Averse to writing, as well as to reading, diffuse Prolegomena, the author finds himself compelled to relate, at some length, the circumstances which led to the subject of these pages.

    Uganda chose the path of forgetting: after Idi Amin’s reign was overthrown, the new government opted for amnesty for his henchmen rather than prolonged conflict.Ugandans tried to bury their history, but reminders of the truth were never far from view. A stray clue to the 1972 disappearance of Eliphaz Laki led his son to a shallow grave—and then to three executioners, among them Amin’s chief of staff. Laki’s discovery resulted in a trial that gave voice to a nation’s past: as lawyers argued, tribes clashed, and Laki pressed for justice, the trial offered Ugandans a promise of the reckoning they had been so long denied.For four years, Andrew Rice followed the trial, crossing Uganda to investigate Amin’s legacy and the limits of reconciliation. At once a mystery, a historical accounting, and a portrait of modern Africa, The Teeth May Smile But the Heart Does Not Forget is above all an exploration of how—and whether—the past can be laid to rest.

    They also reflect his conviction that black people in South Africa could not be liberated until they united to break their chains of servitude, a key tenet of the Black Consciousness movement that he helped found.I Write What I Like contains a selection of Biko's writings from 1969, when he became the president of the South African Students' Organization, to 1972, when he was prohibited from publishing. The collection also includes a preface by Archbishop Desmond Tutu; an introduction by Malusi and Thoko Mpumlwana, who were both involved with Biko in the Black Consciousness movement; a memoir of Biko by Father Aelred Stubbs, his longtime pastor and friend; and a new foreword by Professor Lewis Gordon.Biko's writings will inspire and educate anyone concerned with issues of racism, postcolonialism, and black nationalism.

    In Saviors and Survivors, Mahmood Mamdani explains how the conflict in Darfur began as a civil war (1987—89) between nomadic and peasant tribes over fertile land in the south, triggered by a severe drought that had expanded the Sahara Desert by more than sixty miles in forty years; how British colonial officials had artificially tribalized Darfur, dividing its population into “native” and “settler” tribes and creating homelands for the former at the expense of the latter; how the war intensified in the 1990s when the Sudanese government tried unsuccessfully to address the problem by creating homelands for tribes without any. The involvement of opposition parties gave rise in 2003 to two rebel movements, leading to a brutal insurgency and a horrific counterinsurgency–but not to genocide, as the West has declared.Mamdani also explains how the Cold War exacerbated the twenty-year civil war in neighboring Chad, creating a confrontation between Libya’s Muammar al-Qaddafi (with Soviet support) and the Reagan administration (allied with France and Israel) that spilled over into Darfur and militarized the fighting. By 2003, the war involved national, regional, and global forces, including the powerful Western lobby, who now saw it as part of the War on Terror and called for a military invasion dressed up as “humanitarian intervention.”Incisive and authoritative, Saviors and Survivors will radically alter our understanding of the crisis in Darfur.

    Filled with enthusiasm for their new life, the couple and their young son set off for an African adventure. Very soon, however, Veronica began to realise that life in the Congo was not what she had imagined.

    He was swept to international celebrity on a wave of scandal and flamboyance, and when he died of AIDS in 1997, more than a million people attended his funeral. But what was he really like, this man who could as easily arouse violent hostility as he could unswerving loyalty? Carlos Moore's unique biography, based on hours of conversation and told in Fela's first-person vernacular, reveals the icon's complex personality and tumultuous existence. Moore includes interviews with fifteen of his queens (wives); photos; and an updated discography.

    Distinguished science journalist Edward Hooper presents the meticulously researched -- and highly readable -- history of HIV and its possible origins. Pursuing leads across the U.S., the Caribbean, Europe, and Africa, Hooper pieces together the tantalizing clues offered by long-archived blood samples, early AIDS-like cases (such as the "Manchester sailor" case of 1959), immunodeficiency viruses (SIVs), and the medical interventions in Africa and elsewhere that may have played a role in SIVs' crossover into humans.Hooper examines over two dozen theories of origin, and eventually discards most of them. What remains is a remarkable and well-supported theory for the sudden appearance of AIDS, and the definitive story of its lethal spread. Drawing on more than 4,000 sources and 600 interviews, The River is a thorough and provocative investigation into the most terrible epidemic of the twentieth century.

    Here, however, Berlin offers a dynamic vision, a major reinterpretation in which slaves and their owners continually renegotiated the terms of captivity. Slavery was thus made and remade by successive generations of Africans and African Americans who lived through settlement and adaptation, plantation life, economic transformations, revolution, forced migration, war, and ultimately, emancipation.Berlin's understanding of the processes that continually transformed the lives of slaves makes Generations of Captivity essential reading for anyone interested in the evolution of antebellum America. Connecting the "Charter Generation" to the development of Atlantic society in the seventeenth century, the "Plantation Generation" to the reconstruction of colonial society in the eighteenth century, the "Revolutionary Generation" to the Age of Revolutions, and the "Migration Generation" to American expansionism in the nineteenth century, Berlin integrates the history of slavery into the larger story of American life. He demonstrates how enslaved black people, by adapting to changing circumstances, prepared for the moment when they could seize liberty and declare themselves the "Freedom Generation."This epic story, told by a master historian, provides a rich understanding of the experience of African-American slaves, an experience that continues to mobilize American thought and passions today.

    The text asserts that the praise and honor blindly given to the Greeks for centuries rightfully belong to the people of Africa, and argues that the theft of this great African legacy led to the erroneous world opinion that the African continent has made no contribution to civilization. Quoting such celebrated Greek scholars as Herodotus, Hippocrates, Aristotle, Thales, and Pythagoras, who admit to the influence of Egyptian studies in their work, this edition sheds new light on traditional philosophical and historical thought. Originally published in 1954, this book features a new introduction.

    Ben's most thought-provoking works. This critical examination of the history, beliefs and myths, remains instructive and fresh. By highlighting the African influences and roots of these religions, Dr. Ben reveals an untold history that is completely unknown, Dr. Ben says covered up by the White race, by the rest of the world.

    She was a silent, unhappy girl, dumped on Frieda's exuberant family in Johannesburg for the summer of 1964 so that her mother could go off with her new husband. In a way, Min and Frieda were both outsiders - Min, raised in the bush by her idealistic doctor father, and Frieda, daughter of a poor Jewish saxophone player who lived almost on top of a native neighborhood. The two girls, thrown together - the 'white kaffir' and the poor Jewish girl - formed a strange but loyal friendship, a friendship that was to last even through the terrible years of oppression and betrayal during the time of South Africa under Apartheid.

    The film, which has been called an African Schindler's List, documents Rusesabagina's acts to save the lives of his family and more than a thousand other refugees, by granting them shelter in the besieged Hôtel des Mille Collines. Directed by Terry George, the film was co-produced by US, British, Italian, and South African companies, with filming done on location in Johannesburg, South Africa and Kigali, Rwanda. As an independent film, it had an initial limited release in theaters, but was nominated for multiple awards, including Academy Award nominations for Best Actor, Best Supporting Actress, and Best Original Screenplay. It continues to be one of the most rented films on services, such as Netflix, and is listed by the American Film Institute as one of the 100 most inspirational movies of all time.

    The McRaes, like so many white people, seemed oblivious to the violent injustices of apartheid. As the author grew up, the political differences between father and son widened and when Don refused to join up for National Service, risking imprisonment or exile overseas, the two were torn apart. It wasn't until years later that the author discovered that the father with whom he had fought so bitterly had later in his life transformed himself into a political hero. Risking everything one dark and rainy night Ian McRae travelled secretly into the black township of Soweto to meet members of Nelson Mandela's then banned African National Congress to discuss ways to bring power to black South Africa. He had no political ambitions; he was just a man trying to replace the worst in himself with something better.Under Our Skin is a memoir of these tumultuous years in South Africa's history, as told through the author's family story. It offers an intimate and penetrating perspective on life under apartheid, and tells a story of courage and fear, hope and desolation and love and pain, especially between a father and his son.

    

    Linda Heywood offers the first full-length study in English of Queen Njinga's long life and political influence, revealing how this Cleopatra of central Africa skillfully navigated--and ultimately transcended--the ruthless, male-dominated power struggles of her time.In 1626, after being deposed by the Portuguese, she transformed herself into a prolific slave trader and ferocious military leader, waging wars against the Portuguese colonizers and their African allies. Surviving multiple attempts to kill her, Njinga conquered the neighboring state of Matamba and ruled as queen of Ndongo-Matamba. At the height of her reign in the 1640s Njinga ruled almost one-quarter of modern-day northern Angola. Toward the end of her life, weary of war, she made peace with Portugal and converted to Christianity, though her devotion to the new faith was questioned.Who was Queen Njinga? There is no simple answer. In a world where women were subjugated by men, she repeatedly outmaneuvered her male competitors and flouted gender norms, taking both male and female lovers. Today, Njinga is revered in Angola as a national heroine and honored in folk religions, and her complex legacy continues to resonate, forming a crucial part of the collective memory of the Afro-Atlantic world.