720 Taught by Robert Greenberg San Francisco Performances Ph.D., University of California at Berkeley 32 Audio Cds with Course Outline Booklet

    Mine is predicated on formative years spent cleaning my father’s calf pens: Just keep shoveling until you’ve got a pile so big, someone has to notice. The fact that I cast my life’s work as slung manure simply proves that I recognize an apt metaphor when I accidentally stick it with a pitchfork. . . . Poetry was my first love, my gateway drug—still the poets are my favorites—but I quickly realized I lacked the chops or insights to survive on verse alone. But I wanted to write. Every day. And so I read everything I could about freelancing, and started shoveling."  The pieces gathered within this book draw on fifteen years of what Michael Perry calls "shovel time"—a writer going to work as the work is offered. The range of subjects is wide, from musky fishing, puking, and mountain-climbing Iraq War veterans to the frozen head of Ted Williams. Some assignments lead to self-examination of an alarming magnitude (as Perry notes, "It quickly becomes obvious that I am a self-absorbed hypochondriac forever resolving to do better nutritionally and fitness-wise but my follow-through is laughable.") But his favorites are those that allow him to turn the lens outward: "My greatest privilege," he says, "lies not in telling my own story; it lies in being trusted to tell the story of another."

     In her late twenties, M.E. Evans hops on a plane to Italy on a mission to change her life and that’s exactly what happens. Unfortunately, personal growth isn’t always easy. In Naked, bestselling author, M.E. Evans tackles the dysfunctional family narrative and travel memoir in a way that is refreshingly honest, painfully vulnerable, and wildly entertaining. If you’ve ever set foot in a foreign country or picked up a travel memoir you probably think you already know what Naked is about: a dreamy personal account of the life-altering beauty that is Italy. And sure, that’s in there, nestled somewhere between the profound grief, bruised ego, debilitating anxiety, chronic depression, vagina paintings, a boyfriend with billowing chest hair and a mother-in-law who forcibly irons your underwear. Evans’ dream of a magical life abroad is marred by forbidden love, the death of her younger brother, and a batshit crazy family, yet she skillfully merges tragedy and humor for a wild emotional journey exploring what it means to be human–flaws and all. Evans’ wit, compassion, and vulnerability make reading this book a rarely authentic and relatable experience. You’ll cry, you’ll cackle, and you’ll want Evans to be your best friend.

    It begins in Trieste in 1979 where the embers of the Habsburg Empire still burnt brightly. The second part moves to the darker, claustrophobic world of Vienna in 1985, where the atmosphere of the Cold War seemed to infiltrate every brick of a city hovering between two worlds, and even the most seemingly harmless of culinary establishments masked the game of espionage between east and west. In the third part, the story shifts to Prague in 1989 during the dramatic, intoxicating days of the "velvet revolution" and the long-awaited opening up of the east. Revolution, when it came was from above rather than below: Moscow was far more engaged with events during those turbulent November weeks than is generally appreciated. Throughout the book we encounter a diverse array of glittering characters: penniless aristocrats, charming gangsters, even Amazonian blondes in the service of eastern European spy agencies; fractious diplomatists and disinherited royalty supply a colourful supporting cast. With enormous charm, wit and insight, Richard Bassett recreates through his personal encounters the farce and tragedy of the last days of communism.

     Britain’s Naval supremacy is being challenged for the first time since Trafalgar. At large in South American waters within reach of the convoy routes across the Atlantic and the Pacific was Vice-Admiral Graf von Spee with the East Asiatic Cruiser Squadron of the Imperial German Navy, including the armoured cruisers Scharnhorst and Gneisenau. Graf von Spee’s belief that a cruiser squadron was of more strategic value than independent raiders seemed amply justified at Coronel on 1st November, when the powerful German unit inflicted a heavy defeat on four courageous but weaker British ships under Rear-Admiral Sir Christopher Cradock. Reaction in Britain was immediate and violent. The Royal Navy had been seen as invincible. Now, in the first major engagement in which battle had been offered since the days of Nelson, it had suffered a morale-shattering blow. Public bewilderment turned swiftly to anger: the Royal Navy thirsted for revenge. The Admiralty, in the persons of the First Lord, Mr. Winston Churchill, and the First Sea Lord, Lord Fisher, ordered the destruction of the East Asiatic Squadron; everything must be done to recapture command of the Southern Seas. A powerful force including the two battle-cruisers Invincible and Inflexible, was sent to the Falkland Islands, prepared for a long search and a battle of annihilation. The Battle of the Falkland Islands was fought on 8th December. The desperate gallantry of the Imperial German Navy challenged the vengeful pride of the Royal Navy in a struggle for control over the ocean trade-routes of the Southern Seas. Two of the major participants, Cradock and von Spee, died with their ships. Basing his text upon German and British records, Pitt has reconstructed the events of the two ‘missing periods’: the fatal hours during which Cradock decided to fling his puny force against von Spee’s squadron; and the days when von Spee was forced to risk his ships and men upon the information contained in an ill-considered telegram and an unfounded rumour. In Coronel and Falkland Barrie Pitt presents a vivid picture of these epic battles of the First World War. His description of the actions are precise and graphic, his judgement of the motives and decisions of those in command, scrupulous and detailed. Praise for Zeebrugge “Mr. Barrie Pitt has done a splendid job in pulling together all the details of this operation and presenting it in a lively way, with plenty of maps and diagrams.” — News Chronicle “A breathless and unforgettable narrative.” — Sphere “Mr. Pitt’s description of the desperate action on Zeebrugge Mole itself must be one of the most graphic accounts ever written in the annals of sea warfare. This in truth was a magnificent feat by the Royal Navy.” — Yorkshire Evening Post “A lively and detailed narrative, admirably illustrated, of a particularly gallant effort, which will serve to keep alive the fame of that band of heroes.” — Naval Review Praise for Special Boat Squadron ‘Barrie Pitt’s account of the exploits of these brave men in the Mediterranean is as much a thriller as a history book’ - The Daily Mail, Hull (less)

     Born in a California women’s prison in 1963, Laureen Pittman was relinquished for adoption. As a child, Laureen was conditioned to believe that being adopted didn’t matter. So, it didn’t . . . until it did. Through scraps of information, Laureen stitched together her history – one that started in the psychedelic sixties and ended up in a future where DNA could solve mysteries. She never imagined that spitting into a plastic tube, along with painstaking research and the explosion of technology would reveal the answers to her identity. Laureen’s tale is for anyone who has ever questioned who they are, where they came from, or how they fit in. Her journey to find her truth illustrates the strength and power of our need for connection, belonging, and healing through knowledge. What people are saying about The Lies That Bind "Pittman walks, with grace and wisdom, through the uncharted and difficult territory, where she uncovers secrets long buried and finds those who embrace one another as a family. Hers is a story of resilience and tenacity. It is about the peace that comes when we are in the shadows no more, and it will inspire others on their own healing path." ~ Linda Hoye, Author of Two Hearts: An Adoptee’s Journey Through Grief to Gratitude "Laureen’s tale from the point of view of an adoptee is one of incredible bravery and courage. Her beautiful voice echoes through the pages with pain and joy, disappointment and redemption. No matter if you have been involved in adoption directly or not, there is beauty to be found in this heart-wrenching book." ~ From the Foreword by Angie Martin, Bestselling & Award-winning author of Conduit and Chrysalis

    Orphaned by the earthquake and powerful eruption of Mt. Etna in 1908, Angela is raised in the strict confines of an Italian convent. Through various twists of fate, she is married to a young Italian man whom she barely knows, then together with her spouse, immigrates to the U.S. This novel is an invitation to accompany the young Angela as she confronts the ephemeral nature of life on this planet and navigates the wide cultural gaps between pre-World War II Italy and the booming prosperity of dynamic young America. Author, artist, and teacher Carmela Cattuti created Between the Cracks as an homage to her great-aunt, who survived the earthquake and eruption of Mt. Etna and bravely left Sicily to start a new life in America.

    For centuries, war was Europe's defining narrative, affecting every aspect of political, social, and cultural life. But afterWorldWar II, Europe began to reimagine statehood, rejecting ballooning defense budgets in favor of material well-being, social stability, and economic growth.Where Have All the Soldiers Gone? reveals how and why this happened, and what it means for America and the rest of the world.With remarkable insight and clarity, Sheehan covers the major intellectual and political events in Europe over the past one hundred years, from the pacifist and militarist movements of the early twentieth century and two catastrophic world wars to the fall of the BerlinWall and the heated debate over Iraq.This authoritative history provides much-needed context for understanding the fractured era in which we live.we live.

     In the past century, individuals, newspapers, and military agencies have recorded thousands of UFO incidents, giving rise to much speculation about flying saucers, visitors from other planets, and alien abductions. Yet the extraterrestrial phenomenon did not begin in the present era. Far from it. The authors of Wonders in the Sky reveal a thread of vividly rendered-and sometimes strikingly similar- reports of mysterious aerial phenomena from antiquity through the modern age. These accounts often share definite physical features- such as the heat felt and described by witnesses-that have not changed much over the centuries. Indeed, such similarities between ancient and modern sightings are the rule rather than the exception. In Wonders in the Sky, respected researchers Jacques Vallee and Chris Aubeck examine more than 500 selected reports of sightings from biblical-age antiquity through the year 1879-the point at which the Industrial Revolution deeply changed the nature of human society, and the skies began to open to airplanes, dirigibles, rockets, and other opportunities for misinterpretation represented by military prototypes. Using vivid and engaging case studies, and more than seventy-five illustrations, they reveal that unidentified flying objects have had a major impact not only on popular culture but on our history, on our religion, and on the models of the world humanity has formed from deepest antiquity. Sure to become a classic among UFO enthusiasts and other followers of unexplained phenomena, Wonders in the Sky is the most ambitious, broad-reaching, and intelligent analysis ever written on premodern aerial mysteries.

    The rocker settled in Berlin, where he would make his “Berlin Trilogy”—the albums Low, Heroes, and Lodger, which are now considered some of the most critically acclaimed and innovative of the late twentieth century. But Bowie’s time in Berlin was about more than producing new music. As Tobias Rüther describes in this fascinating tale of Bowie’s Berlin years, the musician traveled to West Berlin—the capital of his childhood dreams and the city of Expressionism—to repair his body and mind from the devastation of drug addiction, delusions, and mania.             Painting a vivid picture of Bowie’s life in the Schöneberg area of the city, Rüther describes the artist’s friendships and collaborations with his roommate, Iggy Pop, as well as Brian Eno and Tony Visconti. Rüther illustrates Bowie’s return to painting, days cycling to the Die Brücke museum, and his exploration of the city’s nightlife, both the wild side and the gay scene. In West Berlin, Bowie also met singer and actress Romy Haag; came to know Hansa Studios, where he would record Low and Heroes; and even landed the part of a Prussian aristocrat in Just a Gigolo, starring alongside Marlene Dietrich. Eventually Rüther uses Bowie and his explorations of the cultural and historical undercurrents of West Berlin to examine the city itself: divided, caught in the Cold War, and how it began to redefine itself as a cultural metropolis, turning to the arts to start a new history. Tying in with an exhibition at the Museum of Contemporary Art, Chicago, in September, 2014, Heroes tells the fascinating story of how the music of the future arose from the spirit of the past. It is an unforgettable look at one of the world’s most renowned musicians in one of its most inspiring cities.

    The posthumous influence of the Roman Republic and Empire have no equal in all of history. Their varied culture, stunning art, brilliant philosophy, and towering architecture is embedded in our modern world. Roman innovation has left behind a legacy that has remained admired and emulated for over a thousand years. They built massive networks of roads before the birth of Christ. They constructed elaborate public sewer systems over 1,500 years before the United States became a Nation, and had networks of aqueducts bringing running water. Their tactics in battle are still studied by historians and military leaders of today. Their history is filled with great conflicts, compelling love stories, and the most treacherous of leaders. Hollywood has explored their culture time and again on the silver screen. Larger than life commanders like Julius Caesar would help shape their ultimate destiny. In his book entitled The Rise and Fall of the Roman Empire: Life, Liberty, and the Death of the Republic author Barry Linton highlights and explains the significant struggles and contributions that have made Rome so well known. Join us as we explore the meteoric rise, monumental life, inevitable death, and eventual rebirth of Rome.

    The launch of Dalkey’s Best European Fiction series was nothing short of phenomenal, with wide-ranging coverage in international media such as Time magazine, the New York Times, Wall Street Journal, Chicago Tribune, Financial Times, and the Guardian; glowing reviews and interviews in print and online magazines such as the Believer, Bookslut, Paste, and the Huffington Post; radio interviews with editor Aleksandar Hemon on NPR stations in the US and BBC Radio 3 and 4 in the UK; and a terrific response from booksellers, who made Best European Fiction 2010 an “Indie Next” pick and created table displays and special promotions throughout the US and UK.For 2011, Aleksandar Hemon is back as editor, along with a new preface by Colum McCann, and with a whole new cast of authors and stories, including work from countries not included in Best European Fiction 2010.UK, WALES: Wiliam Owen Roberts, The ProfessionalsUK, ENGLAND: Hilary Mantel, The Hearts Fails without WarningTURKEY: Ersan Üldes, Professional BehaviorSWITZERLAND: Verena Stefan, Doe a DeerSPAIN (Catalan): Mercè Ibarz, Nela and the VirginsSPAIN (Castilian): Enrique Vila-Matas, Far From HereSLOVENIA: Drago Jančar, The ProphecySERBIA: Vladimir Arsenijević, One Minute: Dumbo’s DeathRUSSIA: Andrei Gelasimov, The Evil EyeROMANIA: Lucian Dan Teodorovici, Goose ChasePORTUGAL: Gonçalo Manuel Tavares, Six TalesPOLAND: Olga Tokarczuk, The Ugliest Woman in the WorldNORWAY: Frode Grytten, Hotel by a RailroadNETHERLANDS: Manon Uphoff, DesireMONTENEGRO: Ognjen Spahić, Raymond is No Longer with Us—Carver is DeadMOLDOVA: Iulian Ciocan, Auntie FroseaMACEDONIA: Blaže Minevski, Academician Sisoye’s Inaugural SpeechLITHUANIA: Danutė Kalinauskaitė, Just ThingsLIECHTENSTEIN: Stefan Sprenger, DustLATVIA: Nora Ikstena, Elza Kuga’s Old-Age DementiaITALY: Marco Candida, Dream DiaryIRELAND (Irish): Éilís Ní Dhuibhne, TrespassesIRELAND (English): Kevin Barry, Doctor SotICELAND: Kristín Eiríksdóttir, Holes in PeopleHUNGARY: László Krasznahorkai, The BillGERMANY: Ingo Schulze, Oranges and AngelGEORGIA: Zurab Lezhava, Sex for FridgeFRANCE: Eric Laurrent, American DiaryFINLAND: Anita Konkka, The ClownESTONIA: Toomas Vint, Beyond the Window a Park is DimmingDENMARK: Peter Adolphsen, Fourteen Small StoriesCZECH REPULIC: Michal Ajvaz, The Wire BookCYPRUS: Nora Nadjarian, ExhibitionCROATIA: Mimi Simić, My GirlfriendBULGARIA: Alek Popov, PlumbersBOSNIA & HERZEGOVINA: Goran Samardžić, VarneeshBELGIUM: François Emmanuel, Lou DancingBELARUS: Victor Martinovich, TabooAUSTRIA: Dieter Sperl, Random WalkerALBANIA: Arian Leka, Brothers of the Blade

    An icy rain, continuing unabated for days. Guided by a seventy-year-old Italian man in rope-soled shoes, three American soldiers are sent on a reconnaissance mission up the side of a steep hill that they discover, before very long, to be a mountain. As they climb, the old man's indeterminate loyalties only add to the terror and confusion that engulf them. Peace is a feat of storytelling from one of America's most acclaimed novelists: a powerful look at the corrosiveness of violence, the human cost of war, and the redemptive power of mercy.From the Trade Paperback edition.

     Fifteen-year-old Margharita is toiling in her family's meager field when a handsome gentleman rides in with a proposal of marriage. After only a few words with her father,Master Domenico Vasari tears Margharita away from the family she cherishes and the farm boy she loves-and hauls her off to a foreign, violent life, full of strangers and strange customs. At the Vasari castle, she is given powders, perfumes, and gowns of silk. But for these fineries Margharita pays a dear price. Vasari beats her, viciously and without warning, even when she becomes pregnant. So Margharita begins to pray, fervently and furtively, to the Blessed Mother and Saint Mary Magdalene. For her safety, for her unborn child, and for the starving masses surrounding the castle walls. Only then does the Virgin Mother reveal Margharita's fate to her-and why she will forever be known as the Barefooted One.

    Three decades after the Velvet Revolution, Slavenka Drakulic, the author of Cafe Europa and A Guided Tour of the Museum Of Communism, takes a look at what has changed and what has remained the same in the region in her daring new essay collection.Totalitarianism did not die overnight and democracy did not completely transform Eastern European societies. Looking closely at artefacts and day to day life, from the health insurance cards to national monuments, and popular films to cultural habits, alongside pieces of growing nationalism and Brexit, these pieces of political reportage dive into the reality of a Europe still deeply divided.