The opening chapter outlines initial reactions to the novel from English and Caribbean critics, charting the differences between them. Chapter Two explores Wide Sargasso Sea 's dialogue with Jane Eyre and the theoretical questions it has raised. Succeeding chapters examine how critics have assessed the racial politics of Rhys's text, discuss the novel's African Caribbean cultural legacy, and explore how critics read the work both in terms of its moment of production and the early Victorian period in which it is set.

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    Williams ** An armed assault force raids the marble halls of the British Museum. The target – the most heinous relic of all time – the last surviving coin of the blood money paid to Judas Iscariot for his betrayal of Christ.For over a thousand years the cursed pieces of silver cut a swath of famine, pestilence and ruinous destruction wherever they were carried. To save humanity from the malevolent power of the coins, the Knights Templar were given a Papal Blessing and sent on a pilgrimage to the holy lands to find and hide the thirty pieces of silver.A sinister organization has unlocked a chilling secret—the ability to control the power of the coin and use it as a terrifying weapon, posing the greatest threat to mankind in history.Sanford Carter, antiquities thief and ladies’ man, has been ensnared by the secret service and forced to execute a daring burglary on their behalf. His mission is simple – steal the coin first.Sarah Hudson, the studious and law-abiding archaeologist who doesn’t believe in curses, only science, is in the wrong place at the wrong time and refuses to hand over the coin or allow Carter to get away with his bold crime.With ruthless dark forces closing in, the brazen thief and the scholarly archaeologist must unlock the hidden history of the coin if they are to safeguard humanity from its evil curse.From the cobbled streets of London to the spectacular volcanic landscapes of Iceland, The Judas Conspiracy sets a cracking pace from the start and never lets up. For fans of James Rollins, Matthew Reilly, Michael C. Grumley, A.G. Riddle, Rob Jones, Matt Rogers, James D. Prescott, Brad Thor, Douglas E. Richards, Clive Cussler and David Baldacci

    She claimed the police had inserted a stick inside her… Swaranpreet realised that she had been cruelly violated; He spoke a single sentence but repeated it twice in chaste Punjabi: ‘Please give me a turban? I want nothing else…’ These are voices begging for deliverance in the aftermath of Indira Gandhi’s assassination in October-November 1984 in which 2,733 Sikhs were killed, burnt and exterminated by lumpens in the country. Nilanjan Mukhopadhyay walks us through one of the most shameful episodes of sectarian violence in post Independent India and highlights the apathy of subsequent governments towards Sikhs who paid a price for what was clearly a state-sponsored riot. Poignant, raw and most importantly, macabre, the personal histories in the book reveal how even after three decades, a community continues to battle for its identity in its own country.

    In The Happy Journey to Trenton and Camden, four kitchen chairs represent an automobile and a family travels seventy miles in twenty minutes. And in Pullman Car Hiawatha, we board an imaginary railroad car and hear the thoughts of passengers, the populace speeding by -- even the planets above.Here are five one-act plays encompassing the full range of Thornton Wilder's theatrical vision: from the experimental to the humorous to the fantastic. As The New York Times has written, "Wilder's plays are now more than ever in rhythm with our changing habit of theatergoing....He relates the moment to eternity, seeks the infinite in the immediate, finds the universal in each grain of wheat."

    That night, Sater came home and began writing the first lyric of Spring Awakening: "Mama Who Bore Me" - a lyric which still stands, verbatim, just as he first wrote it. Ten years later, in the wake of the enormous international success of this groundbreaking, multiaward-winning show, its original director, Michael Mayer, urged Sater to write notes explicating its famously evocative, poetic lyrics. In rich detail, Sater's notes address the literary sources and allusions of each lyric. He also writes feelingly of what prompted the songs over the course of the show's eight years of development. In so doing, Sater expands on his partnership with Sheik and his experiences with original cast members, Lea Michele and Jonathan Groff, now also known from Glee. These notes will prove invaluable for fans of the show, for all those interested in theater, and most especially for all the young performers who will play the roles and sing these songs.

    Dorothylearns that there is only one person who can help her get backhome — the Wizard of Oz, the mysterious magician who rules overthe fabled Emerald City.Join Dorothy, as she travels through the Yellow Brick Road andmeets new friends — the Scarecrow, who wanted brains for himself,the rusty Tinman, who was looking for a heart and the cowardlyLion, who was in search of courage. Together, the friends face manyadventures, Wicked Witches, Flying Monkeys and of course, thenever-to-be-seen Wizard of Oz. Will Dorothy ever find her wayback home?

    The thirty-five-year-old lawman has several gunfights under his belt and the scars to show for it. He has dealt with tough cases and tougher crooks with no problems. When multiple murders occur, he finds himself heading a serial sex murderer task force that is statewide. Jack is divided between enforcing the law and vengeance, and things spin beyond his control—almost. Jack has to decide between right and wrong in order to determine what to do about it…

    The novel was so successful that it had earned him a Pulitzer Prize back in 1961. The story of the novel revolves around historical background of American society in the middle of 20th century, prior to the African-American Civil Rights Movement, which was largely led by racism and the cruel regime of white people towards the colored minority. Main character of the novel is a woman nicknamed Scout and her family that, unlike many other white families from that time, raise their voices against the justice system which proclaims racism against African-American people. Read more....

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    When the outside world comes calling, intent on manipulation for political and economic reasons, the islanders find their own world blown apart from the inside as well as beyond. Further Than The Furthest Thing is a beautifully drawn story evoking the sadness and beauty of a civilisation in crisis.Further Than The Furthest Thing premiered at the Traverse Theatre, Edinburgh in August, 2000.

    This is where they send the new, the under-qualified, the old. And most of all the British. Mars is full of blonde Americans. It's like they're building the master race out there.Billions of miles from home, the lone research base on Pluto has lost contact with Earth. Unable to leave or send for help, the skeleton crew sit waiting.Waiting.Waiting long enough for time to start eating away at them.To lose all sense of it.To start seeing things in the dark outside.Alistair McDowall's play X premiered at the Royal Court on 30 March 2016 in the Jerwood Theatre Downstairs.

    Forced to abandon the life he has built, he embarks on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out.One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, this new adaptation by Poet Laureate Carol Ann Duffy was presented at the National Theatre, London, in April 2015.

    In her first collection in five years, Anne Carson explores this idea with characteristic brilliance and a tantalizing range of reference, moving from Aphrodite to Antonioni, Demosthenes to Annie Dillard, Telemachos to Trotsky, and writing in forms as varied as opera libretto, screenplay, poem, oratorio, essay, shot list, and rapture. As she makes her way through these forms she slowly dismantles them, and in doing so seeks to move through the self, to its undoing.

    She is the wife of a professor and the owner of a lovely house in Georgetown. She is also the president's nominee for Surgeon General. When the media discovers that once, long ago, she failed to respond for jury duty, this relatively minor misstep is portrayed as a serious moral lapse. A good friend uses the incident to make a point, scarcely thinking of the implications, and Lyssa must suffer the consequences. From that moment on, Lyssa Dent Hughes sits helplessly as the press investigates her family and friends, shattering her privacy, her career, and her world. Wendy Wasserstein's trenchant humor and sizzling dialogue combine with biting political commentary to produce a masterful, and topical, drama.