Stories of how revolutionary writing is smuggled from the Naqab Prison; about what it is like to write with only two hours of electricity each day; and stories from the Gallery Café, whose opening three thousand creative intellectuals gathered to celebrate.Pay No Heed to the Rockets offers a window into the literary heritage of Palestine that transcends the narrow language of conflict. Paying homage to the memory of literary giants like Mahmoud Darwish and Ghassan Kanafani and the contemporary authors they continue to inspire, this evocative, lyrical journey shares both the anguish and inspiration of Palestinian writers at work today.

    She called it "disaster capitalism." Covering Sri Lanka in the wake of the tsunami, and New Orleans post-Katrina, she witnessed something remarkably similar. People still reeling from catastrophe were being hit again, this time with economic "shock treatment" losing their land and homes to rapid-fire corporate makeovers. The Shock Doctrine retells the story of the most dominant ideology of our time, Milton Friedman's free market economic revolution. In contrast to the popular myth of this movement's peaceful global victory, Klein shows how it has exploited moments of shock and extreme violence in order to implement its economic policies in so many parts of the world from Latin America and Eastern Europe to South Africa, Russia, and Iraq. At the core of disaster capitalism is the use of cataclysmic events to advance radical privatization combined with the privatization of the disaster response itself. By capitalizing on crises, created by nature or war, Klein argues that the disaster capitalism complex now exists as a booming new economy, and is the violent culmination of a radical economic project that has been incubating for fifty years.

    Still essential and still timely ten years after its original publication, The Shia Revival provides a unique and objective understanding of the 1,400-year bitter struggle between Shias and Sunnis and sheds crucial light on its modern-day consequences. A new epilogue elucidates the rise of ISIS and ongoing tensions between Iran and Saudi Arabia.

    He has seen children murdered for sport in Gaza and petty thugs elevated into war heroes in the Balkans. Hedges, who is also a former divinity student, has seen war at its worst and knows too well that to those who pass through it, war can be exhilarating and even addictive: "It gives us purpose, meaning, a reason for living."Drawing on his own experience and on the literature of combat from Homer to Michael Herr, Hedges shows how war seduces not just those on the front lines but entire societies, corrupting politics, destroying culture, and perverting the most basic human desires. Mixing hard-nosed realism with profound moral and philosophical insight, War Is a Force That Gives Us Meaning is a work of terrible power and redemptive clarity whose truths have never been more necessary.Listening Length: 6 hours and 27 minutes

    On November 4, 1979, a group of radical Islamist students, inspired by the revolutionary Iranian leader Ayatollah Khomeini, stormed the U.S. embassy in Tehran. They took fifty-two Americans hostage, and kept nearly all of them hostage for 444 days.In Guests of the Ayatollah, Mark Bowden tells this sweeping story through the eyes of the hostages, the soldiers in a new special forces unit sent to free them, their radical, naïve captors, and the diplomats working to end the crisis. Bowden takes us inside the hostages' cells and inside the Oval Office for meetings with President Carter and his exhausted team. We travel to international capitals where shadowy figures held clandestine negotiations, and to the deserts of Iran, where a courageous, desperate attempt to rescue the hostages exploded into tragic failure. Bowden dedicated five years to this research, including numerous trips to Iran and countless interviews with those involved on both sides.Guests of the Ayatollah is a detailed, brilliantly re-created, and suspenseful account of a crisis that gripped and ultimately changed the world.

    In The Ayatollah Begs to Differ, he paints a portrait of a country that is fiercely proud of its Persian heritage, mystified by its outsider status, and scornful of the idea that the United States can dictate how it should interact with the community of nations.With wit, style, and an unusual ability to get past the typical sound bite on Iran, Majd reveals the paradoxes inherent in the Iranian character which have baffled Americans for more than thirty years. Meeting with sartorially challenged government officials in the presidential palace; smoking opium with an addicted cleric, his family, and friends; drinking fine whiskey at parties in fashionable North Tehran; and gingerly self-flagellating in a celebration of Ashura, Majd takes readers on a rare tour of Iran and shares insights shaped by his complex heritage. He considers Iran as a Muslim country, as a Shiite country, and, perhaps above all, as a Persian one. Majd shows that as Shiites marked by an inferiority complex, and Persians marked by a superiority complex, Iranians are fiercely devoted to protecting their rights, a factor that has contributed to their intransigence over their nuclear programs. He points to the importance of the Persian view of privacy, arguing that the stability of the current regime owes much to the freedom Iranians have to behave as they wish behind “Persian walls.” And with wry affection, Majd describes the Persian concept of ta’arouf, an exaggerated form of polite self-deprecation that may explain some of Iranian President Ahmadinejad’s more bizarre public moments. With unforgettable portraits of Iranians, from government figures to women cab drivers to reform-minded Ayatollahs, Majd brings to life a country that is deeply religious yet highly cosmopolitan, authoritarian yet with democratic and reformist traditions—an Iran that is a more nuanced nemesis to the United States than it is typically portrayed to be.

    While the US was trying to quell extremists, a highly secretive and compartmentalized wing of I.S.I., known as "Directorate S," was covertly training, arming, and seeking to legitimize the Taliban, in order to enlarge Pakistan's sphere of influence. After 9/11, when fifty-nine countries, led by the U. S., deployed troops or provided aid to Afghanistan in an effort to flush out the Taliban and Al Qaeda, the U.S. was set on an invisible slow-motion collision course with Pakistan.Today we know that the war in Afghanistan would falter badly because of military hubris at the highest levels of the Pentagon, the drain on resources and provocation in the Muslim world caused by the U.S.-led invasion of Iraq, and corruption. But more than anything, as Coll makes painfully clear, the war in Afghanistan was doomed because of the failure of the United States to apprehend the motivations and intentions of I.S.I.'s "Directorate S". This was a swirling and shadowy struggle of historic proportions, which endured over a decade and across both the Bush and Obama administrations, involving multiple secret intelligence agencies, a litany of incongruous strategies and tactics, and dozens of players, including some of the most prominent military and political figures. A sprawling American tragedy, the war was an open clash of arms but also a covert melee of ideas, secrets, and subterranean violence. Coll excavates this grand battle, which took place away from the gaze of the American public. With unsurpassed expertise, original research, and attention to detail, he brings to life a narrative at once vast and intricate, local and global, propulsive and painstaking. This is the definitive explanation of how America came to be so badly ensnared in an elaborate, factional, and seemingly interminable conflict in South Asia. Nothing less than a forensic examination of the personal and political forces that shape world history, Directorate S is a complete masterpiece of both investigative and narrative journalism.

    This was the time of the British Mandate, when Britain's promise to both Jews and Arabs that they would inherit the land, set in motion the conflict that haunts the region to this day.Drawing on untapped archival materials, Tom Segev reconstructs an era (1917 to 1948) of limitless possibilities and tragic missteps. He introduces an array unforgettable characters, tracks the steady advance of Jews and Arabs toward confrontation, and puts forth a radical new argument: that the British, far from being pro-Arab, consistently favored the Zionist position, out of the mistaken--and anti-Semitic--belief that Jews turned the wheels of history. Rich in historical detail, sensitive to all perspectives, One Palestine, Complete brilliantly depicts the decline of an empire, the birth of one nation, and the tragedy of another.

    But who does it really belong to? Scripture, history, and contemporary politics add to the volatile conflict in the Middle East. Whose Promised Land?, now in a fully revised and updated fifth edition, provides an evenhanded approach to this complex dilemma. The book begins with the history of the territory, explaining the development of the conflict and the complexity of the issues. The second section surveys biblical teaching on the theme of the land, both from the Old Testament point of view and the perspective of Jesus and his followers. Building on the analysis of history and the biblical studies, the final part examines the major contemporary forces affecting the conflict today. Unlike many evangelical Christian books on the topic, Whose Promised Land? does not automatically assume a pro-Israel stance, but seeks to present an honest appraisal of modern Israel while clearly delineating the interrelated issues surrounding the crisis in the Middle East.

    After introducing the reader to the region's history from the origins of Islam in the seventh century, Cleveland focuses on the past two centuries of profound and often dramatic change. While built around a framework of political history, the book also carefully integrates social, cultural, and economic developments into a single, carefully crafted account. The revised and updated third edition of this benchmark text places the developments of the 1990s in a new historical perspective and includes an examination of key events of the early twenty-first century. An epilogue offers a critical evaluation, from a historian's perspective, of the al-Qa'ida attacks of September 11th, 2001 and the early phases of the US occupation of Iraq.

    In prose that is, at once, both clear-eyed and full of acerbic wit, Sanghera shows how our past is everywhere: from how we live to how we think, from the foundation of the NHS to the nature of our racism, from our distrust of intellectuals in public life to the exceptionalism that imbued the campaign for Brexit and the government's early response to the Covid crisis. And yet empire is a subject, weirdly hidden from view.The British Empire ran for centuries and covered vast swathes of the world. It is, as Sanghera reveals, fundamental to understanding Britain. However, even among those who celebrate the empire there seems to be a desire not to look at it too closely - not to include the subject in our school history books, not to emphasize it too much in our favourite museums.At a time of great division, when we are arguing about what it means to be British, Sanghera's book urges us to address this bewildering contradiction. For, it is only by stepping back and seeing where we really come from, that we can begin to understand who we are, and what unites us.

    A surprise Arab attack on two fronts on the holiest day of the Jewish calendar, with Israel’s reserves un-mobilized, triggered apocalyptic visions in Israel, euphoria in the Arab world, and fraught debates on both sides. Rabinovich, who covered the war for The Jerusalem Post, draws on extensive interviews and primary source material to shape his enthralling narrative. We learn of two Egyptian nationals, working separately for the Mossad, who supplied Israel with key information that helped change the course of the war; of Defense Minister Moshe Dayan’s proposal for a nuclear “demonstration” to warn off the Arabs; and of Chief of Staff David Elazar’s conclusion on the fifth day of battle that Israel could not win. Newly available transcripts enable us to follow the decision-making process in real time from the prime minister’s office to commanders studying maps in the field. After almost overrunning the Golan Heights, the Syrian attack is broken in desperate battles. And as Israel regains its psychological balance, General Ariel Sharon leads a nighttime counterattack across the Suez Canal through a narrow hole in the Egyptian line -- the turning point of the war.

    In The Crossing, she testifies to the appalling reality that is Syria today. From the first innocent demonstrations for democracy, through the beginnings of the Free Syrian Army, to the arrival of ISIS, she offers remarkable snapshots of soldiers, children, ordinary men and women simply trying to stay alive...Some of these stories are of hardship and brutality that is hard to bear, but she also gives testimony to touches of humanity along the way: how people live under the gaze of a sniper...how principled young men try to resist orders from their military superiors...how children cope in the bunkers...Yazbek's portraits of life in Syria are very real, her prose is luminous. The Crossing is undoubtedly both an important historical document and a work of literature.

    Smith places the conflict in historical and political perspective, facilitating readers' understanding of how this complex situation has evolved over time. By examining its underlying causes, individual and group motives, and the roles that countries around the world have played in the region, Smith helps readers understand the history behind the headlines. He presents this in-depth account in an engaging, accessible book that includes historical and current voices on all sides of the struggle. The book's carefully selected documents, maps, photographs, and chronologies provide context for the narrative, and its up-to-the-minute coverage of developments captures readers' interest and helps them better understand the latest news in the region.

    Today, the Hebrew city of Tel Aviv glitters white, its Bauhaus-influenced modernist architecture betraying few traces of the city which once stood where it now stands: the Arab city of Jaffa. In this book, Sharon Rotbard blows apart this palimpsest in a clear, fluent and challenging style, which promises to force the reality of what so many have praised as 'progress' into the mainstream discourse. A book that works on many levels, White City, Black City is, all at once, an angry uncovering of a vanished history, a book mourning the loss of an architectural heritage, a careful study in urban design and a beautifully written narrative history. It is in all senses a political book, but one that expands beyond the typical. This book promises to become the central text on Tel Aviv - its publication in Hebrew was hailed as 'path-breaking' and a 'masterpiece'.