Magazine, Bitch was launched in the mid-nineties as a Xerox-and-staple zine covering the landscape of popular culture from a feminist perspective. Both unabashed in its love for the guilty pleasures of consumer culture and deeply thoughtful about the way the pop landscape reflects and impacts women's lives, Bitch grew to be a popular, full-scale magazine with a readership that stretched worldwide. Today it stands as a touchstone of hip, young feminist thought, looking with both wit and irreverence at the way pop culture informs feminism--and vice versa--and encouraging readers to think critically about the messages lurking behind our favorite television shows, movies, music, books, blogs, and the like. BITCHFest offers an assortment of the most provocative essays, reporting, rants, and raves from the magazine's first ten years, along with new pieces written especially for the collection. Smart, nuanced, cranky, outrageous, and clear-eyed, the anthology covers everything from a 1996 celebration of pre-scandal Martha Stewart to a more recent critical look at the "gayby boom"; from a time line of black women on sitcoms to an analysis of fat suits as the new blackface; from an attempt to fashion a feminist vulgarity to a reclamation of female virginity. It's a recent history of feminist pop-culture critique and an arrow toward feminism's future.

    Both evoke a similar sensation in us — we find them beautiful and magical, but also spooky, sometimes horrifying.In this fascinating book, Maitland argues that the two forms are intimately connected: the mysterious secrets and silences, gifts and perils of the forests were both the background and the source of fairytales. Yet both forests and fairy stories are at risk and their loss deprives us of our cultural lifeblood. Maitland visits forests through the seasons, from the exquisite green of a beechwood in spring, to the muffled stillness of a snowy pine wood in winter. She camps with her son Adam, whose beautiful photographs are included in the book; she takes a barefoot walk through Epping Forest with Robert Macfarlane; she walks with a mushroom expert through an oak wood, and with a miner through the Forest of Dean. Maitland ends each chapter with a unique, imaginitive re-telling of a fairystory.Written with Sara's wonderful clarity and conversational grace, Gossip from the Forest is a magical and unique blend of nature writing, history and imaginative fiction.

    He ruled the German kingdom of Bavaria for twenty-two years, inspiring his people by his support for the arts. And yet, "Mad King Ludwig" rarely appeared in the capital or attended any government functions. He slept most of the day and stayed awake all night. He dined with his horse and waved pistols at servants. He created a fantasy world inside his castles, complete with caves and trap-door tables. To this day, no one is sure exactly what caused his untimely death in a lake. Who was this man: fairy tale king? Insane eccentric? Mad King Ludwig's life followed many twists and turns on its way to Not So Happily Ever After. The book's intended audience is young adults, but it is perfect for adults wanting to learn more about Ludwig also.

    This extraordinary trove, undiscovered until the 1940s and here translated for the first time into English, is the work of the mysterious Félix Fénéon. Dandy, anarchist, and critic of genius, the discoverer of Georges Seurat and the first French publisher of James Joyce, Fénéon carefully maintained his own anonymity, toiling for years as an obscure clerk in the French War Department. Novels in Three Lines is his secret chef-d’oeuvre, a work of strange and singular art that brings back the long-ago year of 1906 with the haunting immediacy of a photograph while looking forward to such disparate works as Walter Benjamin’s Arcades Project and the Death and Disaster series of Andy Warhol.

    But a small and industrious group of thinkers stepped forward with an answer, a bold idea being endorsed by the likes of Theodore Roosevelt and The New York Times. Their plan: to import hippopotamuses to the swamps of Louisiana and convince Americans to eat them. The only thing stranger than the hippo idea itself was the partnership promoting it. At its center were two hard-bitten spies: Frederick Russell Burnham, a superhumanly competent frontiersman, freelance adventurer, and fervent optimist about America’s future—Burnham would be the inspiration for both the Boy Scouts and Indiana Jones—and Fritz Duquesne, a.k.a. the Black Panther, a virtuoso con man and cynical saboteur who believed only in his own glorification and revenge. Burnham and Duquesne had very recently been sworn enemies under orders to assassinate each other. They’d soon be enemies again. But for one brief and shining moment they joined behind a common cause: transforming America into a nation of hippopotamus ranchers. In American Hippopotamus, Jon Mooallem brings to life a historical saga too preposterous to be fiction—a bracing and eccentric epic of espionage and hippos, but also of a conflicted nation on the threshold of a bewildering new century, deciding what kind of country it would be, and what beasts it would eat.

    A firsthand exploration of war and the people who survive it in three of the most war-ravaged countries on earth: Sierra Leone, Chechnya, and Bougainville.

    He also had a secret to keep.In 1942, the Brooklyn-born Erickson was a millionaire oil mogul who volunteered for a dangerous mission inside the Third Reich: locating the top-secret synthetic oil plants that kept the German war machine running. To fool the Nazis, Erickson played the role of a collaborator. He hung a portrait of Hitler in his apartment and “disowned” his Jewish best friend, then flew to Berlin, where he charmed Himmler and signed lucrative oil deals with the architects of the Final Solution. All the while, he was visiting the oil refineries and passing their coordinates to Allied Bomber Command, who destroyed the plants in a series of B-17 raids, helping to end the war early. After the war, Erickson's was revealed as a secret agent and received the Medal of Freedom for his bravery. William Holden even played him in a hit Hollywood movie. For a brief moment in the early '60s, Erickson was the most famous spy in the world. His secret? He hadn't played a Nazi collaborator. He'd actually been one - a war profiteer who'd made millions of trading with Hitler before having a change of heart. Black-listed by the Allies and disowned by his family, Erickson had volunteered for the spy mission in order to redeem himself, and ended up saving thousands of Allied lives. Based on newly-discovered archives in Sweden, The Secret Agent is a riveting piece of narrative nonfiction that tells the true story of Erickson's remarkable life for the first time. ABOUT THE AUTHOR: Stephan Talty is the author of five acclaimed non-fiction books, including Agent Garbo: The Brilliant, Eccentric Spy Who Tricked Hitler and Saved D-Day. He's written for the New York Times Magazine, GQ, Men's Journal and many other publications.

    or a bit of both.The interests of Athanasius Kircher, the legendary seventeenth-century priest-scientist, knew no bounds. From optics to music to magnetism to medicine, he offered up inventions and theories for everything, and they made him famous across Europe. His celebrated museum in Rome featured magic lanterns, speaking statues, the tail of a mermaid, and a brick from the Tower of Babel. Holy Roman Emperors were his patrons, popes were his friends, and in his spare time he collaborated with the Baroque master Bernini.But Kircher lived during an era of radical transformation, in which the old approach to knowledge - what he called the "art of knowing" - was giving way to the scientific method and modern thought. A Man of Misconceptions traces the rise, success, and eventual fall of this fascinating character as he attempted to come to terms with a changing world.With humor and insight, John Glassie returns Kircher to his rightful place as one of history’s most unforgettable figures.A Scientific American Best Science Book of 2012An Atlantic Wire Best Book of 2012A New York Times Book Review "Editor's Choice”

    When Jennifer, a college student, returns to her childhood home of Hoot Owl Holler with a tape recorder, the tales of murder and suicide, incest and blood ties, bring to life a vibrant story of a doomed family that still refuses to give up....

    There’s a civil war (the world’s longest running, in fact) raging between the government and ethnic rebels. Much of the United States’ heroin comes from there. And there’s the small matter that America helped make it all possible with overt funding and the CIA’s very first secret war. Of course, you wouldn’t know any of this, because Burma is a country nearly shut out from the rest of the world, with the only footage of the carnage coming via groups of young, tough, booze-loving refugees who run into war zones to collect it. And with these refugees is where we find Mac McClelland embedded in her staggering debut, For Us Surrender Is Out of the Question. McClelland weaves a narrative that is part investigative journalism, part popular history, and part memoir of a Midwestern, twentysomething girl living with refugee activists on the Burma-Thailand border. Driven by the community McClelland is illegally aiding—a small group of brave young men and women—For Us Surrender Is Out of the Question is an urgent and fascinating look at a weary conflict, told by a bright, new voice.

    But witches aren’t mere fairy book threats; American history is brimming with tales of their terror. From 19th-century murders to a bizarre monkey-faced creature straight from Hell to bewitched pigs hell-bent on revenge, American Witches: a Broomstick Tour through Four Centuries describes strange incidents that have long been banished to the margins of our history.On a tour through four centuries of American witchcraft that’s both whimsical and startling, we’ll encounter 17th-century children flying around inside their New England home “like geese.” We’ll meet a father-son tag-team of pious Puritans who embarked on an anti-witch mission that involved undressing young ladies and overseeing hangings. And on the eve of the Civil War, we’ll accompany a reporter as he dons a dress and goes searching for witches in New York City’s most dangerous neighborhoods.Entertainingly readable and rich in amazing details often left out of today’s texts, American Witches casts a flickering torchlight into the dark corners of American history. Shelf Awareness says: "American Witches is a delightful and thoughtful adventure into one of the darker superstitions that has plagued the country for centuries."

    With brilliant wit, idiosyncratic intelligence, and a bold grasp of intricate political realities, the celebrated author of Flaubert's Parrot turns his satiric glance homeward to England, in a sparkling collection of essays that illustrates the infinite variety of contemporary London life.

    All the while he has been writing some of the wittiest, most incisive criticism we have on an astonishing array of subjects—music, literature, photography, and travel journalism—that, in Dyer's expert hands, becomes a kind of irresistible self-reportage.Otherwise Known as the Human Condition collects twenty-five years of essays, reviews, and misadventures. Here he is pursuing the shadow of Camus in Algeria and remembering life on the dole in Brixton in the 1980s; reflecting on Richard Avedon and Ruth Orkin, on the status of jazz and the wonderous Nusrat Fateh Ali Khan, on the sculptor ZadKine and the saxophonist David Murray (in the same essay), on his heroes Rebecca West and Ryszard Kapus´cin´ski, on haute couture and sex in hotels. Whatever he writes about, his responses never fail to surprise. For Dyer there is no division between the reflective work of the critic and the novelist's commitment to lived experience: they are mutually illuminating ways to sharpen our perceptions. His is the rare body of work that manages to both frame our world and enlarge it.

    Included are the best writers on everything from celebrated chefs to the travails of the home cook, from food sourcing at the greenmarket to equipping one's kitchen, from erudite culinary history to food-inspired memoirs. Like past collections, the 2006 round-up will include pieces from food-writing stars such as Robb Walsh, Ruth Reichl, Thomas McNamee, John Thorne, Calvin Trillin, Amanda Hesser, Colman Andrews, Jason Epstein, and Jeffrey Steingarten. Opinionated, evocative, nostalgic, brash, thought-provoking, and sometimes just plain funny, it's a tasty sampler to dip into time and again, whether you're in the mood for caviar — or hot dogs.

    This book brings together her diverse writings, showing what it is to be young, angry and progressive in the face of an increasingly violent and oppressive UK government.Penny Red: Notes from the New Age of Dissent collects Penny's writings on youth politics, resistance, feminism and culture. Her journalism is a unique blend of persuasive analysis, captivating interviews and first-hand accounts of political direct action. She was involved in all the key protests of 2010/2011, including the anti-fees demos in 2010 and the anti-cuts protests of spring 2011, often tweeting live from the scene of kettles and baton charges. An introduction and extensive footnotes allow Penny to connect all the strands of her work, showing the links between political activism and wider social and cultural issues.This book is essential for understanding what motivates the new generation of activists, writers and thinkers that bring creativity, energy and urgency to the fight against capitalism and exploitation.