OTHERS ARE LESS COMPLIMENTARY. Buckle up for a comedic roller coaster ride, with bad wigs, waxing disasters, holiday scams, a deluded hitman, lust, arson and murder. Albert Trollop takes refuge at his allotment and the betting office, while his wife, Gretyl, lives for the shopping channels, car boot sales and local gossip. After fifty years of marriage, she’s thinking of a new life, somewhere hot. He’s thinking of the crematorium. She’s thinking of stuffing herself in a bikini. He's thinking of a taxidermist. The Londoners continue their separate lives until a mysterious letter turns their world upside down. In Essex, Dave and Sharon Soddall are struggling on benefits and looking for a get-rich-quick solution. With the help of a devious financial advisor, they concoct a plan and ‘Costa Soddall Travel’ is born. Will the Soddalls pull off the con of a lifetime? Can Gretyl be silenced? Will Albert end up missing Gretyl? "'Missing Gretyl' is a rare treat - a brilliantly written comedy novel that's genuinely funny." Mark Stibbe, best selling, award-winning writer. Missing Gretyl is also available as a Kindle eBook through Amazon.

    All the works here are avaiable for free at The White Review (At the Clinic), The Dublin Review (Concord 34 and Even if you beat me), New Statesman (Robbie Brady's astonishing late goal takes its place in our personal histories), The Irish Times (Mr. Salary) and The New Yorker (Color and Light).We just wanted to put those stories together to read them better and more confortable. Sally Rooney has all the rights of this work reserved. Even the cover of this e-book is an adaptation of the cover of Two Stories's audiobook, by Sally Rooney and published by Faber & Faber.Thank you for everything, Sally Rooney! Your stories make the world happier <3

    A fiery nightmare plagues a pair of brothers searching for a family heirloom. And bad dreams spill over into a terrified girl’s waking life…Scare Street is proud to present the best in bone-chilling supernatural horror. This volume contains three sinister stories for your reading pleasure. Each one brings you a step closer to the shadowy border between life and the underworld. And closer to the darkness that lies beyond…There’s no time to waste. It’s time to turn the page and dive into the next spine-tingling tale of terror. That’s it, come closer. The spirits hunger for the souls of the living.And it’s not polite to keep the dead waiting…

    Caged alongside a helpless band of half-starved wielders, he formulates a strategy to escape. Armed with nothing more than his sarcastic wit and a determination to never give in, Ferrin attempts the impossible.(Free Download from author's website )

    Besides the acclaimed, Hugo-winning title piece and its influential prequels, the 36 stories include the British SF Association Award winner "Cube Root", and eight "Year's Best" and "Best Of" anthology choices. SF, fantasy, horror, and unclassifiable Langford weirdness ranging from 1975 to 2003.Contents: *Introduction (Different Kinds of Darkness) (2004) • essay by David Langford *Heatwave (1975) / short story by David Langford *Accretion (1977) / short story by David Langford *Connections (1978) / short story by David Langford *Training (1979) / short story by David Langford *The Final Days (1981) / short story by David Langford *Answering Machine (1982) / short story by David Langford * Hearing Aid (1982) / short story by David Langford * Wetware (1984) / short story by David Langford * Cube Root (1985) / short story by David Langford * Notes for a Newer Testament (1985) / short story by David Langford *In a Land of Sand and Ruin and Gold (1987) / short story by David Langford *Ellipses (1990) / short story by David Langford *A Surprisingly Common Omission (1990) / short fiction by David Langford *A Snapshot Album (1991) / short story by David Langford *Leaks (1991) / short story by David Langford *Waiting for the Iron Age (1991) / short story by David Langford *Blossoms That Coil and Decay (1992) / short story by David Langford *A Game of Consequences (1998) / short story by David Langford *Logrolling Ephesus (2003) / short fiction by David Langford *Too Good to Be (1983) / short story by David Langford *In the Place of Power (1984) / short story by David Langford *The Arts of the Enemy (1992) / short story by David Langford *As Strange a Maze as E'er Men Trod (1998) / short story by David Langford *Cold Spell (1980) / short story by David Langford *3.47 AM (1983) / short story by David Langford *The Facts in the Case of Micky Valdon (1989) / short story by David Langford *The Motivation (1989) / short story by David Langford *Encounter of Another Kind (1991) / short story by David Langford *The Lions in the Desert (1993) / short story by David Langford *Deepnet (1994) / short story by David Langford *Serpent Eggs (1994) / short story by David Langford *Blood and Silence (1995) / short story by David Langford *Blit [Blit] (1988) / short story by David Langford * What Happened at Cambridge IV [Blit] (1990) / short story by David Langford * comp.basilisk FAQ [Blit] (1999) / short fiction by David Langford (variant of Comp.Basilisk FAQ) *Different Kinds of Darkness [Blit] (2000) / short story by David Langford *Original Appearances (Different Kinds of Darkness) (2004) • essay by uncredited.

    Now, there's a reason to be. Lux and his younger brother Lunam enjoy the full freedom of the simple life and all the childhood adventures offered by growing up in a small village in a picturesque glen. Life is tranquil, peaceful, and just about perfect—except for one formidable fact... Every day is followed by night. And, with the night, comes the DARKNESS. Slowly shrouding the valley and relentlessly seeping into every nook and cranny on its nightly rampage, the darkness returns to feast on its victims. No man, woman, child, animal—or even, insect—is safe. The darkness consumes all; the darkness's hunger is never satisfied. When the sun falls from the sky, the villagers, young and old, must take to arms, guarding their homes, loved ones, and livestock with every ray of light they can muster. Even young Lux and Lunam are well-soldiered in their responsibilities to safeguard themselves and their parents during the nightly vigil, the nightly fight to live to see another day. It's always been this way—the truths and ritual passed down from generation to generation since ancient times. No one dares question why. Nothing can change the frightening fact of the lives of the villagers or emancipate them from their singular foe—nothing, except a child's imagination and a curiosity as immutable as the darkness's own appetite. There's just one truth guiding every man, woman, and child to strive to see another day: "Darkness Comes but Once a Night."

    His wife has left him. He thinks his father won't notice if he doesn't arrive. Waiting for the last train, alone on the platform, a chance encounter with a stranger changes his life forever. Intended for those seeking a traditional short ghost story to read, or to be read to, by the fire on those dark winter nights.

    While there have been exceptions, many Oprah authors are no more writer's writers than Kenny G is a saxophonist's saxophonist.The best way to find the hottest, most influential writers writing would be (1) to read every issue of every magazine that publishes new fiction, and (2) to read every good book that comes out. Which would work fine if you were Burgess Meredith in that episode of "The Twilight Zone" where everyone in the world disappears except this bookish guy who's left alone -- o, lovely briar patch -- inside a library. (Six words of advice: Take good care of your glasses.) Absent that, what do you do?I've said it before (in this very space), and I'll say it again: The best possible way to keep tabs on what's up with North American fiction is to buy, year in and year out, each year's volume of The Best American Short Stories and Prize Stories: The O. Henry Awards. Both collections have been around for more than 80 years, have had their ups (mostly artistic) and downs (mostly commercial), but are both currently enjoying commercial heydays. During the 1970s, BASS's sales sank to a series-threatening 7,000 copies a year, before it hit on some bright ideas that saved it. Beginning in 1978, instead of one editor choosing everything himself (Edward O'Brien, from 1915 to 1940) or herself (Martha Foley, from 1941 to 1977), a series editor winnowed the 3,000 or so published stories each year down to a stack of 120 (a task, says current series editor Katrina Kenison that has become much harder the past couple years than it was when she began in 1991, when she had to scrape to find 120 she thought were terrific). Then a guest editor picks 20 stories to include (this year's, Amy Tan, seems to have done an especially able job and wrote a smart and delightful introduction). Beginning in 1983 (with an Anne Tyler-edited edition that was one of the series's strongest), BASS began to be published simultaneously in both hardback and paperback editions. And in 1987, it began to feature short comments by the writers, talking about their stories. BASS (better selling than O. Henry in recent years) began consistently to sell over 100,000 copies a year.O. HENRY's nadir came more recently. Coinciding with BASS's resurgence, O. Henry, in the 1980s, became the American short story's poor, quirky stepchild. (Not in a good way.) But it received a major overhaul in 1997. A single editor (now Larry Dark) still, as has typically been the case, picks the 20 stories to include. But now, O. Henry also includes a list of 50 short-listed stories (with brief synopses) and comments by the authors of each year's anointed 20. Furthermore, three guest jurors (this year, Sherman Alexie, Stephen King, and Lorrie Moore), pick from those 20 a first, second, and third prize. Sales have zoomed.You could read this year's editions of these two indispensable annuals and -- without breaking a sweat (with no effort more strenuous than feeling the hairs on the back of your neck stand up, though I did, as did Tan, read most of these stories on a StairMaster) -- glean this exemplary shorthand of whom you should be reading, circa 1998-1999.Most Valuable Player: Alice Munro. Why (aside from the fact that she's the greatest living writer in English): Her story, "Save the Reaper," certainly the best short story I read last year, is one of only two included in both the 1999 BASS and O. Henry. In awarding it third prize in O. HENRY, Moore (whose "People Like That Are the Only People Here" was the only story included in both the 1998 BASS and O. Henry) discerns the story's parallels not only with Flannery O'Connor's "A Good Man Is Hard to Find" but also with the myths of Eros, Demeter, and Hermes. Moore writes that, in contrast to the O'Connor masterpiece, "[a]s always in the fictional world of Munro, a character's fate pivots not on the penitential moment but on the erotic one."Neither annual allows any writer to be represented by more than one story (a custom that became a rule when both Munro and Richard Bausch landed two gems apiece in BASS 1990), but Munro's "Cortes Island" is short-listed for both and "Before the Change" is short-listed in O. Henry. All three stories are collected in her National Book Critics Circle Award-winning book The Love of a Good Woman.MVP Runners-Up: Annie Proulx, Pam Houston, Lorrie Moore.Why: All three are included in both volumes. Proulx's story "The Bunchgrass Edge of the World" is included in BASS and short-listed in O. Henry, "The Mud Below" in O. Henry and short-listed in BASS. Both are included in Proulx's collection Close Range, which includes two other stories honored in previous years ("Brokeback Mountain" and "The Half-Skinned Steer") and, even in an amazing year for short story collections, is one of the year's most talked-about books.Houston is the year's most-cited story writer, with four: "Cataract" is included in O. Henry; "The Best Girlfriend You Never Had" is included BASS; two other stories ("Then You Get Up and Have Breakfast" and "Three Lessons in Amazon Biology") are short-listed in BASS. All are included in her collection Waltzing the Cat.In addition to serving as an O. Henry juror, Moore has a story, "Real Estate," included in BASS, and her story "Lucky Ducks" is short-listed there. Both are from the exquisite Birds of America.Rookie of the Year: Jhumpa Lahiri.Why: Her funny, gentle, heartbreaking story "Interpreter of Maladies" -- about a nonjudgmental part-time translator/part-time cabdriver in India, who takes an American family sightseeing, gets a decorous crush on the woman, and leads the children into endangerment at the hands of hanuman monkeys -- is the only other story in both volumes. Although Lahiri's work has appeared in The New Yorker, this story originally ran in The Agni Review -- a good journal, but one you may not regularly read. Both annuals had picked it for inclusion before the publication of Lahiri's first book, also called Interpreter of Maladies. The book is, justly, one of the sleeper successes of the year."Our record of discovery is pretty good," says BASS's Kenison. "Chances are, year in and year out, you'll pick up a volume and read a story by someone you've never heard of. The next year, that writer's everywhere you look."This year, that's Lahiri.Also receiving votes are these 18 writers, an intriguing mix of veterans and new voices, also either short-listed or included in both volumes (and if you want to be the savviest reader on your block, you'll read more of these people's work): Poe Ballantine, T. Coraghessan Boyle, Michael Byers, Kiana Davenport, Chitra Divakaruni, Nathan Englander, Mary Gaitskill, Tim Gautreaux (whose "The Piano Tuner," included in BASS and collected in his new book, Welding with Children, is my favorite non-Munro story in either book), Heidi Julavitz, Sheila Kohler, David Long, Steven Millhauser, Kent Nelson, Cynthia Ozick, Melissa Pritchard, John Updike (he's very good), David Foster Wallace (he's very smart), Joy Williams.—Mark Winegardner

    While these epic figures lead armies and shape the futures of their nations, other powerful individuals, no less skilled, forge their own destinies in steam and steel.Called to Battle is a collection of stories focused on the Iron Kingdoms’ unsung heroes, its skilled mercenaries, and even the horrifying villains who haunt its darker reaches. Track a target through the frozen north with Kell Bailoch, a deadly sharpshooter who kills for the highest bidder; Hunt Down a group of corrupted human magic users with Narn, a merciless Iosan mage hunter; uncover a sinister sabotage plot with Arlan Strangewayes, Cygnar's premier arcane mechanik; and endure a terrifying journey into the mind of General Gerlak Slaughterborn, a monstrous blighted trollkin with a penchant for devouring his enemies whole and screaming. These stories draw you deeper into the wartorn landscape of western Immoren and the Iron Kingdoms, where heroes, villains, and those somewhere in between find themselves Called to Battle.

    Until one December dawn, when the ducks and the little duck girl, not so little any more, return to the village after several years of absence and light up Maash's life again.The year is 2019, the Indian Parliament has passed the Citizenship Amendment Act and the question of identity-- especially religious identity--is at the forefront of everything. Suddenly, everyone wants to know: who is this duck girl, where does she come from, who does she pray to? In a matter of days, Maash finds himself in the middle of a conflict he couldn't have foreseen.Set in Kaikurussi - the near idyllic village which Anita Nair introduced to readers worldwide in her first novel The Better Man, The Little Duck Girl is a state-of-the-nation story that sensitively but unflinchingly explores the idea of who we are as a people.

    Far from the front lines, Space Marines of the Brazen Minotaurs infiltrate an ancient temple-tomb, seeking an artefact sacred to their Chapter... one that could turn the tide of battle in the Imperium’s favour. But they are not the first to enter the tomb – as the Space Marines race to seize their prize, they are watched from the shadows. Are the mysterious Raven Guard there to help the Brazen Minotaurs, or to destroy them?

    Casey, author of Stygian Doorways

    But this ubiquitous, game-changing technology can create dangerous consequences, especially for society’s most vulnerable people.Welcome to Refresh: with nothing but a pair of computerized contact lenses, the app allows you to immortalize and share your experiences in virtual reality, and to step right into the life of anyone you’d like—for the right price. And in the near-distant future, there is no longer a question of who uses the app, only how: to record and share special occasions, like weddings and vacations? Or to push the envelope towards something more controversial, more shocking, more sinister?This thought-provoking listen follows a young Black man who, in order to profit from his own marginalization and to make a larger statement, hatches a plan for a confrontation with a police officer that’s sure to capture the attention his profile desperately needs. But when the lines between performance and experience are blurred, is he prepared for the reality of what’s at stake?Refresh is both a compelling, futuristic tale and a gut-wrenching commentary on our world and the reality of being Black in America.

    A party girl’s addiction gives birth to a monster within. Man’s best friend must fend off a woman’s greatest nightmare…Scare Street is proud to present eleven chilling tales of the supernatural, in one monstrous volume. Horror authors Ron Ripley, David Longhorn, Sara Clancy, and many more unite to bring you a terrifying collection of short stories, each one guaranteed to haunt your dreams. And each one more chilling than the last.Once you start reading you won’t be able to stop. Because when these authors sink their teeth into you, it’s already too late.The only way to escape from these nightmares… is to wake up screaming.

    But when they spot a huge chocolate bar growing from the top of a tree - then another, and another - it is the beginning of a real-life, outdoor quest!