer and art critic as well as poet, Apollinaire was the moving spirit of French modernism. Oliver Bernard, born in 1925, has worked as an advisory teacher of drama, and was a director of the Speak a Poem Competition from its inception. He has lived in Norfolk for over thirty years.

    Unbeknownst to D'Artagnan, Aramis and Porthos plot to remove the inept king and place the king's twin brother on the throne of France. Meanwhile, a twenty-three-year-old prisoner known only as "Philippe" wastes away deep inside the Bastille. Forced to wear an iron mask, Phillippe has been imprisoned for eight years, has no knowledge of his true identity, and has not been told what crime he's committed. When the destinies of the king and Phillippe converge, the Three Musketeers and D'Artagnan find themselves caught between conflicting loyalties.

    Poems selected from Verlaine's first six books of verse are presented in the original French as well as in English translation.

    -- Presents the most important 20th-century criticism on major works from The Odyssey through modern literature-- The critical essays reflect a variety of schools of criticism-- Contains critical biographies, notes on the contributing critics, a chronology of the author's life, and an index

    Unlike Japan with its long tradition of women writers, poetry by women did not become fashionable in China until the Ch'ing dynasty (1644-1911), although poems from earlier centuries that do in fact survive will quickly dispel any stereotyped views. Included here are samplings from the legendary earliest poetry of courtesans, palace women, and Tao priestesses to works by contemporary Chinese women living in both the East and West. Appendixes include notes on the poems, an introductory essay on Chinese women and literature, a table of historical periods, and a bibliography.

    Contains more than 400 letters and poems written to family, creditors, debtors, and bankers.

    That book was the last surviving manuscript of an ancient Roman philosophical epic, On the Nature of Things, by Lucretius—a beautiful poem of the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion, colliding and swerving in new directions.The copying and translation of this ancient book—the greatest discovery of the greatest book-hunter of his age—fueled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and had a revolutionary influence on writers such as Montaigne and Shakespeare and even Thomas Jefferson.