Transcribed by Indian and English folklorists in the nineteenth century, these stories brim with wit and magic. Fans of fairy tales will encounter familiar favorites—epic quests and talking animals—alongside delightful surprises—an irreverent sense of humor and an array of bold, inspiring heroines. This special gift edition features an embossed, textured case and a ribbon marker, and each tale comes alive alongside exquisite artwork by a pair of contemporary Indian artists.

    . . How to spot and identify demons and other subversive spirits . . . And what to do next.Demons, fairies, and fallen angels are everywhere. They lurk at crossroads, crouch behind doors, hide in trees, slip into beds, wait in caves, hover at weddings and childbirths, disguise themselves as friends, relatives-even disguise themselves as you. They are powerful; they are protean; they are enchanting. And, to the uninformed, they are often invisible. This illustrated guide-the first of its kind-reveals the remarkable permutations of the demon and fairy species worldwide. Packed with lore about each demon, detailing its origins, the culture surrounding it, and its reputed antics and exploits, A Field Guide to Demons, Fairies, Fallen Angels, and Other Subversive Spirits is a fascinating exploration of global mythologies. Perfect for the armchair traveler and the intrepid, seasoned demon-spotter alike, this complete guide to subversive spirits offers a behind-the-scenes look at the devilish mishaps, impish irritations, and demonic devastations that punctuate our lives.

    A fascinating story."--Christian Science MonitorThere have been many Mexicos: the country of varied terrain, of Amerindian heritage, of the Spanish Conquest, of the Revolution, and of the modern era of elections and the rule of bankers. Mexico was forged in the fires of successive civilizations, and baptized with the blood of millions, all of whom added tragic dimensions to the modern Mexican identity. T. R. Fehrenbach brilliantly delineates the contrasts and conflicts between them, unraveling the history while weaving a fascinating tapestry of beauty and brutality: the Amerindians, who wrought from the vulnerable land a great indigenous Meso-American civilization by the first millennium B.C.; the successive reigns of Olmec, Maya, Toltec, and Mexic masters, who ruled through an admirably efficient bureaucracy and the power of the priests, propitiating the capricious gods with human sacrifices; the Spanish conquistadors, who used smallpox, technology, and their own ruthless individualism to erect a new tyranny over the ruins of the old; the agony of independent Mexico, struggling with the weight of its overwhelming past and tremendous potential. Throughout the narrative the author resurrects the great personalities of Mexican history, such as Motecuhzoma, Cortes, Santa Anna, Juárez, Maximilian, Díaz, Pancho Villa, and Zapata. Fehrenbach, who has updated this edition to include recent events, has created a work of scholarly perspective and gripping prose.

    . . The secrets are written in meandering streams and drifting clouds, whispered by the roaring ocean and cooling breeze, echoed through caves and rocks and forests. When you draw a heart in the sand, call on the four winds for assistance, or ask the rain to wash away a bad habit, you are practicing earth magic. By working in harmony with nature, we can transform ourselves, our lives, and our world. This tried-and-true guide offers more than one hundred spells, rites, and simple rituals you can perform using the powerful energy of the earth. Scott Cunningham was a greatly respected teacher and one of the most influential members of the modern Craft movement. A practitioner of elemental magic for twenty years, he wrote more than fifty books, including the seminal Wicca: A Guide for the Solitary Practitioner.

    these ancient northern deities gave their names to the very days of our week. Nevertheless, most of us know far more of Mars, Mercury, Jupiter, Venus, and the classical deities. Recent researches in archaeology and mythology have added to what was already a fairly consistent picture (largely derived from a twelfth-century Icelandic account) of the principal Scandinavian gods and goddesses. This new study - the first popular treatment of the subject to appear in English for many years - is the work of a scholar who has long specialized in Norse and Germanic mythology. She describes the more familiar gods of war, of fertility, of the sky and the sea and the dead, and also discusses those puzzling figures of Norse mythology - Heimdall, Balder, and Loki. All these deities were worshipped in the Viking Age, and the author has endeavoured to relate their cults to daily life and to see why these pagan beliefs gave way in time to the Christian faith.

    From the earliest whispers of eternal evil in ancient Mesopotamia, Greece, and Rome, vampire tales flourished through the centuries and around the globe, fueled by superstition, sexual mystery, fear of disease and death, and the nagging anxiety that demons lurk everywhere.In Vampire Forensics, Mark Jenkins probes vampire legend to tease out the historical truths enshrined in the tales of terror: sherds of Persian pottery depicting blood-sucking demons; the amazing recent discovery by National Geographic archaeologist Matteo Borrini of a 16th-century Venetian grave of a plague victim and suspected vampire; and the Transylvanian castle of "Vlad the Impaler," whose bloodthirsty cruelty remains unsurpassed.Jenkins navigates centuries of lore and legend, adding new chapters to the chronicle and weaving an irresistibly seductive blend of superstition, psychology, and science sure to engross everyone from Anne Rice's countless readers to serious students of archaeology and mythology.

    Illustrated with woodcuts.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    Delving into the 15th century to uncover the origins of the werewolf legend, it is an eye-opening, blood-pounding tour through the ages, landing on the doorstep of creatures like hirsute mass-murderer Charles Manson and canine-directed Son of Sam. A helpful chronology of lycanthropic activities dates back 140,000 years, to the first mixing of human and lupine blood.

    The tales drawn together in this book, from a wide range of medieval sources, span the centuries from the dawn of Christianity to the age of the Plantagenets. The Norse gods which peopled the Anglo-Saxon past survive in Beowulf; Cuchulainn, Taliesin and the magician Merlin take shape from Celtic mythology; and saints include Helena who brought a piece of the True Cross to Britain, and Joseph of Arimathea whose staff grew into the Glastonbury thorn. Tales of the British Arthur are followed by legends of later heroes, including Harold, Hereward and Godiva. These figures and many others were part of a familiar national mythology on which Shakespeare drew for Lear, Macbeth and Hamlet, creating the famous versions that are known today. Here the original stories are presented. RICHARD BARBER's other books include The Holy Grail, King Arthur: Hero and Legend, Arthurian Legends: An Anthology and The Knight and Chivalry.

    To some they offer tantalizing glimpses of other worlds. to others a subversive counterpoint to human arrogance and weakness. Like no other author. Katharine Briggs throughout her work communicated the thrill and delight of the world of fairies. and in this book she articulated for the first time the history of that world in tradition and literature.From every period and every country. poets and storytellers have described a magical world inhabited by elfin spirits. Capricious and vengeful. or beautiful and generous. theyve held us in thrall for generations. And on a summers morn. as the dew dries softly on the grass. if you kneel and look under a toadstool. well ...

    Arranged geographically by region, this book also includes category index groups that list the stories by plot and character.

      Here are Paul Bunyan, that king-sized lumberjack who could fell “ten white pines with a single swing”; John Henry, with his mighty hammer; Mose, old New York’s biggest, bravest fireman; Sally Ann Thunder Ann Whirlwind, who could “outgrin, outsnort, outrun, outlift, outsneeze, outsleep, outlie any varmint”; and other uniquely American characters, together in one superb collection.   In the tradition of the original nineteenth-century storytellers, Mary Pope Osborne compiles, edits, and adds her own two cents’ worth—and also supplies fascinating historical headnotes. Michael McCurdy’s robust colored wood engravings recall an earlier time, perfectly capturing all the vitality of the men and women who carved a new country out of the North American wilderness.

    Only a few years earlier, revolutionaries had proclaimed a new era of tolerance, equal justice, and human rights. How and why did the French Revolution's lofty ideals of liberty, equality, and fraternity descend into violence and terror?The Coming of the Terror in the French Revolution offers a new interpretation of this turning point in world history. Timothy Tackett traces the inexorable emergence of a culture of violence among the Revolution's political elite amid the turbulence of popular uprisings, pervasive subversion, and foreign invasion. Violence was neither a preplanned strategy nor an ideological imperative but rather the consequence of multiple factors of the Revolutionary process itself, including an initial breakdown in authority, the impact of the popular classes, and a cycle of rumors, denunciations, and panic fed by fear--fear of counterrevolutionary conspiracies, fear of anarchy, fear of oneself becoming the target of vengeance. To comprehend the coming of the Terror, we must understand the contagion of fear that left the revolutionaries themselves terrorized.Tackett recreates the sights, sounds, and emotions of the Revolution through the observations of nearly a hundred men and women who experienced and recorded it firsthand. Penetrating the mentality of Revolutionary elites on the eve of the Terror, he reveals how suspicion and mistrust escalated and helped propel their actions, ultimately consuming them and the Revolution itself.

    In fact original fairy tales are still being written. Over the last century and a half many well-known authors have used the characters and settings and themes of traditional tales such as 'Cinderella', 'Hansel and Gretel', and 'Beauty and the Beast' to produce new and characteristic works of wonder and enchantment. The Oxford Book of Modern Fairy Tales brings together forty of the best of these stories by British and American writers from John Ruskin and Nathaniel Hawthorne to I. B. Singer and Angela Carter. These tales are full of princes and princesses, witches and dragons and talking animals, magic objects, evil spells, and unexpected endings. Some of their authors, like John Ruskin and Oscar Wilde, use the form to point a social or spiritual moral; others such as Jeanne Desy and Richard Kennedy, turn the traditional stories inside out to extraordinary effect. James Thurber, Bernard Malamud, and Donald Barthelme, among many others, bring the characters and plots of the traditional fairy tale into the contemporary world to make satiric comments on modern life. The literary skill, wit, and sophistication of these stories appeal to an adult audience, even though some of them were originally written for children. They include light-hearted comic fairy stories like Charles Dickens's 'The Magic Fishbone' and L. F. Baum's 'The Queen of Quok', thoughtful and often moving tales like Lord Dunsany's 'The Kith of the Elf Folk' and Philip K. Dick's 'The King of the Elves', and profoundly disturbing ones like Lucy LaneClifford's 'The New Mother', and Ursula Le Guin's 'The Wife's Story'. Together they prove that the fairy tale is not only one of the most popular and enduring forms, but a significant and continually developing part of literature.Uncle David's nonsensical story about giants and fairies / Catherine Sinclair --Feathertop / Nathaniel Hawthorne --The King of the Golden River / John Ruskin --The story of Fairyfoot / Frances Browne --The light princess / George MacDonald --The magic fishbone / Charles Dickens --A toy princess / Mary De Morgan --The new mother / Lucy Lane Clifford --Good luck is better than gold / Juliana Horatia Ewing --The apple of contentment / Howard Pyle --The griffin and the minor canon / Frank Stockton --The selfish giant / Oscar Wilde --The rooted lover / Laurence Housman --The song of the morrow / Robert Louis Stevenson --The reluctant dragon / Kenneth Grahame --The book of beasts / E. Nesbit --The Queen of Quok / L.F. Baum --The magic ship / H.G. Wells --The Kith of the elf-folk / Lord Dunsany --The story of Blixie Bimber and the power of the gold buckskin whincher / Carl Sandburg --The lovely myfanwy / Walter De la Mare --The troll / T.H. White --Gertrude's child / Richard Hughes --The unicorn in the garden / James Thurber --Bluebeard's daugher / Sylvia Townsend Warner --The chaser / John Collier --The King of the elves / Philip K. Dick --In the family / Naomi Mitchison --The jewbird / Bernard Malamud --Menaseh's dream / I.B. Singer --The glass mountain / Donald Barthelme --Prince Amilec / Tanith Lee --Petronella / Jay Williams --The man who had seen the rope trick / Joan Aiken --The courtship of Mr Lyon / Angela Carter --The princess who stood on her own two feet / Jeanne Desy --The wife's story / Ursula Le Guin --The river maid / Jane Yolen --The porcelain man / Richard Kennedy --Old man Potchikoo / Louise Erdrich

    Will feels useless. He can't save his mother. He can't help his father. And when he tries to amuse his brother on the plane ride, he can't even locate the images in Jamie's book--the hidden pictures that everyone else can see. Once at the family's ancestral castle, though, Will tries again. And as he delicately adjusts his focus, suddenly his eyes tune in to a different visual frequency--the past.Looking back five hundred years is interesting . . . at first. But when Jamie impulsively leaps through the opening in time, Will and his cousin Nan must follow, into a past so dangerous that Will isn't sure how he will get everyone safely home.Christy Ottaviano Books